Category Archives: women in horror

Cover Reveal for Unnatural Creatures: A Novel of the Frankenstein Women by Kris Waldherr

It lives! I’m thrilled to share the cover of UNNATURAL CREATURES: A Novel of the Frankenstein Women by Kris Waldherr, a woman I’ve known for some time now in the writing world and deeply admire for all her creative talents. Among other things, she is also the author of a book I immensely enjoyed, The Lost History of Dreams (Atria).

I’m so excited for her newest endeavor! UNNATURAL CREATURES reveals the untold story of the three women closest to Victor Frankenstein in a dark and sweeping reimagining of Frankenstein. Stunningly written and exquisitely atmospheric, it shocks new life into Mary Shelley’s beloved gothic classic by revealing the feminine side of the tale—you’ll never see Victor Frankenstein and his monster the same way again.

Right? Gorgeous!! As most of you know, besides working as an editor and PR consultant in publishing, I’m a reader of both genres in which I work too – horror (especially love gothic) and history, and as well, enjoy learning about women in history. This book ticks so many pleasure boxes for me! I’ve added to my GoodReads and you should too.

Coming October 4, 2022! To read advance praise and get first dibs at a special pre-order offer from Kris, visit KrisWaldherrBooks.com/cover/


About the Cover –

I was really interested in how Kris said she created the cover so I wanted to share with readers.

“The cover was designed by me in Photoshop. The central photograph of the woman is by Rekha Garton, which I collaged over two photographs, one of the Alps near where Frankenstein takes place and the other of an electrical storm. The imagery is meant to provide a feminist counterpoint to Wanderer above the Sea of Fog, a famed oil painting by the German Romantic artist Caspar David Friedrich. It’s also a painting that’s often used on paperback editions of Frankenstein.”

Cool, isn’t it? If you’ve seen the Dover Thrift Editions using this painting, you might see how she took back the feminine power for hers. I love it!


I’m anxious to see how the self-publishing endeavor goes for Kris and for the beginning of her own publishing press! So many authors are doing the hybrid method now – a mixture of traditional big four or small press and self-published. If you have the means to do it right, it’s a great choice to give you ultimate control of your work. Congratulations, Kris!

Kris Waldherr, Biography –

Kris Waldherr’s books for adults and children include The Lost History of Dreams, Bad Princess, Doomed Queens, and The Book of Goddesses. The Lost History of Dreams received a Kirkus starred review and was called “an unexpected delight” by Booklist. The New Yorker praised Doomed Queens as “utterly satisfying” and “deliciously perverse.” The Book of Goddesses was a One Spirit/Book-of-the-Month Club’s Top Ten Most Popular Book. Her picture book Persephone and the Pomegranate was lauded by the New York Times Book Review for its “quality of myth and magic.” Her fiction has won fellowships from the Virginia Center of the Creative Arts, and a works-in-progress reading grant from Poets & Writers.

As a visual artist, Waldherr is the creator of the Goddess Tarot, which has a quarter of a million copies in print. She has had illustrations published as greeting cards, book covers, and in calendars and magazines. Her art has been exhibited in many galleries and museums including the Ruskin Library, the Mazza Museum of International Art from Picture Books, and the National Museum of Women in the Arts.

Kris Waldherr works and lives in Brooklyn in a Victorian-era house with her husband, their daughter, and a very vocal Bengal cat.

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Filed under Cover Reveals, HookonWiHM, News Hooked: Book News, women in history, women in horror

International Women’s Day 2022: Supporting and Fighting for a Gender Equal World #BreakTheBias #IWD2022


It’s #InternationalWomensDay, or #IWD2022, and people around the world are celebrating women and the unique and important gifts they give this world. I’ve been proud to promote this day for about fifteen years in some shape or form, and each year builds momentum as it’s utilized as a catalyst for change year round instead of only awareness. However, I’ve been a supporter of women’s issues in various ways for even longer.

In essence, International Women’s Day is the marker to honor the Women’s Rights Movement and all those who came before us who were spit on, jailed, starved, ridiculed, and more as they fought for women to have the rights to vote, own land, have a bank account, and not be locked away in asylums. I was humbled and astounded when I was able to experience the “Rightfully Hers” 100th anniversary of the 19th Amendment and Women’s Suffrage Movement exhibit at the National Archives in Washington D.C. in 2019 before the pandemic truly hit. It was wonderfully done and you can find information about it here and even see some exhibits virtually!

Just as women did then, I’m happy to see women banding together now too, with help from male allies, and continuing to make progress on so many issues.

The theme this year for IWD is #BreakTheBias, and they ask us: ”Imagine a gender equal world. A world free of bias, stereotypes and discrimination. A world that’s diverse, equitable, and inclusive. A world where difference is valued and celebrated.”

I can imagine that, and if not for myself, for my two daughters at least, who are now 18 and 14! As my daughter makes choices in the next couple months or so on what university she’ll attend for marine biology, I hope for the end of gender bias in STEM, tech, and science-related careers! I want my daughters to know their work is as valuable as any man’s and be able to earn appropriate respect for their hard work no matter their gender or race.

As I am a creative, I hope for more inclusion of all women in this field, especially in certain genres. As always, I will work myself to raise female voices and elevate women in the publishing field of all races, ethnicities, and orientation.

Above: Me and my daughters hiking together.

On my site here, you’ll find many great articles on women in history and making history, both on the page dedicated to that series, as March is also Women in History Month, but in interviews and book reviews as well. I’m currently taking articles about women in history or women making history, and as it’s now women in horror month, women in that category as well! Please contact me to arrange! I would love to learn about some amazing women.

In the past, I’ve also often interviewed and reviewed books by women on this site and you’ll easily see that if you take a quick perusal through the archives. In fact, in 2020, 2021, and so far in 2022, I’ve read all women as far as books go (with one exception in 2020 for a book I pre-read for a male friend, some short stories or stories by men and in anthologies edited by men, and books of my wonderful male editing clients). I didn’t really do this on purpose either, so I’m not boycotting men, and I am sure I will read a man’s book again soon, but this only goes to show the increasingly stellar offerings from women of all backgrounds! In my editing career, I’ve worked with many women and I try to elevate them by offering yearly discounts and promoting their work and voices. This year, women who schedule with me in March 2022 for editing work anytime of the year I’m available will receive 35% off.

Outside of publishing, I’ve spent decades fighting for women’s causes, from when I was senior news editor at my college paper and I fought against campus rape and it not being reported properly only to be quieted from the higher powers, to when I worked in healthcare public relations and became the Young Careerist representative for Ohio at the national Business and Professional Women’s organization’s annual conference where I spoke about making strides for heart health in women. I’ve sat on a sub-committee for women’s health education, primarily in regards to those underprivileged, of the board of the Ohio Governor’s Office for Women’s Initiatives (a much needed department and program that Republican Governor Kasich did away with when he took office) and assisted with statewide events to empower women. I’ve raised funds through events I’ve put on for women’s health, women’s shelters, and those battling cancer. I was the chair of the board for several years at our local mental health center which also oversees our local rape crisis and domestic violence shelter. In all of these situations, I battled men in the workplace who wanted to keep me down, lower my voice, halt my efforts, and belittle my achievements even to the point of threatening me. I even battled other women who preferred patriarchy. All while battling and/or healing as a domestic violence survivor. But I persevered.

In my writing, I fight against domestic violence, rape, assault, healthcare bias, and confinement with my words. My poetry and short story collection Breathe. Breathe., my short story within the anthology Hardened Hearts, and my short story in We Are Wolves have all tackled these themes. In fact, the entire We Are Wolves anthology tackles this theme of women fighting back and proceeds have gone and still go to women’s organizations in the UK and US.

