Category Archives: Feature Articles

Guest Article: Tracy Fahey Discusses Contemporary Body Horror in Literature and Her Collection, I Spit Myself Out. #WiHM #HookonWiHM #womeninhorror @TracyFahey

Author and gothic expert Tracy Fahey is a woman in horror who always interests me. I suppose it’s because my first love in horror myself is the gothic sub-genre, but also Tracy always has intelligent and thought-provoking things to say. It’s why, besides wanting to support her, I invited her to write another article for this site during the time frame of her latest release, a collection of female body horror. I knew she’d discuss something that would be make me want to think a bit harder, challenge me. She didn’t disappoint, but extended my thoughts of the pre-conceived boundaries of body horror I had in my mind. And she’s cited one of my favorite stories, and biggest influences, in “The Yellow Wallpaper” by Charlotte Gilman Perkins!

I hope you enjoy it and check out Tracy’s collection too!

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I Spit Myself Out: Contemporary Female Body Horror
by Tracy Fahey, Author of I Spit Myself Out

My new collection, I Spit Myself Out, is yet another addition to the rich tradition of writing the female body in horror. Earlier seminal work includes Charlotte Gilman Perkins’ masterful short story of 1892, “The Yellow Wallpaper,” perhaps the finest portrait of patriarchal repression of post-partum depression ever written. Similarly, Margaret Atwood’s The Handmaid’s Tale (1985) telegraphed anxieties about female autonomy, while Madge Piercy’s 1976 speculative feminist classic, Woman on the Edge of Time, contrasted the wretched life of protagonist Connie Ramos inside and outside the asylum she is confined to with the utopia of Mattapoisett.

In recent years, there has been a renaissance of work on the theme of female body horror. This can be viewed as a direct response to the increasing anxiety surrounding women’s rights. Atwood’s The Handmaid’s Tale was recently adapted for TV. This powerful series, with its contemporary setting, speaks to real, current fears about female reproductive rights, bodily autonomy, and control. Since 2018, female protestors against the erosion of body rights under the Trump regime have worn the iconic Handmaids’ garb of white bonnets and red robes to signal their visceral fear of a new Gilead made reality. Atwood was spurred on by the march of current events to write a sequel to The Handmaid’s Tale thiety years later, The Testaments (2019). In an interview with Laura Lynch, Atwood said of writing this sequel:

I was no, no, no, no, no for a while, but then No. 1: history changed. Instead of going away from Gilead, we turned around and started coming back towards Gilead.

This vision is echoed in Christina Dalcher’s Vox (2016) where women are literally silenced, forbidden to read, and their conversation limited to under a hundred words a day. In Gwendolyn Kiste’s The Rust Maidens (2018) girls begin to transform and to disintegrate, in tandem with the decline of their hometown. Similarly, Georgina Bruce’s magnificent collection, This House Of Wounds (2019), presents a series of visions of the female psyche as riddled with pain, both physical and mental.

In writing I Spit Myself Out, I was conscious of this tradition. There are definite influences that permeate it (there are shades of “The Yellow Wallpaper” in the titular story, and an Atwoodeque fear of the subjugation of the female body in the perimenopausal story ‘Becoming’). However, in this collection, I wanted to find new ways to articulate these concerns. My first influence was Julia Kristeva’s essay ‘The Powers of Horror,’ and in particular by the way she explores the notion of the abject; that which is of us, but which the body casts off.

 “I” do not want to listen, “I” do not assimilate it. “I” expel it. But since the food is not an “other” for “me,” who am only in their desire, I expel myself, I spit myself out, I abject myself with the same motion through which “I” claim to establish myself. That detail, perhaps an insignificant one, but one that they ferret out, emphasize, evaluate, that trifle turns me inside out, guts sprawling; it is thus that they see the “I” am in the process of becoming an other at the expense of my own death.

Justin Park’s wonderful cover design of I Spit Myself Out perfectly captures Kristeva’s idea of the difficulties that arise when we separate ourselves from what we abject. In this collection I wanted to look at these liminal areas of the female body – the skin as membrane, abraded and permeated, eating disorders that purge the body, and, of course, blood rituals that mark the passage of the body from puberty to menopause.

Ancillary to this was my own cultural background of Irish Catholicism and its problematic attitudes to the female body. So this collection is also rife with images of miraculous cures, stigmata, statues, stained glass, and shrines. It also betrays my interest in both forensics (explored in the story ‘The Wrong Ones’) and morbid anatomy (as featured in ‘I’ll Be Your Mirror’). The final font of inspiration for this collection was the troubled relationship between the body and the mind. Characters in I Spit Myself Out inhabit an uneasy world where their bodies become theatres of pain, places that play out the tension between the expectations of society, the desire to conform, and the rebellious refusal to do so.

Like Connie Ramos, like Offred, like the unnamed narrator of “The Yellow Wallpaper,” the women of I Spit Myself Out face their anxieties about what it is to be female, they find their voices, and, ultimately, they spit their stories out.

I Spit Myself Out, About –

Eighteen unsettling narratives map the female experience from puberty to menopause.

I Spit Myself Out is a collection of female-voiced stories exploring the terror that lurks beneath the surface of the skin. In this collection, an Anatomical Venus opens to display her organs, clients of a mysterious clinic disappear one by one, a police investigation reveals family secrets, revenge is inked in the skin, and bodies pulsate in the throes of illness, childbirth and religious ritual.

Disturbing and provoking in equal turns, I Spit Myself Out reinvents the body as a breeding ground of terrors that resurface inexorably in the present.

You can order it at hyperurl.co/ezgri7, or you can order directly from the Sinister Horror Company

Tracy Fahey, Biography –

Tracy Fahey is an Irish writer of Gothic fiction.  In 2017, her debut collection The Unheimlich Manoeuvre was shortlisted for a British Fantasy Award for Best Collection. Her short fiction is published in over thirty American, British, Australian and Irish anthologies.

She holds a PhD on the Gothic in visual arts, and her non-fiction writing is published in edited collections and journals. She has been awarded residencies in Ireland and Greece. She has written two collections, New Music For Old Rituals and The Unheimlich Manoeuvre, the mini-collection, Unheimlich Manoeuvres In The Dark, and the novel, The Girl In The Fort.  

Her new collection, I Spit Myself Out is published by the Sinister Horror Company in February 2021.

You can read another article by Tracy, about Doppelgangers, which she wrote for this site last year, HERE.

