I’m so excited today to be back with a new post on Oh, for the Hook of a Book! Why am I jumping for joy? Because New York Times best-selling historical fiction authors, Stephanie Dray and Laura Kamoie are here!! Right now, they are not only physically touring to various events in numerous states, but they are also dropping by around the online world to author and blogger sites. Anyone knows me, knows I love history! Following my review below of MY DEAR HAMILTON: A Novel of Eliza Schuyler Hamilton, we sit down for an interview!
I’m always very happy to feature Stephanie, as I adore her work, her style, her sense of humor, her intellect, and her supportive nature for other authors, but I’m very happy she’s clued me in to Laura as well. Together, they are a dynamo writing duo of historical fiction of early America, something I love to study and read about, but as well, most of my followers know how much I focus on women in history overall. I’ve always loved Stephanie bringing women of the ancient world to light (her book on Cleopatra Selene is one of my favorite all time books), but now, in the past two years, with Laura, she’s been diving into women of the American Revolutionary period and it’s been refreshing!
I’ll be offering my review here for the book, in short form, first, but please then stay and read the wonderful interview I had with them both. I think you’ll find it as interesting as I did. If you scroll beneath, you’ll find an excerpt too, and further, a giveaway, and all the information you can imagine. Enjoy!
Review –
My Dear Hamilton: A Novel of Eliza Schuyler Hamilton, by Stephanie Dray and Laura Kamoie, exceeded even my high expectations! It was finely tuned, detailed, flowing as movie screen for the mind, rich, conveying, and just overall, a beautiful story of a woman relying on her own inner strength to blossom into a very influential and intriguing female of the time – one readers deserved to know more about!
I sit back in awe of their mastery of the art of historical research and being able to dissect information and facts in order to imagine real people from history in such a way as we feel as if we truly can visualize them. They are believable, relatable, and engaging in such a way that it propels the reader through the story. Characterization is key in novels, and with this novel, I feel their legacies coursing through me. I almost feel I know so much more about the soil of America, the tapestry of people, place, and time, and to know how it felt to be a part of the building of this country. I feel drawn to know more of those featured in the book, but more so, to learn more about others of the time not featured in the book, if that makes sense. It’s a good book that won’t let you forget and draws you in so much.
My Dear Hamilton is around 600 pages, which could seeming overwhelming, especially if you are used to other various kinds of historical fiction and have not yet read work by these authors, but trust me, it won’t feel like you just read that big of a book. It flows so well, with a seamless voice so that you won’t even remember you’re reading two authors, and you’ll find it senseless to put down. I’d earmark a whole weekend in before your summer festivities start, or else take a very long day at the beach. This book will absorb you, but you’ll also absorb it. If you look at it critically, you’ll realize that there is so much factual information needed to be known to write it, but as your reading it, that will ease off you in a way that just lets you get lost in the story. After reading it, you’ll realize you learned so much, but having a lot of fun doing so!
Having a history degree myself, though not a scholar especially in regards to Hamilton, I can tell that most of this book is seeped in real events and written with painstaking formulating, based on reading of real letters, documents, informational sources, etc. in order to create an image of Eliza, Alexander, and other cast of people in the book. Once you immerse yourself in so much information on a person, people, or place, or all, you can then begin to project an image. I feel that is what this book does. Of course, with fiction, you can create scenarios, based on conjecture, encounters that *could* have occurred, but many that are provable as well. With dialogue, it’s always fiction, hypothetical in many cases, though can also be seeped in fact based on the way a person talks in letters or so forth. Anyway, it’s my best guess for anyone wondering how factual this book is for learning, then absolutely it’s very biographical and a great way to learn history in a more relaxed environment; however, there are lots of juicy details too!
The excellent thing is that while writing using the information, these writers do it so well, they infuse passion into the pages. There is drama, struggles, adventures, romance, intrigue, conflict, sadness, and so much emotion. I had a great time laughing actually as they infuse quite a bit of underlying humor into the prose.
Word choice, imagery, descriptive and flowing sentences all will carry the reader away to another time and place. It’s a stellar portrait image of a view of what it was like at this pivotal time in the forming of our country, full of fervor and igniting wills and minds, and Dray and Kamoie are able to show all this to the reader written through the eyes of Eliza. But not only that, we are able to see more clearly the roles of women at this time, not just the group of men known as the Founding Fathers or those surrounding them. More personally, we see Eliza’s struggles with her marriage, with the ups and downs that so many of us can feel, to the downright secrets and critical thinking some of us have had to do. I can appreciate Eliza’s determination, which made me pull for her throughout the novel!