There is always more to do. I’ll keep doing it. I’ll make time to write more essays so my own voice is heard. I’ll keep those women in history alive, those marginalized, those without a platform. I’ll keep serving those crying out in need and the disadvantaged who need our support. I’ll share news for women, cheer them on, hear their voices, read their words. I’ll keep helping women out however I can.

“The story of women’s struggle for equality belongs to no single feminist nor to any one organization but to the collective efforts of all who care about human rights.” – Gloria Steinem

Join me? Let’s break the bias for good.

– Erin

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Filed under Book Services, Editing, Feature Articles, Uncategorized, women in history, women in horror

Guest Article: Tracy Fahey Discusses Contemporary Body Horror in Literature and Her Collection, I Spit Myself Out. #WiHM #HookonWiHM #womeninhorror @TracyFahey

Author and gothic expert Tracy Fahey is a woman in horror who always interests me. I suppose it’s because my first love in horror myself is the gothic sub-genre, but also Tracy always has intelligent and thought-provoking things to say. It’s why, besides wanting to support her, I invited her to write another article for this site during the time frame of her latest release, a collection of female body horror. I knew she’d discuss something that would be make me want to think a bit harder, challenge me. She didn’t disappoint, but extended my thoughts of the pre-conceived boundaries of body horror I had in my mind. And she’s cited one of my favorite stories, and biggest influences, in “The Yellow Wallpaper” by Charlotte Gilman Perkins!

I hope you enjoy it and check out Tracy’s collection too!

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I Spit Myself Out: Contemporary Female Body Horror
by Tracy Fahey, Author of I Spit Myself Out

My new collection, I Spit Myself Out, is yet another addition to the rich tradition of writing the female body in horror. Earlier seminal work includes Charlotte Gilman Perkins’ masterful short story of 1892, “The Yellow Wallpaper,” perhaps the finest portrait of patriarchal repression of post-partum depression ever written. Similarly, Margaret Atwood’s The Handmaid’s Tale (1985) telegraphed anxieties about female autonomy, while Madge Piercy’s 1976 speculative feminist classic, Woman on the Edge of Time, contrasted the wretched life of protagonist Connie Ramos inside and outside the asylum she is confined to with the utopia of Mattapoisett.

In recent years, there has been a renaissance of work on the theme of female body horror. This can be viewed as a direct response to the increasing anxiety surrounding women’s rights. Atwood’s The Handmaid’s Tale was recently adapted for TV. This powerful series, with its contemporary setting, speaks to real, current fears about female reproductive rights, bodily autonomy, and control. Since 2018, female protestors against the erosion of body rights under the Trump regime have worn the iconic Handmaids’ garb of white bonnets and red robes to signal their visceral fear of a new Gilead made reality. Atwood was spurred on by the march of current events to write a sequel to The Handmaid’s Tale thiety years later, The Testaments (2019). In an interview with Laura Lynch, Atwood said of writing this sequel:

I was no, no, no, no, no for a while, but then No. 1: history changed. Instead of going away from Gilead, we turned around and started coming back towards Gilead.

This vision is echoed in Christina Dalcher’s Vox (2016) where women are literally silenced, forbidden to read, and their conversation limited to under a hundred words a day. In Gwendolyn Kiste’s The Rust Maidens (2018) girls begin to transform and to disintegrate, in tandem with the decline of their hometown. Similarly, Georgina Bruce’s magnificent collection, This House Of Wounds (2019), presents a series of visions of the female psyche as riddled with pain, both physical and mental.

In writing I Spit Myself Out, I was conscious of this tradition. There are definite influences that permeate it (there are shades of “The Yellow Wallpaper” in the titular story, and an Atwoodeque fear of the subjugation of the female body in the perimenopausal story ‘Becoming’). However, in this collection, I wanted to find new ways to articulate these concerns. My first influence was Julia Kristeva’s essay ‘The Powers of Horror,’ and in particular by the way she explores the notion of the abject; that which is of us, but which the body casts off.

 “I” do not want to listen, “I” do not assimilate it. “I” expel it. But since the food is not an “other” for “me,” who am only in their desire, I expel myself, I spit myself out, I abject myself with the same motion through which “I” claim to establish myself. That detail, perhaps an insignificant one, but one that they ferret out, emphasize, evaluate, that trifle turns me inside out, guts sprawling; it is thus that they see the “I” am in the process of becoming an other at the expense of my own death.

Justin Park’s wonderful cover design of I Spit Myself Out perfectly captures Kristeva’s idea of the difficulties that arise when we separate ourselves from what we abject. In this collection I wanted to look at these liminal areas of the female body – the skin as membrane, abraded and permeated, eating disorders that purge the body, and, of course, blood rituals that mark the passage of the body from puberty to menopause.

Ancillary to this was my own cultural background of Irish Catholicism and its problematic attitudes to the female body. So this collection is also rife with images of miraculous cures, stigmata, statues, stained glass, and shrines. It also betrays my interest in both forensics (explored in the story ‘The Wrong Ones’) and morbid anatomy (as featured in ‘I’ll Be Your Mirror’). The final font of inspiration for this collection was the troubled relationship between the body and the mind. Characters in I Spit Myself Out inhabit an uneasy world where their bodies become theatres of pain, places that play out the tension between the expectations of society, the desire to conform, and the rebellious refusal to do so.

Like Connie Ramos, like Offred, like the unnamed narrator of “The Yellow Wallpaper,” the women of I Spit Myself Out face their anxieties about what it is to be female, they find their voices, and, ultimately, they spit their stories out.

I Spit Myself Out, About –

Eighteen unsettling narratives map the female experience from puberty to menopause.

I Spit Myself Out is a collection of female-voiced stories exploring the terror that lurks beneath the surface of the skin. In this collection, an Anatomical Venus opens to display her organs, clients of a mysterious clinic disappear one by one, a police investigation reveals family secrets, revenge is inked in the skin, and bodies pulsate in the throes of illness, childbirth and religious ritual.

Disturbing and provoking in equal turns, I Spit Myself Out reinvents the body as a breeding ground of terrors that resurface inexorably in the present.

You can order it at hyperurl.co/ezgri7, or you can order directly from the Sinister Horror Company

Tracy Fahey, Biography –

Tracy Fahey is an Irish writer of Gothic fiction.  In 2017, her debut collection The Unheimlich Manoeuvre was shortlisted for a British Fantasy Award for Best Collection. Her short fiction is published in over thirty American, British, Australian and Irish anthologies.

She holds a PhD on the Gothic in visual arts, and her non-fiction writing is published in edited collections and journals. She has been awarded residencies in Ireland and Greece. She has written two collections, New Music For Old Rituals and The Unheimlich Manoeuvre, the mini-collection, Unheimlich Manoeuvres In The Dark, and the novel, The Girl In The Fort.  

Her new collection, I Spit Myself Out is published by the Sinister Horror Company in February 2021.

You can read another article by Tracy, about Doppelgangers, which she wrote for this site last year, HERE.

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I’ll be celebrating #WomeninHorror and #BlackHistoryMonth in both February and March specifically here, but also still promoting #WomeninHistory month which is March as well. But you know me, I promote women and diversity all year long anyway. But feel free to follow along on my page for Women in Horror for this special honorary time.

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Filed under Feature Articles, Guest Posts, HookonWiHM, women in horror

“Tentacled Stars and Madness” and “Generational Loss” – My Two Award Eligible Poems from 2020 #SFPA #Poetry

As I’ve mentioned several times this year already, 2020 was a dry desert as far as new writing from me after the four years before that increasingly produced all types of work from short stories to poetry. It was just a hard year for everyone, and our home was no less struck in certain ways. On a positive, I also had a lot of work come in as far as editing as well, but it did limit my writing time as much of my free time went to family situations.

