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#HookInterview: Cemetery Travel Writer and Horror Author Loren Rhoads #LOHF

As a special Halloween treat, I have had Loren Rhoads, author of 199 Cemeteries to See Before You Die and Bram Stoker nominated editor of the past magazine Morbid Curiosity, drop by to speak with us about her spooky and memorable cemetery travels as well as her other writing. I wish I would have asked her even more questions, but I hope after you read this, you’ll go learn more about Loren yourself too. Feel free to leave comments below for Loren or me if you like!

Enjoy!

Hi, Loren! Welcome to Oh, for the Hook of a Book! It’s a favorite time of year for those of us who love the spooky things in life—October! My daughters and I have baked some cupcakes for your arrival, chocolate icing with cookie gravestones on the top. Let’s sit out on the back porch and watch the leaves change while we sip hot apple cider and share a few of them.

Graveyard-Cupcakes-4

Though I wish I actually baked these, not this time. LOL! I pulled this photo from the net. We’ll use our imaginations!

Loren: Thank you, Erin! That sounds lovely.  I just love this time of year: my birthday is in October, the leaves change even in California, where autumn is really subtle, and one of my favorite colors is pumpkin orange. October just makes me happy.

Erin: I agree. And happy belated birthday! I’m glad I’ve made cupcakes then. 🙂 Now that we’ve had a few bites, I want to ask you a few questions.

Q: You love to travel to cemeteries and you’ve put out several books filled with essays and destinations for famous tombs and gravesites. Tell us about your books and how did this obsession start?

A:  More than 20 years ago I edited a book of cemetery essays called Death’s Garden: Relationships with Cemeteries. It came out of my fascination with the different ways people interact with cemeteries.

That book led to a monthly column about my travels to cemeteries around the world for Gothic.Net. I worked there for 4-1/2 years, long enough to put together a collection of my essays that I called Wish You Were Here: Adventures in Cemeteries. (The second edition came out in Summer of 2017.)

To promote the first edition of that book, I started a blog called CemeteryTravel.com. It focuses on a Cemetery of the Week each Wednesday, plus reviews of cemetery books I’ve read, and travel trips to encourage people to visit cemeteries.

Because of my blog, I was contacted by Black Dog & Leventhal to write 199 Cemeteries to See Before You Die. It’s a heavily illustrated full-color guide to cemeteries around the world that welcome visitors. That book came out in October 2017.

My whole cemetery obsession started the year my husband and I ended up in London by accident.  We visited Highgate Cemetery and I simply fell in love.

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Highgate Cemetery, Entrance to Egyptian Ave, West / Wiki commons

Q: What is the most interesting grave you’ve visited and why?

A: A couple of years ago, I finally got to Poblenou Cemetery in Barcelona. There was one grave marker I wanted to see above all others: El Beso de Muerto. It’s a huge free-standing sculpture of a skeletal death bending over a beautiful young man to touch her teeth to his brow. It did not disappoint!  Just imagine choosing that as the image you wil confront each time you visit your loved one’s grave.

Loren Barcelona

Poblenou Cemetery, Barcelona / Photo credit Loren Rhoades

Q: The most frightening and why?

A: I don’t know if I’ve ever visited a frightening grave. Maybe the saddest graves I’ve ever visited were outside the concentration camp Terezin (called Theresienstadt by the Nazis). The gravestones had numbers instead of names, because the corpses couldn’t be identified. That graveyard made the Holocaust real to me in a way that reading about it never did.

Q: Which ones should a traveler put on their itinerary?

A: In the US, everyone should see Mount Auburn in Cambridge, Massachusetts, Hollywood Forever in Los Angeles, and Saint Louis #1 in New Orleans.  Beyond that, there are so many beautiful, fascinating places. Forest Hills in Madison was really pretty. Lake View in Seattle is spectacular. In fact, I can suggest 199 cemeteries everyone should see!

