Tag Archives: women in horror

#HookedOnPoetry: “This Was Supposed to be About Poetry” by Bram Stoker Award Nominated Poet Donna Lynch @geeklioness #poetry #writing

Donna is fast becoming one of my favorite people and poets. She has an honest way about her I really like and, whether she knows it or not, she’s taught me a lot about letting things go and being easy on self. She’s super funny, creative, and kind. She has some stellar work out there in the music, writing, and poetry world. Her last two collections Witches and Choking Back the Devil earned Bram Stoker nominations and both were worthy of wins even among the highly exceptional field of poetry in horror. She’s a beautiful lyricist and her words flow so smoothly and with such passion.

I asked Donna for a poem or a reprint and then…. in true Donna form, she writes this instead and asks me what I want to do with it. Ha! I just felt in this moment, that it was perfect. It explained exactly how I’ve been feeling about writing myself, even poetry, which sometimes breaks through when I’m blocked otherwise. These days I’m too stressed and tired. I want to clean too. It’s a weird thing. I don’t know if any of you other writers can relate to this, but I hope you can. We will all rise from this with some major emotional dumps onto the page eventually.

Thanks for the piece, Donna…. and readers, feel free to discuss in the comments!

HookedOnPoetry

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This Was Supposed to Be About Poetry
by Donna Lynch, author/musician/poet

Are we tired of talking about the pandemic yet?

Yes, of course not.

“I’m so glad we’re doing this tonight because I really need a break from all the COVID-19 talk,” we say to our loved ones via the video chat platform of our choosing, then immediately start talking about COVID-19. Maybe not the virus, itself, but about our futures and our right nows.

I’ve probably told twenty people no less than thirty times how happy I am that my husband and I finally cleaned up our porch. The weather will be nice soon and now it’s like I have a whole extra room in the house, I say. I keep saying it. When people ask me how I’m doing, I tell them about the porch. I don’t feel like saying much else about how I feel. I’ve had a couple episodes of word vomit in regard to my feelings, which I immediately regretted, so now I’m just really fucking happy about the porch. That’s what I say.

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Photo by Avi Werde on Unsplash

This piece is supposed to be about poetry. I write horror poetry, and I’ve written a couple novels, a novella, and so on and so on. It bugs me that anytime I talk about being a poet, I can’t help but mention the novels, as though the poetry isn’t enough. That is, of course, bullshit. I’m a horror writer. That should be enough, right there. But right now, nothing feels like enough.

I’m envious of the 100+ writers I follow on Twitter, because they all seem to be making the most of this situation. For a horror writer, how much more firsthand material could you ever get access to than the realities of a world-wide, modern-day plague? I feel like they’re reading and writing and thinking and observing and taking advantage of this sudden, threatening, and unsolicited gift of time, meanwhile I’m staring blankly at a huge to-do list and an empty Word document each day, calling up friends around the country at 2am, while busting into yet another box of wine that smells like Lysol.

I don’t begrudge them their productivity. I’m happy for them. And I’m jealous.

The thing is, though, there’s nothing about me that makes me unique or exempt. There’s nothing about them that’s superhuman. They’re making themselves work through the stress and anxiety, I’m sure, just as I could be doing. But it’s harder than I thought, and I’m using my pre-existing hurdles as excuses. No sense in lying about it. Writers tell the truth, except when they’re lying their asses off and kidding themselves. Or maybe I’m projecting.

Here’s an issue that I can’t decide if it’s me kidding myself or not: Two of my most prevalent topics in the horror genre are body horror and existential dread, and a pandemic does a fantastic job of creating both, which has left me feeling paralyzed. Could Stephen King write The Stand right now? Could Josh Malerman write Bird Box?

Probably, because neither strike me as the type to make a lot of excuses, but maybe I need to hold on to the idea that, for me, Fear in the Time of Corona would be easier to bang out once we get a vaccine. So, I guess my workaround is to revisit my ghosts and witches and vengeful creatures, because I’m not afraid of them when I go to the store.

And there’s the punchline. I’m not having Imposter Syndrome about being a writer. I’m having it about being a horror writer, because now that we’re here, staring directly into the void I attempt to toss readers into through my poems—you know, to really make them face the things they fear the most—I’m suddenly speechless. I feel like I talked a lot of shit, and now I have to put my money where my mouth is.

Poetry. This was supposed to be about poetry, so I’ll share a tiny poem that I managed to write the other day inside of someone else’s journal.

 

Karma resigned / Do crime / But be kind

 

I don’t know what to say about it. It’s what was there in my hands when I picked up the pen. It was honest.

One bright light is that artists are truly being appreciated throughout this. I thanked a front-liner recently and they thanked me back, saying that if it wasn’t for books and music and Netflix series, they’d lose their mind. That was humbling to hear. The gratitude this past month has been the shiniest silver lining I’ve seen in a very long time, and with that I think about how that gratitude will be the thing that will make me sit down and face my fear. I will write. I will make music. I will use the gifts this monster inadvertently gives me and I won’t let it consume me. I will try to give back hope, or maybe just some distractions.

The truth is, I really have no choice. I don’t have another porch to clean.

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Donna Lynch, Biography –

AUTHORS-DonnaLynchDonna Lynch is a dark fiction writer and the co-founder—along with her husband–artist, and musician Steven Archer—of the dark electro-rock band Ego Likeness (Metropolis Records).

Her written works include Isabel Burning, Red Horses, Driving Through the Desert, Ladies and Other Vicious Creatures,, Daughters of Lilith, In My Mouth, and her Bram Stoker nominated Choking Back the Devil and Witches poetry collections. She and her husband live in Maryland.

 

About Choking Back the Devil (2019) –

BOOK-chokingDonna Lynch’s poetry explores the horror of losing control of mind, body, and autonomy. Whether it be through death, hauntings, violation, mental illness, violence, or the demons in our brains that terrorize and tempt us all, no one is immune to the nasty surprises of life. Yet somehow we must go on. Choking Back the Devil documents the attempt to get through the worst of what life can through at us.

Choking Back the Devil by Donna Lynch is an invocation, an ancient invitation that summons the darkness within and channels those lonely spirits looking for a host. It’s a collection that lives in the realm of ghosts and family curses, witchcraft and urban legends, and if you’re brave enough to peek behind the veil, the hauntings that permeate these pages will break seals and open doorways, cut throats and shatter mirrors.

You see, these poems are small drownings, all those subtle suffocations that live in that place between our ribs that swells with panic, incubates fear. Lynch shows her readers that sometimes our shadow selves—our secrets—are our sharpest weapons, the knives that rip through flesh, suture pacts with demons, cut deals with entities looking for more than a homecoming, something better, more intimate than family.