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I’ll be celebrating #WomeninHorror and #BlackHistoryMonth in both February and March specifically here, but also still promoting #WomeninHistory month which is March as well. But you know me, I promote women and diversity all year long anyway. But feel free to follow along on my page for Women in Horror for this special honorary time.

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Guest Article: Indie Horror Fundraiser and Scholarship for Women in Horror by Andrew Fowlow, The Book Dad #HookonWiHM #WiHM

I have some exciting news and a really cool announcement for my fellow women in horror! There is an exciting project, headed by horror reviewer and freelance writer Andrew Fowlow, in which you can buy some super cool women in horror merchandise all for a great cause, in order to offer a scholarship and in-kind editing and marketing gifts to help a woman in horror pursue her writing and publication efforts, and beyond that, to help spread the word about the mighty power that is indie horror!

Andrew is here at Hook of a Book to introduce himself to us and explain the fundraiser and scholarship. Those of you who know me know that after my ten years in the genre as an editor, author, PR professional, and more in the horror genre that I wouldn’t be partnering with Andrew if I didn’t believe in his energy, enthusiasm, and heart for the community as well as his skills, drive, and desire to help others. As well, of course, I believe in his professional skills he’s honing not only as a freelance writer, but someone who is learning and excelling in the ropes of marketing. Andrew writes for various publications such as Lit Reactor and HorrorDNA, among others. The horror newsletter he’s recently started for the genre is amazing and sign-up MUST for anyone (you’ll find that link below).

And finally, I am really happy to see in the last few years the amount of men who are stepping up in horror to support women in horror. When we all support and respect one another, the community flourishes.

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Now that I’ve introduced Andrew, I’ll let him have the floor…..

Indie Horror Fundraiser and Scholarship for Women in Horror
by Andrew Fowlow, The Book Dad

If you don’t know me, my name is Andrew, otherwise known as ‘The Book Dad,’ and I am a reviewer of horror fiction. It is my intent to support those in the #HorrorCommunity anyway I can while on my literary journey to reading all things terrifying and suspenseful!

As you know, it’s #WiHM (Women in Horror Month) and I wanted to do something special for our ladies of the macabre! I created a RedBubble store with a few designs for folks to show off their love for HORROR FICTION! There are stickers, to be read (tbr) cart magnets, mugs, t-shirts, you name it.

Find it all at:

thebookdad.redbubble.com

Cool, right?

So, where does the money go?

Scholarship for a Woman in Horror!!

ALL MONEY EARNED IN FEBRUARY AND MARCH WILL GO TOWARDS A FEMALE HORROR WRITER TO HELP FUND THEIR NEXT PROJECT!!

I want to help a woman in horror get their book in readers’ hands. That could mean splurging on a fancy cover, getting a Horror Writer’s Association (HWA) membership, funding an audiobook, WHATEVER THEY WANT!

In addition, FREE EDITING PACKAGE:

The lovely Erin Al-Mehairi from Hook of a Book Media has graciously offered a free developmental and copy editing of a book 100k words or less (over is negotiable) for the chosen writer (with minor guidelines such as when the editing is negotiated for would be based on her current client schedule). This is a huge savings and you will receive an edit from a known and established editor in the genre.

In addition, also, FREE MARKETING PACKAGE:

I, The Book Dad, will also offer up my time to assist with the following:

✅ Marketing Strategies

✅ Full Media Kit

✅ Press Releases

✅ Newsletter

✅ Website/Landing Page

✅ Social Media Campaigns

I invite any female horror writer to email me: Andrewfowlow@gmail.com with their details and a brief pitch telling me what they are working on. Please, don’t be shy. I WANT TO HEAR FROM YOU! Throughout the next two months, I will run a social media campaign to decide on a winner so keep watch. This will be a fun opportunity and I’m excited to connect with you all!

Again, if you don’t know me, that’s ok, you can find me on Twitter, Instagram, Facebook and Goodreads or sign-up for my horror fiction newsletter for more content from those in the #HorrorCommunity.

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Thank you so much to Andrew for running with this idea to help a woman a horror. I’m happy to be a part of it and good luck! Get those pitches in to Andrew for consideration and watch social media for more about the giveaway.

Remember to showcase those women in horror you love each and every day!

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Guest Article: Mark Matthews Talks About His Choice of Title for His Book The Hobgoblin of Little Minds @matthews_mark

I have the distinct pleasure of hosting a guest article from Mark Matthews on the occasion of the release of his new novel, The Hobgoblin of Little Minds, a psychological horror novel. Mark is always and often advocating for mental health awareness, whether in working in the field, talking about it in articles or social media, or intricately so, in his writing of books and stories or editing of anthologies. I admire Mark for his dedication and thoughts to the human condition and believe he’s a fabulous writer who has important things to say through his words. Pick up a copy of his work, or an anthology with one of his stories, and you’ll see what I mean. Or to get first glimpse, read the article below and pick up a copy of his newest book.

“I Was Told There Would Be Hobgoblins”
by Mark Matthews, author of The Hobgoblin of Little Minds

Yesterday, January 28, 2021, was the first full moon of the year! With that, I’m very excited for the release of my new psychological horror novel, The Hobgoblin of Little Minds, to coincide with this lunar activity.

The novel has received some great reviews from early readers, but I do fear some elements might disappoint. For example, I imagine eavesdropping on readers and hearing things like:

“I was told there would be Hobgoblins. Where are the Hobgoblins?”

Sorry, there are no Hobgoblins inside.

 “No Hobgoblins!? But there are at least Werewolves, right?”

Well, sort of. But you’ll not find the word ‘Werewolf’ inside, not even once.

No Hobgoblins. Never mentions Werewolves, What the hell?

Let me explain:

The title of the book comes from the phrase “Foolish consistency is the hobgoblin of little minds.” For those who’ve read the transcendentalist Ralph Waldo Emerson, the phrase strikes a chord immediately.

The concept is a theme throughout the book. This idea that repeating things as they’ve always been done out of mindless repetition stops creativity and ingenuity. The quote is heralded, and ultimately twisted, by a psychiatrist, Doctor Zita. Zita is the villain in the story, to a degree, but certainly a sympathetic character.

Doctor Zita grew up witness to her mom struggling with mental illness. After one of her mom’s many suicide attempts, her dad abandons the family, saying “you fix her” as he leaves out the door. This becomes her driving principle and obsession— to ‘fix’ bipolar disorder, and not repeat the foolish mistakes of ineffective mental health treatment of the past.