I did write a couple poems in 2020, and two I’m proud of were published on the Spreading the Writer’s Word website, during the monthly Ladies of Horror Fiction writing prompt project. I wanted to share them here with my followers as well as mention that they are two of my poems eligible for the Science Fiction Poetry Association’s annual Rhysling Award. I would be happy for any fellow SFPA members and readers to also give them a read for consideration. I’ve been enjoying reading through all the posted eligible works myself in the last few months.

But my hope is for all to enjoy my celestial thoughts and mind. Let me know if you liked them! And keep your eyes peeled because I’m writing more already in 2021, as least poetry wise, and I have plans to publish some of my work from the stacks I wrote in 2019! I hope that my writing freeze is over, but keep the inspiration and motivation coming please!

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Tentacled Stars and Madness

I twisted the handle,
and I floated toward the stars,
toward the particles,
toward the tiny fires,
and I landed with one foot upon
the twinkling glow.

I outstretched my arm to the abyss,
and a tentacle clasped my hand,
and I laughed, being pulled away
into the midnight expanse of iridescent
nothingness

or is it encompassing, life painted as a cerebral hemorrhage,
an image emblazoned on our mind of what God is or the gods are,
of our existence.

I rotate through the soft air, looking upward from my back
as the sky creature pulls me toward oblivion,
as if I don’t even care to know where I go,
but enjoy the spontaneity.

The symbols etched in the stars as I go by – I finger them,
the runes of the galaxy;
my brain on fire, each synapse bursting open,
and yet, I’m unburdened.

In its lair, finally, it wraps its long arms around me and crushes,
bright lights flash before me, around me,
my mind downloading all of humanity’s curses and wishes,

and then,

I’m gone, floating in some communal stomach cavity, disintegrating to smaller pieces,
but becoming part of a bigger cosmos we could only dream of understanding…

…from our tiny window below.

–Erin Sweet Al-Mehairi / Nov 2020

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If interested, I also had another prose poem on Spreading the Writer’s Word that would be eligible as well. I was able to write it to my good friend and exceptional poet Christina Sng’s beautiful artwork.

General Loss

The night was chilly. Foggy. I pulled my wrap tighter around my shoulders as I rocked in my chair and watched my daughters from the porch.

They traveled, little feet and big minds, down the valley and through the woods, then up the mountain. We lived in this place where anything could be imagined, except health.

They were in search of miracles in the twinkling, night sky. Even the cat, who had tagged along behind them knew to look above to the skies and ask the right questions, fib the right lies.

Summoning gods or demons or angels or creatures, they had no preference. Brave souls with hearts like a fortress and energy like a magnet. The clouds swirled above and the fog dissipated below, and the sounds of far off waves suddenly became war drums.

My young ladies, my hope, my solace, plead in our tongue to the blackened sky that was illuminated by an unnatural light. Asked for their life-giver to be spared the disease of this Earth, to endeavor together to another vastly realm where resolute ladies (and their cats, their protectors) reigned immortal.

Where no tears were cried for death or cough, no graves buried or mourning of loss. Where people worked and lived with passion and grace, mercy and empathy, a true human race.

–Erin Sweet Al-Mehairi / 2020

If you’re interested in the SFPA, click to get details, or HERE, to learn about Rhysling and other awards.

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Guest Article: Indie Horror Fundraiser and Scholarship for Women in Horror by Andrew Fowlow, The Book Dad #HookonWiHM #WiHM

I have some exciting news and a really cool announcement for my fellow women in horror! There is an exciting project, headed by horror reviewer and freelance writer Andrew Fowlow, in which you can buy some super cool women in horror merchandise all for a great cause, in order to offer a scholarship and in-kind editing and marketing gifts to help a woman in horror pursue her writing and publication efforts, and beyond that, to help spread the word about the mighty power that is indie horror!

Andrew is here at Hook of a Book to introduce himself to us and explain the fundraiser and scholarship. Those of you who know me know that after my ten years in the genre as an editor, author, PR professional, and more in the horror genre that I wouldn’t be partnering with Andrew if I didn’t believe in his energy, enthusiasm, and heart for the community as well as his skills, drive, and desire to help others. As well, of course, I believe in his professional skills he’s honing not only as a freelance writer, but someone who is learning and excelling in the ropes of marketing. Andrew writes for various publications such as Lit Reactor and HorrorDNA, among others. The horror newsletter he’s recently started for the genre is amazing and sign-up MUST for anyone (you’ll find that link below).

And finally, I am really happy to see in the last few years the amount of men who are stepping up in horror to support women in horror. When we all support and respect one another, the community flourishes.

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Now that I’ve introduced Andrew, I’ll let him have the floor…..

Indie Horror Fundraiser and Scholarship for Women in Horror
by Andrew Fowlow, The Book Dad

If you don’t know me, my name is Andrew, otherwise known as ‘The Book Dad,’ and I am a reviewer of horror fiction. It is my intent to support those in the #HorrorCommunity anyway I can while on my literary journey to reading all things terrifying and suspenseful!

As you know, it’s #WiHM (Women in Horror Month) and I wanted to do something special for our ladies of the macabre! I created a RedBubble store with a few designs for folks to show off their love for HORROR FICTION! There are stickers, to be read (tbr) cart magnets, mugs, t-shirts, you name it.

Find it all at:

thebookdad.redbubble.com

Cool, right?

So, where does the money go?

Scholarship for a Woman in Horror!!

ALL MONEY EARNED IN FEBRUARY AND MARCH WILL GO TOWARDS A FEMALE HORROR WRITER TO HELP FUND THEIR NEXT PROJECT!!

I want to help a woman in horror get their book in readers’ hands. That could mean splurging on a fancy cover, getting a Horror Writer’s Association (HWA) membership, funding an audiobook, WHATEVER THEY WANT!

In addition, FREE EDITING PACKAGE:

The lovely Erin Al-Mehairi from Hook of a Book Media has graciously offered a free developmental and copy editing of a book 100k words or less (over is negotiable) for the chosen writer (with minor guidelines such as when the editing is negotiated for would be based on her current client schedule). This is a huge savings and you will receive an edit from a known and established editor in the genre.

In addition, also, FREE MARKETING PACKAGE:

I, The Book Dad, will also offer up my time to assist with the following:

✅ Marketing Strategies

✅ Full Media Kit

✅ Press Releases

✅ Newsletter

✅ Website/Landing Page

✅ Social Media Campaigns

I invite any female horror writer to email me: Andrewfowlow@gmail.com with their details and a brief pitch telling me what they are working on. Please, don’t be shy. I WANT TO HEAR FROM YOU! Throughout the next two months, I will run a social media campaign to decide on a winner so keep watch. This will be a fun opportunity and I’m excited to connect with you all!

Again, if you don’t know me, that’s ok, you can find me on Twitter, Instagram, Facebook and Goodreads or sign-up for my horror fiction newsletter for more content from those in the #HorrorCommunity.

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Thank you so much to Andrew for running with this idea to help a woman a horror. I’m happy to be a part of it and good luck! Get those pitches in to Andrew for consideration and watch social media for more about the giveaway.

Remember to showcase those women in horror you love each and every day!

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Filed under Book Services, Editing, Feature Articles, Guest Posts, HookonWiHM, women in horror

A Prose Poem: Beneath the Surface of Us All by Erin Sweet Al-Mehairi

As you’ve probably seen, read, or assumed, I’m going to start using my site more often again, offering you content I hope you enjoy. It’s been ten years with this Oh, for the Hook of a Book! site, and to those subscribers who’ve been with me a number of years, to those who’ve followed my writing journey or book talk, I’m so grateful. Thank you!