It’s about the masks we wear and the reflections we choose not to look at, and what’s most terrifying about the spells is these incantations show that we are the possessed, that we are our greatest monster, and if we look out of the corner of our eyes, sometimes—if we’ve damned ourselves enough—we can catch a glimpse of our own burnings, what monstrosities and mockeries we’re to become.

So cross yourselves and say your prayers. Because in this world, you are the witch and the hunter, the girl and the wolf.

Praise for Choking Back the Devil

“Lynch mixes in childhood fables with waking nightmares, the result is electrifying; sometimes in a few razor sharp words; sometimes in longer numbered verses counting down the cycle of a damaged life. The silent cries of souls tormented to healthiness by pills and poultices, force fed by imperfect humans, echo in the silhouette of these poems. I smiled at the shadows unexpectedly delivered by her words, as will you.”

—Linda D. Addison, award-winning author of How to Recognize a Demon Has Become Your Friend and HWA Lifetime Achievement Award winner

“This collection is not for the chronically disturbed, as fear is doled out in terse, potent portions. I got the shivers reading these unsettling poems.”

—Marge Simon, Bram Stoker Award winner, SFPA Grand Master Poet

Cover Artwork: Steven Archer

Find Choking Back the Devil, and her other works, HERE.

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Enjoy yesterday’s poetry by Joseph Van Buren over at Kendall Reviews, then stop back by there again tomorrow for another poetry piece. That one will be by Stephanie Evelyn. Next week we’ll host more poetry on both sites, starting back here on Tuesday.

Keep sharing and spreading the word, please!

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#HookedOnPoetry: Award-Winning Latina Author Cina Pelayo Brings Us a New, Original Poem, “Scrying.” #poetry #latinxbookmonth @gjkendall

To start off the features for the #HookedOnPoetry project this week, I’d like to share a poem by someone who in many circles needs no introduction. She’s a powerhouse of smarts, wit, and kindness. I love Cina to pieces. If you DO happen to need an intro, she is an International Latina Book Award winning author and writes novels, short stories, poetry collections, and more. Her poetry collection, Poems of My Night, is published by Raw Dog Screaming Press.

She’s sharing with us a little about her poetry and writing below, and then we’re giving an original publish on a new poem by her, which will hopefully grace the pages of an upcoming collection of hers.  I absolutely loved it!

Take it away, Cina…

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I like to think of myself as both a poet and a fiction writer. I enjoy writing horror because I enjoy exploring this dance between good and evil. I also very much enjoy mystery writing because I enjoy working with puzzles and logic and clues. Then there is poetry where I feel I can be most creative in a short space of time. Writing poetry to me feels almost musical. I’m not a musician, but there’s something about a great poem and a great piece of music that seems so similar because I just physically feel both.

I have been focusing on some fiction projects lately, but I’m slowly plugging away at another poetry collection. Below is one of those poems.

I hope you enjoy.

Cina

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Photo by David Boca on Unsplash

Scrying

She searches for her futures in a smooth glass

Cobbled together by onyx and obsidian

The pendulum swings above her misfortune

Settling on those crumpled petition papers, black ink

The secrets in the candle wax are obscured by

Herbs, and bark, and the desperate bits of angelica root

Muddied tea leaves give no clarification

Tossed bones jumbled together and fail her as well

The runes laugh at her, the celestial bodies above remain silent

And the cards, how hopeless they are? The Empress is still

The Hierophant turns his head and ignores all earthly pleas

The Wheel of Fortune reversed, and the tarot card of the great

World slips into burning charcoal, erupts, and with that she has her answer

– Cina Pelayo

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Cina Pelayo, Biography –

Cina PelayoCynthia (Cina) Pelayo is an International Latino Book Award winning author. She has written LOTERIA, SANTA MUERTE, POEMS OF MY NIGHT, and multiple short stories, poems and articles.

Her upcoming novel, CHILDREN OF CHICAGO, will be published by Agora.

For more information or to contact or follow –

Website: cinapelayo.com

On Twitter where I’m most active: @cinapelayo

On Instagram: @cinapelayoauthor

Poems of My Night Poetry Collection

BOOKS-poemsofmynightCynthia Pelayo constructs a narrative in her poetry in response to the work of Jorge Luis Borges that examines the themes and subsequent consequences of insomnia, death, and blindness. There’s a visionary quality to her work that dances along the line between the present world that we inhabit and the other world that lingers beyond the veil. Her poetry folds back this blanket of darkness, and shows readers the quiet violence and beauty that hides beneath waiting to be exposed, experienced, and encompassed.

Pelayo showcases this scream of silence through an urban and metaphysical night as she reflects on the spiritual, the occult, and the everyday happenings that become extraordinary in their own rights. Her poems are sermons, prayers to the voices that surround us in the dark, and comforts to those who watch over us as we sleep. Her style is honest, raw, and her voice will leave readers asking questions about what waits for them in the beyond, and whether or not their sins and frustrations are trapping them in the here and now.

She shows us that all too often, there is nothing to be scared of when the sun goes down, but that sometimes, we have every reason to be afraid, especially as we enter her world of blackness and decay, of smudged fingerprints and burnt pictures. These poems are cautionary tales for those who choose not to cover their eyes, warnings for those who refuse to find the light. And when our dreams come to roost, when our sleep eases us in, Pelayo shows us what nightmares are made of, and why there are some stories we can never escape.

Order direct at Raw Dog Screaming Press

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Take a peek at the last posting here and be sure to check out tomorrow’s poetry by Joseph VanBuren over at Kendall Reviews. You can see all of them in the series and from the past projects here as well. We’ll be sharing poems each week in May, or as long as they last, in celebration and awarness of poetry! Please share and spread the word!

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Interview: Haunting and Horror Writer Pamela Morris Talks Books, Women in Horror, and Historical Locations #WIHM #womeninhorror #historicalhorror

Tomorrow is the last day of February and the closing of Women in Horror Month, but I know that I for one won’t stop celebrating women all year long. Stay tuned in March for a little announcement on how I will do that even more on schedule than I have before on this site, even though a majority of people featured here has always been predominately women.

Today, join me for a last segment in my mini women in horror month series. Pamela is a cool horror writer I met online years ago through our mutual friendship with horror author Hunter Shea. She likes her ghouls and haunts and history and so this will be a fun and interesting interview to read. Enjoy!

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Hi Pamela, welcome to Oh, for the Hook of a Book! I’m so glad you could join us. I have strong coffee or tea, whichever you’d prefer, or stiff drink. Take your pick, and if the former, tell me how you take it.