“She was going to find a way to fix bipolar disorder. To siphon out the worst parts, and make the best parts boil to the top. She had to try something new, because ‘foolish consistency is the hobgoblin of little minds.’ The same efforts bring same results.”

According to the Doctor, the symptoms of bipolar do not need to be blunted and minimized the way psychiatry has tried for years, but rather, magnified and harnessed. The boundless energy of mania, the primal passions, acute senses, and savage strength are resilient traits that have helped humans persist.

This is not a belief that I subscribe to, but through the viewpoint of Doctor Zita, I do hope to show empathy for family members who rely on mental health treatment, and have so often been let down by a science that is far from perfect, and at times causes more harm than it does cure. This book shines the light on some dark challenges of mental illness, and portrays it with humanity.

The werewolves inside are definitely beasts, but they are not monsters. They love. They have hopes and dreams. They speak as much as howl. They visit their churches and their childhood homes, mimicking much of their human behavior. They do not grow hair, but they do grow stronger as a predator when the moon is full, and have explosive and vengeful rage, often with the best of intentions but worst of results. They are propelled by boundless energy and amazing powers of perception. All of this is what happens, in a sense, in bipolar mania.

As noted, the word werewolf is never mentioned in the novel, much in the way the word zombie is never mentioned in The Walking Dead. In a sense I did this because there is no such thing as werewolves, right? And I want this story to ring true. It even occurs in a true setting, the abandoned Northville Psychiatric Hospital.  

So, no, there are no Hobgoblins inside, nor any little minds being eaten, but I do think you’ll find that there is so much more.

The Hobgoblin of Little Minds, About –

Kori Persephone Driscoe suffered through her dad’s mental illness. All she wanted was for him to get better, but instead he disappeared. Kori trespasses into the abandoned Northville Psychiatric Hospital, the last place her dad was treated, seeking solace and traces of his memory. What she finds instead is something no longer human living deep in the underground tunnels.

During the last days of the hospital, a rogue psychiatrist had been manipulating the mood swings of the mentally ill, transforming patients into savage, manic creatures who seek justice by the light of the full moon. When the creatures hunt for prey, only an escaped patient and her beloved child can help Kori survive. But they better act fast, because the creatures want blood, Kori wants to save her dad, and the whole hospital is about to be blown to pieces and bury Kori alive. 

The Hobgoblin of Little Minds is available at:

Kindle for Amazon – Cover above is Kindle Cover!

Amazon paperback – full wrap cover above!

Or…

Barnes and Noble

Indiebound

Powell’s

Mark Matthews, Biography –

Mark Matthews is a graduate of the University of Michigan and a licensed professional counselor who has worked in behavioral health for over 20 years. He is the author of On the Lips of Children, All Smoke Rises, and Milk-Blood, as well as the editor of the anthology Lullabies for Suffering and Garden of Fiends. His newest work, The Hobgoblin of Little Minds, is available as of January, 2021. Reach him at WickedRunPress@gmail.com.

Follow Mark Matthews on Twitter.

Author’s Webpage

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Final Day of Breathe. Breathe. In This Format: Its Journey and My Thoughts

Happy Halloween! I hope you’re enjoying your weekend. We are pumpkin carving, eating candy and fun foods, and going to a drive thru pumpkin glow tonight!

I’ve been writing since I was in junior high, maybe before, and pretty seriously since high school/college. That’s over 25 years! It was such a dream come true to have my debut collection of dark fiction and poetry called Breathe. Breathe. come to life with Unnerving publishers three years ago – but they flew by!

I’ve written so much more since then, much published already in various places, but a good bulk of it you’ll see starting next year. Having this published really gave me the catalyst to go further and stop putting my writing last. I will forever be grateful to the words on these pages for helping to heal me and allow me to grow as a person and a writer. Don’t be fooled by this cover for inside it’s dark, sometimes dreary, sprinkled with light and life, but also loss and darkness. The cover art is an ode to my story within “Dandelion Yellow,” which as I’m told, broke many a heart.

Photo Credit: Erin Al-Mehairi
Bookmark: A Stranger Thing
Art direction & plant: Emma Al-Mehairi

Until the end of the day Saturday (Oct 31) it’s marked down to .99c in e-book and just $6 paperback, and after that, this debut version will be gone from purchase. I’m not sure when I’ll bring it back! If you order a paperback and want it signed let me know and I’ll send you a signed insert.

I want to thank everyone who has supported my writing and this book, and those who keep doing it. Trust me you’re going to see BIG things from me in 2021! Publishing has given me some punches lately, but don’t think I was knocked down. Nothing is better for what life is in 2020 than some of the words on these pages – dark, deep, but with hope. And also, I’m proud it’s closing this chapter of its journey during domestic violence awareness month, since this book holds that issue close to it. I’d be honored if you’d breathe with me and buy a copy or share the word!

Thank you for being on this writing and reading journey with me!

To purchase on sale today only (Edit: looks like a few of the print only still available though e-book is gone), head to AMAZON and get it print.

You’ll also find a copy at several Barnes and Noble locations in Ohio and Florida (can be shipped from there or picked up if local) and Macs Backs on Coventry (independent bookstore near Cleveland, Ohio) if you’d like a print copy but can’t buy it today. Ask me for more info when interested.

Erin

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RDSP and Artist Steven Archer to Publish Illustrated “The Masque of the Red Death” #Poe #Art

A few days ago we celebrated national dark poetry day, which is also the anniversary of the day of Edgar Allan Poe’s death. I posted about Poe and my trip to Baltimore to see his home and grave. He’s been such an inspiration to me as a writer. But he’s been an inspiration to so many hasn’t he? Writers, authors, screenwriters for film and tv, artists… they all are inspired by his storytelling.

One of his most famous works, “The Masque of the Red Death,” is a short story about a kingdom and the plague, and how the rich folly during times of great distress and the poverty caused. It sounds parallel in some ways to today and the world, and leaders, we are living with as the Coronovirus rages on.

Because of that, and this announcement I’m about to tell you about coinciding with it, I’m writing this post to inform all book and art fans and collectors of something very exciting!

Raw Dog Screaming Press announced yesterday that they will be releasing an e-book and print version of an illustrated “The Masque of the Red Death” created by Steven Archer.

Artist Steven Archer, who studied art at the Cochran School of Art in Washington D.C., has his own sense of style when it comes to his work. His work is becoming so iconic, I can usually look at a piece and suggest it might be his. It’s hauntingly fluid and rich in color.