I’m not a huge fan of Hamilton in general, myself, but I certainly am now of Eliza and I did learn a lot about Alexander Hamilton as well! I know about the whole Hamilton musical craze, and would like still adore seeing it, but this book really propelled Eliza’s story to the forefront for me. I want to know more of the women of this time period and how they trail blazed the way for independence early on, even long before ever gaining being able to even vote. So, what am I saying? Basically, that reading this book should be as exciting for you as going to the theater to SEE Hamilton!, because for me it gave me the euphoria of one, minus the music of course. If you’ve seen, or are a fan of the musical, then it’s definitely a great accompaniment to your pleasure of all things the musical brings too.
Personally, I really enjoyed learning that Eliza came from Dutch heritage in New York in the 1600s, as some of my maternal ancestors were of Dutch descent living in New York as well. I wonder if their paths crossed – most likely! I really enjoy learning about Dutch culture, especially in early America, and have been researching it, and I appreciated the nuggets of description from it interspersed in the book. It just is another example of all the little touches that make this book glimmer.
Of note also is that I think it’s wonderful they include so much in their author’s note, a Q and A, notes about how the book differs from the musical, discussion questions, and such. It’s a wonderful way to round out the book into a real experience. And that you can find so much more online on their websites is so much fun.
Dray and Kamoie make Eliza shine. This book is polished. This will be one of my top historical reads of the year, no doubt. I appreciate their detailed research, elegant writing, dancing story line, and the infusion of vigor and heart that their own passion for history brings to the pages. This is bench-mark for historical fiction novels, and undoubtedly, for American History fiction. I highly recommend for money well-spent. I’ll be dropping 5 stars on online sites.
-Erin Sweet Al-Mehairi, Hook of a Book
Author of Breathe. Breathe.
And now for the interview…..
Eliza Schuyler Hamilton By Ralph Earl – http://collections.mcny.org/Collection/Elizabeth-Schuyler-Hamilton-(Mrs.-Alexander-Hamiliton)-2F3XC5ZHCFN.html via The Athenaeum [1], Public Domain, https://commons.wikimedia.org/w/index.php?curid=9686960
Hi ladies! Welcome to Oh, for the Hook of a Book! I know you are on a whirlwind tour currently to bookstores and libraries in various states, so thank you for swinging by here for a few moments. I’ll put on the teapot, but I know you’re both so busy with the book launch, I’ll be sure to make it a short chat.
What type of tea would you prefer? Did they drink something special in colonial America? Whatever it was, I’m sure it was with sugar or Washington might still have his teeth!
SD: They were fond of rum punch, and we’re fans of it too, but not while on tour! So we’ll settle for a cup of Paris tea from Harney & Sons. Vive La Revolution!
Erin: Stephanie, I love Harney & Sons tea, but you know, I see no problem in sneaking in the rum punch at all – I have a feeling it’s needed! And what better way to celebrate your release!
I almost feel as if I’m overwhelmed with questions to ask, and I’m also trying not to ask things you’ve already talked about a bunch of times, but I’m sure I will. The good thing is, maybe my readers haven’t read the answers yet.
For Stephanie, I’ve known you awhile and been reading your work for some time, watching this unfold, but how difficult was it when you migrated toward writing American History as compared to ancient historical fiction or other categories you’ve written in? Did you feel it less when writing My Dear Hamilton after writing America’s First Daughter?
SD: I had this crazy notion that writing early American history was going to be easier than writing ancient world history because more information was available and I’d have to make less stuff up. So. Wrong. Not only are there a lot of blanks that still exist, but the Founding Fathers kept pretty excellent letters, so there’s a deluge of information and research that you have to get through. Fortunately, it’s all fascinating and I love it! As for writing My Dear Hamilton after America’s First Daughter, I thought it would be easier because Hamilton wrote fewer letters than Jefferson. Little did I know, they were all at least twice as long.
So the moral here is, and let me channel author Kate Quinn for an instant, with my hand on my hip, is that you should never think anything you write will so easy because these historical figures just LOVE to wreak havoc.
For Laura, since you have been teaching American History and have written non-fiction, comparatively, can you talk about how your plunge to historical fiction has been for you?