With that in mind, I’m also going to start sharing some more of my own work again. I’d really love to hear from you on my writing, or any posts really, in the comments. And feel free to let me know what’s new with you too and point me in the direction of one of your posts to read as well. I’d like to limit my social media use and create and reconnect lasting and living connections through other means.

Photo Credit: Unspash

February brings about Women in Horror Month, and I’ll have some content on my site in celebration of that, but you all know I promote women in any genre and any form all year long. It’s evident on this site for one. One of the groups I like to be involved with is a ladies in horror writing group. Each month we are given photo prompts and we write poetry or flash fiction inspired by it. The support of these ladies is amazing. And it really keeps me writing some months! You’ll find a wealth of women in horror to read or discover on this site.

So….. here is my prose poem for January at Spreading the Writer’s Word.

Beneath the Surface of Us All
by Erin Sweet Al-Mehairi

She has no cares for earthly exploration whether land or water. Mired with no focus, her mind races with anxiety and pain and chaos enough to fire several universes. She floats through life peering through blinking eyelashes and wondering about the tangible dirt most people grab and can feel running through their fingers. She’s been freed from topography constraints and has submerged into a realm saved for a chosen few in which maps aren’t needed, time doesn’t exist, and movements are fluid.

But she’s cold. Cold of heart, stoic of mind, narrow in her observations. It’s a dichotomy but it’s also a trauma effect. She needs my warmth, my clarity. When I reach out my hand to her, she touches only my fingers briefly and I shiver as electrons shoot up inside me. In her own quest for feeling, she opens the darkest places within me, pulls and widens and prods, but I’m not fearful, as instead I crave it.

I start to question my own world, my life, my surrounding stimuli. I sink into her. And then, she opens her maw, and she eats me whole.

End / Erin Al-Mehairi, Copyright January 2021

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You can read many other free poetry and flash fiction by amazing women twice daily most days, at Spreading the Writer’s Word! Thank you to Erin Lydia Prime, Nina d’Archangela, and all the sisterly writing support found at the Facebook group of Ladies of Horror.

Stay tuned for interviews, reviews, and guest articles from women in horror in February for the 12th Annual Women in Horror Month as well as people of color for black history and appreciation month. If you’d like to be considered for inclusion, please let me know!

If you’d like to see what I’ve done in the past, head to my Women in Horror page.

Have a good weekend!

Erin

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Final Day of Breathe. Breathe. In This Format: Its Journey and My Thoughts

Happy Halloween! I hope you’re enjoying your weekend. We are pumpkin carving, eating candy and fun foods, and going to a drive thru pumpkin glow tonight!

I’ve been writing since I was in junior high, maybe before, and pretty seriously since high school/college. That’s over 25 years! It was such a dream come true to have my debut collection of dark fiction and poetry called Breathe. Breathe. come to life with Unnerving publishers three years ago – but they flew by!

I’ve written so much more since then, much published already in various places, but a good bulk of it you’ll see starting next year. Having this published really gave me the catalyst to go further and stop putting my writing last. I will forever be grateful to the words on these pages for helping to heal me and allow me to grow as a person and a writer. Don’t be fooled by this cover for inside it’s dark, sometimes dreary, sprinkled with light and life, but also loss and darkness. The cover art is an ode to my story within “Dandelion Yellow,” which as I’m told, broke many a heart.

Photo Credit: Erin Al-Mehairi
Bookmark: A Stranger Thing
Art direction & plant: Emma Al-Mehairi

Until the end of the day Saturday (Oct 31) it’s marked down to .99c in e-book and just $6 paperback, and after that, this debut version will be gone from purchase. I’m not sure when I’ll bring it back! If you order a paperback and want it signed let me know and I’ll send you a signed insert.

I want to thank everyone who has supported my writing and this book, and those who keep doing it. Trust me you’re going to see BIG things from me in 2021! Publishing has given me some punches lately, but don’t think I was knocked down. Nothing is better for what life is in 2020 than some of the words on these pages – dark, deep, but with hope. And also, I’m proud it’s closing this chapter of its journey during domestic violence awareness month, since this book holds that issue close to it. I’d be honored if you’d breathe with me and buy a copy or share the word!

Thank you for being on this writing and reading journey with me!

To purchase on sale today only (Edit: looks like a few of the print only still available though e-book is gone), head to AMAZON and get it print.

You’ll also find a copy at several Barnes and Noble locations in Ohio and Florida (can be shipped from there or picked up if local) and Macs Backs on Coventry (independent bookstore near Cleveland, Ohio) if you’d like a print copy but can’t buy it today. Ask me for more info when interested.

Erin

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Filed under Book Announcements, Breathe Breathe, Feature Articles, My Writing, poetry, women in horror

Guest Article: “The Last Convicted Witch” by Catherine Cavendish + mini-review of The Malan Witch @cat_cavendish #themalanwitch #witches #horror

Today, one of my favorite gothic and witch lore authors Catherine Cavendish, joins us! For many years Cat’s books have always been a go-to when I just need to be absorbed in a really good story. I’m a fan of the gothic and witch subgenres, so they usually fit the bill. She writes really atmospheric supernatural and ghost stories as well.

The Malan Witch was a fast read for me, broken up between an hour or so each night before bed. Probably not the best idea in retrospect to be reading in the dark, but I’ve made sure my horseshoe is in proper form above my doorframe and salt is sprinkled on my windowsills. The Malan Witch is such a fast read because Cat writes with a pace that propels you through the page, and though uses superb descriptions, also creates a story not bogged down by them. The ending really ignited some scary action and twists and turns, leaving me perplexed, but then easily wrapped it up for me in satisfying fashion. And it also opened the door for a child character to be a fully formed character in a series of books. I sure hope that’s in the works!

Check out her guest article today about a real life famous UK medium – what a story – who for conducting seances was tried with the witchcraft act!!

Then check out the details for her next book about two scary witches, burned in the Tudor times, and how they’re spirits have come back to haunt a grieving widow in the modern times who goes to spend time in the cottage on the site in which it occurred.

The Last Convicted Witch
by Catherine Cavendish, Author of The Malan Witch

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To many, she was just another Scottish housewife, but Helen Duncan was regarded as a notorious charlatan by some and a martyr by others. So who was this unprepossessing lady who had Parliament in a spin right in the middle of World War II?

Helen Duncan was born in Callender, in Scotland on 25th November 1897 and, from an early age, was noted for her apparent ability to connect to the spirit world and, through the act of mediumship, convey their messages. She was also noted for her apparent ability to emit vast quantities of ectoplasm – an ability that later led to much ridicule and condemnation.

She married young – at the age of 20 – and her twelve pregnancies resulted in just six surviving children. Her husband, who was a cabinet maker, had been injured in World War I, so Helen was a much-needed breadwinner. She worked at the local bleach factory during the day and conducted Spiritualist sittings by night, earning a small amount of cash in the process. It is reported that she would often use these funds to help her friends and neighbours – who were in similar dire financial circumstances to herself – by paying their medical bills.

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Helen gained a reputation for her accuracy and, by 1931, she was making her living conducting seances up and down the country. She was a minister to a number of Spiritualist churches. But things began to go badly wrong. She was publicly denounced as a fraud by the Morning Post and the London Psychic Laboratory. Then, in 1934, Helen was prosecuted by the Edinburgh Sheriff’s Court as a ‘fraudulent medium,’ for which she received a £10 fine and a month’s prison sentence.

Undeterred by this unpleasant experience, Helen continued to practice, but chose to transfer herself to Portsmouth during World War II. This was where the Royal Navy was based, and it led directly to trial at the Old Bailey.

