Tag Archives: national poetry month

#HookedOnPoetry: Thought-Provoking Poems by Madison McSweeney #poetry @MMcSw13 @gjkendall

Today as part of the #HookedOnPoetry project, I want to introduce you to Canadian poet Madison McSweeney. Madison submitted her work to me in an open call for this project and I’m delighted she did so because it allowed me to get to know her and her work. Her poems are ethereal and rhythmical. She’s very talented and I hope you all will appreciate her work as much as I do.

Below is an original poem first published here with Hook of a Book as well as two reprints, all which will give you an idea of her wonderful style. Of course, I’m not only excited as my great-grandparent’s name last name was Sweeney (haha), but because I really enjoy featuring new-to-me poets (and therefore maybe new to you as well). Madison, however, has been published in some cool magazines and anthologies so you can check out more of her work there.

If you’re new to the project as a whole, you can read all about it here in this introductory essay or here on this page. It was started to celebrate National Poetry Month in April, but will carry throughout May too.

Enjoy!

HookedOnPoetry

___________________________

 

Holy War

He did not have the heart        to burn down his favourite building

but he was curious to see        how the alcohol

would mix with the flame       this

tempting isolation, with a lighter and a bottle

and the stench

of burning plastic panic          in the distance

burning dreams

why should this castle stand

when a thousand fantasies of wonder and lust

turned to dust              on a parking lot pyre

why should his persecutor

have a place to call home

and why must this distant smoke        be permitted

to drive me mad?

no sense to blame the bricks   for the man

nor the windows                        for the fog

nor the turrets                            for the bullets

let it stand.

may this place be a prison for you.

A companion piece to The Forest Dreams With Teeth, a sword-and-sorcery/folk horror story set during the heavy metal panic of the 1980s.

___________________________________

 Cemetery Way

 Walk with me

along cemetery way

where one day we may rest

securely locked away and topped

with white marble

(white like orchids, white like bone) lest

we stir in our sleep and seek

to claw our way towards the

sun   is so lovely today

as we walk along cemetery way

where we may rest

for a moment, on the wrought-iron

bench erected in honour

of a fine local citizen

long lost

what bliss is this

your hand

so warm in mine

your eyes shine

like marble

(like funeral orchids, like bone)

“darling,” you say

“your hand”

(in yours)

“it’s so cold”

(like marble)

like bone

 Originally published in Truly U Review, Halloween 2019

______________________________

The Last Poem

 Keep the books from the children –

They may want to read them

the Librarian said, with the world-fearing concern

she had learned

in her years on the job

watching far too many minds

erupting with horrible thoughts, borrowed

from those tomes;

Shut the windows –

There’s darkness outside.

 

Lock the cabinets

Hide the folk tales with the poisons and the fetal pigs

our dears will know a world

with no fear.

they will know flowers

and fairies – the good kind;

and boyish adventures controlled and quickly resolved

with a minimum of risk.

Lock the doors –

A stranger may knock.

 

We will do all we can

To restrain the world from them

they will not know pain,

or death,

until it comes for them

in the flower garden

and they will blink, for they do not recognize a skull and scythe

and try to hand the Reaper a rose.

Disperse, darkness!

Until such time as you are too deep to see through.

Originally published in Truly U Review, Halloween 2019

______________________________

Madison McSweeney –

Author Photo1Madison McSweeney is a Canadian author and poet interested in the macabre and fantastic. Her poems have appeared in Rhythm & Bones, Pussy Magic, Cockroach Conservatory and the Twin Peaks themed anthology These Poems Are Not What They Seem. She has also published horror and fantasy stories in outlets such as American GothicCabinet of Curiosities, Unnerving Magazine, and Zombie Punks F*ck Off. 

She lives in Ottawa, Ontario and graduated from the University of Ottawa with a degree in Political Science and Communications. She was an arts and culture contributor to The Fulcrum campus newspaper, and has written music-related articles for Bravewords, Music Vice, Hellbound and Ginger Nuts of Horror.

 She blogs about genre fiction and the local music scene at www.madisonmcsweeney.com and tweets from @MMcSw13.

Instagram: madisonmcsweeney.13

____________________________________

Check out yesterday’s poem from the amazing Ashley Dioses over at Kendall Reviews and join us back next week on both sites for some more poetry celebration!

pen poetry

4 Comments

Filed under poetry

#HookedOnPoetry: Poems with Award-Winning Poet Marge Simon #NationalPoetryMonth #Poetry

Yesterday I announced in an essay the start of my HOOKED ON POETRY project, in celebration of National Poetry Month. It was posted here on my site and at Kendall Reviews, who is partnering with me to host and share pieces I’ve accepted and curated. If you missed it, you can find it here. This will be running now and throughout May, which will also allow us to participate in Mental Health Awareness Month with some poetry. Please join me in sharing things on social media with the hashtag #HookedonPoetry. We have outstanding reprint poems from collections, original poetry, review and articles on poetry, and more coming everyone’s way throughout May.

HookedOnPoetry

I’m excited to start off the HOOKED ON POETRY project with poems by Marge Simon. These are two wonderful poems featured in some of her collections. Marge serves on the HWA Board of Trustees and the Speculative Literary Foundation.  She was the second woman to be acknowledged by the SF & F Poetry Association with a Grand Master Award.

She has won three Bram Stoker Awards, Rhysling Awards for Best Long and Best Short Poetry, the Elgin Award for Poetry Collection, the Dwarf Stars Award, and Strange Horizons Readers’ Award. Marge’s poems and stories have appeared in Asimov’s SF, Silver Blade, Bete Noire, Grievous Angel, Daily Science Fiction, and in the anthologies, You, Human, Chiral Mad, and The Beauty of Death, to name a few.

Enjoy!

__________________________

Daddy’s Little Girl

It’s a 4th of July evening

sundown coming slow,

lawnmowers drone distant,

& crickets’ choruses rise and fall

between the spaces of human noise.

 

Someone is cooking on the grill,

delicious smells waft through the trees,

down the block to your back yard.

 

Convertibles pass, radios blasting

the rhythms of the holiday,

teens high on being young,

 

but not you, plain and shy,

doomed to spend this magic night

alone with your books & a silly doll

that Daddy bought for you.

 

Your special gift from him today,

to defray the teenaged tears you cry;

you are his darling one and only —

though you’re much too old for dolls.

 

As for Mommy, she left long ago.

Daddy says she went to hell, but he is wrong.

She visits you in murky dreams,

whispering what to do while Daddy sleeps,

 

something about her old meat cleaver,

in the top shelf of the kitchen cabinet.

Your pretty doll agrees with her,

for after all, Daddy doesn’t understand,

you’re not his little girl.