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From their announcement:

“Edgar Allan Poe wrote “The Masque of the Red Death” nearly 180 years ago, yet its narrative and characters continue to mystify and captivate. The short story is driven by Prince Prospero’s attempt to evade the “Red Death” a fatal plague infecting his kingdom, by hiding in his abbey, where he indulges in pleasures and delights with other nobles. He soon finds out that no one can escape their end.

Steven Archer has recast the characters of The Masque and illuminated the narrative in a novel and perhaps more visceral light, that remains true to the raw darkness and decadence of the tale. His modern take on the classic story brings it into our new infected world. Perhaps it was prescience that drove him to create the illustrations in 2018 only to have them see the plague-filled light of day in 2020. Even now in our enlightened and modern world, “Darkness and Decay and the Red Death holds illimitable dominion over all.”

With a foreword by John Langan (The Wide Carnivorous Sky), this is an immersive visual feast that breathes new life into this classic memento mori tale of disease, decadence, and inevitable mortality.”

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RDSP bring such unique publications to the horror, fantasy, and sci-fi genres, and are always looking for the inspired and unique. They breathe life into the ideas of artists and authors alike. Huge kudos for Jennifer Barnes, the editor and co-owner of RDSP, for working with Archer to bring his beautiful representation of Poe’s work to light.

Order Info –

ebook coming December 9 • paperback January 13

Pre-order price includes a $2 discount, all copies shipped in the US will come SIGNED! Pre-order HERE direct from RDSP.

Illustration Sample from Steven Archer’s artwork in “The Masque of the Red Death”

Praise –

Steven Archer is an aspiring artist of great talent and skill.”—Neil Gaiman, New York Times Best Selling Author of American Gods

“Ravishing illustrations, seductive and scarlet; a hideous bit of morbidity: exactly what I look for every time I look. Archer is on fire here. A classic reborn.”Josh Malerman, New York Times Best Selling Author of Bird Box and Malorie

“Beautiful horrors! Archer’s expressionist ironies breath new life into Poe’s schoolbook tale. It’s like experiencing a plague for the very first time!”Nick Mamatas, author of Move Under Ground and Sabbath

“I can think of no better combination than Poe and Archer. A vibrant, temporal, visceral re-imagining. To die for.” —Lee Murray, author of Grotesque: Monster Stories

“This is The Masque of the Red Death for our times. Faithful to Poe’s vision, Archer’s artwork expands and enriches the text with surreal elements of lust and debauchery only hinted at in the original. Thanks to Archer, ‘Darkness and Decay and the Red Death will continue to hold illimitable dominion over all.’”— Chris Semtner, Curator Edgar Allan Poe Museum

“Steven Archer’s style has the perfect sense of dreamlike chaos for The Masque of the Red Death. A refreshing take on a tale that in many ways is very relevant for the world today.”Abigail Larson, Artist, DC/ Dark Horse

About Artist Steven Archer –

Steven Archer is an artist and musician living in Baltimore, MD. When not recording, DJing, or producing art, he and his wife, author Donna Lynch, tour with their dark electronic rock band Ego Likeness. He has a BFA from the Corcoran School of Art in Washington DC and has shown his work at galleries and other venues throughout the east coast.  His work has also been shown internationally in the form of album art and magazine illustrations. Luna Maris is his first book. He has also collaborated as illustrator on two books of poems by Donna Lynch; Witches and Daughters of Lilith.

For more information about Ego Likeness, please visit www.egolikeness.com. Stevens solo electronic project can be found at www.hopefulmachines.net

To learn more about this title or other RDSP titles, visit their website. Often, ordering direct from RDSP will ensure you get the books much faster. As always please consider also shopping through your local indie bookstores, ask them to carry, and also don’t forget to tell your librarians about it too!

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Dark Poet’s Day, Trip Down Poe Lane in Baltimore, and Writer’s Inspiration

On October 7, 1849 Edgar Allan Poe died in Baltimore, Maryland at the hospital. Poe is one of the most well-known American writers to have lived: writer, poet, editor, critic. And yet, though he was financially unstable, he is still said to have given birth to the detective novel with his cultivation of mystery and horror storytelling. We all know his two most famous poems, but his poetry is certainly underrated.

Portrait of Poe by William Abbot Pratt from September 1849, a month before his death / Credit Wiki Commons

A few years ago, the Horror Writer’s Association (HWA) declared October 7 as Dark Poetry Day in memory of his death and to honor all dark poets (thank you!) like myself.

Poe started my general interest in the macabre at a young age. I wasn’t allowed to read much horror, but Poe’s short stories were on the list since many times they were a school requirement. I devoured stories like “The Pit and the Pendulum,” “The Tell-Tale Heart,” the poem “The Raven,” “The Fall of the House of Usher,” “The Cask of Amontillado,” The Black Cat,” and many more. I don’t think I ever stopped thinking about them, even to this day, as they helped me learn and decipher a dark side of humantity and loss and gave me the bug for suspense and thrills.

In fact, Poe (along with few others) gave me the inspiration to write poetry; he, of course, the main inspiration for the dark ones later in life. I still tended to write lighter poetry in my early years overall, but his art with cadence and flow was still in my mind, as well as his emotional presence with words and imagery. His true catalyst in my writing was his short stories and I love them to this day. He was my first foray into the art of the short story and for which I’ll forever be grateful. Often times you’ll see some of my short stories and poetry still show shards of him today.

I know that writers these day tell fellow writers and readers to quit talking about the classics and old, dead writers. I won’t. I talk up new and diverse groups of writers every day. If I want to talk about Poe and how he influenced me, well… it’s my truth, so I’ll keep telling it. I’m a history fanatic and somehow liking these forebearers keeps their candle lit to me. From reading him, I forged a love for more classic, gothic lit. Furthermore, to appreciate writing and reading horror at all.

You can see why I was estatic when my son surprised me with a trip to one of Poe’s homes. We were taking my son back to school in January 2020 (I had to double check that because seems like two million years ago since Covid hit!) and took a diffent route so we could visit Baltimore, then head the hour into D.C. and George Washington University.

Photo credit: Erin Sweet Al-Mehairi / Jan 2020

We went to visit the small home where Poe lived with his young wife and her mother for a time, which was turned into an even smaller museum. It was cool to see where his bedroom was – though it was such a tiny space, and the stairs so tight, I barely made it back down. We saw his telescope and writing desk and learned about his time there. We went to the library in Baltimore too, hoping to see their Poe Room, but it seems no one knew what we were talking about or that it had a tuft of his hair locked inside it! We found it upstairs and I peered in the window while the conference attendees glared back. They probably thought I wanted their donuts.