Pamela: Hey, Erin. It’s nice to be here. *checks the time* Coffee sounds great, with a double shot of Jameson and some whipped cream sounds about right after that chilly walk over here.

Erin: That sounds incredibly wonderful! Let’s carry them into the dining room and begin our chat!

I’ve known you for quite a few years, meeting you online from Hunter Shea. I know you are a fan of the paranormal and write many books in that vein. Can you tell my readers a bit about that and what you write?

Pamela: I have always been interested in all things occult and paranormal. It was something I grew up being very curious about and was never discourage away from learning. I’ve also been an avid reader all my life, so I guess the two just went hand-in-hand. First you read it. Then, in my case, you start writing about it. My first paranormal story was a three-page tale titled “The Strange Well” that I wrote when I was ten.

As I grew older, the stories got longer until now, I focus mainly on novels. My first two supernatural novels also happened to be murder-mysteries and are set in Barnesville, the fictionalized version of the small town I grew up in. Barnesville is home to a secret coven of witches who keep an eye on things. Currently I have four books set in Barnesville and there will be more eventually. These books lean towards the YA crowd.

In addition to The Barnesville Chronicles, I have a psychological horror that is very dark and deals with some taboo subject matter: abuse, rape, incest, murder, etc. Not YA in the least. Lastly, I wrote ghost story where a lot of the story is told from the perspective of the three ghosts involved. You don’t just see or hear what they are doing, but you get to know them as they were in life and why they are doing what they are doing, not just to the living but to their fellow trapped spirits.

Erin: What is your newest book and what’s that about? What did you find the most fun about writing that one and why?

Pamela: Last year I released a novel and a short story. The novel was the second part and conclusion to “The Witch’s Backbone” one of my Barnesville books. It’s very much a coming-of-age type tale. Five kids living in a small town decide to find out the truth about their local urban legend. The legend involves a witch named Rebekkah Hodak who is rumored to haunt a narrow ravine just outside town. It’s said that if you go to where her body was found, see her, and meet her gaze, you’re cursed to die an early, and possibly gruesome, death. One of the kids, twelve-year-old Tara Fielding, accidently sees what she believes to be this witch. Her panic and belief in the legend are what spawns the organization of a camping trip into the nearby woods. Horror ensues.

The short story is all about my personal fear of spiders, “Because, Spiders.” It’s about a nine-year-old girl whose fear is even greater than my own. She’s convinced there’s a giant spider hiding in the shed behind her house and she’s pretty sure it caught and ate the neighbor’s dog, too.

Erin: Do you feature any strong female in starring or supporting roles in your novels and stories? Tell us about a few and what their traits are?

Pamela: Most of my lead characters are women. In The Barnesville Chronicles, that would be Nell Miller. She’s the local small town librarian, who also happens to be a member of the coven mentioned earlier. She’s very out about being Pagan and confident in her magic abilities. She’s a bit of an instigator, always wanting to know more, do more, take action. She’s no Nervous Nellie, that’s for sure. She’s not one to turn down a challenge and will often drag her reluctant friends into helping her out.

In “Dark Hollow Road”, the psychological horror, one of the lead female characters is Mary Alice Brown. She’s the eldest of four and after the death of their mother, she’s the one responsible for taking care of all the rest. She struggles a lot with all that entails, including dealing with their abusive, alcoholic father. She does her best to protect them from him, even if that means she gets hurt in the process. She’s very shy, not well educated, and the victim of a lot of bullying both at home and around town, but she retains her sense of what is right and wrong, she has her hopes and dreams. She’s a fighter.

Erin: I love mysteries and historical research as well. How do those two loves of yours factor into your work?

Pamela: Every year for many, many years I’d get at least four Nancy Drew books for Christmas. I’d have them read by the end of January and craving more. That’s where my love of mysteries started and what greatly influenced what I write. Later I’d graduate to Agatha Christie and Wilkie Collins, but Nancy Drew was really the one that taught me that a mystery doesn’t always have to involve a murder.

My maternal grandmother was really interested in family genealogy so I think that may be where my love of history started. She liked antiques and all that. From 2004-2011, I was an American Civil War reenactor. That required a lot of research to know what the heck I was doing or talking to others about as my living history persona. The two main ghosts in “No Rest For The Wicked” are from that time period. I like to keep things as historically accurate as I can so all the research I did for my reenacting, was poured into them. The witches of Barnesville are descendants of the people accused of witchcraft in Connecticut from 1647 to 1663. No Salem witches for me – too typical. I wanted to be different, at last a little bit anyway. So, yeah, lots of real history worked in to everything I write – including that secret Barnesville coven that allegedly existed in my real hometown when I was a teenager!

Erin: What is one piece or location of history you’d like to explore of have explored for your writing or just for general interest? What interesting things have you found?

Pamela: Probably the Salem Witch Trials. I wrote my final high school English paper on the possible causes of the events that took place there. At the time, my mom was working at the main research library at Cornell University and that gave me magical access to the collection of documents housed there on the topic. I got to sit in a locked room with nothing but a pencil, paper, and some of the original document from which I took notes. With those and a few other books I owned at the time, I put together my paper. In 1989 my first husband and I went to New England for our honeymoon and decided we needed to spend the day in Salem. It was a rather whirlwind tour of the place, but still pretty neat. It wasn’t until many, many years later that I’d learn one of the women accused was a distant relative! It was also much later while doing some genealogy research for a friend that I learned about the Connecticut Witch Trials that preceded Salem by about thirty years. It was from this research that I drew the founders, and first coven members, of fictional Barnesville.

Erin: That’s so cool!! How hard do you feel it is to write mysteries and tie up all the points? How do you do so? Outline? What are the challenges and what are the rewards?

Pamela: Only my first two books were murder-mysteries and it was a lot more difficult than I’d initially thought. I’m normally a pantster (meaning I don’t outline … at all), I just write and kind of know where I’m headed or want to head. The mysteries wouldn’t allow that much freedom. Not only do you have to know who committed the murder, why, and how – but you have to come up with believable alibis for all the suspects, the reasons they might have committed the crime, and a secret they have that would cause them to lie about their whereabouts or motivations. Good grief! Plus, if you’re going to touch on police procedures that’s another layer of research to look into. All this is a bit more restricting than I like being, but … the reward of pulling it off, for misdirecting successfully, and it all still making sense in the end feels great.

Erin: You grew up watching horror, I believe. What are some of your great influences and what do you prefer to watch now? Same then with the reading, let us know reads you’ve loved and those who influence your work.