– Marge Simon

crescent moon

Small Spirits
This poem is from the collection SMALL SPIRITS.
Small Spirits is another of the poems-for-art duets by Bram Stoker® Award winning poet Marge Simon and artist Sandy DeLuca. These unusual poems involve dolls of many sorts, including legends from countries all over the world. You will find small spirits of the wicked, the damned and the beloved. Be prepared for the mystical, magical and often misanthropic dolls in this colorful collection

___________________________

The Southern Lady

With death, there should be dignity but there is none here,

the men in dusty blue uniforms continue to pass by,

my precious roses trampled, bleed their perfume into the soil,

and those half dead are brought to my parlor,

soaking my fine couches with their Yankee blood.

 

Cow and calf alike they shot for practice up in Charleston,

by the time they got to ours, they wanted bread and butter,

with pitchers of fresh milk to wash it down;

some seem surprised there’s none.

They’d burned our fields, there was no feed,

did they think our livestock lived on love?

 

I dreamed I was a giant cat,

sitting on a wounded soldier’s chest

watching him quietly while he slept,

then I leapt on his face and clawed out his eyes.

 

But he rose up, playing “Aura Lee” on his harmonica.

One by one, his companions joined in singing,

and we danced all around the room.

Beyond the window it was raining blood.

– Marge Simon

crescent moon

War

This poem is from the collection WAR with Alessandro Manzetti
(Elgin Award Winner, 2019).

Look in my eyes. My bronze skin reflects the flames of the battles.

I feed on bullets and shrapnel.

I have trenches instead of veins and a bombardier’s whirring plays my favorite symphony inside my big head. This is my story, with some of my best camouflages and disguises, and you should expect your peace plans to fail. Because that’s what I do for living.

Look at my million golden teeth necklace. Ring any bells? Maybe you’re too young. I probably should have mentioned the fireworks over the Baghdad night sky, my new friend, or the live broadcast of two great skyscrapers disintegrating. You know what I’m talking about, right? So, you can call me by one of my many names: Great General, Lock-box of the Powerful, Red Rain, Lord of Steel or, more simply, WAR.

I appear as strife of many kinds, from Stalingrad to Scotland. Africa to Afghanistan, the civil war of Italy and the War Between the States, ghostly wars, drug wars, the battle of the sexes, World Wars I, II and visions of a holocaust yet to come. It’s all herein and more, with poems both collaborative and individual.

Amazon

_______________________________

Marge Simon, Biography –

Simonphoto-208x258Marge Simon lives in Ocala, FL. She edits a column for the HWA Newsletter, “Blood & Spades: Poets of the Dark Side,” and serves on the HWA Board of Trustees.  She is the second woman to be acknowledged by the SF & F Poetry Association with a Grand Master Award.

She has won three Bram Stoker Awards, Rhysling Awards for Best Long and Best Short Poetry, the Elgin Award for Poetry Collection, the Dwarf Stars Award, and Strange Horizons Readers’ Award. Marge’s poems and stories have appeared in Asimov’s SF, Silver Blade, Bete Noire, Grievous Angel, Daily Science Fiction, and in the anthologies, You, Human, Chiral Mad, and The Beauty of Death, to name a few. She attends the ICFA annually as a guest poet/writer and is on the board of the Speculative Literary Foundation.

She has a daughter, Melle Tillison Broaderick, and two lovely granddaughters. She married a longtime friend and colleague, Bruce Boston, in 2001. Besides being a fantastic conversationalist and the love of her life, he has taught her a great deal about writing top notch poetry and fiction, for which she is grateful.

In addition to her solo work, she has written collaborative poetry and fiction with Bruce Boston, the late Charlee Jacob, Mary Turzillo, Alessandro Manzetti and Bryan Dietrich.

You can view Marge’s fiction, poetry, and art, and contact her for freelance art assignments on her website.

___________________________________

Thank you, Marge!

I look forward to readers joining us for many more posts and poems here on my site and at Kendall Reviews. Watch my Twitter feed (@ErinAlMehairi) for updates and posts or follow my site by subscribing in the box at the right!

– Erin

5 Comments

Filed under Uncategorized

Hooked on Poetry: How We’re Celebrating Poetry Month #nationalpoetrymonth #poetry

Hooked on Poetry Project Announcement: Join Us to Celebrate –

Erin Al-Mehairi PhotoApril is National Poetry Month, and for several years now I’ve been featuring and publishing poetry as well as various posts from the world of poets and poetry, such as reviews of collections, articles about poets or writing poetry, and interviews with poets. I love that more and more people are reading and appreciating it.

Firstly, why do I write, love, and feature poetry? Do you think it’s something you can’t enjoy or relate to? Many people find, especially with dark poetry, that they can enjoy the raw emotions and like the references to fairytales, mythology, feminism, spirituality (whatever that means to the person), exploration of life and death, or deep and dark ponderings. I’ve had many people tell me with my own work that they had never read poetry till they took a chance on mine and found it relatable and understandable. I know several other dark poets that has happened for as well. I write poetry and feature it because it’s really the most emotional part of the writing process. It’s the truest and most visceral form of writing scenes and emotional snippets of life. Poetry can say so much with little words. We talk through our writing, share our experiences, and learn and connect to each other.

There are all sorts of styles represented just in dark or horror poetry alone, and with it, and often fantasy and science fiction mixes in. However, some of us write other poetry as well: for loved ones, about milestones in life, nature, or love.

Seeing me struggle during this time, Gavin at Kendall Reviews kindly stepped up to help me with shares and hosting for this project, so between his site at Kendall Reviews and mine at Hook of a Book, I’m partnering with him to publish some of the poetry project, called HOOKED ON POETRY. I’m so very thankful to him not only for stepping up to help, but his kindness in reaching out to me. You’ll find mostly both horror and dark poetry in this project but some of the other aforementioned as well. You’ll most likely only find the dark poetry on Kendall Reviews though, to keep with his theme. At Hook of a Book, I feature all types of poetry and genres of books. It’s a great partnership.

HookedOnPoetry

I would have liked it to have been the entire month of April, but as you know the world has been a fly trapped in a tube lately, meaning things have been chaotic and no matter how hard we flap our wings, it’s hard to get anywhere. I like to beat myself up, but I have decided I will not! I work full-time in various facets of publishing, am seemingly on-call from that work at all hours, am a writer myself, and have a busy household without a pandemic (which isn’t in the best of times always conducive to me getting a lot of writing, reviewing, or volunteer projects done after work), but throw in a pandemic and a world gone mad over it, and some days I’m wondering if I’m just treading water… or knock knock… if my brain is still working properly. I’ve not been well mentally or physically lately either so I’m doing the best I can.