Photo Credit: Erin Sweet Al-Mehairi / Jan 2020

We headed down to visit his gravesite, which was a really neat experience. He’s buried at Westminster Hall and Burial Ground, as is his wife and mother-in-law with him (well… now they are) and his grandfather before him. No one is still sure what he died of even to this day, just that he was found delirious and taken to the hospital. He died at age 40. It felt so surreal to me to walk around his grave and I had a chuckle that even in death for him or his wife, there was drama!

Photo Credit Erin Sweet Al-Mehairi / Jan 2020

We also visited a really cool statue of Poe outside of a law school, but it sure does need some care. I feel sad that so much memorializing Poe is damaged or decaying in Baltimore. However, it was still really fun to make this trip (and maybe I’ll share more about it in the future) and I hope to go to museums and statues in Philadelphia, Richmond, and places in NYC and Boston too. Plus next time I have to go to the tavern!

Photo Credit Erin Sweet Al-Mehairi / Jan 2020

Not all, but some of the work in my debut dark poetry and short story collection, BREATHE. BREATHE., is inspired by him. One of those is my story “The Madness of the Woodpecker” which is its own ode to a portion of “A Tell-Tale Heart.” Some of my poetry is reminiscent of his style as well.

This collection, published three years ago by Unnerving Press, is going out of print for a bit at the end of October 2020. It’s a sad day, especially as I feel I was just announcing its publication! But that’s sometimes how it works in publishing; the revolving door. I will endeavor to have it re-published in 2021 with a new cover as well as several more publications as well. Stay tuned to more poetry and short story work from me.

If you’d like to get Breathe. Breathe. in digital or print format in this edition, I’d grab it now. It’s on sale for .99 c for Kindle and $8 for print. I would like to thank everyone over the years who has supported all my poetry and writing, as well as this particular collection, in which I bear my soul and surround it with fantastical as well as real.

Also something that’s a must-have for Poe collectors, is an illustrated “The Mask of the Red Death” by the stellar artist Steven Archer! You can pre-order now from Raw Dog Screaming Press (e-book comes in December and print in January)!

Share with me in the comments your favorite Poe anything or some of your favorite dark poets, classic or current. Let’s spread poetry!

Happy Dark Poet’s Day and RIP Edgar Allan Poe!

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Cover Reveal & Giveaway for Halloween Season by Lucy A. Snyder. Trick-or-Treat with Us for Cool Gifts! RT pls. #halloween #halloweenseason #RDSP

trick or treat banner4

Every Day is Halloween

Halloween decor is in select stores, and though we are still “enjoying” summer, October is just around the corner. Today I have a cool cover reveal of a new Halloween story collection and giveaway as part of Trick-or-Treating adventure, which means some of you may be dropping by from social media or another site, but let me give a little background for my subscribers as well.

Raw Dog Screaming Press (RDSP) is an award-winning indie press of horror, fantasy, sci-fi, crime, and more that I’ve worked with in regards to PR and publicity for several years via my business Hook of a Book. One of the exciting authors I get to work with published by them is a fellow Ohio author, the multi award-winning Lucy A. Snyder. On Oct. 5, 2020 we are excited to say that RDSP is releasing a collection of stories by Snyder for Halloween called…. you guessed it, Halloween Season!

Whether Halloween in person festivities are canceled this year due to Covid (so do your duty so we can all have fun this Fall, will you?) or not, you can always partake in some online escapades. For instance, let’s start a bit early with RDSP in a digital rounds of trick-or- treating to celebrate the reveal of the seasonal cover created by artist Lynne Hansen of Halloween Season!

How Trick-or-Treating Works – 

There are five houses to visit on this block: author Lucy A. Snyder, cover designer Lynne Hansen, mine here at Hook of a Book, co-owner of RDSP and author John Edward Lawson, and Raw Dog Screaming Press. Visit any of them first and feast your eyes on the amazing cover created by Hansen, then pick up a different “treat” (or giveaway) from each post also featuring the cover reveal. Keep reading to check out my giveaway and the other stops below…. after we meet the artist and see the cool cover.

But first….

Meet the artist, Lynne Hansen – 

RDSP was looking for a cover that captured all things Halloween and turned to artist Lynne Hansen. “I have over fifteen years of experience in marketing and promotions including art and design,” Hansen said. “I started creating book covers when my husband Jeff Strand decided to make his humorous horror novel The Sinister Mr. Corpse available as an e-book. Once people saw Jeff’s next e-book Wolf Hunt, I started to receive requests to design covers for other authors. Now I get to tell other people’s stories through the art of the book cover and I love every minute of it.” For more info about Lynne head over to LynneHansenArt.com and make sure to browse her gallery.

So without further ado, here’s the cover!

HalloweenSeasonByLucyASnyderlowres

Cool and festive, right? Excited as much as I am now?

Halloween Season launches October 5th but you can preorder now!

Order from RDSPOrder from Barnes & NobleOrder from Amazon

Media Requests – 

If you are a member of the media or reviewer, I’m also happy to put you on the list for e-arcs or print copies, just let me know! I’ll also be sending requests, but do feel free to let me know also either in the comments or to my e-mail. Also, I’m scheduling Lucy for select interviews as well.

Now look at this FULL SPREAD! 

Adobe Photoshop PDF

About Halloween Season – 

Halloween is the most wonderful part of the year for many of us. For dedicated fans, the season begins when the leaves start turning autumn colors and doesn’t finish until Hallowtide ends in November. With it comes a whole lot of fun: scary movies and stories, haunted houses, seasonal sweets, spooky decorations, costume parties, and of course trick or treat. But Halloween is also a deeply spiritual time for some; it’s an opportunity to remember and honor loved ones who have passed on.

Master storyteller Lucy A. Snyder has filled her cauldron with everything that Halloween means to her and distilled it into a spell-binding volume of stories. Within these pages you’ll find thrills and chills, hilarity and horrors, the sweet and the naughty.

One of the best things about Halloween is you don’t have to be yourself. So go ahead and try on a new mask or two … you may discover hidden talents as a witch, a pirate, a space voyager, a zombie fighter, or even an elf. This is the perfect collection to celebrate the season of the dead or to summon those heady autumn vibes whenever you like. You may even find a couple of tales that evoke a certain winter holiday that keeps trying to crowd in on the fun.

In the worlds within this book, every day is Halloween!

Trick or Treat Giveaways – 

Now for the goodies! Thanks for participating in our trick-or-treat cover reveal!