Pamela: Yes, I’ve been watching Horror since I was a wee thing. It started with the local Saturday afternoon horror show, “Monster Movie Matinee’. With the cartoons over, it was time to sit on the floor with a little tray of lunch and take in the creature feature. They showed mostly Universal movies – Creature from the Black Lagoon, Dracula, Abbot and Costello Meet The Wolfman, The Ghost and Mr. Chicken – family friendly horror, I guess. I grew into the Friday and Saturday night programming after that, darker stuff that started after the 11 o’clock news. Hammer Pictures, a lot of Christopher Lee. I love me them vampires! “Let’s Scare Jessica To Death”, “Night of the Living Dead”, “The Haunting of Hill House”, and “The Legend of Hell House”, “The Other” and “Dark Secret of Harvest Home” are the most memorable ones. Once in a while they’d have a great Made-For-TV movies on. “Night of the Scarecrow” was terrifying to me and my novel “Secrets of the Scarecrow Moon” was directly inspired by it. Elements of “The Other” also come into play in my book. Lastly, being from Rod Serling Country in Upstate New York, I adored both Twilight Zone and Night Gallery.

Oddly, I have a harder time coming up with books that influenced my writing. The style of certain authors inspired me, but maybe not so much the stories themselves. Tanith Lee, a British author, had a collection of kind of Horror\Sci-fi stuff that involved twisted fairy tales. Before her, I’d never heard of doing such a thing. I thought it was super cool and tried my hand at it with varied success. The fine art of short stories eludes me, though I keep trying. I liked Stephen Kings whole ‘small town – weird secret’ theme, too. That can be found in the Barnesville books. Of course, there’s good old Nancy Drew, again. I really enjoy books that make me think more about what’s going on, stories that misdirect the reader and have a lot of unexpected twists, endings that make me sit there and go, “Huh. I never saw that coming at all.” That’s what I try to do.

Erin: I’m a history buff too, and I know you were a Civil War re-enactor for a decade. What role(s) did you play? What was exciting about it? What type of horror or haunts did you learn? Have you used any of your time doing this in your writing?

Pamela: I played the wife of a field embalmer – aka an undertaker. It was very uncommon at the time, but not unheard of. It was also a very lucrative business. A lot like selling life insurance. My job was to gather the personal items of the deceased, write the letter home to his family, and mourn the poor soul appropriately. That involved sitting next to the coffin while dressed in black, wearing a black veil, and weeping (or pretending to weep). Those Victorians viewed death a lot differently than we do, mourning and a proper Christian burial was paramount. Embalming was a new science – formaldehyde hadn’t been invented yet so there was a variety of embalming fluid recipes. All very morbid to a lot of people. A lot of visitors wouldn’t even stop at our display. As I mentioned earlier, the two main ghosts in “No Rest For The Wicked” are from this time period and the man, Beauregard Addams, was the owner of a funeral parlor as well as having been a field embalmer and surgeon during the war.

Erin: That’s so interesting! Also, a mutual fan of road trips, do you take any to historical or haunted locations?

Pamela: No, we have not intentionally sought out haunted or historical locations. My husband isn’t into the whole paranormal or horror thing as much as I am, though I did manage to drag him to Granger, Texas to see the house used in the 2003 remake of Texas Chainsaw Massacre. It’s not far from where his mom lives. So, that was cool. I also dragged him out to Terligua in West Texas for the Day of the Dead in the cemetery there. He humors me in all my ghostly, cemetery, haunted weirdness ways.

This summer we are hoping to make a delayed trip out to Boston Harbor to see the USS Constitution, might swing by Salem, but I want to go to Danvers, Massachusetts to see the homestead of Rebecca Towne Nurse who was one of the woman accused and hung for witchcraft back in 1692. She was also my 7x great aunt so I’m kinda curious about all that. We also plan on swinging over to Plimoth Plantation followed by Fall River to see Lizzie Borden’s old stomping grounds then west to wander through Sleepy Hollow for a bit before heading home.

Other road trips are much shorter, day trips or a weekend long adventure on the motorcycle. Anything beyond a four hour ride gets a bit sore on the old bottom!

Erin: Oh nice! That came in once near where son is in DC (the USS Constitution and other tall ships) and he loved it. He’s huge on that stuff (me too). That sounds like some amazing road trip stuff! I want to do all of that too. haha!

What are you working on now and what are your plans for the near future in terms of your writing?

Pamela: I am just finishing up the 4th draft of what I’m calling a Texas Gothic Horror titled “The Inheritance”. It should be ready this summer. I’m a big fan of the classic Gothic genre, old stuff, like Bram Stoker, Poe, and Wilkie Collins and really wanted to write something along those lines. But, I also wanted it to be contemporary, so I set it in the West Texas desert, added some bad ass bikers, and a band of really pissed off Apache spirits. Good times! This was great fun to write! And using the traditional plotting schemes of a Gothic novel really made things zip along. The most fun maybe was doing the research for this – ya know, actually being in the West Texas desert and taking notes, soaking it all in. Creating the biker gang was a blast, too.

Erin: What tips do you have for other women in horror in support of each other or sharing work?

Pamela: I’m really happy that I’m seeing more and more female writers in the Horror genre. There were so few that I knew of as a kids and for as much as I loved King, it would have been every nicer to have had more women to look up to.

I’ve always written what I loved to read and that’s the first thing you need to do, male or female. If you love monsters and freaky creatures, write about them. If you love vampires, write about them. If you love ghosts facing off against bad ass biker chicks, write about them! Your personal passion will come through in your writing. Start there and run with it. Read other female Horror authors. I’ve found their work so much more relatable. Where the men tend to go for the more violent, blood-slinging slasher, women, at least in my readings, tend to be more subtle and devious. But, hey – if you’re a lady and enjoy wielding that machete or ax, swing away!

Enjoy yourself and with any luck at all, those who read your work will enjoy reading it as much as you did writing it. It’s all about having fun after all, right?

Erin: Thanks so much for joining us today, Pamela! You’re welcome anytime, especially if you’ve got a good haunting story. Haha! Let us know where readers can find you, please.

Pamela: It was great chatting with you, Erin. All my titles can be found on Amazon and everything is available in both paperback and Kindle formats. I also have a website, pamelamorrisbooks.com. There are a few free short stories there and a blog where I babble about crows and other random weirdness, sometimes Horror-related, sometimes not. On Facebook, I can be found at Facebook. Folks are welcome to Like an Follow me there, of course. I’m pretty active on Twitter if folks want to follow me there, @pamelamorris65.

Thank you for having me over and letting me babble on about my work. I must say, you make a mean Irish coffee. And with that, in the words of Morticia Addams, “Have a delightfully dreary day!”

