Tag Archives: Samhain Horror Authors

One Killer Interview with Author Hunter Shea, Master of the Paranormal Horror

Today on the site we have one of my most favorite authors ever–the never elusive, extremely funny, and all around great guy Hunter Shea!!! Let’s see how much he tries to scare our socks off this time. He told me he has revealed more in this interview than anywhere before…..and I’m kicking myself for not asking him even MORE questions! If you like paranormal, creepy, horror, and the like, then you’ll want to check out what Shea has to say.

Or maybe start with a kiss……

Hunter kissing a skull

Hi, Hunter! So happy to have you stop by the blog today so I can infiltrate your monster of a mind. 🙂 One of my favorite times on the blog is when you are hanging out…

Hunter: Thanks Erin. Glad to see you lifted the restraining order so I can come around again. I’ve tried to stir up all the cranial beasties and spirits, just for you!

Erin: You sure know how to rub a girl the right way….! I’m anxious to ask you some questions to let readers get to know you and your writing better, as well as catch up on your news for 2013!

Q: When did you first start writing? Have you always had a love affair with the pen?

A: I started writing with the aim of doing more than just killing time in the mid 1990’s. I was in a dead end job and my friend Norm who sat next to me was working on a book whenever he had some down time in the office. I was going through a tough time and Norm both inspired and coached me along the way. I thank him every chance I get (and dedicated my book, Swamp Monster Massacre to him). As a kid and a teen I used to write zombie poems and dystopian stories littered with tough guys who said inane things and battled creatures. Then college came and writing only became something you did to get a good grade on a paper…or writing flyers for wing night or free keg. It wasn’t until my mid-twenties when the bug burrowed under my skin and became a passion. And boy, it only grows with each passing year.

Erin Comments: “My friend Norm” sounds like a Cheers episode. Boy am I glad your friend Norm was writing novels and not just tipping back beers. Otherwise you’d be a drunk not an author….lol! Now I’m wondering what happened to Norm and if he published anything….

Q:  Your writing is pretty polished. You have a nice tone to your writing voice. How did you perfect this over the years?

A: Now you’re making me blush. Lots of practice, trial and colossal error. I didn’t even attempt writing a novel in my favorite genre, horror, until I’d been working on short stories and novels in other genres for almost 8 years. My very first full length book was a romantic comedy, of all things, but the voice wasn’t quite mine. It was hard getting the voices in my head to translate onto the page. I realized early on that everything I was writing was not solid gold. I have a vampire novella in a file that induces nausea quicker than a shot of Ipecac. I learned from my mistakes on that one and moved on to another that was slightly less horrible. I just kept at it until I was comfortable with my voice and style.

Erin Comments: Would love to see a vampire novel from you! And I can see why’d you write comedy, you’re so funny.

Q: Where do you come up with all the evil stories you churn out? What gives you inspiration?

A: I was raised a good Irish Catholic altar boy. I know evil when I see it! I thank God that my father let me watch horror and sci-fi flicks from day one on this big blue marble. We had a drive-in theater by our house so I got to see all these wonderfully awful B movie monster and biker flicks. We had Chiller Theatre on TV and this new writer called Stephen King giving everyone nightmares. I’ve loved horror for as long as I can remember and I was blessed with an overactive imagination. Now I get to put it to work!

Erin Comments: It’s always those preacher kid and good little altar boys isn’t it? Ha!

forest of shadows

Q:  When following a creative lead, how do you write? Outline first or just write what comes into your head?

A: I’ve heard other writers talk about their process and I guess I fall into the ‘organic’ category. I despise outlines. I did too many of them in school. Whenever I think of doing one, I get the feeling there’s an angry Brother behind me tapping a ruler in the palm of his hand. I develop a basic idea for a novel and kind of let my subconscious turn it around for a few months. If I still want to do it months later, I’ll start research (on locations or events or people), then pick a day to sit my ass down and start typing. I let the story kind of write itself and I’m always surprised by how my novels and characters end up. It’s pretty cool. Kind of like a medium and automatic writing, except it’s just the dark recesses of my demented brain doing all the heavy work.

Erin Comments: Knowing you, I am determined you just press your finger to the screen and say download. I don’t know how you write so fast….but glad you do.

Q: Who are some of your favorite authors?  Who inspires you? I think you are unique in your writing style, an original. Would you say so, or are you compared to any certain novelists in how you approach your stories?

A: I’m sure there are bits of every author I admire in my work. I do make a conscious effort to not sound like anyone else, but it’s hard to keep all your influences and loves at bay. I re-read several Hemingway books every year. If you want to learn brevity and the power of words, you have to study him. For horror, aside from the master, King, I’ve devoured everything by Robert McCammon, Brian Keene, Richard Matheson and Bentley Little. Oh, and I can’t forget my pal Norm Hendricks.

Q:  I know you are a huge video and film buff. What are some of your favorite all-time movies? Why?

A: Me likey movies. Hell, I started the Monster Men podcast with my bud Jack Campisi because we both loved scary movies so much. For my money, Alien is the best horror and the best sci-fi movie of all time. I mean, holy cow. There is nothing scarier than that creature, especially when Dallas was going through the air ducts with the flame thrower and they can see the alien on the radar coming up on him and he can’t! I still get chills.

The Big Lebowski is my #1 favorite movie. Nothing, and I mean nothing, is funnier. The Hunter abides. I love Excalibur and its grandiose story, music and action. King Arthur kicks some serious ass. The Haunting (the original, not that abomination of a remake) is proof that you can make a terrifying ghost movie without special effects. Rosemary’s Baby is just plain creepy, as is The Sentinel. I could go on forever (and you can all see Jack and I pontificate at The Monster Men…and it’s all free!).


Q:  What movies are you looking forward to this year?

A: I haven’t been too thrilled with movies the past few years. I really can’t think of anything I feel like I absolutely have to see in 2013. I’m sure something will come out of the blue and surprise me. Of course, I’ll watch anything with Salma Hayek. Hence my ponying up money to see Here Comes the Boom. I’m so shallow.

Erin Comments: Abraham Lincoln Vampire Hunter was awesome!!

Q:  What books are you looking forward to reading this year?