Erin Notes: Henry Wadsworth Longfellow is buried at Mount Auburn! This photo is from an old Publisher Weekly column from Alison Morris.

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Q: What is the strangest thing you’ve encountered while wandering through graveyards?

A: I went to Kutna Hora in the Czech Republic for my birthday one year.  During the Middle Ages, the graveyard there was one of the biggest in Europe. Someone brought dirt back from the Holy Land to sprinkle around the graveyard, to consecrate it.  People came to believe that if they were buried in dirt that had been touched by holy dirt, they would be guaranteed to entrance to Heaven. People came to Kutna Hora to die, just so they could be buried there.  At a certain point, all the bones in the graveyard were exhumed and placed in the crypt of the mortuary chapel. A woodcarver came along and organized the bones into a chandelier, a couple of chalices, a coat of arms, and four enormous pyramids. Visiting that amazing, beautiful chapel was very thought-provoking.

Q: I mentioned to you that I visited Lake View Cemetery in Cleveland this summer, resting place of President Garfield, Rockefeller, and even Eliot Ness, to name a few. How was trip? What did you see or do there that caught your interest?

A: I visited Lake View the November my dad was at the Cleveland Clinic getting an artificial valve placed in his heart. I found the Images of America guide to the cemetery in the hospital gift shop, which inspired me to borrow my mom’s car one afternoon to explore. I got to see the inside of the Wade Chapel, which was designed by Louis Comfort Tiffany who designed those beautiful stained glass windows.  Tiffany didn’t want his delicate murals to be discolored by candle smoke, so he talked to his friend Thomas Edison about wiring the chapel for electricity. It was the first electrified building in Cleveland.

Erin Note: I love Wade Chapel! It’s beautiful and peaceful. I am a Tiffany fanatic and so, since there are many in Cleveland I try to seek them all out, and I had to see this one. Here’s one of my own photos of the window from this summer.

Tiffany Window Wade Chapel

Tiffany Window in Wade Chapel, Lakeview Cemetery, Cleveland Ohio / Photo credit Erin Al-Mehairi, July 2018

Q: What do you write about in your essays and stories about cemeteries? What do you think readers are most interested in?

A: I write about everything: history, fame and infamy, iconography and artwork, horticulture, wildlife, ghosts… Cemeteries are incredibly complex mirrors of the societies in which they exist. There’s something to appeal to everyone.

Q: How has the reception been for your 199 Cemeteries to See Before You Die and subsequent titles? Will you continue to write them?

A: 199 Cemeteries has done really well.  Last I heard, the book was close to selling out its first edition and earning out its advance. I’ve already turned in changes for a second edition, so I’m looking forward to seeing that soon.

Since that book out, I’ve been working on a book about my local pioneer cemeteries.  San Francisco, where I live, was founded in 1776 by the Spanish, but the area exploded in population during the Gold Rush. Those original cemeteries are old and fragile now, threatened by earthquakes, wildfires, and mudslides, so I feel like they need to be recorded before they vanish.

After that, I don’t know. No one’s done a definitive guide to the cemeteries of the California Gold Country. Maybe I’ll get to write 199 More Cemeteries to See Before You Die.

199 Cemeteries

Q: Are there special events or visits (or both) that you do over Halloween pertaining to your interest and writing of cemeteries stories?

A: I’ve done a bunch of cemetery lectures in the last couple of weeks: at Cypress Lawn Cemetery, the City College of San Francisco, and at a literary festival in San Francisco called the Litquake. October is always my busiest month. I only got to tour one cemetery this year!

Q: I bet it is the busiest time of year, but sounds amazing. Do you feel any importance writing about graveyards or is it all just for fun and travel?

A: A lot of people write about cemeteries, from historians to cemetery tour guides to genealogists, but I’ve been blessed to be able to combine my love of travel with my fascination for graveyards.

Q: What’s on your own bucket list for graveyards to travel to?

