Tag Archives: gothic

Guest Article: Seeing Doubles by Gothic Fiction Author Tracy Fahey #WiHM #womeninhorror #gothic

Welcome back to another segment in the small Women in Horror (WiHM) Series I’m running as we prepare to usher out February. Today, I have a guest article from Irish Gothic writer Tracy Fahey. I think most of you know how I myself feel about Gothic work, both in my own reading, writing, and study. I’m all in, so I’m pleased to present this to readers on my site today.

In 2017, Tracy’s debut collection The Unheimlich Manoeuvre was shortlisted for a British Fantasy Award for Best Collection. In 2019, her short story, ‘That Thing I Did’ received an Honourable Mention by Ellen Datlow in her The Best Horror of the Year Volume 11, with five stories on Datlow’s Recommended Reading list for 2019. Her short fiction is published in over twenty-five Irish, US, and UK anthologies. She holds a PhD on the Gothic in visual arts, and her non-fiction writing has been published in edited collections and journals.

Today, she talks about the lastest installment of her work and her infatuation with doubles. That’s right, check this out twice if you find that uncanny. Join us!

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Unheimlich Manoeuvres: Doubling Up On The Uncanny
by Tracy Fahey, author of Unheimlich Manoeuvres

I’m obsessed with doubles. They fascinate me. Doppelgängers. Twins. Fetches. Reflections. Mirror images. In a world where so much is made of the virtue of individuality, what is more terrifying than the idea that you exist elsewhere? Or the notion that you are somehow (even worse) divided within yourself? This is something that’s been a recurrent theme in my writing. In March 2020 my publishers, the Sinister Horror Company are releasing two collections, the third, deluxe edition of The Unheimlich Manoeuvre and the chapbook Unheimlich Manoeuvres In The Dark, both of which explore the idea of the uncanny double. But why this fascination? It’s been a long-running obsession.

As a child I followed Alice through the looking glass into the shadow-world beyond, and consequently spent hours in front of my own bathroom mirror, watching my image closely for signs of tell-tale deviation. As a teenager I devoured Robert Louis Stevenson’s Dr. Jekyll And Mr Hyde and savoured the queer thrill that came from contemplating a truly double life; one where the very self was sundered and broken, one where the self was plunged in a morass of unease, unable to even remember what the divided self had done. Later I would become absorbed in Ira Levin’s tales of replaced women (Stepford Wives) and clones (The Boys From Brazil). Movies fed and continue to feed this obsession with uncanny doubles: Invasion of the Body Snatchers with its narratives of paranoia and pod-people, Coraline, the sublimely uncanny tale of a doubled, ‘other’ world. More recently, there’s been It Follows, a clever, twisted movie where contagion rages and no-one is what they seem, and of course, Jordan Peele’s Us, the horror of which is almost entirely premised on otherness and doppelgangers. Us doesn’t entirely work—it suffers from an excess of ideas—but when it does, it is magnificent. Who can forget that superlative, long shot of the shadow-family standing silently at the foot of the driveway? Those unmoving, dark silhouettes that equate exactly to the panic-stricken five looking at them—it’s a marvellous, and utterly uncanny moment.

US JP

But why is the double such a terrifying figure? Well, firstly because embodies the very definition of the uncanny – Freud’s 1919 essay on ‘The Uncanny’ refers to ‘Schelling’s definition of the uncanny as something which ought to have been kept concealed but which has nevertheless come to light.’ He also discusses specifically the idea of the double, and Otto Rank’s ‘Der Doppelgänger’ which outlines the various modes of double from mirror-image to shadows, souls and to Egyptian sculpture as funerary repository of ka, or spirit. Freud points out that the double profoundly upsets our sense of self—it becomes an object of terror.

In both the new edition of The Unheimlich Manoeuvre, and in the accompanying chapbook Unheimlich Manoeuvres In The Dark, I want to thoroughly explore the different dimensions of the uncanny, using the unifying trope of the Gothic home. A significant part of this was exploring the double. In doing this, I was not only drawn by Rank, Jentsch and Freud’s writings on the doppelgänger, but on the uncanny double that haunts Irish folklore, the fetch a double that appears at the moment of death to fetch the soul away. And so, images of the dark, mirrored self flow through the stories. There’s the theme of the self divided by illness in ‘Coming Back’ and ‘Something Nasty In The Woodshed.’ There’s a doppelgänger that flits through the pages of ‘Ghost Estate, Phase II.’ There’s an examination of twin as uncanny double in ‘I Look Like You, I Speak Like You, I Walk Like You.’ In both chapbook and new edition, there’s also an additional story, ‘The Wrong House’; a tale populated by troubling doubles of the protagonist, his wife and his daughter, and a previously unpublished story, ‘Possession,’ where the main character feels her sense of self erode in the anxiety that arises from that most terrifying of all possibilities—that she no longer knows who exactly she is.