A: I have a whole wish list of books from other authors at Samhain that I can’t wait to dive into. I’m finally going to get around to reading NightWhere by John Everson. I hear it’s kinky and twisted. John is a super nice guy. Hard to imagine that coming from him…that is, until I went to one of his short story readings. He’s a sick puppy, alright! I also can’t wait to read The Narrows by Ron Malfi, another awesome dude and Tumor Fruit by bizarro master Carlton Mellick. Carlton is an acquired taste, but he hooks you like a drug. I’m also looking forward to reading The Lawgiver by Herman Wouk. My Amazon wish list is about 60 books long. I’m hoping to get through all of them this year.

Q:  How did you begin to take a turn with your writing in regards to being published or publishing your work?

A: I wrote my first horror novel, Forest of Shadows, with the intention of sending it to editor Don D’Auria who was at Dorchester/Leisure horror at the time. I was an avid fan of the entire Leisure line and wrote my book to make sure it fit in with the tone and style they were looking for, which was also the style I enjoyed writing. I submitted it only to Don and waited…for 3+ years. Then, out of the blue, I got an email from Don saying he wanted the book. For the first time in my life, I was speechless. Before I could sign the final contract, though, Dorchester went under. Luckily, Don signed up with Samhain a few months later and asked if I wanted to head up the new horror line. It’s all been wonderful since then.


Q:  I know you set out for Evil Eternal to be a comic book.  Why do you describe it as such?  Do you still have hopes of it becoming drawn? 

A: I grew up loving comic books and have always wanted to write one. Evil Eternal is so over-the-top, so visual, so gory, I still hope we can get this in graphic comic form some day. It doesn’t read like anything else I’ve written. The characters are larger than life and dammit, they need to be drawn! 🙂

Erin Comments: Yes, it does and the cover is awesome. You can see my review HERE.

Q:  Have you written any other comic stories? Movie scripts? Tell us a little bit about what other writing you do besides on your novels.

A: Over the years I’ve written tons of stories in all genres except romance. I’ve never read a romance novel and I feel you can’t write something you have never read. Just a rule of mine. I also wrote a darkly comedic suspense novel back in 2000.

My one experience with script writing was, in hindsight, a funny disaster. A friend of mine met the head writer of a very, very popular crime show on network TV. He told him about my desire to be a writer and the guy asked me to write an episode of one of the top comedies on TV at the time. I spent 2 weeks watching every episode to get the characters, cadence and overall flavor down. Then I spent another 2 weeks writing and polishing the script. Turns out I did a good job, because the script was stolen by a staff writer and pitched to the producers. I didn’t get credit, but I did learn some valuable lessons about protecting my work, especially in a script/screenplay environment.  

Erin Comments: That sucks!! But glad you take it as a compliment.

Q:  Where is the best place for you to write? Do you make set times to do so, or try to do it wherever and whenever the muse strikes?

A: I have a corner of my bedroom that is my writing cave, but I’ve learned to write wherever I can. That could be in the kitchen, in the living room surrounded by my family, in libraries, my car, airports, hotels, you name it. When I’m knee deep in a project, I make sure I write at least 6 days a week and you can’t always do it in the place or the time you want, so you make do with what you have and where you are. You know what they say, “If you can’t be with the one you love, love the one you’re with.”

Erin Comments: Remember the post about writing in the kitchen….read HERE.

Q:  I know you have a Monster Men podcast and I enjoy listening to some of them. How did this come about? Can you tell us more about it?

A: Jack Campisi and I worked together for many years and discovered that our childhoods intersected but we’d somehow never met. We have the same sensibilities, likes, and passion for movies and horror. We’d always said we should just do a show where we talk about the things we love, like watching us sit at the bar and debate the state of the zombie as a genre.

When my first book, Forest of Shadows, was picked up, Jack decided it was time we put our money where our mouths are so I could also use the show as a way to promote my books. This summer we’ll have been doing it for 2 years and it gets better and better (and funnier). We say we have a lighthearted approach to dark topics. I do think we take a unique angle when it comes to talking about movies, books and the paranormal. It’s all about having fun.

Erin Comments: JACK is the MAN!!


Q: Tell us about your previous novels/novellas first, then let us know what is upcoming for you this year. What will be published?

A: My latest novella is Swamp Monster Massacre, a sweaty slog through Florida’s Everglades with a pack of vicious skunk apes on the trail of a group of shipwrecked tourists led by a crook named Rooster. It’s non-stop, relentless fun, and a chance for me to give some love to Bigfoot’s wet, smelly cousin. People have really taken to it and it’s my most successful book to date (as of January 2013).

In April, Samhain released my next novel, Sinister Entity, and a short story that precedes it, The Graveyard Speaks. Both are sequels to Forest of Shadows and center around a 19 year old ghost hunter with nerves of steel and unknown paranormal abilities of her own. She’s joined by the descendant of famed spiritualist D.D. Home and together they go up against angry poltergeists, malevolent spirits and the terrifying doppelganger of a young girl.

They’ve hit top selling lists on Samhain’s website and TGS has hit a top list on Amazon. The Graveyard Speaks is still free, for now, and introduces my ghost hunter. It takes the reader right into Sinister Entity and should give folks a chill or two up their spines.

Erin Comments:  You can read reviews of Forest of Shadows HERE, The Graveyard Speaks HERE, and Sinister Entity HERE.


Q: What are you currently working on? What is on the horizon for Hunter Shea?

A: I started my next novel already, as a matter of fact and have a first draft done to turn in at the end of the month. I don’t want to give away much, but I will say it’s set in Wyoming in the early 1900s and Teddy Roosevelt will be a minor character. And no, he’s not hunting vampires or killing zombies. That’s already been done. It’s going to be a unique story with a lot of true history behind it. I also completed a novella that is based on the actual paranormal events my wife and I went through over a decade ago. More on that to come…

Erin Comments: I can’t wait, sounds amazing!

Q:  Your favorite movie snack?

A: Popcorn, without a doubt. I could eat the stuff for breakfast, lunch and dinner. And theaters, don’t give me that pre-popped in a giant bag crap. Pop it fresh. It’s not that hard to do.

Erin Comments: Mine too, extra butter! It’s how I keep a nice round butt!


Q:  How can readers and fans connect with you?

A: The best place to find me is on my web lair at www.huntershea.com. There you can read my blog, excerpts of my books, free short stories, every Monster Men podcast and more. You can find the Monster Men on our You Tube channel, Monster Men 13. I also have a Facebook fan page (Hunter Shea, of course) and you can follow me on Twitter at HunterShea1.