I worked during early April asking poets I know and love for submissions, and also did an open call on Twitter from which I’ve had great response and many submissions sent to me. There is some outstanding work here by both established and award-winning poets and also those just getting started. I’m thrilled with the talent that has come my way. I’m excited to publish this poetry and feel that it’s so important poetry still have its voice and time to shine, and so nothing will stop me, even if I must take this throughout part of May. I often already publish poetry for mental health awareness month so I think this will fit in just fine as poetry not only often deal with these issues but can be used to heal and mend. This is a voluntary project, poetry is awesome anytime, and I’m attempting to not worry over timing. So, let’s just celebrate art and those who make it. To those that couldn’t contribute this year, we will miss you and hope to see you back. To new people who are being featured, welcome! To readers, new and old, thanks for joining us.

Starting this week, watch for poetry, reviews of poetry, and articles on poetry to appear on both our sites. I won’t give myself the headache of putting together a schedule to release beforehand, so watch for the posts and learn who is featured via social media. I’m still waiting for a few to turn theirs in as well and I’m cool with people popping up and taking part (just message me). A full schedule with links will be posted afterwards on the poetry page on my site – Oh, for the Hook of a Book – where you can also view poetry from the previous years.

I would define, in brief, the poetry of words as the rhythmical creation of beauty.” – Edgar Allan Poe

Thanks for joining us! Thanks to Gavin and Kendall Reviews for partnering with me. Your support of poetry means so much.

Erin Al-Mehairi
Hooked on Poetry Project
Editor/PR Professional/Owner Hook of Book Media
Twitter: @ErinAlMehairi

2 Comments

Filed under Feature Articles, poetry

National Poetry Month: “Unforgiven” – A Poem from Miranda Crites #nationalpoetrymonth #poetry

National Poetry Month April

Today for National Poetry Month I welcome Miranda Crites! Miranda is a reader, book reviewer, photographer, writer, and lover of horror from the ghostly woods of rural West Virginia. I met MJ virtually sometime last year in her role as a book reviewer, but I came to be friends with her as well with our mutual interest in writing, photography, nature, and raising our kids. She’s so very creative and a bundle of energy that makes my days online so much better each time I see her beautiful photos or stories or hear from her. She’s also been a great supporter of indie authors as well as my own prose and poetry, so when she told me she’d like to try her hand at sending me a poetry piece, I was thrilled because I love supporting writers who want to come of their shell with their work.

It was a complete joy to work with her on this piece and she took my editing advice and ran with it, quickly turning this work into a refined piece of beauty that captures so much emotion, and for me, made me feel like I was floating. And maybe a little less alone. The photo is also one of her own. Thanks so much, Miranda!

I hope you enjoy it as much as I do.

_________________________________________

raven

Unforgiven
by Miranda Crites

I sink into sludgy, blackness

The iciness of the lake seeps into my bones, slowing my movements

I trudge along the muddy bottom; it pulls at me

I push toward the barely visible light above

 

Only my eyes break into the bleak day

Ancient pines dance in the brisk breeze

Snow-capped mountains beckon to me in the distance

But I can rise no further

 

My lungs plead for a breath of raw, pine-scented air

Blood races through my veins, pounding forcefully in my ears

The darkness below gently tugs

The oxygen I crave is merely an inch away

 

I swim harder, reaching the water’s edge

Vengeful blades of grass slice through my fingers

I rip them out by their roots as I try to save myself

I claw through dirt and rocks

 

I am restrained, a tethered dog

Bubbles tease my cheeks as I scream away my last breath

Deeply in my chest, a torch is lit

A voice within the darkness whispers: “forgive”

 

A rope of fiery vines bites at my ankle

My fingernails rip off as I try to break free

“Forgive,” repeats the inky blackness

I don’t have that ability

 

My world explodes

Shooting stars burst behind my eyes

The torch expands its flame

Fireworks light the dimness above, the blackness below

 

Release

Relief

No more pain, only ephemeral sadness

I float to the surface, finally unconfined

 

Lightning rips open the gray cloth above

The darkness below feeds on my light, my aura

A single crow lands on my chest, pecking at my eyes

Fish and unknown creatures nibble the remaining soggy meat of my fingers

 

Wolves sprint to the water’s edge

They drag my body onto the shore

Their pack devours most of my flesh and bones

Vultures clean up the last remaining pieces of me

____________________________________________

Miranda Crites, Biography –

MirandaMiranda Crites is a reader, book reviewer, photographer, writer, and lover of horror from the ghostly woods of rural West Virginia.

Miranda has always enjoyed reading, photography, and writing. She received her first camera as a gift when she was nine years old.

The writing bug bit her at a very early age too, when she won the young writers’ contest in first grade and never stopped writing.

 

Find Miranda Online –

You can follow Miranda on Twitter and Facebook and Instagram.

Her photography can be found on her dedicated Facebook page at MJ Creations.

She reviews for Kendall Reviews, as well as her own site, Miranda Crites Reads and Writes.

5 Comments

Filed under Feature Articles, poetry, women in horror

National Poetry Month: Talking about I Am Not Your Final Girl and Feminine Anger by Sonora Taylor #nationalpoetrymonth #poetry #metoo

Today, I am thrilled to welcome my friend Sonora Taylor to Oh, for the Hook of a Book! for the National Poetry Month project. I virtually met Sonora after she picked up and reviewed my own collection, Breathe. Breathe.. Afterwards, I found out we were both submitting pieces to the monthly ladies of horror flash project and we realized we had all sorts of similar interests and became friends. I’m excited she’s here to talk about her reading of the poetry collection I am Not Your Final Girl by Claire Holland and how things that happens to us in the world as females build pent-up anger that can no longer be held inside.

This is a great piece – I hope you enjoy it as much as I do. May we all stay mad.

PoetryMonthGraphic

Stay Mad: “I Am Not Your Final Girl” and Feminine Anger
by Sonora Taylor, author of Without Condition

When you’re a woman, you spend a lot of time being angry. Or maybe not angry, but certainly upset, perturbed, maddened, or otherwise disturbed. It starts when a boy hurting you on the playground is dismissed as “him having a crush,” to being told to dismiss the sexist insults laid in your ears as just words, to learning to just walk away and forget it when a grown man yells to you and your teenage friends that “he smells p*ssy,” even though you hear it in your mind long after it happened.

Even when it’s not so blatant, there are little annoyances every day that come with being a woman. Being spoken to by strangers without any prompting, being overlooked at work or dismissed in group discussions, being frowned upon for the choices you make for yourself. Even when it’s not directly happening to you, you see what everyone thinks of you when you open a paper, turn on the television, or log on to any number of social media sites. “Slut” and “bitch” are interspersed with people who can’t believe women are this, can’t believe women said that, can’t believe women just are.