LK: It’s been really exciting. I’m not new to fiction–I’ve authored over thirty novels in other genres–but America’s First Daughter and My Dear Hamilton were the first books that allowed me to bring together my historical training and my love of writing fiction. Generally, historians readily acknowledge that even writing non-fiction history requires a recognition of the gaps in the historical record and offers at least a little room for (clearly labeled) speculation or imaginings. So nothing about dramatizing the past or extrapolating unknown moments and scenes from sources about a similar event at another time, for example, made me uncomfortable. Just the opposite was true, in fact. Through writing these novels, I’ve become convinced that historical fiction can make valuable contributions to our understanding of the past and can reveal universal truths even when the facts aren’t completely accurate. So it’s been an intellectually interesting experience and I’m completely hooked!
Erin: I totally agree with you! And you can still learn so much!
You write so seamlessly, how is this achieved when I imagine you probably had different writing styles starting out? What have you learned from each other and what do each of you feel the other brings to the projects?
SD: One thing we both share is agility. We’ve both written several other genres. We can write funny, we can write contemporary, we can write suspense or romance or fantasy. And that meant that we were able to adapt to each other’s writing voice. But we also edit each other’s words freely, which means that our words are all interspersed and that helps to smooth out any seams. But we each have complementary strengths that we play to. And we’ve definitely learned from each other. We talk about that a lot. Just one very small example out of many others that I could give is that Laura is the queen of clarity and heartfelt moments. I’ve learned from her when to be less abstract as a writer, when to linger in an emotional moment longer than I might otherwise, and to spell it out. She also makes brilliant connections all the time, and we fire back and forth on how to exploit them!
LK: Hearing that the writing feels seamless is one of our favorite compliments! It was important to us that the books read as if they’d been written by one author, not two. And we were thrilled that none of our friends nor family nor even our editor could tell which of us had written what parts of the books! The way we trade chapters, revise freely, and work together at the same laptop when we get toward the end and are working on revisions and copyedits means that there’s no page in the book that we both haven’t touched, which we think is key to creating that seamlessness. Stephanie’s right–we talk a lot about what we’ve learned from each other. I’ve learned so much from her about crafting the most impactful narrative structure, which includes everything from finding the right prologue to organizing the scenes in a chapter in a way that best highlights the conflict and draws the reader in. And Stephanie is the queen of identifying and playing up themes in a way that makes a book really resonate. So our writing is a true collaboration from beginning to end!
Erin: Yes, I feel I need tissues now, seriously, this is amazing to see writers connecting with such joy and bringing such a labor of love to the readers. I’ve read some of Stephanie’s work already, so yes, I do feel it’s seamless but I can also see knowing this, what each of you added to it to become a single, new author.
Many years ago, when I started my site and working on projects in publishing and in my own writing, all the agents were saying no to American History and especially Colonial History themes. That saddened me, because I wanted to read more from this time period, but not only in non-fiction reading. I was thrilled to see not only more biographical historical fiction start to be published about women, especially women who stood in the shadows of history’s men, but also in American History. When America’s First Daughter hit big last year, I knew maybe the tide would start to turn even more. Besides your book, what else do you contribute to the change in publishing and reading American/Colonial fiction?
SD: Oh gosh, you might be giving us too much credit there, but we certainly would love to think we played a positive role in it! I think right now the country is having a reflective moment; we’re trying to come to terms with who we are and what direction we should be going. It’s difficult to do that without remembering where we came from. So early American history is a natural place to look.
LK: I agree. And early American history is also having a bit of a cultural ‘moment’ with (much more influential!) things like Hamilton: An American Musical, the Outlander TV series, and the recent AMC series, TURN: Washington’s Spies, just to name a few. Really, historical TV series from all eras seem to be doing really well. Think of The Crown, Victoria, Downton Abbey, the White Princess/White Queen series, The Last Kingdom, or even the new The Terror. Clearly, popular culture is opening some doors where historical stories are concerned.
Erin: Oh yes, and I love all those shows, even Sleepy Hollow and Salem!
Do you feel that we need this more than ever now with the political climate? How does this change history’s views of women besides finally memorializing these women more properly?
SD: I’ll let Laura answer the question on memorializing women, but I’d say in terms of the political climate that both parties like to lay claim to the Founding Fathers. But part of our mission has been to demonstrate that no modern political party owns them and that very little about their ideas or their accomplishments was as simple as we like to pretend.
