Tag Archives: ladies of horror fiction

Guest Article: Seeing Doubles by Gothic Fiction Author Tracy Fahey #WiHM #womeninhorror #gothic

Welcome back to another segment in the small Women in Horror (WiHM) Series I’m running as we prepare to usher out February. Today, I have a guest article from Irish Gothic writer Tracy Fahey. I think most of you know how I myself feel about Gothic work, both in my own reading, writing, and study. I’m all in, so I’m pleased to present this to readers on my site today.

In 2017, Tracy’s debut collection The Unheimlich Manoeuvre was shortlisted for a British Fantasy Award for Best Collection. In 2019, her short story, ‘That Thing I Did’ received an Honourable Mention by Ellen Datlow in her The Best Horror of the Year Volume 11, with five stories on Datlow’s Recommended Reading list for 2019. Her short fiction is published in over twenty-five Irish, US, and UK anthologies. She holds a PhD on the Gothic in visual arts, and her non-fiction writing has been published in edited collections and journals.

Today, she talks about the lastest installment of her work and her infatuation with doubles. That’s right, check this out twice if you find that uncanny. Join us!

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Unheimlich Manoeuvres: Doubling Up On The Uncanny
by Tracy Fahey, author of Unheimlich Manoeuvres

I’m obsessed with doubles. They fascinate me. Doppelgängers. Twins. Fetches. Reflections. Mirror images. In a world where so much is made of the virtue of individuality, what is more terrifying than the idea that you exist elsewhere? Or the notion that you are somehow (even worse) divided within yourself? This is something that’s been a recurrent theme in my writing. In March 2020 my publishers, the Sinister Horror Company are releasing two collections, the third, deluxe edition of The Unheimlich Manoeuvre and the chapbook Unheimlich Manoeuvres In The Dark, both of which explore the idea of the uncanny double. But why this fascination? It’s been a long-running obsession.

As a child I followed Alice through the looking glass into the shadow-world beyond, and consequently spent hours in front of my own bathroom mirror, watching my image closely for signs of tell-tale deviation. As a teenager I devoured Robert Louis Stevenson’s Dr. Jekyll And Mr Hyde and savoured the queer thrill that came from contemplating a truly double life; one where the very self was sundered and broken, one where the self was plunged in a morass of unease, unable to even remember what the divided self had done. Later I would become absorbed in Ira Levin’s tales of replaced women (Stepford Wives) and clones (The Boys From Brazil). Movies fed and continue to feed this obsession with uncanny doubles: Invasion of the Body Snatchers with its narratives of paranoia and pod-people, Coraline, the sublimely uncanny tale of a doubled, ‘other’ world. More recently, there’s been It Follows, a clever, twisted movie where contagion rages and no-one is what they seem, and of course, Jordan Peele’s Us, the horror of which is almost entirely premised on otherness and doppelgangers. Us doesn’t entirely work—it suffers from an excess of ideas—but when it does, it is magnificent. Who can forget that superlative, long shot of the shadow-family standing silently at the foot of the driveway? Those unmoving, dark silhouettes that equate exactly to the panic-stricken five looking at them—it’s a marvellous, and utterly uncanny moment.

US JP

But why is the double such a terrifying figure? Well, firstly because embodies the very definition of the uncanny – Freud’s 1919 essay on ‘The Uncanny’ refers to ‘Schelling’s definition of the uncanny as something which ought to have been kept concealed but which has nevertheless come to light.’ He also discusses specifically the idea of the double, and Otto Rank’s ‘Der Doppelgänger’ which outlines the various modes of double from mirror-image to shadows, souls and to Egyptian sculpture as funerary repository of ka, or spirit. Freud points out that the double profoundly upsets our sense of self—it becomes an object of terror.

In both the new edition of The Unheimlich Manoeuvre, and in the accompanying chapbook Unheimlich Manoeuvres In The Dark, I want to thoroughly explore the different dimensions of the uncanny, using the unifying trope of the Gothic home. A significant part of this was exploring the double. In doing this, I was not only drawn by Rank, Jentsch and Freud’s writings on the doppelgänger, but on the uncanny double that haunts Irish folklore, the fetch a double that appears at the moment of death to fetch the soul away. And so, images of the dark, mirrored self flow through the stories. There’s the theme of the self divided by illness in ‘Coming Back’ and ‘Something Nasty In The Woodshed.’ There’s a doppelgänger that flits through the pages of ‘Ghost Estate, Phase II.’ There’s an examination of twin as uncanny double in ‘I Look Like You, I Speak Like You, I Walk Like You.’ In both chapbook and new edition, there’s also an additional story, ‘The Wrong House’; a tale populated by troubling doubles of the protagonist, his wife and his daughter, and a previously unpublished story, ‘Possession,’ where the main character feels her sense of self erode in the anxiety that arises from that most terrifying of all possibilities—that she no longer knows who exactly she is.