This isn’t to say that all who see women’s existence as an injustice want them to no longer be. Most want their survival, but they want it in the face of being able to hurt them. A woman’s role is to survive a never-ending barrage of wounds to her body and soul. In a sense, women are almost always the final girls of the horror movie of their life, taken piece by piece until they lay battered and broken.

But the beauty of the final girl is that she takes her damage and uses it to fight back. She claws at assault, defies the order of monsters and men by surviving for herself and not for their sadistic pleasures. It’s why we love these characters in horror films, why women keep coming back to these stories — even though we see violence against our bodies and souls, we see ourselves emerge triumphant by the end.

I-Am-Not-Your-Final-Girl

Such inspiration drives the spirit of a wonderful collection of poetry by Claire C. Holland. “I Am Not Your Final Girl” features poems named for several final girls, both well- and lesser-known, but all legendary in horror. From Halloween’s “Laurie” to Antichrist’s “She” (one of my favorite films), each poem dives into the emotional core of the titular final girl, a core that sometimes goes missing in their respective original stories. Even the best horror films sometimes eschew the emotional impact in favor of blood and guts, and stories that get into the emotions still cannot dive into one’s mind the way that prose and verse can.

she-antichrist

She (Charlotte Gainsbourg) from Antichrist

Holland fills in these gaps with both the character’s canonical emotions and her own imagining of what the characters are thinking — as well as her response to what each woman goes through. “Thomasin” (from The Witch) shares the story of a girl who tried to do right, but was only rewarded when she did right by herself. “Selena” (from 28 Days Later, my favorite horror film) delves into the struggle of a woman who fought tooth and nail to save a society that, in the end, wanted to survive by harming her and other women. Every woman’s story, and every woman’s subsequent poem, is different; but all are united in that they survive the barrage that is all too familiar to the feminine spirit.

selena-28-days-later

Selena (Naomie Harris)  from 28 Days Later

Holland opens the collection with an essay about her ongoing anger since 2016. I’ve felt the same anger since 2016, felt shades of it before 2016, have felt it in various degrees throughout my life. When I picked up her collection, I was especially mad at the dismissal of several qualified women candidates for president in lieu of another white, cis-male face. I read Holland’s words and felt my anger manifesting into something better, something I could cradle and use to keep my fight up as opposed to keeping my spirits down. That feeling continued as I read her recounting of the final girls that fought and clawed their way to the bloody end. I plan to make it to whatever comes next — and I plan to stay mad.

Sonora Taylor, Biography

sonora-taylor-2.jpgSonora Taylor is the author of Without Condition, The Crow’s Gift and Other Tales, Wither and Other Stories, and Please Give. Her work has appeared in The Sirens Call, Mercurial Stories, Tales to Terrify, and Camden Park Press’ Quoth the Raven. She’s currently working on her next short story collection, Little Paranoias: Stories. She lives in Arlington, Virginia, with her husband. Visit her online on her website.

And check out I am Not Your Final Girl – 

AI-Am-Not-Your-Final-Girl timely collection of poetry that follows the final girl of slasher cinema – the girl who survives until the end – on a journey of retribution and reclamation.

From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, violence, motherhood, sexuality, and assault in the world of Trump and the MeToo movement.

Each poem centers on a fictional character from horror cinema, and explores the many ways in which women find empowerment through their own perceived monstrousness.

Find it on GoodReads.

Photo Creds –

“Selena (Naomie Harris)  from 28 Days Later. Photo: joblo.com.” https://www.joblo.com/movie-news/why-it-works-28-days-later-167-02
“She (Charlotte Gainsbourg) from Antichrist. Photo: IMDB.” https://www.imdb.com/title/tt0870984/mediaindex?ref_=tt_pv_mi_sm

1 Comment

Filed under Feature Articles, Guest Posts, poetry, women in horror

National Poetry Month: Read Kim Wolkens Poem “For You, My Tether” #nationalpoetrymonth #poetry

Today, I welcome Kim Wolkens to Oh, for the Hook of a Book! We are publishing an original poem by Kim below and I am so excited! Kim has been a great support to my own writing and I am so happy she’s trying her hand at writing poetry, and I believe she’s hiding some other writing away, so I hope we can see her submitting and writing more each day. She does so much for indie authors reading and writing reviews on her own site Down in a Book or on Ginger Nuts of Horror, and it’s time we give back and support her too. Since meeting Kim online I’m very happy to call her a friend.

Happy Friday. Enjoy!

____________________________________

For You, My Tether

It hurts too much to breathe,

but I do it anyway.

For you…for you.

I want so much to slip away into nothingness,

but I hold onto the rope.

For you…for you.

 

It’s hard to get out of bed sometimes,

but I do it anyway.

For you…for you.

The abstract is much kinder,

but I face concrete facts every day.

For you…for you.

 

I put one foot in front of the other,

but I know not why I do.

For you…for you.

Food has no taste and I’m bored to death with life,

but I try to hope for something new.

For you…for you.

 

Without you, I’d be gone.

_________________________________

Getting to Know Kimberly – 

Kimberly love for writing began at a very young age, around five or six. Her first short story was dictated to her parents, who wrote the words on lined paper, and she did all the illustrations. It was called, “The Girl Who First Saw Snow,” and was about a five-year-old girl who saw snow for the first time.

Kimberly kept writing through elementary school and early middle school. She wrote a few chapter books that involved herself and some best friends. Two other books centered around a girl who found a necklace with a unicorn pendant which housed an evil witch. She dabbled in writing a small bit in high school, but her creative writing pretty much took a hiatus in high school and college.

About a year ago, she rekindled her love for writing. She wrote short stories and poems published by Lonesome October and Rhythm & Bones, and these first acceptances encouraged her to keep writing. She has the first draft of a novel completed and hopes to revisit it soon for re-writing and editing. Short stories are the main result of her writing, but she also writes poetry. Her poems have been published most recently by Nightingale & Sparrow and Marias at Sampaguitas.

A short story was recently published in Blood from a Tombstone anthology, and another story will be published in an upcoming Don’t Open the Door anthology. She has recently started writing what she hopes will become a poetry chapbook with a dark theme, possibly centered around abandonment and loss.

Most of her inspiration comes from fear (what is the scariest thing that could happen to someone?) and also from abandoned buildings which carry a special kind of beauty for her.

Kim Wolkens, Biography –

Kim WolkensKim Wolkens is a marketing coordintor by day and an American author of short stories and poems by night, who is a huge 90s Grunge music fan and loves reading and writing suspense, horror, and sci-fi.