A: My bucket list grows at the bottom!  I’d like to see the Taj Mahal and the pyramids in Egypt and Happy Valley Cemetery in Hong Kong and Bonaventure in Savannah, Georgia, and the churchyard of the old leper colony on Molokai in Hawaii.  I’ll be traveling to visit cemeteries until I die.

Wish You Were Here cover

Q: Do you write other things or any fiction? What else have your written or are working on writing?

A: Thank you for asking this! I’ve written a series of stories about a young witch named Alondra DeCourval. She travels the world, fighting supernatural monsters. This year I’ve put out three ebook collections – Alondra’s Experiments, Alondra’s Investigations, and Alondra’s Adventures – each with three previously published stories. They’re available on Amazon.

Thorn Coyle, author of the Witches of Portland series, calls the Alondra stories “Sexy, spooky, fast-paced urban fantasy. There’s magic at the heart of each of these tales. Alondra herself is magic wrapped in a human guise.”

In addition, I’m just about to dive into a novel for Nanowrimo. It’s a sequel to my succubus/angel novel Lost Angels, which was published a couple of years ago. It’s time to tell the rest of Lorelei’s story.

Loren testimonial

Q: What are some of the best books in horror by women you’ve read over the last year?

A: I’ve been concentrating on getting books off my TBR shelf this year, which has meant reading a lot of nonfiction. That said, I have E. M. Markoff’s The Deadbringer ahead of me, which I’m really looking forward to. Blood Ink, Dana Fredsti’s second Lilith book, will be coming out next spring. I’ll read that as soon as it’s out.

Q: Any plans for Halloween?

A: My kid is outgrowing trick or treating, so this may be the last year we go.  I’m planning to enjoy it as long as I can.

Erin: It was probably my last child’s last true Trick-or Treat too this year, but she has so much fun she said she’s never stopping.

Thank you so much for joining me, Loren! I’m a huge fan of visiting graveyards and cemeteries, which came to me at a young age when I was doing a lot of genealogy research with my family! They are so peaceful at times and full of history. Thank you for sharing your experiences with us. I hope to read more of your work and see you back here again one day! We’ll share more cupcakes!

Loren: Thank you so much for having me come by, Erin.  I love to meet kindred spirits!

Erin: Me too!

Loren Rhoads Biography –

Loren

Loren Rhoads is the author of 199 Cemeteries to See Before You Die and Wish You Were Here: Adventures in Cemetery Travel.

She is also the author of a space opera trilogy, co-author of a love story between a succubus and an angel, and is working on a series of stories about a witch who travels the world to fight monsters. You can see a longer biography detailing all her work and activities here.

You can keep up with her overall at lorenrhoads.com.

Author Photo Credit: S.G. Browne

Thank you for reading!

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#HookonWiHM: Theresa Braun interviews J.H. Moncrieff about Atwood, a Haunted Island, and Gender Roles

Today, for the #HookonWiHM project, author Theresa Braun has interviewed the Canadian author J.H. Moncrieff! I’m super excited to have both of these women on the site today in promotion of Women in Horror Month. J.H. Moncrieff writes paranormal suspense, thrillers, and horror. I enjoy following her travels especially to all the haunted places. Happily, I’ve recently met Theresa this year as we shared the TOC in the anthology Hardened Hearts together, which published by Unnerving in December 2017.

I’m taking interviews by men and women with women in horror, as well as guest articles, throughout the month of February. You can see information on this at the bottom of the post. For now, take it away Theresa. Thanks for a great interview with J.H. Moncrieff!

Cropped coat

Do you feel the feminist conversation surrounding Margaret Atwood is relevant to the issues relating to female writers and female characters? Does Atwood carry any weight for you personally, since you both happen to be Canadian? 