Erin: HAHA!! Anytime. It’s rather snowy here so I shall have a freezing night for sure. 😀

Pamela Morris Biography –

PamelaMorris_2019_2Raised in the Finger Lakes region of Upstate New York, but forever longing for the white sands of her birthplace in New Mexico, Pamela has always loved mysteries and the macabre. In high school she quickly found herself labeled ‘That Witchy Chic.’ And school dances? Forget about it! You’d be far more likely to find her at the local small town library on a Friday night or listening to a Horror movie soundtrack in her darkened bedroom.

When her nose wasn’t buried in a vampire novel or any number of books penned by her favorite authors such as Poe, Stephen King, Anne Rice, Bram Stoker, Tanith Lee, Shirley Jackson, and Wilkie Collins, Pamela was probably watching ‘Monster Movie Matinee,’ ‘Twilight Zone,’ ‘Kolchak: The Night Stalker,” and a myriad of Hammer Films that further fed her growing obsession with Horror.

All grown up now, Pamela has raised two children and enjoys drawing and painting, watching bad B-Movies, remaining ever vigilant to the possibility of encountering a UFO or Bigfoot, an taking road trips with her husband on the Harley. She feeds the local murder of crows in her back yard and still hasn’t quite figured out how she became the Cvlt Leader for The Final Guys Podcast.

TWB1_Curse_CoverFrontThe Witch’s Backbone – Part 1: The Curse

It’s 1980 and the dog days of summer have settled over the small farming community of Meyer’s Knob. Five friends have spent their time at the local creek swimming and gathering crayfish, riding bikes, and mostly just trying to avoid boredom.

When tomboy Tara Fielding reports she’s spotted what she believes to be the witch of their local urban legend, and is now subject to that legend’s deadly curse, her friends rally ‘round and decide they’re going to prove there’s no such thing. After lying to their parents about where they’ll be, the friends head out to The Witch’s Backbone where, the legend claims, the witch waits for foolish travelers who dare pass that way at night.

What the group witnesses during this late summer field trip and what they find out after they return to civilization, does little to put anyone’s mind at ease, least of all Tara’s. Not only do they now believe this long-dead 19th century witch is real, but that she has friends who are still practicing the Black Arts, friends that will see to it that the legend’s curse is carried out.

Are there evil witches stalking the woods and sun-starved ravines between Meyer’s Knob and the neighboring town of Barnesville? Or have the kids just let boredom, the oppressive summer heat, and their own imaginations get the better of them?

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NRFTWfront_coverNo Rest For The Wicked

 Theirs was a hatred that lived beyond the grave.

A powerless domestic who searches for escape. Naked and screaming, the ghost of Sadie Price wants nothing more than to strike terror into all who dare enter Greenbrier Plantation.

A murderous wife who seeks justice. Lucy thought shooting her philandering husband and his mistress would bring her peace, but her subsequent suicide only creates a more hellish existence for her in the afterlife.

A sadistic doctor who refuses to relinquish control. Dr. Addams stalks the house and grounds of Greenbrier Plantation using his dark powers to control his Earth-bound spirits and anyone living who dares get in his way.

Can peace ever come to these tortured souls or are they eternally damned to walk the earth as proof that there really is no rest for the wicked?

Link to Amazon

DarkHollowRoad-FrontOnlyDark Hollow Road

 A past filled with terror.

On Dark Hollow Road, Mary Alice Brown and her siblings know little more than poverty and abuse at the hands of their father. Getting rid of their tormentor seemed the answer to bringing joy back into their lives. But when that doesn’t work, Mary takes it upon herself to see that justice is served.

A present full of dread.

After an unusual visit from an elderly woman looking to borrow sugar, the theft of his coloring book, and complaints about other kids bothering him in the middle of the night, six-year-old Brandon Evenson, who lives within sight of the house on Dark Hollow Road, goes missing.

A future obsessed with revenge.

Desperate, Brandon’s parents seek answers from Lee Yagar, a local who’s warned people time and again of the dangers lurking at the old Brown place. But, Lee’s suggestion that Mary is involved in Brandon’s abduction makes little sense.

Mary is presumed dead, as she’s not been seen in decades, but is she? And is the house truly as empty and abandoned as it appears to be?

A psychological horror driven by hate, fear, and every parent’s worst nightmare.

Link to Amazon

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Guest Article: Seeing Doubles by Gothic Fiction Author Tracy Fahey #WiHM #womeninhorror #gothic

Welcome back to another segment in the small Women in Horror (WiHM) Series I’m running as we prepare to usher out February. Today, I have a guest article from Irish Gothic writer Tracy Fahey. I think most of you know how I myself feel about Gothic work, both in my own reading, writing, and study. I’m all in, so I’m pleased to present this to readers on my site today.

In 2017, Tracy’s debut collection The Unheimlich Manoeuvre was shortlisted for a British Fantasy Award for Best Collection. In 2019, her short story, ‘That Thing I Did’ received an Honourable Mention by Ellen Datlow in her The Best Horror of the Year Volume 11, with five stories on Datlow’s Recommended Reading list for 2019. Her short fiction is published in over twenty-five Irish, US, and UK anthologies. She holds a PhD on the Gothic in visual arts, and her non-fiction writing has been published in edited collections and journals.

Today, she talks about the lastest installment of her work and her infatuation with doubles. That’s right, check this out twice if you find that uncanny. Join us!

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Unheimlich Manoeuvres: Doubling Up On The Uncanny
by Tracy Fahey, author of Unheimlich Manoeuvres

I’m obsessed with doubles. They fascinate me. Doppelgängers. Twins. Fetches. Reflections. Mirror images. In a world where so much is made of the virtue of individuality, what is more terrifying than the idea that you exist elsewhere? Or the notion that you are somehow (even worse) divided within yourself? This is something that’s been a recurrent theme in my writing. In March 2020 my publishers, the Sinister Horror Company are releasing two collections, the third, deluxe edition of The Unheimlich Manoeuvre and the chapbook Unheimlich Manoeuvres In The Dark, both of which explore the idea of the uncanny double. But why this fascination? It’s been a long-running obsession.