She’s a team reviewer at Ginger Nuts of Horror and also serves as the Social Media Manager for Nightingale & Sparrow. She is a devoted wife, sister, and aunt, enjoys playing around on the piano, rustic camping, and lives with her husband in beautiful rural Michigan.

You can find her on Twitter: @up_north_h1ke.

1 Comment

Filed under poetry, women in horror

National Poetry Month: Bram Stoker Award-Winning Poet Linda D. Addison Shares Three Poems with Us #nationalpoetrymonth #poetry

Natl Poetry Month pen

Today I am so honored to welcome poet Linda D. Addison to Oh, for the Hook of a Book! Linda is the award-winning author of four collections, the first African-American to receive the Horror Writers Association (HWA) Bram Stoker Award®, and recipient of the 2018 HWA Lifetime Achievement Award. She’s also authored many collections with others, edited anthology projects, and more. Since she was here last year, I’m proud to say that we shared a table of contents in an anthology together called Dark Voices, which is all-female charity book published by Lycan Valley Press, with proceeds going to Breast Cancer Research projects.

I’m honored that she once again agreed to be part of my 2019 National Poetry Month project and have given us three poems to read, two published here for the first time. She’s a shining, bright light across the web and to all her know her, with an enormous smile and a kind word for all. Plus, she insanely talented!

About the Poems Featured –

“Surface Tension” is previously unpublished and inspired by memories of her mother’s struggle with Alzheimer’s, “Coming Home” was published in the Bram Stoker Award nominated Dark Duet collection written with Stephen M. Wilson, and “Fear and Loathing in the Writer’s Den” is also previously unpublished. In these poems, I think Linda tackles emotions we can all relate to on some level, whether the decline in a loved one, or as a writer, the constant struggle and pull. I hope you will enjoy Linda’s work as much as I do!

Enjoy!

__________________________________

Neurons

Surface Tension

As your neurons fade
you write notes to yourself, to God
on the surfaces of your life,
thoughts and prayers
scattered like fine dust on
table tops, counters, refrigerator door
every flat surface, decorated by your hand.

As your neurons die
pictures in albums & frames
crowd every surface of your life
children, grandchildren, great-grandchildren
silent guests watching you wander
a lost empress in a misplaced kingdom
losing connections every day.

As your neurons fail
you are never alone
surrounded by silent hymns,
and tiny flat people
in strange books,
appearing each morning
on unfamiliar tables of a place
others call your home.

______________________________________

murky .png

Coming Home 

Returning
from exile
the {fairy} warrior
tried to forget
the zombie criminals
rustling in
the night bushes,
as well as the
unspeakable evil
growing under the grass
of the Great Castle. 

Crimes of the past
bruise innocent wings,
truth should heal, but
the foul wind of ego
still blows sand
into closed minds. 

The {fairy} warrior
dissolves wings
fills with disbelief
disenchantment 

d I S 

        e 

    v
          e 

            r 

             y 

           t 

         h

        i 

     n 

g 

to embrace the three
shadows of night,
to
forget
open
wounds
rustling in
murky bushes. 

– from “Dark Duet,” music inspired poetry, written with Stephen M. Wilson

_________________________________________

writer room

Fear and Loathing in the Writer’s Den

To write or not to write
she couldn’t find the words to start,
“Come, let’s play” her lover pleaded
while her characters fell flat.

She looked down at delicate furry feet
no fingers clutched the wrinkled paper,
this wasn’t right – not at all
this story was not coming together.

Perhaps she should just write the outline
if only she had an beginning,
tapioca pudding lapped at her paws
there was a snap of leather behind her.

Her lover chirped at her
maybe a little diversion would help,
she pulled at the satin corset,
this might not be the novel to start her career.

_____________________________________________

2017 LindaAddison closeup selfieLinda D. Addison is the award-winning author of four collections, the first African-American to receive the HWA Bram Stoker Award®, and recipient of the 2018 HWA Lifetime Achievement Award. She has published over 300 poems, stories and articles and is a member of CITH, HWA, SFWA and SFPA.

Addison is one of the editors of Sycorax’s Daughters (Cedar Grove Publishing), a Bram Stoker finalist anthology of horror by African-American women. In 2018, she was the editor for the Rhysling Award Anthology. Catch her latest work in anthologies Cosmic Underground (Cedar Grove Publishing), Scary Out There (Simon Schuster), and Into Painfreak (Necro Publications).

As of the start of this year, a film inspired by her poem, MOURNING MEAL, is being made by award-winning producer and screenwriter Jamal Hodge. Watch the first trailer of Mourning Meal with Linda voiceover.  They are raising funds for final shoot days in April 2019. Donate any amount to Mourning Meal from Poem to Film. 

Find out More About Linda and Her Works –

Website

Amazon page

Twitter

Thank you for joining us, Linda!

2 Comments

Filed under poetry, women in horror

National Poetry Month: Brian James Lewis on Why He Writes and How He Got There, Plus Read Three of His Poems #NationalPoetryMonth #poetry

PoetryMonthGraphic

Today my National Poetry Month project continues as I welcome Brian James Lewis to Oh, for the Hook of a Book! Brian is a disabled poet, reviewer, and writer with a friendly and helpful spirit and a talented pen. I found it so interesting reading his post about how he came to writing and why it means so much to him. He’s also shared three of his poems with us below!

Enjoy his pieces and be sure to say hi in the comments or on twitter. Brian enjoys talking writing with others. He’s been a very big supporter of my own work as well as that of my client’s and so I am very thankful for his kindness.

On Why Writing Poetry Gives Me Life

By Brian James Lewis

Happy National Poetry Month everyone! My name is Brian James Lewis and I am a disabled poet, writer, and book reviewer who thinks that writing is as important as breathing. Not in a silly way, but to have a decent quality of life and be a contributing member of society. While I’ve dabbled as a writer for most of my life, I got serious about it when my previously very physical life got put on ice by severe spinal injuries. All of a sudden getting around became a major issue and I was in constant pain. That led to depression, anxiety, and becoming a danger to myself and others. I feel really fortunate that I found a “second life” as a writer.

In 2013, I began sending out stories and poems for publication. Trajectory Journal published my first poem Puppeteer in 2014. Since that time, I’ve been published in Third Wednesday, The Iconoclast, Aphotic Realm, Bards and Sages Quarterly, and the Econoclash Review. Most recently, my poem about a blues club, Blues, is in this month’s issue of SLAB. And my poem Hey Can Lady is in the current issue of The Hickory Stump, a cool online literary zine! I also felt very honored to have my poem Home Sweet Hideaway included in the Unnerving anthology Haunted Are These Houses, released in October of 2018.