LK: Stephanie and I feel strongly that centering historical women in their own stories is an important enterprise that makes a real contribution–because stories like ours make it clear that the Revolutionary War wasn’t won by white men alone, and the new nation wasn’t built by white men alone, either. All groups in society–enslaved persons, free black people, Native Americans, and women–played important roles in, made sacrifices for, defended, and contributed to the founding of the United States. Certainly, we saw how much Patsy Jefferson and Eliza Hamilton did to make possible the work and contributions of the important men in their lives. Neither Thomas Jefferson nor Alexander Hamilton would’ve been able to achieve all they did without the assistance and contributions of these women. That’s a story that deserves to be told.
Erin: *More Kleenexes please!* Yes, absolutely!! And I just love that you are telling these stories too. Please keep doing so!
As Stephanie I think knows, my 18-year-old American history buff of a son has George Washington plastered completely all over our home and doesn’t go a day without speaking of him – in fact he drinks from a Valley Forge mug every morning. He was this way BEFORE the craze – you know the Hamilton craze, but now it seems it’s cool to like American History! How do you feel the craze for the Hamilton musical, music, the Founding Fathers, and so forth, got its foot-hold, but further, how is it being sustained so dramatically? Did this make your book more fun to write? Did it influence it at all?
SD: I love that your son drinks from a Valley Forge mug! That’s so fantastic. Tell him that I see that I need to up my game when it comes to Founding Father bric-a-brac. We are totally screaming fangirls of the musical and think it is that special and rare kind of art that did a genuine public service. And continues to do so! Laura just saw it again, so she can speak more about that.
LK: Our new My Dear Hamilton was in part inspired by the musical–I doubt this is any surprise! I happened to see it during its first week on Broadway, and the next morning Stephanie and I talked about Eliza and decided to make her our next heroine. And we pitched the idea to our editor that very afternoon–that’s how sure we were! Now, we were already searching for the perfect historical figure after writing about Patsy Jefferson, and we loved the idea of writing next about a founding mother of the north. While writing–or driving to book events–I can’t tell you how often we listened to the musical’s soundtrack, but suffice it to say that we both know the lyrics by heart! That definitely did make it fun. As did discussing the storytelling choices that Lin-Manuel Miranda made in the musical and how we might be making some different choices in our book. We thought readers might find those differences interesting enough that we wrote an essay on the subject that’s available in the back matter of the book!
Erin: I will tell him Stephanie! He’s always inspired by you though and your glee for cool stuff and locations. He just thinks there needs to be a George Washington musical. haha!
I absolutely love to think about travel to all the historic sites in America that have something to do with early American History. I am sure, and I think I saw, that you traveled places in your research for My Dear Hamilton. What was the favorite place each of you visited and why? Did it make it into the book?
SD: Laura can tell you about our favorite that made it into the book, but I’ll tell you my favorite that didn’t. When we were visiting Fraunces Tavern, they had an exhibit that included a sash worn by the Marquis de Lafayette during the Battle of the Brandywine where he was injured in our cause, and it was still stained with his blood! Fraunces Tavern makes it in, but there was no good way to mention that sash!
Erin: WOW!
LK: In writing My Dear Hamilton, we actually visited a number of historical sites. But I think our favorite–in that it was so impactful to us and on a particular scene in the book–was the Trinity Church graveyard. First of all, we found some humor in the fact that there’s a check cashing business on the other side of the street directly opposite Alexander’s tomb. And that seemed…oddly appropriate in some way! But more seriously, when we visited the graveyard for the first time, the Trinity Root sculptor was still there–a huge 9/11 memorial of the trunk and root system of a tree that’d been knocked down on that terrible day. The sculpture was both sad and haunting and powerful and hopeful–because the roots show all the things beneath the surface that you don’t normally see, but which are vital to sustenance and stability. And that made us think a lot about Eliza Hamilton’s character. It felt, at least in part–in both its sadness and its strength–like an analogy for our book. And that sculpture absolutely influenced the tone of the scene we wrote in My Dear Hamilton that takes place in that graveyard.
Erin: That’s totally amazing! Thank you so much for sharing that!
I know there is a gigantic amount of research that goes into writing a book of this magnitude. How did you complete it so quickly together? What are your tips for researching and writing historical books based on true people’s lives like this? Where did a majority of the research come from?