My Giveaway –

1) I’m offering to one (1) US winner a copy of one of my favorite autumn poems I’ve written, previously published online at Spillwords Press, BUT this would be a hand-lettered original, probably with a little original art on the border to follow the theme. It will be signed. This is one of a kind! Please leave a comment below or e-mail me (hookofabook at hotmail dot com) to be entered.

2) For both US and international, if you e-mail me, I will send all who contact me a .pdf for you to download that you can print of the original mentioned above. It will have my digital signature.

This giveaway I open from July 23 to July 31, 2020. Entries after that won’t be considered but feel free to comment anytime.

Head to ALL the Stops –

Visit all the houses on the block to collect all the treats. Here are the current stops and treats:

  • Stop #1 Lucy A. Snyder (excerpt from Halloween Season)
  • Stop #2 Cover artist Lynne Hansen (printable bookmark)
  • Stop #3 Raw Dog Screaming Press (postcard promo pack)
  • Stop #4 Hook of Book publicist Erin Sweet Al Mehairi (that’s me! You’re here. See above about a signed, hand-lettered Halloween poem)
  • Stop #5 John Edward Lawson (Halloween card and story)

Lucy A. Snyder, Biography –

Lucy3Lucy A. Snyder is the five-time Bram Stoker Award-winning and Shirley Jackson Award-nominated author of over 100 published short stories and 14 books. Chaosium will release her novel The Girl With the Star-Stained Soulsometime in 2021. She also wrote the novels Spellbent, Shotgun Sorceress, and Switchblade Goddess, the nonfiction book Shooting Yourself in the Head for Fun and Profit: A Writer’s Survival Guide, and the collections Garden of Eldritch Delights, While the Black Stars Burn, Soft Apocalypses, Orchid Carousals, Sparks and Shadows, Chimeric Machines, and Installing Linux on a Dead Badger. Her writing has been translated into French, Russian, Italian, Spanish, Czech, and Japanese editions and has appeared in publications such as Asimov’s Science Fiction, Apex Magazine, Nightmare Magazine, Pseudopod, Strange Horizons, and Best Horror of the Year.

With Michael Bailey, Lucy also co-edited the critically-acclaimed collaborative dark fiction anthology Chiral Mad 4. When she’s not writing, she’s faculty in Seton Hill University’s MFA program in Writing Popular Fiction and also works as a freelance developmental editor in a suburb of Columbus, Ohio. You can learn more about her at www.lucysnyder.com and you can follow her on Twitter at @LucyASnyder.

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Thanks for stopping! Did you say TRICK-OR-TREAT!? Don’t forget to enter to win.

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Hooked on Poetry: How We’re Celebrating Poetry Month #nationalpoetrymonth #poetry

Hooked on Poetry Project Announcement: Join Us to Celebrate –

Erin Al-Mehairi PhotoApril is National Poetry Month, and for several years now I’ve been featuring and publishing poetry as well as various posts from the world of poets and poetry, such as reviews of collections, articles about poets or writing poetry, and interviews with poets. I love that more and more people are reading and appreciating it.

Firstly, why do I write, love, and feature poetry? Do you think it’s something you can’t enjoy or relate to? Many people find, especially with dark poetry, that they can enjoy the raw emotions and like the references to fairytales, mythology, feminism, spirituality (whatever that means to the person), exploration of life and death, or deep and dark ponderings. I’ve had many people tell me with my own work that they had never read poetry till they took a chance on mine and found it relatable and understandable. I know several other dark poets that has happened for as well. I write poetry and feature it because it’s really the most emotional part of the writing process. It’s the truest and most visceral form of writing scenes and emotional snippets of life. Poetry can say so much with little words. We talk through our writing, share our experiences, and learn and connect to each other.

There are all sorts of styles represented just in dark or horror poetry alone, and with it, and often fantasy and science fiction mixes in. However, some of us write other poetry as well: for loved ones, about milestones in life, nature, or love.

Seeing me struggle during this time, Gavin at Kendall Reviews kindly stepped up to help me with shares and hosting for this project, so between his site at Kendall Reviews and mine at Hook of a Book, I’m partnering with him to publish some of the poetry project, called HOOKED ON POETRY. I’m so very thankful to him not only for stepping up to help, but his kindness in reaching out to me. You’ll find mostly both horror and dark poetry in this project but some of the other aforementioned as well. You’ll most likely only find the dark poetry on Kendall Reviews though, to keep with his theme. At Hook of a Book, I feature all types of poetry and genres of books. It’s a great partnership.

HookedOnPoetry

I would have liked it to have been the entire month of April, but as you know the world has been a fly trapped in a tube lately, meaning things have been chaotic and no matter how hard we flap our wings, it’s hard to get anywhere. I like to beat myself up, but I have decided I will not! I work full-time in various facets of publishing, am seemingly on-call from that work at all hours, am a writer myself, and have a busy household without a pandemic (which isn’t in the best of times always conducive to me getting a lot of writing, reviewing, or volunteer projects done after work), but throw in a pandemic and a world gone mad over it, and some days I’m wondering if I’m just treading water… or knock knock… if my brain is still working properly. I’ve not been well mentally or physically lately either so I’m doing the best I can.

I worked during early April asking poets I know and love for submissions, and also did an open call on Twitter from which I’ve had great response and many submissions sent to me. There is some outstanding work here by both established and award-winning poets and also those just getting started. I’m thrilled with the talent that has come my way. I’m excited to publish this poetry and feel that it’s so important poetry still have its voice and time to shine, and so nothing will stop me, even if I must take this throughout part of May. I often already publish poetry for mental health awareness month so I think this will fit in just fine as poetry not only often deal with these issues but can be used to heal and mend. This is a voluntary project, poetry is awesome anytime, and I’m attempting to not worry over timing. So, let’s just celebrate art and those who make it. To those that couldn’t contribute this year, we will miss you and hope to see you back. To new people who are being featured, welcome! To readers, new and old, thanks for joining us.

Starting this week, watch for poetry, reviews of poetry, and articles on poetry to appear on both our sites. I won’t give myself the headache of putting together a schedule to release beforehand, so watch for the posts and learn who is featured via social media. I’m still waiting for a few to turn theirs in as well and I’m cool with people popping up and taking part (just message me). A full schedule with links will be posted afterwards on the poetry page on my site – Oh, for the Hook of a Book – where you can also view poetry from the previous years.