Garage Sense was my first “hit” of a poem. It originally appeared in Trajectory Journal issue #13 and in the Editor’s Picks section of their website. A lot of people were like, “Wow! I didn’t know poetry could be like that!” which was exactly what I needed to keep moving forward. For a good couple of years, I wrote a lot of poetry about how frustrated I was and how much pain I was in. Amazingly enough, most of those poems were not picked up by anybody (ha!). Later, I was able to make things a bit smoother and give people a real picture of what it feels like being disabled. Walking After Midnight is a really good example of that without shouting in everyone’s face. Currently, I am expanding more into horror and somewhat Lovecraftian poetry. This recent effort Spellbound Centurion is about a creature that must write itself into being every night or become dust

Many of you might be more familiar with me as a reviewer of speculative fiction and dark poetry, which I started doing in 2016 for the JournalStone sites Hellnotes and Horror Review. I also started my own site Damaged Skull Writer and have guested on Aphotic Realm and Gallows Hill Magazine, a venture I’m hoping will grow into a regular gig! I have met a ton of really great people through reviewing and enjoy being a part of the writing community. Currently I am a member of the SFPA and hope to join the HWA in the near future. I love independent horror and all the really cool people involved! Thanks to everyone who has said a kind word or guided me to a more efficient way of doing things. I appreciate the editors who’ve read my poems and stories and took the time to make a few suggestions. Ideally, I’m hoping to find a paid position working for a magazine, publicity agency, or publisher in the future.

Writing and doing reviews has helped me be a part of things without my disabled body being as much of an issue. Most importantly, it makes me happy and alive. I was a really good mechanic and proud of that. For a while I would introduce myself as the guy who couldn’t do mechanical work anymore. Not real fun for either end of the conversation. Now, I introduce myself as a writer and book reviewer, and that feels just right. Very big thanks to Erin for inviting me to do this. It is an honor!

________________________________________

Enjoy some of Brian’s poetry!

GARAGE SENSE
First appeared in Trajectory Journal, Issue #13

Nobody would be likely to steal my old Chevy truck, I guess.

Unless they were a fucking idiot. Which is quite possible around here.

Smashed, dented, broken, and leaking everywhere.

It is impossible to start, and even more difficult to keep running.

Unless you know the combination of moves required.

To make the ancient smoking motor roar and growl.

Sure as hell not something they teach you in school.

You learn it all the hard way, by doing it yourself.

People frown on that sort of thing today.

Claiming how unsafe old vehicles are…

“No daytime running lights? No anti-lock brakes?

No airbags? No low tire pressure light?

Call the police, the governor, the president!”

Not trusting what they don’t understand

Modern life is built on fear of everything

From bug bites to flat tires, old cars and grease fires

Then you have the ridiculous new cars and trucks…

With safety features galore, and cup holders

Up the wazoo, along with back-up cameras, DVD

Players, speed sensors, and cars that park themselves

Hell, there’s probably a sensor that knows when you fart

So it can roll down the windows and crank the AC

But, it’s all just a flashy, computerized trap

You can talk to your Aunt Mabel in Ohio

Just speak clearly into your dashboard, and

You can hear all about the boils on Uncle Carl’s ass

While you laugh, and then crash… fatally

Into a huge gravel truck that didn’t even feel you

Mashing yourself and the family into

bloody pulp on his bumper, or better yet,

shaving the roof off your robotic, hypnotic,

super-safety machine, along with your heads

While Aunt Mabel drones on about corn prices

Your car will call the police so that they can

Come scrape what’s left of you and your

Technologically advanced family

Off of route 49 because you got fooled

Meanwhile a drunk guy in an old truck

Backs into a telephone pole

Maybe even knocks it down

Then laughs and drives away without a scratch.

_______________________________________

WALKING AFTER MIDNIGHT

I liked to walk after midnight
with my dog on city streets

We’d go so far – blocks and blocks
neither of us afraid

Because the dog protected me and
I did the same for him

Which might sound funny or puzzling
but it’s just the honest truth

Both of us saved each other many
more times than once

I kept him from being run down by cars
He saved me from muggers

But now, I’m disabled and it’s hard
just to walk down the hall

My dog is hobbled by arthritis and
we’re both in a medicated fog

Yet, at night during sleep we both dream
that we’re walking after midnight

We walk for miles, just he and I, going on
until we’re woken by the cruel sunrise

_________________________________________

SPELLBOUND CENTURION

When the dawn comes
my body shrinks away
from its effervescent light
that pokes at my tired eyes
like white hot laser beams
meant to destroy my vampiric body

I only live for the nights
spent mostly alone and cursing
this balky typewriter and what
you fools think of as a life
Pah! Tis but a mere hour
to this ancient centurion

The city I reside in is perfect for
what I do inside its crumbling walls
of wasted post-industrial buildings
Abandoned hulks housing squatters
engaged in depravity known only
by the lowest creatures

Who are my favorites by the way
because they make such easy pickings
yielding up the whisky, wine, and heroin
polluting their bloodstreams into mine
offering a lovely high and sustenance
that fulfills most of my desires

It always starts with the words
that escalate into spells
enrapturing me and waking
my ravenous hunger which
turns me back into my true form
a twisted nightmare creature

Burnt flesh sprouts wings
of skeletal flapping parchment
that fly into others’ dreams
causing hellish fever and pain
driving even the most rational
of people deep into madness

Hunched and shaking
they whimper and scream
Music to this old beast’s ears!
Minds melting as they see
something they refuse to believe
but there’s no denying the truth

So I am allowed to exist
Dismissed by “sensible” folk
and fervently worshipped by
those blessed with imagination
and the ability to see our world
of gauze wrapped shapes in the fog

Undead creatures hidden
in your world until the spells
that we must write ourselves
pull our false coverings away
and send us out into the night
to feed and collect life essence

The key is to never take too much
or overstep my boundaries
Unless I wish to die yet again
at the hands of Christian
torch-bearing folk who know
the secrets of my immortality

I am not the Devil
and most certainly not a god
my lineage is closer to that
of the gargoyles or gryphon
but without sacred blessings
So I am a monster

Savoring a smorgasbord
city during the hot nights
when the windows are open
Allowing me to just blow in
on the fitful breezes or
be sucked inside by a fan

But I never touch animals
those trusted spirit guides
into the next world
They are true innocents
and take too much abuse
from their “masters” as it is

Nothing in any world
can be totally evil or
every atom to the good
I have my purposes
but it is rare for anyone
who sees me to listen

A pity, but not my problem
that people are so set
on what reality should be
Meanwhile, I drink blood,
stay alive, and clear the streets
of dead men walking

Now my eyelids grow heavy
The spells only last so long
which means that it’s time
to draw the curtains and
transform so I may sleep
until the darkness calls again

_____________________________

Brian James Lewis, Info –

Flannel author pic

Brian James Lewis is an emerging disabled poet and writer, for whom writing is as important as breathing. After an accident left him with spinal injuries and mental health problems, Brian turned to writing as a way to feel better and channel energy positively. He writes in a wide variety of styles has appeared in Bards And Sages Quarterly, the EconoClash Review, Aphotic Realm, and the Haunted Are These Houses anthology of poetry and stories published by Unnerving. Brian is also a member of the Journalstone and Gallows Hill book review teams, SFPA, and the Academy of American Poets. When he has time, Brian repairs vintage typewriters and uses them for first drafts.