Erin:  Thanks so much for joining me. It was a lot of fun, as always, to talk to you.  You’re a great writer with a friendly side.  Your books scare me more than you do. *wink*

Hunter:  Thank you for having me. I love what you’ve done with the place. And sure, you say my books scare you more now. Wait till I visit and stay for a week. Then you’ll see. *wink*

Author Hunter Shea, Biography~

I’m the product of a childhood weened on The Night Stalker, The Twilight Zone and In Search Of. I don’t just write about the paranormal. I actively seek out the things that scare the hell out of people and experience them for myself.

My novels, Forest of Shadows, Evil Eternal , Swamp Monster Massacre and Sinister Entity are published through Samhain Publishing’s horror line. I live with my family and untrainable cat close enough to New York City to get Gray’s Papaya hotdogs when the craving hits.

I’m also proud to be be one half of the Monster Men video podcast, along with my partner in crime, Jack Campisi. Our show is a light hearted approach to dark subjects. We explore real life hauntings, monsters, movies, books and everything under the horror sun.

Feel free to contact me any time at huntershea1@gmail.com. Writing is lonely work.

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Filed under Q and A with Authors

Sinister Entity by Hunter Shea Will Having You Seeing Double and Collecting the Series

sinisterentityLooking for a book to completely freak you out and make your hair stand on end? Hunter Shea’s Sinister Entity will make the hair on your arm stand up too! You’ll start taking a closer look at yourself in the mirror, for sure. Or do a double take over your shoulder at anyone having a tiny resemblance to you as you walk down a busy street. That’s right, you might never look at yourself the same way again. And if you think someone can’t bother you anymore once they’re dead, think again….

Shea is a master at paranormal storytelling. He dives in head first with research and logical explanations through his protagonist, Jessica. First a child in his debut novel, Forest of Shadows, she carries on her family’s ghost hunting traditions when she appears thirteen years later in Shea’s short story, The Graveyard Speaks, and kicks the proverbial butt of a harassing ghost. You can see my reviews of Forest of Shadows and The Graveyard Speaks by clicking on the titles.

Jessica appears shortly after The Graveyard Speaks in the sequel Sinister Entity, where she continues to receive people’s pleas for help through her paranormal website.  She takes their issues head on in order to rid them of their dilemmas. It’s exhausting work, but someone has to do it and she’s the very best. She’s great at putting the puzzle together as to why the paranormal activity is happening and what things need to be put in order for it to stop.

And Jessica’s cast of supporting characters, what’s left of her family and a new friend Eddie, really assist the story and provide her some logical and emotional support.  All good ghost hunters need a wing man, right?  Eddie was a great introduction to Jessica’s life. 

No matter how hard the work, she always solves the mystery and defeats the evil, while also embracing some of the good that functions within the paranormal world. Shea always does a superb job of showing us both the dark and the light sides within all things paranormal.

Though these two books and the short story can be read stand alone, they are also connected through Jessica. And in fact, Shea hopes that Sinister Entity is the start of a new series with her that really takes on exciting and original paranormal cases like book shelves haven’t seen before.

You might be scared to meet the ghost of yourself, or as we find out in Shea’s Sinister Entity, it could be a comfort, but either way the thought of your doppelgänger is probably quite unnerving, right? This time a beautiful girl named Selena has a terrible issue that Jessica wraps her brain around solving. Does the spotting of Selena’s double mean she is destined to die soon? Who is trying to hurt her?

Hunter Shea said it best on his release day blog as to why he chose the subject of doppelgänger to build his thriller Sinister Entity on:

“Now, what does this all have to do with doppelgänger? It turns out, quite a few notable people in history, from Percy Shelley to Mark Twain and Abraham Lincoln, have had encounters with doppelgangers…sometimes with disastrous results. Doppelganger is German for ‘double walker’. It’s literally a paranormal double of a living person. The whole phenomenon has fascinated me for years. So I did what all writers do; created my own doppelgänger and had it take one on.”

I loved reading about doppelgängers as I didn’t have much prior knowledge beforehand. Without giving the plot away, I loved what he did with the doppelgänger character. I also loved the story line he chose as to who was actually haunting Selena and loved when Jessica knocked them out of the park at the end.

Hunter Shea does it again for me by bringing me book candy. He brings me his smooth and easy writing style, well-developed and emotional characters, hauntingly good paranormal dilemmas, and enough gusto to scare me out of my seat. I wouldn’t read this alone and especially not in the dark, unless Jessica is nearby of course. She’s the best ghost hunter out there right now.

Sinister Entity is another Hunter Shea book that has been added to my collection of best-loved frightening books.  He’s an excellent writer with fresh new tales that will haunt your mind. I recommend buying it today!

Stay tuned as upcoming within the week is an exclusive interview in which Hunter Shea bears his soul…. and we’ll be giving something away!

Sinister Entity, Synopsis~

sinisterentityHow can you escape the ghost of yourself?

The Leigh family is terrified. They’ve been haunted by the ghostly image of their young daughter, Selena. But how can that be, when Selena is alive and well, and as frightened as her parents? With nowhere else to turn, the Leighs place their hopes in Jessica Backman, who has dedicated her life to investigating paranormal activity. Accompanied by a new partner who claims to be able to speak to the dead, Jessica will soon encounter an entity that scares even her. And a terror far worse than she imagined.

Released on April 2 from Samhain Publishing (www.samhainpublishing.com):


Also, pick-up or order either at your other favorite retailers nationwide!!

The Graveyard Speaks Short Story, Synopsis~

the-graveyard-speaksThe dark, moaning apparition that rises from the same grave night after night has chased away even the most skeptical cemetery caretakers. Only one ghost hunter has the will to face the unknown, but at what price?

The Graveyard Speaks is your introduction into the mysterious and at times dangerous life of the paranormal’s most powerful spirit explorer. Read it with the lights on, and if you’re brave enough, follow the trail to Sinister Entity. This isn’t ghost hunting you see on TV!

Get The Graveyard Speaks by Hunter Shea FREE on Samhain’s site (www.samhainpublishing.com) NOW, you’ll need to register with the site for free and put in cart for free, but you’ll pay zero…well, because it’s free. 🙂


Also, find it on Amazon and take it to the top! http://www.amazon.com/The-Graveyard-Speaks-ebook/dp/B00BUKRALG/ref=sr_1_1?ie=UTF8&qid=1365912237&sr=8-1&keywords=The+graveyard+speaks

Hunter Shea,  Biography~

I’m the product of a childhood weened on The Night Stalker, The Twilight Zone and In Search Of. I don’t just write about the paranormal. I actively seek out the things that scare the hell out of people and experience them for myself.