During a seance, through her spirit guide Albert, she claimed to pick up the spirit of a sailor who announced that he had just gone down with HMS Barham.

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The only problem here was that the sinking of that ship wasn’t made public until many months later and certainly wasn’t in the public domain at the time of her séance. Whether this was a product of genuine mediumship, or something more sinister (as some alleged), it was certainly enough to bring her to the attention of the authorities. On 19th January 1944, one of her séances was raided by police. She and three members of her audience were arrested.

Eventually, she was prosecuted under section 4 of the archaic Witchcraft Act of 1735, which carried a maximum twelve month prison sentence. At that trial, her supporters rallied round and raised funds to bring witnesses from all over the country – many of them pillars of the community – all prepared to testify to the authenticity of her séances. As to whether she produced ectoplasm, (or cheesecloth, as had been alleged by the prosecution), one witness stated that the substance could not possibly be cloth as, if so, its colour would have changed under the red light of a séance room. Far from it, attested Hannen Swaffer, respected journalist and co-founder of the Psychic News. In Helen Duncan’s case, the manifestations remained uniformly white.

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The trial resulted in daily, sensational newspaper headlines and, it was even proposed (by the defence) to put Helen into a trance and let the jury see for themselves what transpired. This caused a furore among the prosecution lawyers. Supposing, somehow, she managed to pull it off? Or worse, if she didn’t, the whole British legal system would be held up to ridicule. They declined.

Helen was found guilty and, after some debate, her sentence was set to nine months incarceration under the Witchcraft Act, for pretending ‘to exercise or use human conjuration that through the agency of Helen Duncan spirits of deceased persons should appear to be present.’ She was also charged with offences under the Larceny Act for taking money ‘by falsely pretending that she was in a position to bring about the appearances of the spirits of deceased persons.’ She served her sentence in the notorious Holloway women’s prison.

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So, she became the last person in Britain to be jailed under the Witchcraft Act of 1735, but not the last to be convicted under it. That dubious privilege was left to the septuagenarian Sara Rebecca Yorke, who was tried in late 1944, but was bound over and received a fine, in view of her advancing years.

Although she is often called ‘the last witch,’ Helen was never specifically tried as a witch. The Act of 1735 had done away with the barbaric practices of the past that had resulted in such travesties of justice as the Lancaster Witch Trials of 1612 (aped by those in Salem, Massachusetts eighty years later).

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Helen’s infamous trial did, however, provide a catalyst for much needed change. A political campaign was begun, supported by Winston Churchill, who had described the charges against Helen Duncan as, ‘obsolete tomfoolery.’ Churchill himself had long held a serious interest in spiritualism, inherited from his American mother, the charismatic Jennie Jerome (who became Lady Randolph Churchill on her marriage to Winston’s father). Finally, the campaigners succeeded and the Act was repealed in 1951, to be replaced by the Fraudulent Mediums Act, which is still in place today.

As for Helen, she was released from prison in September 1944, but never managed to slip entirely under the police radar. In 1956, they raided a séance when she was in mid-trance. Generally regarded as a spectacularly dangerous thing to do, they manhandled her while in this trance-state and took her away. She was said to exhibit second degree burns and was bleeding from her mouth. As a diabetic, with a heart condition, she was sent back home but was later rushed to hospital.

Helen Duncan died thirty-six days later.

So was she – as some have alleged – a spy? Was she a genuine medium? Or was she a most accomplished clever fake? Opinions were, are, and will always be, divided. Those who believe will believe and those who do not, will never be convinced.

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Read Cat’s latest work now!

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‘Naught remained of their bodies to be buried, for the crows took back what was theirs.’

 An idyllic coastal cottage near a sleepy village. What could be more perfect? For Robyn Crowe, borrowing her sister’s recently renovated holiday home for the summer seems just what she needs to deal with the grief of losing her beloved husband.

But behind those pretty walls lie many secrets, and legends of a malevolent sisterhood – two witches burned for their evil centuries earlier. Once, both their vile spirits were trapped there. Now, one has been released. One who is determined to find her sister. Only Robyn stands in her way.

And the crow has returned.

You can order The Malan Witch here:

Amazon

pic 8Catherine Cavendish, Biography –

Following a varied career in sales, advertising and career guidance, Catherine Cavendish is now the full-time author of a number of paranormal, ghostly and Gothic horror novels, novellas and short stories. Cat’s novels include The Garden of Bewitchment. The Haunting of Henderson Close, the Nemesis of the Gods trilogy – Wrath of the Ancients, Waking the Ancients and Damned by the Ancients, plus The Devil’s Serenade, The Pendle Curse and Saving Grace Devine.

In addition to The Malan Witch, her novellas include The Darkest Veil, Linden Manor, Cold Revenge, Miss Abigail’s Room, The Demons of Cambian Street, Dark Avenging Angel, The Devil Inside Her, and The Second Wife

Her short stories have appeared in a number of anthologies including Silver Shamrock’s Midnight in the Graveyard, and her story The Oubliette of Élie Loyd will appear in their forthcoming Midnight in the Pentagram, to be published in October this year.

She lives by the sea in Southport, England with her long-suffering husband, and a black cat called Serafina who has never forgotten that her species used to be worshipped in ancient Egypt. She sees no reason why that practice should not continue.

You can connect with Cat here:

Catherine Cavendish

Facebook

Twitter

Goodreads

MeWe

Editor’s Note: All photographs were supplied by the author.

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Filed under Book Reviews, Guest Posts, women in horror

Cover Reveal & Giveaway for Halloween Season by Lucy A. Snyder. Trick-or-Treat with Us for Cool Gifts! RT pls. #halloween #halloweenseason #RDSP

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Every Day is Halloween

Halloween decor is in select stores, and though we are still “enjoying” summer, October is just around the corner. Today I have a cool cover reveal of a new Halloween story collection and giveaway as part of Trick-or-Treating adventure, which means some of you may be dropping by from social media or another site, but let me give a little background for my subscribers as well.

Raw Dog Screaming Press (RDSP) is an award-winning indie press of horror, fantasy, sci-fi, crime, and more that I’ve worked with in regards to PR and publicity for several years via my business Hook of a Book. One of the exciting authors I get to work with published by them is a fellow Ohio author, the multi award-winning Lucy A. Snyder. On Oct. 5, 2020 we are excited to say that RDSP is releasing a collection of stories by Snyder for Halloween called…. you guessed it, Halloween Season!

Whether Halloween in person festivities are canceled this year due to Covid (so do your duty so we can all have fun this Fall, will you?) or not, you can always partake in some online escapades. For instance, let’s start a bit early with RDSP in a digital rounds of trick-or- treating to celebrate the reveal of the seasonal cover created by artist Lynne Hansen of Halloween Season!

How Trick-or-Treating Works – 

There are five houses to visit on this block: author Lucy A. Snyder, cover designer Lynne Hansen, mine here at Hook of a Book, co-owner of RDSP and author John Edward Lawson, and Raw Dog Screaming Press. Visit any of them first and feast your eyes on the amazing cover created by Hansen, then pick up a different “treat” (or giveaway) from each post also featuring the cover reveal. Keep reading to check out my giveaway and the other stops below…. after we meet the artist and see the cool cover.

But first….

Meet the artist, Lynne Hansen – 

RDSP was looking for a cover that captured all things Halloween and turned to artist Lynne Hansen. “I have over fifteen years of experience in marketing and promotions including art and design,” Hansen said. “I started creating book covers when my husband Jeff Strand decided to make his humorous horror novel The Sinister Mr. Corpse available as an e-book. Once people saw Jeff’s next e-book Wolf Hunt, I started to receive requests to design covers for other authors. Now I get to tell other people’s stories through the art of the book cover and I love every minute of it.” For more info about Lynne head over to LynneHansenArt.com and make sure to browse her gallery.