I have read Atwood’s defence of her stance on the firing of the UBC professor, which fanned the flames and turned even more women against her (which, as a publicist, I could have told her it would. Sometimes the best thing to say is nothing), and she raises some valid points. Movements like #MeToo do have the potential to become public witch hunts. And they are the result of a legal system failure: if women’s reports of sexual assault and harassment had been taken seriously, there would be no need for scores of women to go public about the issue on social media (or, at least, less need). However, as women, we need to be extremely careful not to re-victimize the survivors of sexual harassment and assault.

Almost every woman on the planet has experienced one or the other or both, but most of us don’t report it because we still fear the repercussions or assume we won’t be believed or taken seriously. We’re still living in an age where a man who was seen raping a woman spent only three months in jail. Where a police officer said to me that one of the strongest indications a woman was lying about sexual assault was she’d reported it, as most “true victims” don’t. And this was coming from a man most would consider sensitive and enlightened. Where people still get frustrated about the women pointing fingers at their favorite celebrities, but never once get angry at the men for the sexual misconduct and abuse of power.

Atwood argues the pendulum is at risk of swinging too far in the other direction. But perhaps it needs to. Just as many find the “zero tolerance” policy of dealing with domestic violence unfair, and it’s certainly flawed, it’s like that for a reason. Only when we’ve seen genuine progress on these issues, when women are no longer viewed as either sexual objects or prey, can people like Atwood safely call for balance. The problem is that our society has been far too unbalanced for far too long. Publicly critiquing a movement that amplifies survivor’s voices and raises awareness of just how prevalent sexual abuse and harassment are, is certainly going to be seen as anti-feminist, to put it lightly. To respond with guns blazing and a “Screw you, I’ve been called worse!” editorial hasn’t helped matters. The fact we’re both Canadian doesn’t bond us or give her opinion more weight to me, but I am more likely to see her editorials, as Canadian media have always given her a platform and will continue to do so.

Do you consciously include gender issues in your fiction? If so, what are some that you have explored? And are there any that you plan to explore in future storylines?

Monsters in Our Wake features a character who is the only female working on a drillship, and it explores some of the sexism and ostracism she suffered as a result, but on the flip side, the sea creatures in that novel live in a matriarchal society where the females are larger, more powerful, and make the majority of the decisions. Some readers have had a huge problem with this. A man accused me of being “anti-male” because of this novel, and some female readers hated Flora because she came across as weak or timid, while they’d always thrived in male-dominated environments. In City of Ghosts, I explored how women can be their own harshest critics and what can happen when they turn against each other. Again, some women really didn’t like that, and they disparaged how “girl-on-girl crime” has been overdone in fiction.

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But the truth is, I don’t set out to write with a feminist agenda, or any agenda. I write people (and creatures), and people are flawed. Sometimes they’re misunderstood or obnoxious or misguided, and sometimes they’re just plain ugly. While I’ve never been ostracized like Flora was, I have been one of the only women in extremely male-dominated professions and sports, so it was easy for me to feel for the struggles someone less assertive might have. And I’ve experienced a ton of “girl-on-girl crime” in my lifetime–in elementary school, in high school, and in the workplace, both from colleagues and from supervisors. Women are capable of being awful to other women, and refusing to be honest about that would do everyone a disservice.

You have written a lot about characters facing supernatural situations. And you have based several of these novels on real places that you have visited. Which of these has scared you the most? Why?

The scariest place I’ve ever visited was Poveglia, an island off the coast of Venice that is considered to be the world’s most haunted. I don’t spook easily, but I was terrified the entire time I was there. Not only was I completely alone on the island, I was there during a violent thunderstorm. Poveglia has a truly chilling history, which I explored in The Girl Who Talks to Ghosts. Although nothing overt happened to me–I didn’t see a ghost–there were definitely a lot of strange, unexplained sounds and a very strong sensation that something was wrong in that place. It’s very creepy.

Isola di Poveglia

From enca.com / Photo: Flickr.com / tedlum

What future project are you most excited about? Tell us about that.