My novels, Forest of Shadows, Evil Eternal , Swamp Monster Massacre and Sinister Entity are published through Samhain Publishing’s horror line. I live with my family and untrainable cat close enough to New York City to get Gray’s Papaya hotdogs when the craving hits.

I’m also proud to be be one half of the Monster Men video podcast, along with my partner in crime, Jack Campisi. Our show is a light hearted approach to dark subjects. We explore real life hauntings, monsters, movies, books and everything under the horror sun.

Feel free to contact me any time at huntershea1@gmail.com. Writing is lonely work.


Filed under Book Reviews

Interview and Discussion with Gothic Horror Author Jonathan Janz

The wonderful author Jonathan Janz stopped by my blog for an AWESOME interview you’ll want to check out below! It’s lengthy, but it’s worth it. We discussed so many cool topics.

I just reviewed and discussed The Sorrows, his novel currently available with Samhain Publishing. If you missed this review post Friday, you can see it HERE NOW!! Don’t miss it.

Then read the interview where we discuss the horror genre, being a writer, his book and what else he’s writing….like a new western vampire novella (say what??), and much more.  Let us know what you think in the comment section after the post.  We’d love to hear from you!


Hi Jonathan! Welcome to Oh, for the Hook of a Book blog! We’ve been having a streak of horror and dark related fiction lately and you’re a welcome addition!

Hey, Erin! Thank you so much for having me. How the heck are you, pal?

Erin:  Nothing better to me than reading and writing, so I’m feeling great! Speaking of reading, The Sorrows was both eloquently (yea, I said that—LOL) written as well as pulse-pounding, dark, and foreboding.

Jonathan:  Wow! Thank you for saying those wonderful things about The Sorrows! And it’s wonderful finally getting to sit down to talk with you. You’ve been extremely supportive to me, both professionally and as a friend.

Erin:  I am excited too. Not only are you a great writer, but a wonderful person, friend, and the greatest dad I know! I respect all you pack into a day so thanks for making time here.

I didn’t know what to expect when I first read The Sorrows. Since I haven’t grown up reading much of the true horror masters that many people mention, such as Richard Laymon and Jack Ketchum (I know-GASP-but zip it. I grew up in a Christian home with mom who didn’t like things to go bump in the night. Only in high school and college did I fall in love with Stephen King). 

So for all the adults who don’t have a background in horror, but are still loving reading all the new darker tales that are appearing in fiction lately, can you give us a reference point to what your work could be described as?

Jonathan: Without getting too wordy—that’ll happen later in this interview—I’ll just say that what I write is fast-paced Gothic horror. I love stories that move, but I also love stories that make you feel shivers and check behind you to make sure you aren’t being watched. Or menaced. Many authors seem to shoot for one or the other—a breakneck pace or an atmosphere of dread—but I’ve never seen the two as mutually exclusive.

Erin: Now that we’ve gotten it in a more general sense, go ahead for the horror aficionados and name some authors you think have influenced your work and why. And who are your favorite writers?

Jonathan: Stephen King above all. I read about thirty of his books before I even began sampling other authors. And when I did branch out, the authors I chose were the ones listed in the appendix of Danse Macabre. So I read Hell House and Ghost Story and Lord of the Flies, and those three books all had profound influences on my style and my sensibility. The Haunting of Hill House was another that really showed me what a horror story could do. Other authors that followed and that profoundly influenced my writing were Ramsey Campbell, Richard Laymon, Jack Ketchum, Ray Bradbury, and Joe R. Lansdale.

I spoke about Hell House and Ghost Story being important books in my development, and from that it can correctly be assumed that Richard Matheson and Peter Straub really helped shape my writing. Richard Matheson is like a mad conductor leading words and paragraphs in some dark symphony. If you draw back a bit and really examine the manner in which he orchestrates a scene of suspense, you can appreciate the elegance of his design. “Nightmare at 20,000 Feet” contains a few scenes that demonstrate what I’m talking about. It also supports my assertion that horror writers are also great magicians. They’re able to get you thinking about one thing while they’re really setting you up for something entirely different. And the ruse they’re employing is wholly engrossing and necessary—not just distracting windage. But man, when they spring their trap and you find yourself helplessly bound in their machinery, you realize just how sly they’ve been. Matheson is a sly magician as well as a deeply heartfelt writer.

Straub is another story and a tougher labyrinth to navigate. He can seem cold and clinical at times, which is why some don’t love his stuff, but when you stay with one of his works it almost always pays off in a grand way. Ghost Story is my favorite horror novel, and it’s one whose structure I can see in my own work. Both The Sorrows and House of Skin employ a Gothic structure similar to the one Straub used in Ghost Story. In my fifth book, I’ll be using it too—hopefully in a grander way than in any of my previous books. After I read (and marveled at) Ghost Story, I went on to Julia, which was also hugely frightening and influential for me, and then I read If You Could See Me Now, Shadowland, and several others.

Erin:  I am inclined to say that your novel had some part Edgar Allan Poe inspiration. I mean, he would be one to wall someone up right? Do you feel his influence? I feel like some of your novel is a fantastical type of storytelling, more than the screaming in fright type of work.  The way Poe wrote. Do you agree or disagree?

Jonathan: I wholeheartedly agree and feel like screaming THANK YOU for the compliment. Poe is one of my very favorites. I teach his work and have been profoundly influenced by his stories. In fact, the Poe influence goes back to my early childhood. I can remember checking out albums from the library with spooky stories on them. A couple were “The Signal-Man” by Charles Dickens and “The Tell-Tale Heart” by Poe. My mom told me the plot of “The Pit and the Pendulum,” among others, and that also had an impact.

There’s something deliciously scary about the work of the old masters. I eat up any horror written prior to 1940, and I hope some of that shows in my writing. Guys like Poe and Lovecraft have been very important to me, but some of the lesser known (at least to modern audiences) writers like Algernon Blackwood, M.R. James, Arthur Machen, J.S. Lefanu, Oliver Onions, and E.F. Benson have been just as crucial in my learning. One of the greatest compliments I’ve received from readers of The Sorrows is that the passages from Calvin Shepherd, my first-person narrator from 1911 to 1925, read authentically and feel organic to the story. Many readers—including my wife—have told me that those passages are their favorite parts. I’m not patting myself on the back here, but I think to pull that sort of thing off with any kind of success, a writer needs to know his heritage and have a deep respect for guys like Poe, M.R. James, and the rest.