So without further ado, here’s the cover!

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Cool and festive, right? Excited as much as I am now?

Halloween Season launches October 5th but you can preorder now!

Order from RDSPOrder from Barnes & NobleOrder from Amazon

Media Requests – 

If you are a member of the media or reviewer, I’m also happy to put you on the list for e-arcs or print copies, just let me know! I’ll also be sending requests, but do feel free to let me know also either in the comments or to my e-mail. Also, I’m scheduling Lucy for select interviews as well.

Now look at this FULL SPREAD! 

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About Halloween Season – 

Halloween is the most wonderful part of the year for many of us. For dedicated fans, the season begins when the leaves start turning autumn colors and doesn’t finish until Hallowtide ends in November. With it comes a whole lot of fun: scary movies and stories, haunted houses, seasonal sweets, spooky decorations, costume parties, and of course trick or treat. But Halloween is also a deeply spiritual time for some; it’s an opportunity to remember and honor loved ones who have passed on.

Master storyteller Lucy A. Snyder has filled her cauldron with everything that Halloween means to her and distilled it into a spell-binding volume of stories. Within these pages you’ll find thrills and chills, hilarity and horrors, the sweet and the naughty.

One of the best things about Halloween is you don’t have to be yourself. So go ahead and try on a new mask or two … you may discover hidden talents as a witch, a pirate, a space voyager, a zombie fighter, or even an elf. This is the perfect collection to celebrate the season of the dead or to summon those heady autumn vibes whenever you like. You may even find a couple of tales that evoke a certain winter holiday that keeps trying to crowd in on the fun.

In the worlds within this book, every day is Halloween!

Trick or Treat Giveaways – 

Now for the goodies! Thanks for participating in our trick-or-treat cover reveal!

My Giveaway –

1) I’m offering to one (1) US winner a copy of one of my favorite autumn poems I’ve written, previously published online at Spillwords Press, BUT this would be a hand-lettered original, probably with a little original art on the border to follow the theme. It will be signed. This is one of a kind! Please leave a comment below or e-mail me (hookofabook at hotmail dot com) to be entered.

2) For both US and international, if you e-mail me, I will send all who contact me a .pdf for you to download that you can print of the original mentioned above. It will have my digital signature.

This giveaway I open from July 23 to July 31, 2020. Entries after that won’t be considered but feel free to comment anytime.

Head to ALL the Stops –

Visit all the houses on the block to collect all the treats. Here are the current stops and treats:

  • Stop #1 Lucy A. Snyder (excerpt from Halloween Season)
  • Stop #2 Cover artist Lynne Hansen (printable bookmark)
  • Stop #3 Raw Dog Screaming Press (postcard promo pack)
  • Stop #4 Hook of Book publicist Erin Sweet Al Mehairi (that’s me! You’re here. See above about a signed, hand-lettered Halloween poem)
  • Stop #5 John Edward Lawson (Halloween card and story)

Lucy A. Snyder, Biography –

Lucy3Lucy A. Snyder is the five-time Bram Stoker Award-winning and Shirley Jackson Award-nominated author of over 100 published short stories and 14 books. Chaosium will release her novel The Girl With the Star-Stained Soulsometime in 2021. She also wrote the novels Spellbent, Shotgun Sorceress, and Switchblade Goddess, the nonfiction book Shooting Yourself in the Head for Fun and Profit: A Writer’s Survival Guide, and the collections Garden of Eldritch Delights, While the Black Stars Burn, Soft Apocalypses, Orchid Carousals, Sparks and Shadows, Chimeric Machines, and Installing Linux on a Dead Badger. Her writing has been translated into French, Russian, Italian, Spanish, Czech, and Japanese editions and has appeared in publications such as Asimov’s Science Fiction, Apex Magazine, Nightmare Magazine, Pseudopod, Strange Horizons, and Best Horror of the Year.

With Michael Bailey, Lucy also co-edited the critically-acclaimed collaborative dark fiction anthology Chiral Mad 4. When she’s not writing, she’s faculty in Seton Hill University’s MFA program in Writing Popular Fiction and also works as a freelance developmental editor in a suburb of Columbus, Ohio. You can learn more about her at www.lucysnyder.com and you can follow her on Twitter at @LucyASnyder.

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Thanks for stopping! Did you say TRICK-OR-TREAT!? Don’t forget to enter to win.

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Filed under Cover Reveals, Feature Articles, poetry, women in horror

Interview: Haunting and Horror Writer Pamela Morris Talks Books, Women in Horror, and Historical Locations #WIHM #womeninhorror #historicalhorror

Tomorrow is the last day of February and the closing of Women in Horror Month, but I know that I for one won’t stop celebrating women all year long. Stay tuned in March for a little announcement on how I will do that even more on schedule than I have before on this site, even though a majority of people featured here has always been predominately women.

Today, join me for a last segment in my mini women in horror month series. Pamela is a cool horror writer I met online years ago through our mutual friendship with horror author Hunter Shea. She likes her ghouls and haunts and history and so this will be a fun and interesting interview to read. Enjoy!

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Hi Pamela, welcome to Oh, for the Hook of a Book! I’m so glad you could join us. I have strong coffee or tea, whichever you’d prefer, or stiff drink. Take your pick, and if the former, tell me how you take it.

Pamela: Hey, Erin. It’s nice to be here. *checks the time* Coffee sounds great, with a double shot of Jameson and some whipped cream sounds about right after that chilly walk over here.

Erin: That sounds incredibly wonderful! Let’s carry them into the dining room and begin our chat!

I’ve known you for quite a few years, meeting you online from Hunter Shea. I know you are a fan of the paranormal and write many books in that vein. Can you tell my readers a bit about that and what you write?

Pamela: I have always been interested in all things occult and paranormal. It was something I grew up being very curious about and was never discourage away from learning. I’ve also been an avid reader all my life, so I guess the two just went hand-in-hand. First you read it. Then, in my case, you start writing about it. My first paranormal story was a three-page tale titled “The Strange Well” that I wrote when I was ten.

As I grew older, the stories got longer until now, I focus mainly on novels. My first two supernatural novels also happened to be murder-mysteries and are set in Barnesville, the fictionalized version of the small town I grew up in. Barnesville is home to a secret coven of witches who keep an eye on things. Currently I have four books set in Barnesville and there will be more eventually. These books lean towards the YA crowd.

In addition to The Barnesville Chronicles, I have a psychological horror that is very dark and deals with some taboo subject matter: abuse, rape, incest, murder, etc. Not YA in the least. Lastly, I wrote ghost story where a lot of the story is told from the perspective of the three ghosts involved. You don’t just see or hear what they are doing, but you get to know them as they were in life and why they are doing what they are doing, not just to the living but to their fellow trapped spirits.

Erin: What is your newest book and what’s that about? What did you find the most fun about writing that one and why?

Pamela: Last year I released a novel and a short story. The novel was the second part and conclusion to “The Witch’s Backbone” one of my Barnesville books. It’s very much a coming-of-age type tale. Five kids living in a small town decide to find out the truth about their local urban legend. The legend involves a witch named Rebekkah Hodak who is rumored to haunt a narrow ravine just outside town. It’s said that if you go to where her body was found, see her, and meet her gaze, you’re cursed to die an early, and possibly gruesome, death. One of the kids, twelve-year-old Tara Fielding, accidently sees what she believes to be this witch. Her panic and belief in the legend are what spawns the organization of a camping trip into the nearby woods. Horror ensues.