While I have a lot to be excited about this year–the release of the first book in my new Egyptian series, which was previewed in Temple of Ghosts; the fourth book in my GhostWriters series; a Christmas GhostWriters novella; and a few other projects–I’m probably most anticipating the release of Dead of Winter, which Severed Press will publish this spring. It’s about a famous podcaster who ventures into Russia’s Ural Mountains to investigate what happened on the Dyatlov Pass back in the ’50s. Since The Dyatlov Pass Incident is one of the scariest unsolved mysteries of all time, it was a fun topic to explore and I was really happy with how the book turned out. Best-selling author Hunter Shea gave it a great blurb: “Dead of Winter will freeze your blood! A mystery dripping with terror, the sense of isolation and impending doom kept my heart racing right until the very last line. An instant classic.”

Has there been something that a reader has surprised you with? Something that a reader has come away with that has left you inspired? 

My readers are amazing. I’m still so grateful I get to do this that every positive review makes me teary. One reader emailed me to say Temple of Ghosts helped her get through a difficult time after her daughter’s house caught fire. Another left a review for City of Ghosts that ended with, “City of Ghosts stirs the reader’s childhood fears and mixes them with compassion for all of China’s unwanted little girls.” That really got to me, because I wrote that book for those little girls, but I didn’t think anyone had understood that. When a reader gets you, it’s the best feeling in the world. I bawled. During a recent visit to a book club, the members surprised me with a gigantic gift basket full of goodies like gourmet tea, bubble bath, candles, a hardcover book, a bookmark, pens, etc. It went on and on. It was almost bottomless. I was extremely touched. Book clubs are the best, with or without the gifts.

Check out books from Moncrieff such as:

The Girl Who Talks to Ghosts and Temple of Ghosts 

ghostwriters-the-girl-who-talks-to-ghosts-183522929

Find Moncrieff online:

Website

Books

Facebook

Twitter

Pinterest

Thanks again to Theresa Braun for conducing the interview!

Theresa Braun, Bio –

braun pic

Theresa Braun was born in St. Paul, Minnesota and has carried some of that hardiness with her to South Florida where she currently resides. Traveling, ghost hunting, and all things dark are her passions. Her work appears in The Horror Zine, Sirens Call, Schlock! Webzine, Hardened Hearts, and Strange Behaviors, among others.

Watch for more to come in the #HookonWiHM series….

February is Women in Horror Month! Though I agree women should be celebrated on the same level as men every day of the year, I like to partake in Women in Horror projects as a catalyst for spreading the good news and works of women in the genre in hopes that it will carry on throughout the year. It’s time to celebrate and show off what we got! For those of you reading, men AND women both, make an effort to read and watch more horror produced by women this year.

For the #HookonWiHM, or Women in Horror Month at Hook of a Book, we’ll be hosting interviews conducted by men and women with other women in horror. Watch for those spread throughout the month, and if you want in, contact me! Find more info HERE.

WiHM8-Website-Logo-Retina

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#HookonWiHM: Focus on Author Gwendolyn Kiste Via Calvin Demmer

February is Women in Horror Month! Though I agree women should be celebrated on the same level as men every day of the year, I like to partake in Women in Horror projects as a catalyst for spreading the good news and works of women in the genre in hopes that it will carry on throughout the year. It’s time to celebrate and show off what we got! For those of you reading, men AND women both, make an effort to read and watch more horror produced by women this year.

For the #HookonWiHM, or Women in Horror Month at Hook of a Book, we’ll be hosting interviews conducted by men and women with other women in horror. Watch for those spread throughout the month, and if you want in, contact me! Find more info HERE.

Now, without further wait, I’d like to introduce Calvin Demmer who has enthusiastically interviewed the amazing author Gwendolyn Kiste! I am more than pleased to say that I share a TOC with them in the Unnerving anthology Hardened Hearts and very much enjoyed both their stories. Further, I was excited to recently find out that Gwendolyn is originally from Ohio, where I currently live!