Erin Comment:  I agree. I also have loved Poe since early literature learning, as well as Lovecraft. If they had put the black and white Addams Family or Twilight Zone in a series books back then too, I’d have loved that. For me, the classic horror of Frankenstein, Dracula, Dr. Jekyll and Mr. Hyde all had such a creative way of causing fear deep in your bones without graphically cutting off limbs just for effect. Three of my favorite Poe stories are Pit and the Pendulum, The Cask of Amontillado, and the Tell-Tale Heart.  They follow me wherever I go. They cause me to look at my own life and emotions and see if I am “walling up” or “hiding under the floorboards” things in my life I don’t want to face head on. Our own human emotions can be just as scary as anything else out there. We all fight demons in many ways, but the sad thing is that you can’t get away from them by hiding them. You’ve got to face them or they will tick, tick, tick away at you. I like that about horror, it makes you face your fears. 

What do you think about horror in that sense? Why do you feel people love to read horror?

Jonathan Comment: For exactly the reason you state above. You can’t hide your horror away, to paraphrase The Beatles. It’s why I believe horror writers are the sanest individuals in the world, contrary to what most folks assume about us. We writers tend to exorcise each and every one of our fears, worries, neuroses, etc. on the page, which means in every other way we’re basically well-adjusted people.

I also think people are drawn to horror because it makes them feel better about their own lives. Human beings are essentially ungrateful creatures. When all you read about is women going on glorious binges of self-discovery or men successfully foiling nuclear bomb plots, your own life tends to pale in comparison. You get discontented. But when you read about people whose lives are irrevocably messed up or people whose body parts are slowly devoured by a three-headed alien, you tend to appreciate what you’ve got a whole lot more.

Erin:  Where did your idea for The Sorrows come from? Which actually came first, The Sorrows or your upcoming novel House of Skin?

Jonathan: I actually began writing House of Skin about eight years before I put pen to paper on The Sorrows. I wrote probably seven drafts of House of Skin and trashed each one. Then, with The Sorrows, I wrote around 170,000 words and then slowly, painfully winnowed it down to what it is now (around 94,000 words). As I was doing that, I went back and re-wrote House of Skin (which was first called Starlight, then Her Eyes Were Wild) and on the eighth try finally got it the way I’d always suspected it could be. So House of Skin came first and third, with The Sorrows sandwiched between.

My idea for The Sorrows came from an image of a man walled in a tower. You were absolutely right to mention Poe here, as both “The Cask of Amontillado” and “The Black Cat” involve walling characters up. But in this case, my figure was in a tower with nothing else but a piano. The song he played was like, yet unlike, Rachmaninoff’s “Prelude in C Sharp Minor.” It had that jarring, haunting quality, but it was its own beast too. It was even more sorrowful and sinister. That figure became Gabriel, one of the central figures in The Sorrows.

Erin Comments: Absolutely, again with emotions, music can bring us to tears, make us shake with joy and happiness, and create dread in our inner being. A picture of Dracula playing the organ comes to mind (or was that the Count on Sesame Street?) and how he channeled his inner sorrow into the music and became one with it. It is a way for people who don’t want to feel or don’t know how to feel, to become one with emotion and be able to cope.  

Jonathan Comment: Agreed!

Erin: Speaking on that, I loved The Sorrows for the musical component. I love classical music and how some of the masters have created a level of foreboding and excitement, setting the pace for great cinematic works such as Star Wars, Phantom of the Opera, and Les Miserable.  Where did you get the idea? Wouldn’t it be great to actually have their composition put to music?

Jonathan:  Well, you sort of explained my feelings on the matter with your question. Like you, I love classical music, and a great many film scores are informed by the great classical masters. Some might think this is silly, but I’ve heard it said that if Beethoven or Bach were around today, they’d be writing for the movies. I agree wholeheartedly.

Guys like John Williams, Bernard Herrmann (Psycho, Vertigo), and Hans Zimmer just amaze me with their ability to turn an emotion into a song. That kind of genius is far beyond my understanding, but I try to get at the heart of it in The Sorrows. I know they’re different beasts, but I suspect there’s some overlap in the creative process between writers of music and writers of fiction. Though one’s head is important, a great deal relies on feel and on one’s heart. I used what I knew of music, what I knew of the creative process, and what I learned from others (like my wife, for instance, who is an extremely gifted musician). The feedback I’ve had from both musicians and non-musicians has been very positive, which is really gratifying. You kind of alluded to this, but someone on GoodReads suggested that The Sorrows could be a great multi-media work, complete with a full musical score. I couldn’t agree more. Maybe someday it’ll happen!

Erin comments: Oh, I certainly believe that Mozart helped pull off many an amazing theater production when he was alive just with his musical scores.  He was loved for that and had he not died a mysterious early death, we’d be blessed with so much more from this savant. Music is not something you listen to with your ears and your mind, but feel in your heart. Tim is an amazing singer and when I listen to someone I love sing from the joy of loving to sing, it moves me in ways I can’t even describe. I feel this way with the classic masters of musical score as well and partly a huge reason I never want the stage to go to being a thing of the past.

Jonathan comment: I feel that way about my wife too. She’s incredibly talented and is able to feel the music as well as perform it. Which in turn allows the audience to internalize the experience, as well.

Erin: The historical element added between chapters really added to the story. I liked how the ancient evil doings come back to haunt them.  How did you accomplish this to be so authentic (writing in the voice from generations before)?

Jonathan: Thank you! I touched on this above, but going a bit deeper, I think balance is important with anything in life. So the two things that I feel need to be balanced in this case are a) the authorly courage to stretch one’s boundaries and b) the need to be true to oneself and to always be real. A good reader can hear a false note in a story immediately. That is triply true for a false passage or even a false complete work. So while I believe in trying new things, I also believe that if it doesn’t work, it doesn’t work.

Which leads me to this: everything I wrote in The Sorrows, be it the contemporary sections or the journal entries from the 1910s and 1920s, was one-hundred percent authentic. It all felt good and real and true. Hemingway had it right. You have to search for the truth of the story (and the characters), and once you’ve found that, the writing will come naturally.

It felt totally natural to me to write as Calvin, despite the fact that he was a repressed, somewhat sinister servant from the early part of the twentieth century. I became him and wrote as he would have. I say all that simply and probably make it sound simplistic, but what made that possible for me was the copious reading I’d done (and continue to do) of guys like Blackwood, Machen, etc. Again, I’m not suggesting that I’m some incredible writer or anything; rather, I’m saying that because that voice was in me (likely because of the unintentional preparation I’d done), it all flowed naturally. Readers like you seem to feel the same way, which makes me happier than you know.