The short story is all about my personal fear of spiders, “Because, Spiders.” It’s about a nine-year-old girl whose fear is even greater than my own. She’s convinced there’s a giant spider hiding in the shed behind her house and she’s pretty sure it caught and ate the neighbor’s dog, too.

Erin: Do you feature any strong female in starring or supporting roles in your novels and stories? Tell us about a few and what their traits are?

Pamela: Most of my lead characters are women. In The Barnesville Chronicles, that would be Nell Miller. She’s the local small town librarian, who also happens to be a member of the coven mentioned earlier. She’s very out about being Pagan and confident in her magic abilities. She’s a bit of an instigator, always wanting to know more, do more, take action. She’s no Nervous Nellie, that’s for sure. She’s not one to turn down a challenge and will often drag her reluctant friends into helping her out.

In “Dark Hollow Road”, the psychological horror, one of the lead female characters is Mary Alice Brown. She’s the eldest of four and after the death of their mother, she’s the one responsible for taking care of all the rest. She struggles a lot with all that entails, including dealing with their abusive, alcoholic father. She does her best to protect them from him, even if that means she gets hurt in the process. She’s very shy, not well educated, and the victim of a lot of bullying both at home and around town, but she retains her sense of what is right and wrong, she has her hopes and dreams. She’s a fighter.

Erin: I love mysteries and historical research as well. How do those two loves of yours factor into your work?

Pamela: Every year for many, many years I’d get at least four Nancy Drew books for Christmas. I’d have them read by the end of January and craving more. That’s where my love of mysteries started and what greatly influenced what I write. Later I’d graduate to Agatha Christie and Wilkie Collins, but Nancy Drew was really the one that taught me that a mystery doesn’t always have to involve a murder.

My maternal grandmother was really interested in family genealogy so I think that may be where my love of history started. She liked antiques and all that. From 2004-2011, I was an American Civil War reenactor. That required a lot of research to know what the heck I was doing or talking to others about as my living history persona. The two main ghosts in “No Rest For The Wicked” are from that time period. I like to keep things as historically accurate as I can so all the research I did for my reenacting, was poured into them. The witches of Barnesville are descendants of the people accused of witchcraft in Connecticut from 1647 to 1663. No Salem witches for me – too typical. I wanted to be different, at last a little bit anyway. So, yeah, lots of real history worked in to everything I write – including that secret Barnesville coven that allegedly existed in my real hometown when I was a teenager!

Erin: What is one piece or location of history you’d like to explore of have explored for your writing or just for general interest? What interesting things have you found?

Pamela: Probably the Salem Witch Trials. I wrote my final high school English paper on the possible causes of the events that took place there. At the time, my mom was working at the main research library at Cornell University and that gave me magical access to the collection of documents housed there on the topic. I got to sit in a locked room with nothing but a pencil, paper, and some of the original document from which I took notes. With those and a few other books I owned at the time, I put together my paper. In 1989 my first husband and I went to New England for our honeymoon and decided we needed to spend the day in Salem. It was a rather whirlwind tour of the place, but still pretty neat. It wasn’t until many, many years later that I’d learn one of the women accused was a distant relative! It was also much later while doing some genealogy research for a friend that I learned about the Connecticut Witch Trials that preceded Salem by about thirty years. It was from this research that I drew the founders, and first coven members, of fictional Barnesville.

Erin: That’s so cool!! How hard do you feel it is to write mysteries and tie up all the points? How do you do so? Outline? What are the challenges and what are the rewards?

Pamela: Only my first two books were murder-mysteries and it was a lot more difficult than I’d initially thought. I’m normally a pantster (meaning I don’t outline … at all), I just write and kind of know where I’m headed or want to head. The mysteries wouldn’t allow that much freedom. Not only do you have to know who committed the murder, why, and how – but you have to come up with believable alibis for all the suspects, the reasons they might have committed the crime, and a secret they have that would cause them to lie about their whereabouts or motivations. Good grief! Plus, if you’re going to touch on police procedures that’s another layer of research to look into. All this is a bit more restricting than I like being, but … the reward of pulling it off, for misdirecting successfully, and it all still making sense in the end feels great.

Erin: You grew up watching horror, I believe. What are some of your great influences and what do you prefer to watch now? Same then with the reading, let us know reads you’ve loved and those who influence your work.

Pamela: Yes, I’ve been watching Horror since I was a wee thing. It started with the local Saturday afternoon horror show, “Monster Movie Matinee’. With the cartoons over, it was time to sit on the floor with a little tray of lunch and take in the creature feature. They showed mostly Universal movies – Creature from the Black Lagoon, Dracula, Abbot and Costello Meet The Wolfman, The Ghost and Mr. Chicken – family friendly horror, I guess. I grew into the Friday and Saturday night programming after that, darker stuff that started after the 11 o’clock news. Hammer Pictures, a lot of Christopher Lee. I love me them vampires! “Let’s Scare Jessica To Death”, “Night of the Living Dead”, “The Haunting of Hill House”, and “The Legend of Hell House”, “The Other” and “Dark Secret of Harvest Home” are the most memorable ones. Once in a while they’d have a great Made-For-TV movies on. “Night of the Scarecrow” was terrifying to me and my novel “Secrets of the Scarecrow Moon” was directly inspired by it. Elements of “The Other” also come into play in my book. Lastly, being from Rod Serling Country in Upstate New York, I adored both Twilight Zone and Night Gallery.

Oddly, I have a harder time coming up with books that influenced my writing. The style of certain authors inspired me, but maybe not so much the stories themselves. Tanith Lee, a British author, had a collection of kind of Horror\Sci-fi stuff that involved twisted fairy tales. Before her, I’d never heard of doing such a thing. I thought it was super cool and tried my hand at it with varied success. The fine art of short stories eludes me, though I keep trying. I liked Stephen Kings whole ‘small town – weird secret’ theme, too. That can be found in the Barnesville books. Of course, there’s good old Nancy Drew, again. I really enjoy books that make me think more about what’s going on, stories that misdirect the reader and have a lot of unexpected twists, endings that make me sit there and go, “Huh. I never saw that coming at all.” That’s what I try to do.

Erin: I’m a history buff too, and I know you were a Civil War re-enactor for a decade. What role(s) did you play? What was exciting about it? What type of horror or haunts did you learn? Have you used any of your time doing this in your writing?

Pamela: I played the wife of a field embalmer – aka an undertaker. It was very uncommon at the time, but not unheard of. It was also a very lucrative business. A lot like selling life insurance. My job was to gather the personal items of the deceased, write the letter home to his family, and mourn the poor soul appropriately. That involved sitting next to the coffin while dressed in black, wearing a black veil, and weeping (or pretending to weep). Those Victorians viewed death a lot differently than we do, mourning and a proper Christian burial was paramount. Embalming was a new science – formaldehyde hadn’t been invented yet so there was a variety of embalming fluid recipes. All very morbid to a lot of people. A lot of visitors wouldn’t even stop at our display. As I mentioned earlier, the two main ghosts in “No Rest For The Wicked” are from this time period and the man, Beauregard Addams, was the owner of a funeral parlor as well as having been a field embalmer and surgeon during the war.

Erin: That’s so interesting! Also, a mutual fan of road trips, do you take any to historical or haunted locations?

Pamela: No, we have not intentionally sought out haunted or historical locations. My husband isn’t into the whole paranormal or horror thing as much as I am, though I did manage to drag him to Granger, Texas to see the house used in the 2003 remake of Texas Chainsaw Massacre. It’s not far from where his mom lives. So, that was cool. I also dragged him out to Terligua in West Texas for the Day of the Dead in the cemetery there. He humors me in all my ghostly, cemetery, haunted weirdness ways.