So, welcome to my nightmares. I invite you into my world where nothing is as it seems, a world where every mirror image is charged with a dark power, a world where we may (or may not) exist in multiple, fractured forms. For me, the double continues to be a haunting and compelling evocation of the uncanny. Given that our sense of self, how we perceive ourselves, is a corner-stone of our mental health, the idea of the uncanny double is one of the most terrifying concepts in horror literature.

As the protagonist of one of my unheimlich stories puts it:

“I look like you. I speak like you. I walk like you.

But I’m not you”

The Unehimlich Manoevure –

The Unheimlih Manoeuvre Deluxe EditionIn 2020, the deluxe edition of The Unehimlich Manoevure will be released together with a companion chapbook of new material, Unheimlich Manoeuvres In The Dark, both published by the Sinister Horror Company. Both contain a new essay, ‘Creative Evocations of Uncanny Domestic Space,’ five new stories, a print and piece entitled ‘Remembering Wildgoose Lodge,’ and complete story notes on all nineteen stories in this new edition.

The Unheimlich Manoeuvre explores the psychological horror that occurs when home is subverted as a place of safety, when it becomes surreal, changes and even disappears…

In these stories, a coma patient wakes to find herself replaced by a doppelgänger, a ghost state reflects doubles of both houses and inhabitants, a suburban enclave takes control of its trespassers, and a beaten woman exacts revenge.

Unheimlich Manoeuvres in the DarkJust as the Heimlich Manoeuvre restores order, health and well-being, The Unheimlich Manoeuvre does quite the opposite.

This new edition contains revised versions of the original stories and a brand new tale, “Something Nasty In The Woodshed.”

Praise –

“A modern-day gothic whose Kafkaesque otherworldly stories are beautifully disturbing.” – Lol Tolhurst, The Cure

“It is, quite simply, pure art, and we can only wonder what works this writer will produce in the coming years.” – This Is Horror

“This a very assured first collection…. Although there are twists, Tracy Fahey never plays for cheap shocks.” – Priya Sharma, Shirley Jackson Award winner

Tracy Fahey, Biography –

Tracy Fahey photoTracy Fahey is an Irish writer of Gothic fiction.  In 2017, her debut collection The Unheimlich Manoeuvre was shortlisted for a British Fantasy Award for Best Collection. In 2019, her short story, ‘That Thing I Did’ received an Honourable Mention by Ellen Datlow in her The Best Horror of the Year Volume 11, with five stories on Datlow’s Recommended Reading list for 2019. Her short fiction is published in over twenty-five Irish, US and UK anthologies.

She holds a PhD on the Gothic in visual arts, and her non-fiction writing has been published in edited collections and journals. She has been awarded residencies in Ireland and Greece. Her first novel, The Girl in the Fort, was released in 2017. Her second collection, New Music For Old Rituals, collects together her folk horror stories and was released in 2018 by Black Shuck Books.

In 2020, the deluxe edition of The Unehimlich Manoevure will be released together with a companion chapbook of new material, Unheimlich Manoeuvres In The Dark, both published by the Sinister Horror Company. Both contain a new essay, ‘Creative Evocations of Uncanny Domestic Space,’ five new stories, a print and piece entitled ‘Remembering Wildgoose Lodge,’ and complete story notes on all nineteen stories in this new edition.

More information at her website www.tracyfahey.com

Thanks to Tracy for this wonderful article and to all of you for reading along in this #wihm series. Stay tuned for one or two more and then I’ll announce something I’ll be doing for women in horror all year round.

WiHM11-GrrrlBlack

 

 

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Hooked on Covers: Check out New Gothic Cover for The Ruin of Delicate Things by Beverley Lee #coverart #gothic #promotehorror

Beverley Lee is a lovely UK author I met on Twitter. She is such a joy to fellow authors and readers alike. Her books, I hear, are just the right amount of dark horror that leave gothic ripples and I can’t wait to dive into them. I spotted her new cover reveal for her next upcoming novel and I had to share. It’s beautiful!

Meanwhile, I found out the first book in her Gabriel Davenport series is on sale for. 99c this month and so you’ll find that info below too.

What do you think of her new cover? Are you excited for gothic reads in 2020?

The Ruin of Delicate Things, Coming 2020

 

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About –

“Loss leaves a hole large enough for anything to crawl into.”

Barrington Hall is a place of dark and twisted secrets. Something Dan Morgan is all too aware of. But it’s not until a heartbreaking loss brings him back to the cottage where he spent his childhood summers, that he realises the true horror of how far Barrington Hall will go to make him remember.

Scheduled for release early 2020.

Beverley Lee, Biography –

Resized author photoFrom as far back as she can remember, Beverley Lee has always been held captive by the written word. Her earliest memories are of books and how they made her feel. She spent most of her formative years with her nose between the pages, or at the local library, devouring books, and losing herself in the worlds of fantasy and adventure. She was that child who would always try to find Narnia at the back of any available wardrobe. Even now the smell of paper in a bookshop makes her feel like she is eight again.