Erin comments: You should be happy, you did a wonderful job. Besides horror, my main reading love is history. In fact, besides degrees in Journalism and English Lit, I also have a BA in History. So I did feel as if you wrote those sections with great historical presence without it feeling phony. I loved feeling the emotions from those characters and I think I even related more to them than I did to some of the contemporary characters.  And I always love books with historical elements. The best part of your book to me was the historical secret component. And why was everything in the past so much more sinister than today?

Jonathan comment: It wasn’t more sinister by design, but now that I think about it, I do have to say you’re right about that. Perhaps it has something to do with the role of fatherhood then as opposed to now. I know there have always been bad fathers, and there are plenty of bad fathers today. But I feel like society at large is growing slowly more aware of how little is expected from dads when it comes to parenting. Ben Shadeland is a responsible, loving, caring father. His relationship with his son is the emotional core of the novel. Robert Blackwood, the composer in the early 1900s sections, cares nothing for his children because his only focus is his career. My impression is that kind of thinking was wholly acceptable back then, and while many still think it’s okay to win bread and stay the heck away from the child rearing, hopefully we’re learning that men have a sacred duty and opportunity to nurture their children too. Just my opinion.

Erin comments: A good opinion and in my book, the right opinion. And there are less servants and nannies in this day and age!  Oh, less mansions with graveyards too.

Erin:  There is quite a bit of female abusive in this novel. I think you explained once in something I read about why this is and how the outcome justifies it. As a survivor of domestic abuse myself, it was hard to read at times, but I see what you were going for in the novel. Can you talk a little about that from your novel standpoint? Also, why do you feel that dark, brooding tales always seem to prey on women in a sexual way, but haunt men mentally?

Jonathan: I don’t want to correct you or to sound disrespectful (because you know I respect you a great deal), but I feel I should clarify this point so my meaning is clear. I don’t feel that the fates of the abusive characters justify the presence of the abuse. The truth is nothing can justify or alleviate or lessen the lasting impact of abuse (in fiction or in life). I don’t feel like Lee Stanley (the director of the movie in The Sorrows), for instance, got what he deserved in the story. He physically, mentally, and emotionally abused at least two women and brought about both of their deaths. The depths of his depravity and viciousness are really beyond comprehension. So while he does experience a decidedly horrific fate (which I won’t here give away), that end doesn’t erase the torture that those women endured.

The same thing holds true in life. I think I’m a pretty forgiving guy, but when it comes to abuse…honestly, it’s very hard for me to forgive. A child is beaten or molested, and then the perpetrator is murdered in prison. Sure, some would say justice was served, but the child is still scarred and damaged, and no vengeful act can undo that damage.

I’m a husband and a father, and because of the powerful emotions I have for my family, I often find myself thinking rather monstrous thoughts about those I see on the news who would harm a woman or a child (or anyone, for that matter). Jack Ketchum deals with these issues better than any writer I’ve read in stories like The Girl Next Door and The Woman, and I think he’d agree with what I’m about to say…

What it comes down to for me is telling the truth. What is the truth of that story? What is the authentic behavior or word or thought of that character? And whatever those answers are dictate the trajectory of my stories. Sure, I might detest something a character does or says or thinks, but just because it’s contrary to my belief system doesn’t mean I should change it or soften the blow in any way. That would ring false and would compromise the story. Men who abuse women and children are the vilest scum in creation, but if they show up in my stories, I have to honestly record the truth about them, even when it makes me sick. And I did feel ill at times writing and editing segments of The Sorrows. There’s a scene with Eddie Blaze—you’ll probably remember the one, Erin—where he does something so reprehensible that our feelings for him are forever changed. I felt shaken as I wrote that scene, but I felt like I recorded it honestly. And for that reason, I think it rings true.

I don’t know if I’ve answered your question or not, but I hope I’ve shed some light regarding my thoughts on the issue.

Erin comments: No disrespect taken. I want people understand that male authors don’t always agree with the violence that their male characters sometimes dole out to the female characters. I know where your heart is, but I wanted the readers to hear it. I had the pleasure of getting to know you some before completing the book, so I knew that you didn’t condone the actions; however, I wanted to address it here for my readers who are feminists like me. Many men are crude and abusive and controlling, like your characters, and though what happens to them doesn’t make up for the pain an abused person continues to feel, it does make it feel like “what goes around comes around” and life forces didn’t let them get away with it.

Jonathan comment: Thanks, Erin. It’s an extremely sensitive topic, as we’ve talked about, and I probably over-explained a little. Like you said, I just wanted people to know my true thoughts on the matter. I’m glad I made at least a little bit of sense!

Erin:  Do you want to talk a little about your writing experience? How long have you been writing? How did you get discovered and what does it mean to you to now be a published author?

Jonathan: My writing experience has been working, failing, working, failing some more, learning, getting rejected, learning more, getting rejected a lot more, getting rejected a hundred more times, experiencing a minor success, then getting rejected several hundred times more.

I’m not exaggerating.

The fact is, this is a grueling business. Unless you’re extraordinarily gifted—and those folks are rare—you’ve got to have an iron will and an indomitable spirit. I’m not the most talented writer in the world, but I do have determination. No one will ever be able to break my spirit or define what I can or can’t do. Whether I succeed or fail, I’ll always fight.

I’m a dreamer. I find inspiration all over the place. The movie Ratatouille inspired me just the other night. I love the way that Chef Gusteau believes that anyone can cook. I love the way that Remy the Rat combines a fighter’s spirit with a poet’s heart. If you’ve got those two things, you’ve got a great combination.

Erin Comments: Ratatouille is one of my favorite movies. J  I am so glad you are so determined!! But what makes you want to write only horror? Do you ever hope to write anything else?

Jonathan comment: I’ll always write horror, but it’s certainly not the only thing I’ll ever write. I’ve worked on some things already that blur and blend genres. One novella that’ll be done within a few months (hopefully) is a western vampire story. Another story—and this is kind of secret—I wrote several years ago is a combination thriller/horror/crime novel. It’s called Garden of Snakes, and it’s actually a full-length, completed novel. I need to go back and do some work to parts of it, but overall I really love the book. I just shelved it for a while because I was working on other projects (like The Sorrows and House of Skin).