So, welcome to my nightmares. I invite you into my world where nothing is as it seems, a world where every mirror image is charged with a dark power, a world where we may (or may not) exist in multiple, fractured forms. For me, the double continues to be a haunting and compelling evocation of the uncanny. Given that our sense of self, how we perceive ourselves, is a corner-stone of our mental health, the idea of the uncanny double is one of the most terrifying concepts in horror literature.

As the protagonist of one of my unheimlich stories puts it:

“I look like you. I speak like you. I walk like you.

But I’m not you”

The Unehimlich Manoevure –

The Unheimlih Manoeuvre Deluxe EditionIn 2020, the deluxe edition of The Unehimlich Manoevure will be released together with a companion chapbook of new material, Unheimlich Manoeuvres In The Dark, both published by the Sinister Horror Company. Both contain a new essay, ‘Creative Evocations of Uncanny Domestic Space,’ five new stories, a print and piece entitled ‘Remembering Wildgoose Lodge,’ and complete story notes on all nineteen stories in this new edition.

The Unheimlich Manoeuvre explores the psychological horror that occurs when home is subverted as a place of safety, when it becomes surreal, changes and even disappears…

In these stories, a coma patient wakes to find herself replaced by a doppelgänger, a ghost state reflects doubles of both houses and inhabitants, a suburban enclave takes control of its trespassers, and a beaten woman exacts revenge.

Unheimlich Manoeuvres in the DarkJust as the Heimlich Manoeuvre restores order, health and well-being, The Unheimlich Manoeuvre does quite the opposite.

This new edition contains revised versions of the original stories and a brand new tale, “Something Nasty In The Woodshed.”

Praise –

“A modern-day gothic whose Kafkaesque otherworldly stories are beautifully disturbing.” – Lol Tolhurst, The Cure

“It is, quite simply, pure art, and we can only wonder what works this writer will produce in the coming years.” – This Is Horror

“This a very assured first collection…. Although there are twists, Tracy Fahey never plays for cheap shocks.” – Priya Sharma, Shirley Jackson Award winner

Tracy Fahey, Biography –

Tracy Fahey photoTracy Fahey is an Irish writer of Gothic fiction.  In 2017, her debut collection The Unheimlich Manoeuvre was shortlisted for a British Fantasy Award for Best Collection. In 2019, her short story, ‘That Thing I Did’ received an Honourable Mention by Ellen Datlow in her The Best Horror of the Year Volume 11, with five stories on Datlow’s Recommended Reading list for 2019. Her short fiction is published in over twenty-five Irish, US and UK anthologies.

She holds a PhD on the Gothic in visual arts, and her non-fiction writing has been published in edited collections and journals. She has been awarded residencies in Ireland and Greece. Her first novel, The Girl in the Fort, was released in 2017. Her second collection, New Music For Old Rituals, collects together her folk horror stories and was released in 2018 by Black Shuck Books.

In 2020, the deluxe edition of The Unehimlich Manoevure will be released together with a companion chapbook of new material, Unheimlich Manoeuvres In The Dark, both published by the Sinister Horror Company. Both contain a new essay, ‘Creative Evocations of Uncanny Domestic Space,’ five new stories, a print and piece entitled ‘Remembering Wildgoose Lodge,’ and complete story notes on all nineteen stories in this new edition.

More information at her website www.tracyfahey.com

Thanks to Tracy for this wonderful article and to all of you for reading along in this #wihm series. Stay tuned for one or two more and then I’ll announce something I’ll be doing for women in horror all year round.

WiHM11-GrrrlBlack

 

 

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Filed under Feature Articles, Guest Posts, HookonWiHM, women in horror

The Night Crawls In Collection and Info on Ladies of Horror Fiction (LOHF) Writers Grant Inspriation + Free Poetry and a Drabble

Hey all! I’m a little late here as summer was winding down I had a ton on top of the ton I usually have going on because of my kiddos back to school, travels, and then catching up on work – oh and my birthday! I’m behind on blogging but I hope to have some great stuff for you soon again as Fall and Winter approaches us. Today, I still wanted to get this information to all the female writers out there about this grant in partnership with Ladies of Horror Fiction and author Steve Stred. Please check it out and consider applying by September 1 (edit: the recipient has been chosen but keep in mind for next year) and order a copy of Steve’s dark poetry book because the proceeds are what is funding the grant now and in the future! Steve is a wonderfully supportive author to others and especially the women writers out there who need amplification. The LOHF group is doing an astronomical job of helping out women writers in horror too. I also appreciate his shout out to me below. THANKS!

Now let’s get to it…

The Night Crawls In Poetry Collection and the Ladies of Horror Fiction (LOHF) Writer’s Grant Information and Inspriation (+ Free Poetry and a Drabble)

By Steve Stred, author of Dim the Sun

It’s getting close!