As a child I followed Alice through the looking glass into the shadow-world beyond, and consequently spent hours in front of my own bathroom mirror, watching my image closely for signs of tell-tale deviation. As a teenager I devoured Robert Louis Stevenson’s Dr. Jekyll And Mr Hyde and savoured the queer thrill that came from contemplating a truly double life; one where the very self was sundered and broken, one where the self was plunged in a morass of unease, unable to even remember what the divided self had done. Later I would become absorbed in Ira Levin’s tales of replaced women (Stepford Wives) and clones (The Boys From Brazil). Movies fed and continue to feed this obsession with uncanny doubles: Invasion of the Body Snatchers with its narratives of paranoia and pod-people, Coraline, the sublimely uncanny tale of a doubled, ‘other’ world. More recently, there’s been It Follows, a clever, twisted movie where contagion rages and no-one is what they seem, and of course, Jordan Peele’s Us, the horror of which is almost entirely premised on otherness and doppelgangers. Us doesn’t entirely work—it suffers from an excess of ideas—but when it does, it is magnificent. Who can forget that superlative, long shot of the shadow-family standing silently at the foot of the driveway? Those unmoving, dark silhouettes that equate exactly to the panic-stricken five looking at them—it’s a marvellous, and utterly uncanny moment.

US JP

But why is the double such a terrifying figure? Well, firstly because embodies the very definition of the uncanny – Freud’s 1919 essay on ‘The Uncanny’ refers to ‘Schelling’s definition of the uncanny as something which ought to have been kept concealed but which has nevertheless come to light.’ He also discusses specifically the idea of the double, and Otto Rank’s ‘Der Doppelgänger’ which outlines the various modes of double from mirror-image to shadows, souls and to Egyptian sculpture as funerary repository of ka, or spirit. Freud points out that the double profoundly upsets our sense of self—it becomes an object of terror.

In both the new edition of The Unheimlich Manoeuvre, and in the accompanying chapbook Unheimlich Manoeuvres In The Dark, I want to thoroughly explore the different dimensions of the uncanny, using the unifying trope of the Gothic home. A significant part of this was exploring the double. In doing this, I was not only drawn by Rank, Jentsch and Freud’s writings on the doppelgänger, but on the uncanny double that haunts Irish folklore, the fetch a double that appears at the moment of death to fetch the soul away. And so, images of the dark, mirrored self flow through the stories. There’s the theme of the self divided by illness in ‘Coming Back’ and ‘Something Nasty In The Woodshed.’ There’s a doppelgänger that flits through the pages of ‘Ghost Estate, Phase II.’ There’s an examination of twin as uncanny double in ‘I Look Like You, I Speak Like You, I Walk Like You.’ In both chapbook and new edition, there’s also an additional story, ‘The Wrong House’; a tale populated by troubling doubles of the protagonist, his wife and his daughter, and a previously unpublished story, ‘Possession,’ where the main character feels her sense of self erode in the anxiety that arises from that most terrifying of all possibilities—that she no longer knows who exactly she is.

So, welcome to my nightmares. I invite you into my world where nothing is as it seems, a world where every mirror image is charged with a dark power, a world where we may (or may not) exist in multiple, fractured forms. For me, the double continues to be a haunting and compelling evocation of the uncanny. Given that our sense of self, how we perceive ourselves, is a corner-stone of our mental health, the idea of the uncanny double is one of the most terrifying concepts in horror literature.

As the protagonist of one of my unheimlich stories puts it:

“I look like you. I speak like you. I walk like you.

But I’m not you”

The Unehimlich Manoevure –

The Unheimlih Manoeuvre Deluxe EditionIn 2020, the deluxe edition of The Unehimlich Manoevure will be released together with a companion chapbook of new material, Unheimlich Manoeuvres In The Dark, both published by the Sinister Horror Company. Both contain a new essay, ‘Creative Evocations of Uncanny Domestic Space,’ five new stories, a print and piece entitled ‘Remembering Wildgoose Lodge,’ and complete story notes on all nineteen stories in this new edition.

The Unheimlich Manoeuvre explores the psychological horror that occurs when home is subverted as a place of safety, when it becomes surreal, changes and even disappears…

In these stories, a coma patient wakes to find herself replaced by a doppelgänger, a ghost state reflects doubles of both houses and inhabitants, a suburban enclave takes control of its trespassers, and a beaten woman exacts revenge.

Unheimlich Manoeuvres in the DarkJust as the Heimlich Manoeuvre restores order, health and well-being, The Unheimlich Manoeuvre does quite the opposite.

This new edition contains revised versions of the original stories and a brand new tale, “Something Nasty In The Woodshed.”

Praise –

“A modern-day gothic whose Kafkaesque otherworldly stories are beautifully disturbing.” – Lol Tolhurst, The Cure

“It is, quite simply, pure art, and we can only wonder what works this writer will produce in the coming years.” – This Is Horror

“This a very assured first collection…. Although there are twists, Tracy Fahey never plays for cheap shocks.” – Priya Sharma, Shirley Jackson Award winner

Tracy Fahey, Biography –

Tracy Fahey photoTracy Fahey is an Irish writer of Gothic fiction.  In 2017, her debut collection The Unheimlich Manoeuvre was shortlisted for a British Fantasy Award for Best Collection. In 2019, her short story, ‘That Thing I Did’ received an Honourable Mention by Ellen Datlow in her The Best Horror of the Year Volume 11, with five stories on Datlow’s Recommended Reading list for 2019. Her short fiction is published in over twenty-five Irish, US and UK anthologies.

She holds a PhD on the Gothic in visual arts, and her non-fiction writing has been published in edited collections and journals. She has been awarded residencies in Ireland and Greece. Her first novel, The Girl in the Fort, was released in 2017. Her second collection, New Music For Old Rituals, collects together her folk horror stories and was released in 2018 by Black Shuck Books.

In 2020, the deluxe edition of The Unehimlich Manoevure will be released together with a companion chapbook of new material, Unheimlich Manoeuvres In The Dark, both published by the Sinister Horror Company. Both contain a new essay, ‘Creative Evocations of Uncanny Domestic Space,’ five new stories, a print and piece entitled ‘Remembering Wildgoose Lodge,’ and complete story notes on all nineteen stories in this new edition.

More information at her website www.tracyfahey.com

Thanks to Tracy for this wonderful article and to all of you for reading along in this #wihm series. Stay tuned for one or two more and then I’ll announce something I’ll be doing for women in horror all year round.

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Interview: Hauntings with Writer Janine Pipe #WIHM #womeninhorror

Thanks for following along here this month and joining me to meet these fabulous women in horror! As a goal, I try to not only feature accomplished and established women of horror (the top names) ONLY, especially being around myself with this site for nine years, but also to support those upcoming writers of all backgrounds who are working hard at their craft and visibility. It’s not about views for me, but about supporting others.