Eventually I plan on doing some sci-fi, some fantasy, some western, and some thriller/mystery/suspense. I even (like most authors) have some ideas for kids’ books.

Erin:  I know that your family is very important to you. You and your wife have 3 small children, you work another full time job, and you don’t want to miss a minute of your kid’s growing up moments. So how do you find the balance? What habits do you need? What motivates you to keep writing? How do you find the time?

Jonathan: Well, this is going to sound cheesy, but it’s true. I talked earlier about truth in writing. Even more, I believe in truth in living. If you polled a hundred “family men” and asked them what matters the most in their lives, they’d of course say their wives and their children.

But how do they actually live? Do they veg out in front of the flat screen watching football all afternoon, or do they wrestle with their kids? Do they sit there jacking around on their IPhones when they’re with their wives or do they actually, you know, talk to their wives? How about their careers? Do they put in extra hours so they can put more money into their kids’ 529s, or do they put in extra hours so they can belong to a posh country club and drive nicer cars?

In short, I think most men live for the wrong things and are absolutely full of crap when they say they care most about their families. For my part, I simply want to live truly and authentically. My wife and my kids are the best things in my life, and they deserve the best of me. Sure, sometimes I get distracted thinking of a story idea, and yes, I occasionally catch myself checking my email when I should be talking to my wife. But at least I’m aware of it, and I try to do better. That’s got to count for something.

Erin comments: I totally agree. I live my life the same, and I’ve got a great partner and friend in Tim who totally parents as you do. We are PRESENT for our children, not just in the same room. And to each other as well. People don’t always like it, but it’s not their life and life is much too short.  That said though, for aspiring authors who do want to write and raise a family, what is your advice for still finding time to write and market while you are present for your family and have a full-time job?

Jonathan comment: Well, providing they do have their priorities straight—rather than giving lip service to them—I’d say they need to work with their significant others to carve out a reasonable schedule. And don’t wait for inspiration to strike. You wait for that, you’ll never get anything written. You’ve gotta write whenever you can, and you’ve gotta know that it’s not always going to be good. Mike Myers (Shrek, Austin Powers) once said something I really took to heart: “Give yourself permission to suck.” Once you do that, you’re really liberated to get working. There’s no law that states you’ve got to show people everything you do—in fact, you better not do that because much of it probably will suck—but because you’re not paralyzed by doubt or rationalizing inaction by pretending that inspiration is necessary, you’ll also do some really good work too.

Erin comments: I know what you mean about lip service due to personal reasons, but there are good people out there that do parent well like Tim and I. We both have a hard time finding any time at all to write. I think it was easier when the kids were smaller. Now they are just into activities and we never feel there is any time to put writing first for an hour or two because we do want to enjoy every moment with them. I suppose at some point it will iron out a little. I do like to hear different techniques by different authors; I think many other authors struggle with the same scenario. None of us make writing a priority. Probably some of that is the sense of it making us feel selfish.

Erin:  What other interests do you have (and I know you’ll say your family of course)? So what else besides your family and writing do you enjoy?

Jonathan: Books, of course. I love books. And I should have said my grandparents and my mom before that, but I didn’t want to sound too boring. I love movies a great deal. I lift three or four times a week and run two or three times…most weeks. I enjoy taking care of our house, working in the yard (which is rendered much more enjoyable because of Frank Muller’s wonderful audio versions of Stephen King’s Dark Tower books). I’m a huge nature freak—the world truly awes me. When we travel, I really enjoy that, though as you can attest to, Erin, it’s hard to travel with really little ones. I love going to church, though I hate it when people use religion as a means of wounding others and separating themselves from their fellow man.

I’m big on multi-tasking, which means I’ll often watch a Cubs game or a basketball game as I’m lifting or running. I can’t just sit and watch those things because I don’t feel productive enough. It’s kind of a sickness, really, the need to achieve and accomplish. But at least I’m never bored. Boredom is an emotion I’ll never be able to understand. There’s too much to do, too much to experience to ever be bored.

Erin: What things do you use for inspiration in your writing? I always have to ask horror writers that, because I pray it’s not their everyday life (I mean like seeing arms get sawed off or something!!) Ha!

Jonathan: It says on my bio that I grew up between a graveyard and a dark forest. Perhaps for that reason, for as long as I can remember I’ve found mystery and potential menace everywhere I look. I hear darkness in music. I’m planning a novel at some point based on a Metallica song. I see characters’ faces in my mind’s eye. I’ll imagine a scenario out of the blue that will blossom into a full-fledged story idea.

Poetry often inspires me. House of Skin was inspired by a course I took at Purdue on the Romantic poets. Words from Byron, Shelley, and the rest spawned the basis of that novel. One of the epigraphs at the beginning of the book is by Keats.

I ascribe to Stephen King’s belief that stories are found things. A writer doesn’t conjure or create a story—he discovers it, digs it up, and dusts it off as best he can without harming it. If he does a good job at exhuming it, the tale might be worth something. That’s what I try to do. Once I find it, I listen. The characters control everything.

Erin: Your next novel coming soon to e-book and then paperback is called House of Skin.  That just sounds creepy!! Is it a sequel to the The Sorrows, or a stand-alone? Give us the scoop, what’s it about?

Jonathan:  House of Skin is a stand-alone novel, so you can read it without any foreknowledge. It does, however, connect to The Sorrows in a very cool way. For those who haven’t read The Sorrows, the main characters in that book are composing music for a horror film. The horror film just happens to be House of Skin. So you get references in The Sorrows to House of Skin (some of the characters, a bit of the plot, a couple of scene allusions). Neither book is at all reliant on the other, but it’s still fun to see how they connect.

Talking about House of Skin…I’ll go ahead and share the synopsis that Don D’Auria (Samhain Publishing) created for the novel:

Myles Carver is dead. But his estate, Watermere, lives on, waiting for a new Carver to move in. Myles’s wife, Annabel, is dead too, but she is also waiting, lying in her grave in the woods. For nearly half a century she was responsible for a nightmarish reign of terror, and she’s not prepared to stop now. She is hungry to live again…and her unsuspecting nephew, Paul, will be the key.

 Julia Merrow has a secret almost as dark as Watermere’s. But when she and Paul fall in love they think their problems might be over. How can they know what Fate—and Annabel—have in store for them? Who could imagine that what was once a moldering corpse in a forest grave is growing stronger every day, eager to take her rightful place amongst the horrors of Watermere?