This summer we are hoping to make a delayed trip out to Boston Harbor to see the USS Constitution, might swing by Salem, but I want to go to Danvers, Massachusetts to see the homestead of Rebecca Towne Nurse who was one of the woman accused and hung for witchcraft back in 1692. She was also my 7x great aunt so I’m kinda curious about all that. We also plan on swinging over to Plimoth Plantation followed by Fall River to see Lizzie Borden’s old stomping grounds then west to wander through Sleepy Hollow for a bit before heading home.

Other road trips are much shorter, day trips or a weekend long adventure on the motorcycle. Anything beyond a four hour ride gets a bit sore on the old bottom!

Erin: Oh nice! That came in once near where son is in DC (the USS Constitution and other tall ships) and he loved it. He’s huge on that stuff (me too). That sounds like some amazing road trip stuff! I want to do all of that too. haha!

What are you working on now and what are your plans for the near future in terms of your writing?

Pamela: I am just finishing up the 4th draft of what I’m calling a Texas Gothic Horror titled “The Inheritance”. It should be ready this summer. I’m a big fan of the classic Gothic genre, old stuff, like Bram Stoker, Poe, and Wilkie Collins and really wanted to write something along those lines. But, I also wanted it to be contemporary, so I set it in the West Texas desert, added some bad ass bikers, and a band of really pissed off Apache spirits. Good times! This was great fun to write! And using the traditional plotting schemes of a Gothic novel really made things zip along. The most fun maybe was doing the research for this – ya know, actually being in the West Texas desert and taking notes, soaking it all in. Creating the biker gang was a blast, too.

Erin: What tips do you have for other women in horror in support of each other or sharing work?

Pamela: I’m really happy that I’m seeing more and more female writers in the Horror genre. There were so few that I knew of as a kids and for as much as I loved King, it would have been every nicer to have had more women to look up to.

I’ve always written what I loved to read and that’s the first thing you need to do, male or female. If you love monsters and freaky creatures, write about them. If you love vampires, write about them. If you love ghosts facing off against bad ass biker chicks, write about them! Your personal passion will come through in your writing. Start there and run with it. Read other female Horror authors. I’ve found their work so much more relatable. Where the men tend to go for the more violent, blood-slinging slasher, women, at least in my readings, tend to be more subtle and devious. But, hey – if you’re a lady and enjoy wielding that machete or ax, swing away!

Enjoy yourself and with any luck at all, those who read your work will enjoy reading it as much as you did writing it. It’s all about having fun after all, right?

Erin: Thanks so much for joining us today, Pamela! You’re welcome anytime, especially if you’ve got a good haunting story. Haha! Let us know where readers can find you, please.

Pamela: It was great chatting with you, Erin. All my titles can be found on Amazon and everything is available in both paperback and Kindle formats. I also have a website, pamelamorrisbooks.com. There are a few free short stories there and a blog where I babble about crows and other random weirdness, sometimes Horror-related, sometimes not. On Facebook, I can be found at Facebook. Folks are welcome to Like an Follow me there, of course. I’m pretty active on Twitter if folks want to follow me there, @pamelamorris65.

Thank you for having me over and letting me babble on about my work. I must say, you make a mean Irish coffee. And with that, in the words of Morticia Addams, “Have a delightfully dreary day!”

Erin: HAHA!! Anytime. It’s rather snowy here so I shall have a freezing night for sure. 😀

Pamela Morris Biography –

PamelaMorris_2019_2Raised in the Finger Lakes region of Upstate New York, but forever longing for the white sands of her birthplace in New Mexico, Pamela has always loved mysteries and the macabre. In high school she quickly found herself labeled ‘That Witchy Chic.’ And school dances? Forget about it! You’d be far more likely to find her at the local small town library on a Friday night or listening to a Horror movie soundtrack in her darkened bedroom.

When her nose wasn’t buried in a vampire novel or any number of books penned by her favorite authors such as Poe, Stephen King, Anne Rice, Bram Stoker, Tanith Lee, Shirley Jackson, and Wilkie Collins, Pamela was probably watching ‘Monster Movie Matinee,’ ‘Twilight Zone,’ ‘Kolchak: The Night Stalker,” and a myriad of Hammer Films that further fed her growing obsession with Horror.

All grown up now, Pamela has raised two children and enjoys drawing and painting, watching bad B-Movies, remaining ever vigilant to the possibility of encountering a UFO or Bigfoot, an taking road trips with her husband on the Harley. She feeds the local murder of crows in her back yard and still hasn’t quite figured out how she became the Cvlt Leader for The Final Guys Podcast.

TWB1_Curse_CoverFrontThe Witch’s Backbone – Part 1: The Curse

It’s 1980 and the dog days of summer have settled over the small farming community of Meyer’s Knob. Five friends have spent their time at the local creek swimming and gathering crayfish, riding bikes, and mostly just trying to avoid boredom.

When tomboy Tara Fielding reports she’s spotted what she believes to be the witch of their local urban legend, and is now subject to that legend’s deadly curse, her friends rally ‘round and decide they’re going to prove there’s no such thing. After lying to their parents about where they’ll be, the friends head out to The Witch’s Backbone where, the legend claims, the witch waits for foolish travelers who dare pass that way at night.

What the group witnesses during this late summer field trip and what they find out after they return to civilization, does little to put anyone’s mind at ease, least of all Tara’s. Not only do they now believe this long-dead 19th century witch is real, but that she has friends who are still practicing the Black Arts, friends that will see to it that the legend’s curse is carried out.

Are there evil witches stalking the woods and sun-starved ravines between Meyer’s Knob and the neighboring town of Barnesville? Or have the kids just let boredom, the oppressive summer heat, and their own imaginations get the better of them?

Link to Amazon

NRFTWfront_coverNo Rest For The Wicked

 Theirs was a hatred that lived beyond the grave.

A powerless domestic who searches for escape. Naked and screaming, the ghost of Sadie Price wants nothing more than to strike terror into all who dare enter Greenbrier Plantation.

A murderous wife who seeks justice. Lucy thought shooting her philandering husband and his mistress would bring her peace, but her subsequent suicide only creates a more hellish existence for her in the afterlife.

A sadistic doctor who refuses to relinquish control. Dr. Addams stalks the house and grounds of Greenbrier Plantation using his dark powers to control his Earth-bound spirits and anyone living who dares get in his way.

Can peace ever come to these tortured souls or are they eternally damned to walk the earth as proof that there really is no rest for the wicked?

Link to Amazon

DarkHollowRoad-FrontOnlyDark Hollow Road

 A past filled with terror.

On Dark Hollow Road, Mary Alice Brown and her siblings know little more than poverty and abuse at the hands of their father. Getting rid of their tormentor seemed the answer to bringing joy back into their lives. But when that doesn’t work, Mary takes it upon herself to see that justice is served.

A present full of dread.

After an unusual visit from an elderly woman looking to borrow sugar, the theft of his coloring book, and complaints about other kids bothering him in the middle of the night, six-year-old Brandon Evenson, who lives within sight of the house on Dark Hollow Road, goes missing.

A future obsessed with revenge.

Desperate, Brandon’s parents seek answers from Lee Yagar, a local who’s warned people time and again of the dangers lurking at the old Brown place. But, Lee’s suggestion that Mary is involved in Brandon’s abduction makes little sense.

Mary is presumed dead, as she’s not been seen in decades, but is she? And is the house truly as empty and abandoned as it appears to be?

A psychological horror driven by hate, fear, and every parent’s worst nightmare.

Link to Amazon

WiHM11-GrrrlBlack

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