LK: Since Eliza appears to have destroyed most of her own letters, we had to pull resources from everywhere we could find them. That involved significant usage of the Founders Online website via the National Archives, as well as archival research in New York and Albany. We also used a wide variety of papers from other people and institutions of the era, including, for example, Tench Tilghman’s journal, the papers of other members of the Schuyler family, papers of an investigation from the Historical Society of Pennsylvania, and the published recollections of the Washington National Monument Society. That’s just the basics of what you have to do when you choose to write about a real person, though I’m not sure either of us would characterize the research work as having been quick!
Erin: No, it’s NOT quick, and I can certainly understand how time consuming all the research was – but that’s what I mean, to me, I feel it would take 10 years to sift through and also write a book like this, and you both did it all in less than a year! I love hearing the different places you found your information to formulate your characters and book. I’ve been researching a historical fiction book for what seems like forever. I always thinks it’s clever fun to see all the things you can uncover and from where!
In continuing on that, how do you keep on schedule? (Notice I didn’t ask how you stay sane haha)
SD: Hah! Good thing. Keeping on schedule is tough. I’d say between the two of us I’m the more schedule-oriented in that I plan everything out on multiple calendars. But Laura’s scratch it on the back of a napkin method works okay for her too.
Erin: I wish I had your planning skills, Stephanie. Always in awe. I am more of a napkin person myself, Laura. haha. I always hope I’ll get divine advice to change to be more organized to get done more efficiently, but then, I guess it’s all what works for each individual.
I was so happy for all your success of America’s First Daughter and I’m rooting for you to have as much or more success with My Dear Hamilton. So, what’s next? Will you endeavor to write another next year together or get busy on separate projects?
LK: We’re currently collaborating on a novel on the women of the French Revolution and are having a lot of fun jumping to America’s “sister revolution.” Stay tuned for more on that–we’ll be excited to share when we can!
Erin: Ooooh! I look forward to it!
If you could do a cross-over book featuring a person from American History time-traveling to an ancient civilization, who and where would you choose to feature?
SD: You get bonus points for asking us a question we’ve definitely never been asked before. I’m gonna say Thomas Jefferson to the ancient kingdom of Meroe where the Kandake might have taught him some useful and important things.
Erin: Yay! Very clever!
Bonus question – I mean what was it like to present at the SMITHSONIAN!!?? *drops mic*
SD: AMAZING! Dream come true.
LK: It totally brought out both of our inner history geeks!
Erin: With that, though I’d love to pick your brain more, I’ll let you head out for your next event! Best wishes again for the success on My Dear Hamilton and congratulations to you both for all your hard work! Stop again anytime. Thank you both!
SD: It’s been a pleasure as always, Erin. Can’t wait to hear what you (and your son) think of the new book!
Erin: Thanks, Stephanie. Of course, you can read what I thought here now, and I’m passing along the book to Nassem now. He’s been anxiously awaiting it since the day you announced!
LK: Loved your thoughtful questions, Erin! Can’t wait to do it again!
Erin: Thank you, Laura, I look forward to it!
*Passes more rum punch all around, because…we can…for Liberty!*
Enjoy an Excerpt!
The night before our wedding, the ball at our house was attended by all the best of Dutch Albany society. The Van Rensselaers and the Van Burens, the Ten Broecks and the Ten Eycks, the Van Schaicks and the Douws, and so many others. Neither snow nor ice nor howling wind seemed to deter our New Netherlander friends and neighbors from coming out to the Pastures for the celebrations.
Amidst boughs of holly and the light of countless candles, the grand hall on our second floor hosted festivities that included food and drink, dancing and music, and games and toasts. We danced minuets, cotillions, and Scottish reels until my feet ached and my heart soared. Alexander never seemed to tire, and I determined to keep up with him through every bar and set. I danced with Mac and my brother-in-law, Mr. Carter, a man eight years Angelica’s senior, whose business supplying the army for once permitted him time to join in the festivities. But Alexander could never wait long before declaring himself impatient and claiming me again.
My fiancé appeared more at ease than I’d ever seen him before, and perhaps that wasn’t a surprise, as these days of rest and merriment were the first break from military service he’d had in five years. Indeed, his eyes sparkled as he asked, “May I steal you away for a moment?”