Erin’s comments: That sounds so good; I really can’t wait to read it. J

Jonathan’s comment: Thanks, Erin!

 Erin:  What else can we expect from you in the near future? What else are you currently writing or plan to write?

Jonathan: I recently found a fantastic agent named Louise Fury. She procured a deal for my third novel within two days of signing me. It’s called THE DARKEST LULLABY, and it will be published by Don D’Auria and Samhain Horror in early 2013. I’ll be posting more about the novel on my blog soon, but for now I’ll just say that it’s a combination of ghosts, demons, and vampires, and it has a Paranormal Activity/The Shining/Rosemary’s Baby vibe. Not saying it’s on par with those masterpieces, but you get my point.

I’m nearing completion on my fourth novel, which has the working title NATIVE. It’s by far the bloodiest, most action-packed thing I’ve written. In a strange way it’s also a lot of fun. Extraordinarily dark fun, but fun nonetheless.

I’ll also be starting work on a fifth novel this summer. I’ve never been as excited to start a book as I am with this fifth one, so I can’t wait to get cracking on it. While THE DARKEST LULLABY and NATIVE have mostly linear stories (with regard to time), my soon-to-be-started project will return to the Gothic present/past structure of THE SORROWS and HOUSE OF SKIN. All of the books, of course, have my sensibility, for whatever that’s worth, but I really like how each one has a different personality. Once I finish with the fifth book and a couple other projects I’ve been working on (a western vampire novella, for instance), I might begin a sequel for either THE SORROWS or HOUSE OF SKIN.

Erin Comments: Congratulations on just securing an agent and also on your third novel being purchased. It also sounds tremendous. I have a lot of reading coming up for you! BUT really, a western vampire novella…..mmmmm….you ARE thinking outside the box.

Jonathan’s comment: I really love the story. It’s something very dear to my heart, and though it’s dark and scary and full of tension and action, it’s also one of the most moving things I’ve written. I just have to finish it.

Erin:  Just to shake things up, if you could have a starring role in any movie, what would it be?

Jonathan: Wow! Setting aside the obvious worry about having to feign interest in a woman other than my wife, I’d really like to play Ben in THE SORROWS. Physically Ben and I are pretty similar, and I think it’d be neat to do the things he does. I mean, how many movies allow you to write a music score for a horror film, get into several physical altercations, love a beautiful woman (I’d be replaced by a body double for that scene, of course), and descend into a basement with an ax to do battle with a mythological monster?

Erin: What are your favorite movies?

Jonathan: Off the top of my head, The Lord of the Rings Trilogy, It’s a Wonderful Life, Jaws, The Shawshank Redemption, The Big Lebowski, Rear Window, The Empire Strikes Back, How to Train Your Dragon, Good Will Hunting, Ratatouille, It Happened One Night, Tootsie, Pulp Fiction, 3:10 to Yuma, The Incredibles, and too many others to mention. I love great movies in all genres and watch them whenever I can. I also teach film, so I get to share my love of movies with my students.

Erin comments: I love movies. How awesome you get to teach film. Did you know the Shawshank Redemption was filmed where I live? I can show you photos sometime of the places. J Anyway, great movie. And the Lord of the Rings Trilogy is another favorite of mine and a complete classic. Also Rear Window, the older version, and also the remake with Johnny Depp wasn’t bad. All the Star Wars movies are high on my list too. Tootsie, not so much I guess. But throw in Rain Man and I can’t stop laughing. I love Disney movies and fairy tales, and it’s not just because I’m a girl!

Jonathan’s comment: I’m not at all surprised you enjoy most of those films. And I’m a little jealous about the Shawshank thing!

Erin: I am a HUGE geek and LOVE comics. So did comics influence you growing up? Do you like a particular comic? And if you say you don’t like comics, we will cease to be friends. Kidding.

Jonathan: Uh-oh. Well, I did read comics, but not as much as you or some of my other writer friends (I’m looking at you, Hunter Shea). As the above answer might suggest, I was more influenced by film. And by the woods and graveyards and other landscapes around me. I’d consider myself a book and movie geek, but I don’t have enough experience to consider myself a comic book geek. But I do love comic book movies. Do I get to keep being your friend?

Erin comments: Nope, we’re done. I am so unhappy. Ok, I suppose I’ll let it slide. To me, comics are some of the best written stuff. Action, concise text, heroes, villains, and the art. I love the art. In fact, I am Wonder Woman. There I confessed my secret. Well, look at all the films impacted and inspired by comics?! Have I convinced you yet?

Jonathan’s comment: Consider me convinced.

Erin: Where can readers, fans, and interested parties get to know the very funny Jonathan Janz?

Jonathan: My blog (http://jonathanjanz.com/) is the best place to find me. You can email me directly at jonathanjanz@comcast.net or follow my Twitter feed (@jonathanjanz). I’d also love for you to friend me on Facebook (just look up Jonathan Janz, and there I’ll be!).

Erin comments: Note, there are a TON of people named Jonathan Janz on FB, so look for The Sorrows avatar.

Jonathan’s comment: Good call!

Erin:  Where can your books be purchased?

Jonathan:  You can get the e-books or paperbacks pretty much anywhere, but here are a few links to get you started…

LINKS REMOVED as no longer valid.


Erin:  It’s ALWAYS a pleasure talking to you, Jonathan. I absolutely adore you for your friendly, light-hearted and jovial manner and respect you for all you do to pursue your dreams. I wish you the best of luck and hope to see you at the blog again soon.

Jonathan:  Thank you so much, Erin, for having me on your blog and for being so incredible to me. I’m thankful to have met you. Your kindness and sense of humor always brighten my day!

Erin: Thankful to have met you too, my friend. 


Bio of Jonathan Janz, Author

Jonathan Janz grew up between a dark forest and a graveyard. In a way, that explains everything. The Sorrows is his first novel, which published with Samhain Horror in late 2011 and his second, House of Skin, is set to publish with Samhain Horror this year (2012). Just this week his third book, The Darkest Lullaby, sold as well.
He has also written two novellas (Old Order and Witching Hour Theatre) and several short stories. His primary interests are his wonderful wife and his three amazing children, and though he realizes that every author’s wife and children are wonderful and amazing, in this case the cliché happens to be true.

One of Jonathan’s wishes is to someday get Stephen King, Peter Jackson, Jack Ketchum and Joe R. Lansdale together for an all-night zombie movie marathon. Of course, that can only happen if all four drop their restraining orders against him.

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