Contact or find more infomation on Brian James Lewis at his site Damaged Skull Writer or follow and talk to him on twitter: @skullsnflames76.

3 Comments

Filed under Feature Articles, poetry

National Poetry Month: Sara Tantlinger Brings Us Poem on the 1893 World’s Fair and a Discussion on Involvement of Serial Killer H.H. Holmes #nationalpoetrymonth #poetry

Natl Poetry Month pen

April is National Poetry Month and because I write, read, and love poetry, I’m featuring poetry on my site this month! You’ll find poetry, articles, reviews, and more by writers I admire and adore, and also some new poetry writers as well, so stop by often. Tuesday, Bram Stoker Award winning poet Marge Simon brought us a wonderful article called “Illumination Dark Poetry” with various examples of her poetry, which you can find here and yesterday we read some samples from Bram Stoker Award winning dynamo, Stephanie Wytovich, which you can enjoy here.

Today, Sara Tantlinger joins us with a poem from her Bram Stoker Award nominated recent collection The Devil’s Dreamland, which features poems surrounding serial murderer H.H. Holmes. We are able to read the poem below as well as a discussion by Sara about the themes and locale of the piece – the 1893 World’s Fair – and H.H. Holmes and his involvement in it. As some of my historical fiction friends know, I am a World’s Fair and carnival fanatic. I love anything revolving around it!! Mix that with my obsession with true crime, you’re making me shiver in delight. That means I really enjoyed Sara’s poem and article – I hope you do too!

Thanks, Sara!

crescent moon

An H.H. Holmes Poem Analysis
by Sara Tantlinger, author of The Devil’s Dreamland

Thank you so much to Erin for hosting some poetry fun on her website for National Poetry Month! I am excited to contribute with a poem from The Devil’s Dreamland: Poetry Inspired by H.H. Holmes, and to provide a little backstory and history on the poem. The piece is titled “World’s Columbian Exposition (Chicago World’s Fair)”, referencing the very fair that helped make serial killer H.H. Holmes famous.

Without further ado, please enjoy the poem!

World’s Columbian Exposition (Chicago World’s Fair)

1893, we celebrate the 400th anniversary

of the barbaric slaughtering

Christopher Columbus brought

unto a new world,

but you will find no anger

toward his history here

as the fairgrounds take form, as visitors

flock in droves to taste the excitement

flickering in the air like pixie dust

 

People keep dying,

workers falling from buildings

accidents in the form of skull

fractures and electrocution

all this death contained within

designing the great fair,

 

yet a madman paces inside

his castle, creating spaces

where supposed accidents

will swallow visitors whole

 

a madman forges his dreams

into piping hot realities

where his World’s Fair Hotel

promises spectacular service

so very close to the fair itself

 

Opening Day comes upon the city

in jovial bursts of color,

mouthwatering scents of exotic

pastries and delicacies from themed

exhibits stationed around the park,

thousands of visitors holding their

breath for President Cleveland

to push a button that ignites

a hundred thousand

glowing lamps across the fields,

illuminating neoclassical figures,

the work of men named Tesla

and Westinghouse

 

Dr. Holmes turns away men at the door,

citing reasons of already being booked

to capacity, yet the young women

stroll right in, are welcomed,

intoxicated by their own freedom

blushing at the handsome doctor

who offers great prices,

who offers warm touches

 

they do not see how excitement alerts

trembles into his fingertips,

eager to taste innocence, summon

screeches from their tender tracheas

lick away saccharine death from dying lips,

listen to the snapping of a windpipe,

 

hungry to snuff out light from

wide eyes,

hungry to cut the lights open,

sever the heart to see how it beats

beneath such fine skin,

glowing like the thousand lamps

across the enchanted fairgrounds

(Originally published in The Devil’s Dreamland, StrangeHouse Books, 2018).

About the Poem –

The fair of 1893 was a magical time. The undertaking and thus construction of everything the fair needed to be successful was an exasperating project. I wanted the poem to reflect the enchantment this exposition offered. After all, people arrived in the thousands during the fair’s run – people from all across the globe. Over 20 million people ended up attending the fair altogether!

This was Chicago’s chance to show the world how beautifully they recovered from the Great Chicago Fire. Gone was the soot and wreckage of the fiery aftermath, and in its place stood a gleaming white city, warm and inviting. However, the poem also needed to honestly reflect what the fair organizers and architects didn’t want anyone to see….

1893 Worlds Fair

While the shine of the fair easily put forth its best face, a true darkness lingered beneath the food, exhibits, new buildings, rides, and everything else the celebration displayed. Construction workers died during the assembly of the fair. A fire broke out in July killing over a dozen fairgoers and firefighters. The White City was a fairytale. Outside the fair, animal corpses rotted on the streets. Stockyards and factories filled Chicago with smoke and filth. Garbage piled up along roads. Poverty and disease were no strangers here. And of course, a madman paced inside a castle fit for Bluebeard himself.

While it’s unlikely H.H. Holmes is responsible for hundreds of murders, he evolved into a tall-tale of someone who invited hundreds of women to stay at his hotel where he supposedly killed them all. This has never really been proven. While the fair showed great strides in science (like Tesla’s work), forensic evidence was not quite evolved enough to give us the solid facts we need to know everything Holmes might have done. However, we are quite sure he did take Minnie Williams and her sister Anna to the fair (I have more poems about their fates in my collection). So, for this piece, I took both fact and fiction, truths and exaggerated ideas, and spun them into a version that fits the Holmes of my book. Either way, this is one fair I think we should all be glad is far in the past.

H._H._Holmes.jpg

Sara Tantlinger, Biography –

Tantlinger_ap2019Sara Tantlinger resides outside of Pittsburgh on a hill in the woods. She is the author of Love For Slaughter and the Stoker-nominated The Devil’s Dreamland: Poetry Inspired by H.H. Holmes, both released with StrangeHouse Books. She is a poetry editor for the Oddville Press, a graduate of Seton Hill’s MFA program, a member of the SFPA, and an active member of the HWA.