I would define, in brief, the poetry of words as the rhythmical creation of beauty.” – Edgar Allan Poe

Thanks for joining us! Thanks to Gavin and Kendall Reviews for partnering with me. Your support of poetry means so much.

Erin Al-Mehairi
Hooked on Poetry Project
Editor/PR Professional/Owner Hook of Book Media
Twitter: @ErinAlMehairi

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Happy Dr. Suess, Read Across America, and Reading Month! Reading Lists, Memories, and More. #NationalReadAcrossAmerica #NationalReadingMonth #HappyBirthdayDrSuess

Today is the National Dr. Suess and National Read Across America Day in honor of his birthday! Nine years ago on this blog I was talking about remembering how much Dr. Suess inspired me as a child and the activities to promote reading I was doing with  my own kids (and what you could do with yours!). It’s amazing how much my kids have grown just in the last decade to be their own functioning adult (my son is 20), teen (my daughter is 16), and almost teen (my daughter is 12) now. How did this happen?

march-2nd-read-across-america-day-dr-seuss

I can only safely assume that lessons learned from the books and the Cat in the Hat show created lifelong mottos for them, and as well, the time I spent reading and taking them to the library is what created in all of them a life of loving books (and still loving libraries where they go – “Oh, the Places You’ll Go”  – and my son went off to D.C. where he frequently can be found in the greatest libraries ever like Library of Congress, Folgers Shakespeare Library, and Mount Vernon. My son recently told me, “I’m only in college here for one major reason other than you, and that’s growing up at the library.” AWWWW!! That’s a huge win for libraries.

Thank you, Dr. Suess for making reading fun and thank you to one of local libraries (Ashland Public Library) for hosting so many well-loved activities for my children when they were young! Happy birthday and may  your legacy live on in so many other homes and childhoods.

This weekend, instead of going to Dr. Suess activities for young children at the library or bookstore, and have people stare at me for being the only adult there without kids (reliving my memories people!!), I instead enjoyed on Sunday a “Sam-I-Am” special latte which was white chocolate and peanut butter. Shout out to Medina’s Cool Beans Café, whose whole special coffee menu was named with a Dr. Suess theme! Oh, and on the foodie critic side, it was delish as was their homemade tomato soup.

Cool Beans Suess

And on a writing note, Dr. Suess really paved the way for some of us who are poets, at  least me, with his use of language! To this day, I make up words too. I don’t know if that’s a good or bad thing. haha! I remember one day when my middle daughter was young (second grade maybe) and she was reading “And to Think I Saw It on Mulberry Street.” She told me that it was the first one he wrote and it was rejected at twenty-seven publishers until one took a chance on him. Wise then, to never give up on your dreams!

So many good Dr. Suess books to name but I love The Lorax. What is your favorite Dr. Suess book or character? Leave comments below!

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Dr-Seuss-800-x-400-1

March also is National Reach Across America Month? Here, in our home and in my work and online word, we read all the time, as I’m sure you do too. But we can never miss a chance to celebrate reading. Whether you’re reading this now with small children or your children are grown and you have grandchildren or other small children in your lives, I hope you continue to offer children’s literatures to whomever you can. One of my best loved jobs was being a reference librarian for a time. Though it was adult reference, we often had to help children in the evenings. I loved recommending them books and seeing the joy and wonderment on their faces. Opening doors through reading is one of the best things you can do for child.

If you have children, here are some links that might help some of you enjoy the month with activities and some reading lists. Enjoy!

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First of all, go to Suessville. It’s the website for Dr. Suess and loads of fun!

My post from 2011 about Dr. Suess’ birthday and activities to do HERE.

Read Across America Main Site – Make sure you go the bottom of first page for reading lists for various parts of the month!

Multiples and More Site – Read Across America Activity Ideas

17 Easy Ways to Enjoy NRM – E-Book Friendly Website

ALSC (Association for Library Services to Children) Lists!

For MA or YA horror selections, find some at Ladies of Horror Fiction HERE.

From We Are Teachers website: 32 Inspiring Books for Women’s History Month

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And now, enjoy some photos of my kids celebrating Dr. Suess way back when. I’m sure there are many more (and didn’t quickly find any of my son, my oldest) but these are the ones came up in my social media memories today. I’m also sure my daughters will want to ring my neck for sharing them. haha!

Oh the places Suess

Addie Suess

My youngest was 4 here, I think!

Emma Suess

My middle daughter. Not sure how old she was here, but I think 2nd grade. Now she’s a sophomore in high school!

Addie Suess 2

My youngest again. When she was the last one not in school and I took her to the library for the programming during the week. Look at that face and the hands ARE on her hips. Ha!

Happy reading this month everyone! March is a busy month for reading dates so I’m sure you’ll hear much more from me. Stay tuned!

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Guest Article: Seeing Doubles by Gothic Fiction Author Tracy Fahey #WiHM #womeninhorror #gothic

Welcome back to another segment in the small Women in Horror (WiHM) Series I’m running as we prepare to usher out February. Today, I have a guest article from Irish Gothic writer Tracy Fahey. I think most of you know how I myself feel about Gothic work, both in my own reading, writing, and study. I’m all in, so I’m pleased to present this to readers on my site today.

In 2017, Tracy’s debut collection The Unheimlich Manoeuvre was shortlisted for a British Fantasy Award for Best Collection. In 2019, her short story, ‘That Thing I Did’ received an Honourable Mention by Ellen Datlow in her The Best Horror of the Year Volume 11, with five stories on Datlow’s Recommended Reading list for 2019. Her short fiction is published in over twenty-five Irish, US, and UK anthologies. She holds a PhD on the Gothic in visual arts, and her non-fiction writing has been published in edited collections and journals.

Today, she talks about the lastest installment of her work and her infatuation with doubles. That’s right, check this out twice if you find that uncanny. Join us!

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Unheimlich Manoeuvres: Doubling Up On The Uncanny
by Tracy Fahey, author of Unheimlich Manoeuvres

I’m obsessed with doubles. They fascinate me. Doppelgängers. Twins. Fetches. Reflections. Mirror images. In a world where so much is made of the virtue of individuality, what is more terrifying than the idea that you exist elsewhere? Or the notion that you are somehow (even worse) divided within yourself? This is something that’s been a recurrent theme in my writing. In March 2020 my publishers, the Sinister Horror Company are releasing two collections, the third, deluxe edition of The Unheimlich Manoeuvre and the chapbook Unheimlich Manoeuvres In The Dark, both of which explore the idea of the uncanny double. But why this fascination? It’s been a long-running obsession.