“By all means.” I’d been hoping for a quiet opportunity to give him my gift. He took my hand and led me around the edge of the dance floor as we were stopped again and again by well-wishers, until we finally escaped down the stairs and into the cooler air of the dimly lit sitting room, which afforded us a modicum of peace and privacy. There, Alexander asked me to wait. And while he ducked away I seized the moment to pull my gift from its hiding place in the cabinet next to the fireplace. Alexander returned before I’d barely completed the task—and held a large sack of his own.
“Whatever is that?” I asked.
“He grinned and nodded at what I held in my own hands. “I could ask the same.”
I smiled. “A wedding gift for my husband.”
He feigned a frown and stepped closer. “Your husband, madam? Do I know him?”
Playing his game, I said, “Oh, you know him very well, sir. And your gift is for?”
He came closer yet. “For my wife-to-be. And before you ask, indeed, you know her well. She has a good nature, a charming vivacity, and is most unmercifully handsome”—he arched a brow and closed the remaining space between us—“and so perverse that she has none of those affectations which are the prerogatives of beauty.”
How did he always manage to set my world a-tumble with his words? “Oh, you must be a lucky man, indeed. I hope you’ve shown her your appreciation.”
He barked a laugh. “You saucy charmer!”
I sat in the chair closest to the fire so that I could see by the greater light there, and Alexander pulled up a chair of his own so that our knees touched. With a nervous smile, he placed the heavy sack onto my lap. I untied the its string and worked the coarse cloth over the solid object inside. Impatience rolled off him so forcefully that I had to tease him further by taking great pains to slide the sack evenly off, a little on this side, and then a little on that.
“And to think someone once told me you were the Finest Tempered Girl in the World,” he said with a chuckle.
Wife, Widow, and Warrior in Alexander Hamilton’s Quest for a More Perfect Union
From the New York Times bestselling authors of America’s First Daughter comes the epic story of Eliza Schuyler Hamilton—a revolutionary woman who, like her new nation, struggled to define herself in the wake of war, betrayal, and tragedy. Haunting, moving, and beautifully written, Dray and Kamoie used thousands of letters and original sources to tell Eliza’s story as it’s never been told before—not just as the wronged wife at the center of a political sex scandal—but also as a founding mother who shaped an American legacy in her own right.
Order your copy of MY DEAR HAMILTON today!
A general’s daughter…
Coming of age on the perilous frontier of revolutionary New York, Elizabeth Schuyler champions the fight for independence. And when she meets Alexander Hamilton, Washington’s penniless but passionate aide-de-camp, she’s captivated by the young officer’s charisma and brilliance. They fall in love, despite Hamilton’s bastard birth and the uncertainties of war.
A Founding Father’s wife…
But the union they create—in their marriage and the new nation—is far from perfect. From glittering inaugural balls to bloody street riots, the Hamiltons are at the center of it all—including the political treachery of America’s first sex scandal, which forces Eliza to struggle through heartbreak and betrayal to find forgiveness.
The last surviving light of the Revolution…
When a duel destroys Eliza’s hard-won peace, the grieving widow fights her husband’s enemies to preserve Alexander’s legacy. But long-buried secrets threaten everything Eliza believes about her marriage and her own legacy. Questioning her tireless devotion to the man and country that have broken her heart, she’s left with one last battle—to understand the flawed man she married and imperfect union he could never have created without her
✭✭✭ ORDER MY DEAR HAMILTON TODAY✭✭✭
Amazon | B&N | GooglePlay | iBooks | Kobo | Autographed Paperback
Add to Your Goodreads
Join Stephanie and Laura’s VIP mailing list
Enter to win in a Rafflecopter giveaway
Stephanie Dray, Biography –
STEPHANIE DRAY is a New York Times, Wall Street Journal & USA Today bestselling author of historical women’s fiction. Her award-winning work has been translated into eight languages and tops lists for the most anticipated reads of the year.
Before she became a novelist, she was a lawyer and a teacher. Now she lives near the nation’s capital with her husband, cats, and history books.
Stephanie Dray Website |Newsletter | Facebook |Twitter | Dray & Kamoie Website
Laura Kamoie, Biography –
Laura Kamoieis a New York Times bestselling author of historical fiction, and the author of two non-fiction books on early American history.
Until recently, she held the position of Associate Professor of History at the U.S. Naval Academy before transitioning to a full-time career writing genre fiction under the name Laura Kaye, also a New York Times bestselling author of more than thirty novels.
Laura Kamoie Website |Newsletter | Facebook |Twitter |
Dray & Kamoie Website
Oh, for the HOOK of a BOOK! 