September 1, 2019 will see the arrival of my collection The Night Crawls In. Featuring thirty-three drabbles and seventeen poems, the collection was created specifically to help fund the First Annual Ladies of Horror Fiction Writer’s Grant.

The grant is open for applications until September 1, with the winner announced September 15. ((Edit: The recipient has been chosen.)) For full details, click HERE!

lohf_headers_lohfwritersgrant

Now that the official stuff is over – let’s chat about the why and the how.

Why?

Good question. This guest post is kindly being hosted by my friend Erin. There really are two people responsible for this collection happening. Erin and Miranda. As I mentioned in the blog post over on Miranda’s great site, while me and her were chatting, she convinced me that releasing a collection for charity each year was a great thing to do. I spoke with my sister a bit about what charity I should focus on, and through chatting with Jodi, I decided to scrap the charity idea. Instead, I wanted to make sure that the funds raised were directly going to someone rather than an organization. And what better way than to help support fellow authors and creative types?

Erin is probably the biggest reason any of this came about. Last year I read her brilliant collection Breathe. Breathe. Not only were the short stories amazing, but her phenomenal poetry kicked my butt into motion and got me writing poetry again. Without her amazing collection and her constant support and reassurance, I’d never have made the leap to writing poetry again. So thank you Erin and Miranda!

How?

The how was actually super easy on my part. I took a look at the writing community and the horror community and everything led me to want to support a great and fantastic group of writers who frequently deal with the short end of the stick. Truthfully, I don’t think I’m smart enough to accurately describe the frequent marginalization that women horror writers have to deal with. Heck, I might even be using that word incorrectly within my own statement. To be pointed – they have to work way harder than most to have their books read, reviewed, and taken seriously. Shameful.

So I reached out to Toni and the wonderful Ladies of Horror Fiction group and after some secret back room, dark alley Twitter conversations, we got the ball rolling!

So, click the link above and check out how to apply! Good luck!

As I’ve been doing on the other wonderful guest posts sharing/promoting The Night Crawls In, I’ve been giving previews of some drabbles and poems!

The Night Crawls In

Please enjoy these two poems and a drabble from The Night Crawls In:

Summers. (A Poem)

Remember how grass used to feel between your toes?

Long summer nights under the moon’s tender glow.

Evening thunder storms down the valley ahead,

The rattling boom after the lightning had led.

Nitty Gritty Dirt Band leading the way

Taking us to a special place at the end of the day.

We’d hold hands sitting under the stars,

Talking ‘bout love that wouldn’t leave us with scars.

Ours bodies snuggled up, keeping the other warm

A tender touch that would help us transform.

The memories of how life used to be

The days we now chase, while we wish to be free.

END

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Worms. (A Poem)

They live just below our feet.

Crawling, slithering, trying to latch on.

We go about our normal days,

Oblivious to the horror three feet below.

Our feet create vibrations,

Bringing them ever closer.

The worms, oh the worms

Ascend from below.

In waves they come, they slurp and they gulp,

And in the end

We should have known.

END

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The Safe. (A Drabble)

 It should’ve been simple. Straight forward.

Walk in, tell everyone to get down, demand they put all the money in the bag, then get them to open the safe.

We got our matching president masks, we stole a car and junked the plates, putting fakes ones on in place.

We parked out front, car running, getaway driver waiting patiently for us to return.

Everything went according to plan, until they opened the safe and me and Davey rushed in.

The lights snapped off as we entered and the tentacled monster that lived there, began to feast.

We didn’t last long.

END

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So a bit of background on each piece!

“Summers” just might be the single best piece of anything I’ve ever written. In my opinion at least. Each line and each image transports me back to the summer’s growing up in Burton and now, how, I chase the ghosts of how life used to be.

“Worms” is based on my son’s reaction to seeing worms, haha! He’s inspired so many of my stories, just form his innocent reactions or from playing with him and seeing how he processes stuff. As of typing this, he turns three on Monday and I’m hoping he says “ewwwww, worms!” for the rest of his life.

“The Safe” is a cosmic monster story about some bank robbers trying to rob the wrong bank. I’ve always been utterly fascinated by the massive banks of federal reserves, the ones that are locked down to everyone. So I had a thought, what if they secretly are also storing some of the world’s secrets?

Thanks to Erin for hosting this!

Ordering

Pre-order links are now up – every pre-order goes towards funding the grant. Every sale after September 1 goes towards funding future grants!

Amazon USA

Amazon CAN

Amazon UK

Amazon AUS

Steve Stred, Author Biography –

Steve StredSteve Stred writes dark, bleak horror fiction.