Take it away, Calvin – enjoy!

INTERVIEW WITH HORROR AUTHOR GWENDOLYN KISTE –

Gwendolyn Kiste_Black and White Headshot

Was it difficult to select which stories to include in your debut collection And Her Smile Will Untether the Universe (Published by Journalstone)?

Overall, it wasn’t too terribly difficult, though it was so important to me not only to select the right stories but also to curate them in the absolute best order. This definitely took some time, and I was lucky to have my editor Jess Landry there to help me. All fourteen of the stories that I submitted to her for the collection made the cut for the book, but she helped with the order, opening with the avian horror story, “Something Borrowed, Something Blue,” and closing with the darkly romantic body horror tale, “The Lazarus Bride.” She felt both of those pieces focused similarly on themes of death and rebirth, and worked well in conversation with each other, and I couldn’t have agreed more.

As for other considerations in putting together the collection, several of the previously published stories are available for free online, so I felt it was important to offer readers something completely new. That’s what led me to including five stories original to the collection. Now that’s it been almost a year since publication, it’s interesting to take stock of the table of contents again and realize that I can’t imagine a different order or different stories.

These fourteen tales definitely cover all of my favorite themes: body horror, fairy tales, sisterhood, twisted romantic relationships, and of course, otherness and the role of the outsider in pushing back against the confines of society. I’m so grateful every day to Jess and JournalStone for releasing this book. It’s completely changed my career and brought me to so many more readers, which is the only thing that a writer can ever truly want for their career.

And-Her-Smile-Will-Untether-the-Universe

How did you find the process from writing short stories to writing your novella Pretty Marys All in a Row (Broken Eye Books)?

It was a really wonderful—as well as daunting—experience to make the leap from short fiction to a longer form. In some ways, my approach to short fiction is a bit more free-flow: because the projects are shorter by design, I let them evolve much more naturally and then go back and edit the stories if I find that I ultimately didn’t need certain details or subplots. However, with a novella or any longer fiction, that free-flow approach can become more problematic. What’s easy to edit when it’s only 5,000 words can quickly become a nightmare for a 30,000-word story.

So I would say the main difference for me is how much more planning goes into my longer works. For example, prior to even starting the first draft of my novel, The Rust Maidens, I wrote out an 11,000-word outline. Almost none of those words ended up directly in the novel, but I knew every single direction the book was going to take. Every character, every setting, every scene. There were no surprises at all, which made drafting the book much smoother.

I took a similar approach with Pretty Marys All in a Row, though the outline was a little more informal with a page or two of notes for each chapter that included locations, character goals, and specific starting and ending points for all the scenes. Part of me really loves the spontaneity of letting a story evolve like I do with my short fiction, but when the moment comes midway through a longer project that it starts to become a bit of a struggle, I’m incredibly grateful that I’ve planned ahead. It’s definitely what’s helped to keep me going so far with my longer works.

Pretty-Marys-All-in-a-Row

You collaborated with Emily Cataneo for the novella In Her Flightless Wings, a Fire (which will appear in Chiral Mad 4). How was the experience working with another writer?

I’d never collaborated with another writer before, especially on such a big project, so I had no idea what to expect when we started. Fortunately, Emily and I quickly worked out a good system for how to make the collaboration dovetail with both our visions. Once we had the basic elements for the story—ballet, sisters, witchcraft, turn-of-the-century Europe—we each crafted a point-of-view character, and wrote our alternating sections from our character’s perspective. Then we came together and worked to smooth out any inconsistencies and create a cohesive whole. Ultimately, In Her Flightless Wings, a Fire ended up in novella-length territory, and we were both very excited with how it turned out. When editors Michael Bailey and Lucy A. Snyder accepted it for Chiral Mad 4, I imagine you could hear Emily and I both squealing for joy for a several-mile radius.

Your debut novel, The Rust Maidens, will be published this year. Can you tell us a little about it?