Her writing journey began at the age of seven, when she created terrible, but enthusiastically written, cliché ridden pony stories, complete with illustrations, for her long suffering teacher. But she can’t remember a time when she didn’t make up stories in her head, even when there was no chance to write them down.

The closest thing to magic that she knows is creating characters and new worlds that never existed before. She loves the way the images and voices take form, and the way they take on a life of their own as the words spill out. Beverley is very much drawn to
the darker side of fiction and the shadowy place between light and darkness where nothing is quite as it seems. She loves flawed characters – they have a depth and a tantalising wealth of possibility.

Inspiration comes in many forms – a snippet of conversation, a stranger on the street, a song lyric fleetingly heard. Life is inspiration. The very best story is the one you have to tell.

She is a people watcher, a dreamer, a lover of nature and simple things. She collects feathers, picks up seashells and likes to run her fingers over old stone. There’s history there. Stories just waiting to be discovered.

The best way to grow is to support other people and she is passionate about helping other writers as they begin their journey.

Beverley’s Website

Beverley’s first book in her Gabriel series is on sale now in digital for .99 cents!

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The Making of Gabriel Davenport, Synopsis –

Something is waiting for its time to rise.

Beth and Stu Davenport moved to the sleepy English village of Meadowford Bridge to give their young son, Gabriel, an idyllic childhood. But one night a hidden, ancient darkness shatters their dream and changes their lives forever.

Years later, Gabriel searches for answers about his mysterious past. His life unravels as he discovers that the people he loves and trusts harbour sinister secrets. As the line blurs between shadow and light; and he becomes the prize in a deadly nocturnal game, Gabriel must confront the unrelenting evil that destroyed his family all those years ago.

His choice: place his trust in a master vampire, or give himself to the malignant darkness.

Is there a lesser of two evils— and how do you choose?

SALE!

The e-book is on offer for all of October 2019 at 99c/99p, and is available from Amazon and all other major retailers.

The Making of Gabriel Davenport – Kindle

Book 2 Read Universal Link to Retailers:

https://books2read.com/u/4jKKQ2

In a nutshell, the Gabriel Davenport series is about a boy hunted by darkness, thrown into a world of buried secrets and terrifying new realities. But that is only the tip of the iceberg. It’s about love and loyalty, and the courage to face impossible situations with your head held high. It’s about who you call family, whether that be human or vampire, and what you will sacrifice to save them.

It has vampires and demons, witches and ghosts, mythology and creatures raised from the dead, but it will make you question everything you thought you knew about them.

It’s a banquet of horror and darkest fantasy, all wrapped up in a black ribbon, and waiting on your doorstep 😉

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Stay tuned for updates on The Ruin of Delicate Things in the future!

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Announcement: I’ll be Co-Editing a Gothic Anthology with Unnerving

gothic sea

Special Announcement!

I let this ball start to drop the other night when Curtis from the wonderful Cedar Hollow Reviews interviewed me on his YouTube channel, but….

I will be the GUEST EDITOR for a really exciting publication: HAUNTED ARE THESE HOUSES, a Gothic anthology coming from the publisher Unnerving in the Fall of this year!!! I’m thrilled Eddie, the publisher, asked me to be his co-editor on this anthology.

Submissions will open end of February (Feb. 28) and run till the end of April and we are looking for short stories and poetry both that are…yes, Gothic in nature! That means you can write anything your creative mind comes up with as long as it is Gothic-related. You can set it back in time or you can set it in the present, as long as the tales give that overall atmospheric appeal. And note, we are advocates of diversity, so feel free to utilize characters from all walks of life and backgrounds. Also, be unique, creative, and think outside the box.

More information will be in the open call announcement about the requirements of what Eddie and I are looking to include. BUT, here is what’s a bit different and exciting for me, since I’m a lover of the classics. We’ll be incorporating reprints of classic Gothic stories and poems from some historic great writers of this corner of horror as well as new, modern voices. I have a fondness for Edith Wharton, Algernon Blackwood, Edgar Allan Poe, Mary Shelley, to name a few. 

Think on what you’ll send in as your best dark and atmospheric writing! We will consider reprints and new work both from those who would like to submit. More information will be fed to you ongoing – I’m THRILLED to be doing this. Now, are you excited too?

Watch this space, my personal or Hook of a Book Twitter, my Facebook, Unnerving Twitter, or Unnerving website for more information ongoing.

And if you like dark fiction, please consider purchasing Unnerving Magazine, the books, or watch for upcoming package deals on books for 2018. I’m proud to say my dark fiction collection, BREATHE. BREATHE., is published via Unnerving.

-Erin

unnerving

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