Steve is the author of the novels Invisible & The Stranger, the novellas The Girl Who Hid in the Trees, Wagon Buddy, Yuri and Jane: the 816 Chronicles and two collections of short stories Frostbitten: 12 Hymns of Misery and Left Hand Path: 13 More Tales of Black Magick, and the dark poetry collection Dim the Sun.

On September 1, 2019 his second collection of dark poetry and drabbles called The Night Crawls In will arrive. This release was specifically created to help fund the First Annual LOHF Writers Grant.

Steve is also a voracious reader, reviewing everything he reads and submitting the majority of his reviews to be featured on Kendall Reviews.

Steve Stred is based in Edmonton, AB, Canada and lives with his wife, his son and their dog OJ.

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Hook Introduction: Macabre Author Stephanie Ayers

Hey all, just in time for Halloween for all my readers of the scary variety, here is some information on a new set of short stories, The 13: Tales of Macabre by Stephanie Ayers. I don’t know Stephanie, but I am always willing to help a lady of horror fiction out. Please note I’ve yet to read her work myself, so consider this an introduction to us both. Check out her stories, her bio, and if you read all the way below about various “five fast things” she likes in certain categories, you may even be surprised she likes horror. I’m much the same way, very well-rounded! Might I suggest you at least consider adding her collections to your GoodReads? If killer watermelons don’t grab you I don’t know what will!!

Best of luck, Stephanie!

The 13 Duo DeskThe 13: Tales of Macabre

Killer watermelons, murderous jewelry boxes, centenarian sea whisperers, creatures of myth/legend, and more…

This supernatural story collection will make you reconsider everything you thought you knew. At night you’ll hover under your covers while looking over your shoulder in the day. Down, down in the depths they fell; bodies in the dark of a liquid hell.

Can you survive all 12?

From the thrilling author of Til Death Do Us Part and The 13: Tales of Illusory comes a second volume of twelve supernatural tales of ghosts, vampires, and things that go bump in the night.

Ayers Creative Concepts is very excited to announce the publication of The 13: Tales of Macabre by Stephanie Ayers. Her words will jump from the page and haunt you once the lights go out. They will make you look over your shoulder during the day. This second volume in The 13 series released on Friday, October 26, 2018.

You can learn more about Stephanie Ayers and The 13 by following along with the book blog tour which began on the author’s website (Growing Up Stephanie) on October 2, 1018.

Purchase –

Smashwords https://www.smashwords.com/books/view/895641

Amazon https://www.amazon.com/gp/product/B07H7ND2J4/

Universal eBook link https://www.books2read.com/u/3R1lAD

Goodreads https://www.goodreads.com/book/show/41940897-the-13

Barnes & Noble https://www.barnesandnoble.com/w/the-13-stephanie-ayers/1129510194?ean=2940156116027

Steph

Stephanie Ayers, Biography –

A published author with a knack for twisted tales, Stephanie Ayers is a coffee guzzling, word whispering, world building creative ninja and unicorn living in Ohio disguised as a human. She mothers her children, loves her husband, attends church, and avoids all things housework and zombies. When she isn’t doing any of these things, she can be found stretching her creative wings designing book covers, promotional graphics, logos and more.

To learn more about this author visit Growing Up Stephanie or her Amazon Author Page (https://goo.gl/1jEeXN). 

Newsletter https://www.subscribepage.com/o6e0l9

Amazon https://www.amazon.com/Stephanie-Ayers/e/B00H1XOA50

Bookbub https://www.bookbub.com/authors/stephanie-ayers

Goodreads https://www.goodreads.com/goodreadscomauthor_sam

Facebook Author Page https://www.facebook.com/theauthorSAM

Facebook Group https://www.facebook.com/groups/ayersstreetteam

Twitter https://twitter.com/theauthorSAM

Instagram https://instagram.com/iwrite_idesign

Website https://stephanieayersauthor.com

YouTube https://www.youtube.com/channel/UCCjXrvFvcGEKXcIWqi–CkQ

All Author http://stephanieayers.allauthor.com

Google + https://plus.google.com/u/0/109584376406882925640

LinkedIn: https://www.linkedin.com/in/stephanieayersauthor

Smashwords: https://www.smashwords.com/profile/view/theauthorSAM

A Few of My Favorite Things (Fast Five) –

Favorite Books: The Stand, Divergent, Through the Looking Glass, The Forgotten Garden, and Inkheart.

Favorite Songs: Anyway by Martina McBride, Chasing Cars by Soul Patrol, Dream On by Aerosmith, Cotton Eyed Joe by Rednex, Cake by the Ocean by DNCE

Favorite Movies: Hope Floats, Divine Secrets of the Yaya Sisterhood, The Messengers, The Wizard of Oz, Mary Poppins

Favorite Foods: pizza, pasta, ice cream, chips, second breakfasts

Favorite TV Shows: Chicago Fire, Chicago PD, Law & Order SVU, The Voice, This Is Us

#HookofaBookIntroductions

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