Today, I would like you to meet Janine, just as I did recently. This is the first year she’s heard of women in horror month, which makes it clear we still need to promote it, and she, as well as I, met women in horror we didn’t know before through the awareness campaigns. I have every year. This year, I met Janine. She picked up the ball and ran with a whole month of features on her own blog with women in horror. I very much appreciate her interview with me. Now, I’d like to introduce you to her.

Stay tuned for a few segment in the #WIHM series to come.

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Hi Janine, welcome to Oh, for the Hook of a Book! I’m glad you could join us as part of women in horror month. Please let me know your choice of coffee, tea, or drink, and if the former, how you take it? I’m hoping you pick tea as I have English Breakfast tea brewing and shortbread. But whatever you like is fine, you’re the guest!

Janine: Thank you so much Erin for inviting me. I’m a latte lady, but since I am British I would love a cup of tea. And shortbread sounds delightful.

Erin: Great, I love lattes too! Next time we’ll have those. Let’s carry this all into the library and have a seat to chat.

When do you first discover you wanted to write horror? What type of horror do you write?

Janine: I think that because horror has always been my favourite genre to read, it was just a natural progression to writing it too. I started with shorts and poems in my teens. Life sort of took over and writing fiction went on the back-burner, but over the last year I have started again in earnest. I write both supernatural and classic horror, often with a twist. I also like lore, urban legends and creepy pasta.

Erin: What are some of the first goals you have for yourself as a writer?

Janine: To be published in print. To see my name on Amazon or when I walk into Waterstones. To know people are reading my work. But I also know this isn’t an easy game and it will take some time. I mainly write short stories so I tend to submit to anthologies. I have the semblance of an idea for a full novel though, once I get the time to do it.

Erin: You have some of your stories read on podcasts or radio? How did that come about? Were they stories you already had written, or did you write stories specifically to be read on air? 

What was it like the first time you heard your stories being read out loud like that? 

Janine: The first story, “The Boy,” which was featured on Ghost Stories the Podcast, was also the first short I had written for many years. I submitted it and just hoped they might like it. Same for my second, “Adam,” which was read aloud on Tales to Terrify. The third, “The Christmas Ghost,” I wrote specifically for audio and that was on a Patreon episode of Graveyard Tales. I have become friendly with Tyler, the host of Ghost Stories the Podcast, and recently had a second story used. That was based on fact and again was written specifically for the show. Almost an origin story for my writing.

The radio interview with BBC Somerset came about as I saw the presenter tweet out that he was looking for spooky tales about Somerset for a Halloween radio special. We got to chatting and he thought it would give the show an extra boost to have an actual ghost writer come on and talk about local legends.

I won’t lie, the first time I heard my work read aloud, I cried a little. It was pride. A sense of, wow, I wrote that? It felt great.

Erin: From reading a little of your blog, I see you like ghost stories – reading, writing, and real ghost stories? What do you love about ghosts the most in any of those areas or all?

Janine: I will let you in on a little secret – I am terrified of ghosts. That sounds crazy for someone who is fascinated with them and writes about them I am sure, but it actually helps me. I can spook myself sometimes with my stories. What I like most about them is that they are (often) believable. Which is equally why they scare me so much. I am 99.9% sure that I will never meet a vampire, but I have actually witnessed paranormal activity…

Erin: Yes, that’s what scares me about it too! Are you from the UK or America? I’m just prefacing that because I want to ask who you feel has the better ghost stories and why? (I’m originally from England – personally I think the UK stories are better just because the ghosts have had many more years to percolate in their haunting there haha!)

Janine: I am UK born and bred. I suppose due to the history, we are bound to have more stories here and there are some good ones, But because I love the US, I actually prefer American stories. Boston is one of my most favourite places in the entire world, and we did a fantastic graveyard and ghost trail there. NYC also has a plethora of hauntings, and the deep south. I find these fascinating, especially around the Carolinas.

Erin: I love Boston too and all the hauntings in the older and historic cities we have. But the US is only about 250 years old and these stories come from these time frames. I suppose that’s why I like the First People’s legends and stories. I love the stories that come from England and Ireland, seeped in such deep, deep lore. I suppose it’s all intriguing!

What’s the best haunting story you’ve come across reading?

Janine: I suppose it has to be the Enfield hauntings, and 50 Berkley Square in London. Mainly as I fist read about them as a child as it terrified me haha.

Erin: I’ll have to look those up now.

Do you like other types of horror for reading and/or writing?

Janine: Oh yes, I like most types of horror, especially what I refer to as classic horror (monsters, lore etc.) and slasher/serial killer stuff. I like vampire and werewolf stories, and early King books.

Who are your writing influences and why?

Janine: As I just mentioned, Stephen King is my main writing influence, especially his earlier work and books like It. I love nostalgia and varying time-lines. Part of that stems from being an 80’s child myself.

Erin: Who’s books inspire you today and why?

Janine: My latest literary hero is the fantastic C J Tudor. I have read all three of her books, and they are phenomenal, and have been likened to King again. Her writing style reminds me of the way I write, and I can only hope and pray that one day, I might be even half as good as she is at creating a masterpiece.

Erin: I love CJ  and her books too. She an excellent dark thriller writer. I don’t think she is too much like Stephen King myself, because I think she writes tighter, which is a compliment. haha! I love many of his works though too. CJ is one I know will also give us a good read, and beyond that, a humble and cool person. Keep aspiring! It happened to her almost overnight so you never know.

What is the biggest current challenge you’re finding as you start your writing career?

Janine: Time and rejections. Time as with a lot of people starting out, because I have a job, a family, a house to run. And rejections just suck. I know they are part of a writer’s life and I need a thicker skin pronto, but it still burns to hear – no thank you time and time again.

Erin: Yes that’s true. I think it’s time for any of us no matter how long we’ve been writing especially if we have other work and a family. It’s the same for me. Rejections will always suck, but also it’s not always about you or your writing, but what an editor is looking for as a whole and the puzzle of an anthology or their yearly calendar. There are so many writers out there, and with the publishing market not being profitable, it just makes it hard for them to take on too many. That’s why so many are going to self-publishing these days and it works. Keep that positive thinking going and persevere.

What has been the best part to you about being a writer? Have you had any help whether schooling, writing help books, websites, people?

Janine: The best part is seeing a story come together, and people actually enjoying it. I have had some help via other writers. I am very lucky to have met another horror writer and publisher in my own home town, Graeme Reynolds. He is my unofficial mentor, and will edit and check through work for me.

Erin: What’s next for you with your writing. Your big plans for 2020?

Janine: To continue the blog, keep submitting to anthologies and hopefully, see my name in print.

Erin: I realize you are also a huge Disney fan. It’s amazing how diverse the interests are in those who write horror. What do you like most about Disney and your favorite movies? Do their stories or characters ever inspire your writing?