Her debut novella, To Be Devoured, will be published in July 2019 with Unnerving. She embraces all things strange and can be found lurking in graveyards or on Twitter @SaraJane524 and at saratantlinger.com

The Devil’s Dreamland, Info –

The Devil's Dreamland full rezH.H. Holmes committed ghastly crimes in the late 19th century. Many of which occurred within his legendary “Murder Castle” in Chicago, Illinois. He is often considered America’s first serial killer.

In her second book of poetry from Strangehouse Books, Sara Tantlinger (Love For Slaughter) takes inspiration from accounts and tales which spawned from the misdeeds of one Herman Webster Mudgett, better known as Dr. Henry Howard Holmes. Fact and speculation intertwine herein, just as they did during the man’s own lifetime.

There’s plenty of room in the cellar for everyone in The Devil’s Dreamland.

“…chilling poetry…” —Linda D. Addison, award-winning author of “How to Recognize a Demon Has Become Your Friend” and HWA Lifetime Achievement Award winner

“…morbidly creative and profound crime documentary…one of the best works of horror poetry I’ve read in years.” —Michael Arnzen, Bram Stoker Award-winning author of Grave Markings and Play Dead

“…fascinating and absolutely riveting…powerful and vivid prose…will stay with you long after you’ve closed the book.”—Christina Sng, Bram Stoker Award-winning author of A Collection of Nightmares

Purchase on Amazon

Add to your GoodReads

2 Comments

Filed under Guest Posts, poetry, women in horror

National Poetry Month: Poetry from Bram Stoker Award Winner Stephanie Wytovich #nationalpoetrymonth #poetry

April is National Poetry Month and because I write, read, and love poetry, I’m featuring poetry on my site this month! You’ll find poetry, articles, reviews, and more so stop by often. Yesterday, Bram Stoker Award winning poet Marge Simon brought us a wonderful article called “Illumination Dark Poetry” with various examples of her poetry, which you can find here.

Today, please enjoy some samples from Bram Stoker Award winning dynamo, Stephanie Wytovich. I dare you not to feel.

Thanks for sharing with us, Stephanie!

crescent moon

Surgical Fantasies of the Past Ten years
Originally Published in Yes, Poetry

I tattoo incision lines on my stomach,
dream about surgically removing my ugliness.

At sixteen, the girls put laxatives in my peppermint tea,
laughed at me in the mirror when I tried to scream away my calories.

At 26, I cried in the shower when my skin didn’t fall off,
vomited the memories of my ex telling me I was diseased.

Inside, my lungs are a crawl space filled with candy wrappers,
my ribs broken from too many bathroom breaks ending in blood.

There are 206 bones in the human body,
Tell me, how many are in a monster?

 

____

 

Emergency Masturbation Fantasy
Originally Published in Sheet Music to My Acoustic Nightmare

I masturbate to an empty chair

My hand moving up and down

like yours never did

I try to see your face

Scream your name

But     I       can’t

And I wonder if you exist

If my memories are from photographs of people I never met

Whose stories I don’t know

I climax to your eyes

Taste the saliva on your lips

But       I           don’t

Because you’re an empty chair

And my box is broken

Like yours never was

I should stop blaming myself

Quit bleeding for sport

But       I           won’t.

 

___

 

Post-Traumatic Spiders
Originally Published in Sheet Music to My Acoustic Nightmare

My doctor scribbled in her notepad,

“What do you want to talk about today?”

I was already crying

I ate all the cough drops on the table when she wasn’t looking

Her dog was asleep on my foot

I just left my one-night stand in the parking lot.

Frustration wore on her face like the foundation she forgot to wear

“Are the nightmares back?”

I spun my ring around my thumb

I thought about how you said I wore too much jewelry

I tongued the scar on the inside of my cheek

The tarantulas are everywhere.

Her right foot tapped against the carpeted floor

“You know it’s okay, right? That none of this is your fault?”

I didn’t believe her

I felt its legs crawling up my shoulder

I watched it watch me.

I could have stopped it. I could have said no.

 Fifty minutes passed like fifty seconds

“Same time again next Wednesday?

I nodded my head

I picked the spider off my cheek

I swallowed the web it had spun around my mouth

The silk tasted like semen and blood.

Stephanie M. Wytovich, Biography –

Wytovich Headshot_4Stephanie M. Wytovich is an American poet, novelist, and essayist. Her work has been showcased in numerous anthologies such as Gutted: Beautiful Horror Stories, Fantastic Tales of Terror, Year’s Best Hardcore Horror: Volume 2, The Best Horror of the Year: Volume 8, as well as many others.

Wytovich is the Poetry Editor for Raw Dog Screaming Press, an adjunct at Western Connecticut State University, Southern New Hampshire University, and Point Park University, and a mentor with Crystal Lake Publishing. She is a member of the Science Fiction Poetry Association, an active member of the Horror Writers Association, and a graduate of Seton Hill University’s MFA program for Writing Popular Fiction.

Her Bram Stoker Award-winning poetry collection, Brothel, earned a home with Raw Dog Screaming Press alongside Hysteria: A Collection of Madness, Mourning Jewelry, An Exorcism of Angels, and Sheet Music to My Acoustic Nightmare. Her debut novel, The Eighth, is published with Dark Regions Press.

Follow Wytovich on her blog and on twitter @SWytovich​.

Sheet Music to My Acoustic Nightmare is her most recent collection. Read about it here!

Sheet Music Front CoverSheet Music to My Acoustic Nightmare, Info –

Roll the windows down, wipe the blood off your cheek, and turn the music up. Sheet Music to My Acoustic Nightmare by Stephanie M. Wytovich is a collection spattered with dirt and blood, sage and corpses. The poems inside are confessionals and dirges, their stories the careful banter of ghosts and sinners over tequila at the bar.

These pages hold the lyrics to the beautiful grotesque that Wytovich is known for, but here she writes with a raw honesty that we haven’t seen from her before. This new direction takes readers to hospital rooms and death beds, shows the mask that was skinned off her face time and time again. There’s a brutality to her lines that cuts with the same knife she fantasized about it, her blood and tears mixed in with stanzas as she talks about suicide and abuse, heartbreak and falling in love.

Written during a time when the road was her home, these poems were sung under the stars and screamed in the woods, carved into trees. They are broken bottles and cigarette butts, stale coffee and smeared lipstick, each its own warning, a tale of caution.
Listen to them carefully.

They very well might save your life.

Find it on GoodReads to Add or Buy.

Stop back tomorrow for a post from Sara Tantlinger. Then, join us next week when we highlight a bunch more wonderful poetry. Have a great week!

Leave a comment

Filed under Guest Posts, poetry, women in horror