Well, first off, I’m insanely excited and a little nervous about it! Obviously, it’s a big moment for every author to have a novel, but it’s so wonderfully terrifying too. And of course, you want to be sure that it’s the right book for your debut. Fortunately, I think I found a good balance with The Rust Maidens, since it at once includes elements from my short fiction while expanding upon my work in a number of ways that I hope readers will enjoy.

Based primarily in 1980, the book follows one Cleveland, Ohio neighborhood as the economy starts to unravel at the same time that the local girls begin transforming into something otherworldly. I’ve been describing it as David Cronenberg’s The Fly meets The Virgin Suicides. Lots of body horror, gruesome transformations, and coming-of-age themes in the Midwest, which is where I grew up. I never thought I’d “go back home,” so to speak, in my fiction, but once I came up with the concept for this book, I knew it was definitely a direction I was always meant to take. I wanted to write something about the economic losses so many people in the region have dealt with over the years, as well as the ecological disasters that have plagued Lake Erie for decades. To be honest, once I started writing about the Rust Belt, I realized just how much horror haunts the everyday recesses of the area, so it seems very naturally situated for a darkly supernatural novel.

We don’t have an official release scheduled yet for The Rust Maidens, but that date should be coming very soon, so definitely watch my website and the Trepidatio Publishing social media pages for those details!

Who are some of the female horror authors you believe people should be reading?

Honestly, there are way too many to list here, but I will do my best. I’m a huge fan of Farah Rose Smith, Brooke Warra, and Eden Royce in particular. We already mentioned Emily B. Cataneo, but her name certainly deserves to be repeated as well. My editor at JournalStone/Trepidatio, Jess Landry, is also a writer and a fantastic one at that.

Of course, I could go on and on: Lori Titus, Anya Martin, Nadia Bulkin, S.P. Miskowski, Denise Tapscott, Sumiko Saulson, Catherine Grant, Scarlett R. Algee, Rebecca Allred, Carrie Laben, Kenya Moss-Dyme. I usually focus on fiction, but in terms of horror poets, Christina Sng and Saba Razvi are two names everyone should definitely seek out. Truly, there are so many wonderful female horror authors working today, and it’s such an honor to be among their contemporaries

Gwendolyn Kiste_Black and White Headshot

Gwendolyn Kiste, Biography –

Gwendolyn Kiste is the author of And Her Smile Will Untether the Universe, her debut fiction collection from JournalStone, as well as the dark fantasy novella, Pretty Marys All in a Row, from Broken Eye Books. Her short fiction has appeared in Nightmare MagazineShimmerBlack StaticDaily Science FictionInterzoneLampLight, and Three-Lobed Burning Eye as well as Flame Tree Publishing’s Chilling Horror Short Stories anthology, among others. A native of Ohio, she spends her days hanging out on an abandoned horse farm outside of Pittsburgh where she lives with her husband, two cats, and not nearly enough ghosts. You can find her online at gwendolynkiste.com.

Book Purchase Links –

And Her Smile Will Untether the Universe

Pretty Marys All in a Row

Thanks so much to Calvin Demmer for highlighting Gwendolyn!

CalvinDemmer

Calvin Demmer, Biography –

Calvin Demmer is a dark fiction author. His work has appeared in Broadswords and Blasters, Empyreome Magazine, Mad Scientist Journal, Ravenwood Quarterly, Switchblade, and others. When not writing, he is intrigued by that which goes bump in the night and the sciences of our universe. You can find him online at www.calvindemmer.com.

WiHM8-Website-Logo-Retina

Women in Horror Month (WiHM) is an international, grassroots initiative, which encourages supporters to learn about and showcase the underrepresented work of women in the horror industries. Whether they are on the screen, behind the scenes, or contributing in their other various artistic ways, it is clear that women love, appreciate, and contribute to the horror genre.

 

 

 

 

 

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