As a child I followed Alice through the looking glass into the shadow-world beyond, and consequently spent hours in front of my own bathroom mirror, watching my image closely for signs of tell-tale deviation. As a teenager I devoured Robert Louis Stevenson’s Dr. Jekyll And Mr Hyde and savoured the queer thrill that came from contemplating a truly double life; one where the very self was sundered and broken, one where the self was plunged in a morass of unease, unable to even remember what the divided self had done. Later I would become absorbed in Ira Levin’s tales of replaced women (Stepford Wives) and clones (The Boys From Brazil). Movies fed and continue to feed this obsession with uncanny doubles: Invasion of the Body Snatchers with its narratives of paranoia and pod-people, Coraline, the sublimely uncanny tale of a doubled, ‘other’ world. More recently, there’s been It Follows, a clever, twisted movie where contagion rages and no-one is what they seem, and of course, Jordan Peele’s Us, the horror of which is almost entirely premised on otherness and doppelgangers. Us doesn’t entirely work—it suffers from an excess of ideas—but when it does, it is magnificent. Who can forget that superlative, long shot of the shadow-family standing silently at the foot of the driveway? Those unmoving, dark silhouettes that equate exactly to the panic-stricken five looking at them—it’s a marvellous, and utterly uncanny moment.

US JP

But why is the double such a terrifying figure? Well, firstly because embodies the very definition of the uncanny – Freud’s 1919 essay on ‘The Uncanny’ refers to ‘Schelling’s definition of the uncanny as something which ought to have been kept concealed but which has nevertheless come to light.’ He also discusses specifically the idea of the double, and Otto Rank’s ‘Der Doppelgänger’ which outlines the various modes of double from mirror-image to shadows, souls and to Egyptian sculpture as funerary repository of ka, or spirit. Freud points out that the double profoundly upsets our sense of self—it becomes an object of terror.

In both the new edition of The Unheimlich Manoeuvre, and in the accompanying chapbook Unheimlich Manoeuvres In The Dark, I want to thoroughly explore the different dimensions of the uncanny, using the unifying trope of the Gothic home. A significant part of this was exploring the double. In doing this, I was not only drawn by Rank, Jentsch and Freud’s writings on the doppelgänger, but on the uncanny double that haunts Irish folklore, the fetch a double that appears at the moment of death to fetch the soul away. And so, images of the dark, mirrored self flow through the stories. There’s the theme of the self divided by illness in ‘Coming Back’ and ‘Something Nasty In The Woodshed.’ There’s a doppelgänger that flits through the pages of ‘Ghost Estate, Phase II.’ There’s an examination of twin as uncanny double in ‘I Look Like You, I Speak Like You, I Walk Like You.’ In both chapbook and new edition, there’s also an additional story, ‘The Wrong House’; a tale populated by troubling doubles of the protagonist, his wife and his daughter, and a previously unpublished story, ‘Possession,’ where the main character feels her sense of self erode in the anxiety that arises from that most terrifying of all possibilities—that she no longer knows who exactly she is.

So, welcome to my nightmares. I invite you into my world where nothing is as it seems, a world where every mirror image is charged with a dark power, a world where we may (or may not) exist in multiple, fractured forms. For me, the double continues to be a haunting and compelling evocation of the uncanny. Given that our sense of self, how we perceive ourselves, is a corner-stone of our mental health, the idea of the uncanny double is one of the most terrifying concepts in horror literature.

As the protagonist of one of my unheimlich stories puts it:

“I look like you. I speak like you. I walk like you.

But I’m not you”

The Unehimlich Manoevure –

The Unheimlih Manoeuvre Deluxe EditionIn 2020, the deluxe edition of The Unehimlich Manoevure will be released together with a companion chapbook of new material, Unheimlich Manoeuvres In The Dark, both published by the Sinister Horror Company. Both contain a new essay, ‘Creative Evocations of Uncanny Domestic Space,’ five new stories, a print and piece entitled ‘Remembering Wildgoose Lodge,’ and complete story notes on all nineteen stories in this new edition.

The Unheimlich Manoeuvre explores the psychological horror that occurs when home is subverted as a place of safety, when it becomes surreal, changes and even disappears…

In these stories, a coma patient wakes to find herself replaced by a doppelgänger, a ghost state reflects doubles of both houses and inhabitants, a suburban enclave takes control of its trespassers, and a beaten woman exacts revenge.

Unheimlich Manoeuvres in the DarkJust as the Heimlich Manoeuvre restores order, health and well-being, The Unheimlich Manoeuvre does quite the opposite.

This new edition contains revised versions of the original stories and a brand new tale, “Something Nasty In The Woodshed.”

Praise –

“A modern-day gothic whose Kafkaesque otherworldly stories are beautifully disturbing.” – Lol Tolhurst, The Cure

“It is, quite simply, pure art, and we can only wonder what works this writer will produce in the coming years.” – This Is Horror

“This a very assured first collection…. Although there are twists, Tracy Fahey never plays for cheap shocks.” – Priya Sharma, Shirley Jackson Award winner

Tracy Fahey, Biography –

Tracy Fahey photoTracy Fahey is an Irish writer of Gothic fiction.  In 2017, her debut collection The Unheimlich Manoeuvre was shortlisted for a British Fantasy Award for Best Collection. In 2019, her short story, ‘That Thing I Did’ received an Honourable Mention by Ellen Datlow in her The Best Horror of the Year Volume 11, with five stories on Datlow’s Recommended Reading list for 2019. Her short fiction is published in over twenty-five Irish, US and UK anthologies.

She holds a PhD on the Gothic in visual arts, and her non-fiction writing has been published in edited collections and journals. She has been awarded residencies in Ireland and Greece. Her first novel, The Girl in the Fort, was released in 2017. Her second collection, New Music For Old Rituals, collects together her folk horror stories and was released in 2018 by Black Shuck Books.

In 2020, the deluxe edition of The Unehimlich Manoevure will be released together with a companion chapbook of new material, Unheimlich Manoeuvres In The Dark, both published by the Sinister Horror Company. Both contain a new essay, ‘Creative Evocations of Uncanny Domestic Space,’ five new stories, a print and piece entitled ‘Remembering Wildgoose Lodge,’ and complete story notes on all nineteen stories in this new edition.

More information at her website www.tracyfahey.com

Thanks to Tracy for this wonderful article and to all of you for reading along in this #wihm series. Stay tuned for one or two more and then I’ll announce something I’ll be doing for women in horror all year round.

WiHM11-GrrrlBlack

 

 

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