Janine: Oh I LOVE Disney!!! I have been writing for Florida based blogs and websites for years. Our house is like a Disney Store. What do I like most? That’s a tough one. For me, it is not just about the movies, or the rides at WDW. I love to know about the history of the parks. I love the trivia. Actually, my daughter is the first published author of the family. She is one of the reviewers in The Unofficial Guide to WDW for Kids haha! I guess my most favourite thing about Disney is kind of cringy. But it is how I feel when I am there, in the parks. I feel happy, relaxed and like I am Home.

My favourite movies are The Little Mermaid, The Princess and the Frog and Fantasia. My favourite rides are The Haunted Mansion and The Tower of Terror.

Thus far, I have steered clear of anything Disney related in my work. Another reason why I like CJ Tudor so much? Another huge Disney fan. As is Brian Moreland!

Erin: That’s so cool! I like Disney so much too as do all three of my kids, even my son, who is now in college loves The Lion King. They do have a way of making you feel wonderful. Though I live in the states I’ve never been to Disneyworld though!

How long have you known about women in horror and how has the month, or social media, allowed you to meet more women in horror? How has it been?

Janine: I will be 100% honest, this is the first year I had heard of it. I think it is a fantastic thing. I have met some fabulous people I might not have interacted with via social media had it not have been for this. I think that it is an amazing way to help promote women who’d for some reason remain underrepresented in horror.

Erin: That’s so good to hear. So many question if we should still have it and this is a good reason why!

You have a great site where you post stories, reviews, and interviews with other horror authors, primarily women this month! Were can readers find that? Where else should they follow you?

Janine: Thank you! I try my very best to post daily, you can find me at Janine’s Ghost Stories.

Follow me on Twitter https://twitter.com/disneynine and Facebook.

Erin: Thanks so much for coming by Janine. Stop by anytime. I’ll be rooting for your writing success!

Janine: Thank YOU Erin, it has been my absolute pleasure.

Janine Pipe, Biography – 

Janine PipeJanine has loved to write spooky stories and tales with a twist since she was at school. She is a huge fan of Stephen King, first devouring Salem’s Lot at the tender age of just nine. Her work is heavily influenced by this. She also loves C J Tudor and credits fellow Swindon horror writer Graeme Reynolds as an unofficial mentor.

You can find her stories on Ghost Stories the Podcast, Graveyard Tales and Tales to Terrify. She shares some of her original shorts and flash fiction on her blog, Janine’s Ghost Stories, where she also reviews and interviews authors of horror.

She loves to chat about all things horror and Disney related over at @Disneynine on Twitter.

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Guest Article: Witch and Spirit Bottles by Pamela K. Kinney #WiHM #witches

I love to read historical articles online and recently I came across an article, I believe in Smithsonian online magazine, about witch bottles being uncovered. Then I saw them talking about it on the site for College of William and Mary: Civil War Era Jug Rare Witch Bottle. The photo here is from this find/article. A few days later I saw a writer friend I knew posting about witch bottles being found as well and I was intrigued. I know Pamela to be very much a knowledge of the haunted and supernatural in Virginia, so I asked her if she might write an article for my site which I’d post for women in horror month.

witchbottle475

From article at above link: Witch bottle:  Given the artifact’s contents and context, William & Mary archaeologists believe this Civil War-era jug is likely a rare ritual item known as a “witch bottle.” Witch bottles served as a kind of talisman to ward off evil spirits.  Photo by Robert Hunter

Thanks very much to Pamela for her time in this. Voila – enjoy!

Witch Bottles and Spirit Bottles
by Pamela K. Kinney

Witch Bottles:

In 2016, archeologists unearthed a blue bottle filled with nails near the hearth of a Civil War fort, Redoubt 9, which today is known as exits 238 to 242 of I-64 in York County. They conducted the dig, in partnership with the Virginia Department of Transportation, and it took place before VDOT’s planned interstate widening project. What is left of Redoubt 9 now rests in the median of Interstate I-64. Although constructed by Confederates, Union troops occupied it after the Battle of Williamsburg in 1862. The fortification was one of 14 mini forts around Fort Magruder, built along a line between the James and York rivers to counter the threat of a Federal assault on Richmond via the Peninsula.

Records suggested that Redoubt 9 was occupied by the 5th Pennsylvania Cavalry alternately between May 1862 and August 1863. This Calvary was the same regiment held responsible for the burning of the Wren building (College of William and Mary). They likely occupied Redoubt 9 only during periods of strife, such as Confederate raids, when the Union hold on Williamsburg was at risk. Union soldiers occupied enemy territory most of the war, and no doubt, felt threatened by and needed to ward off malevolent spirits and energy. And witch bottles were the type of things people used during times of famine, political strife, or feeling under threat (which the Union soldiers were feeling). It may not be the men but an officer who did this, using folk traditions from his community back in Pennsylvania as they determined that the bottle was created in Pennsylvania between 1840 and 1860.

At first, the archeologists thought it was used by Union soldiers to collect nails, as they were building up that fortification. But then, they figured out it was a “witch bottle,” one of less than a dozen found in the United States (unlike 200 discovered in the British Isles), according to William and Mary. Of course, as the top of the bottle was broken, causing any urine in it to have dried, there’s no telling if this is an actual witch’s bottle. But Joe Jones, director of the William & Mary Center for Archaeological Research, believes the vessel to be one.

An afflicted person who believed ‘witches’ were causing his/her problem or sickness, buried the nail-filled bottle under or near their hearth, with the idea that the heat from the hearth would energize the nails into breaking a witch’s spell. Besides nails, one would place the sick or attacked person’s urine in the bottle with brass pins, locks of hair, nail clippings, and a piece of lead, too. The belief back then was that the witches would be grievously tormented, unable to make their water with great difficulty. The theory was that the witch created a magical link with his/her victim and doing the witch’s bottle reversed it back to the witch, using the victim’s body products. The witch had to break the link to save herself, and the victim recovered.

In the seventeen and eighteen hundreds, witch bottles would also be filled with rosemary and red wine besides needles and pins, and the individual would bury the bottle at the farthest corner of their property, beneath the house hearth, or placed in an inconspicuous spot in the house. It was believed that these specific bottles would capture the evil, which would then be impaled on the pins and needles, drowned by the wine, and sent away by the rosemary. Some witch’s bottles were thrown into a fire, and when they exploded, that broke the spell, or the witch supposedly killed.

The recipe was still known in a Norfolk village in England in 1939: Take a stone bottle, make water in it, and fill it with one’s toenails and fingernails, iron nails, and anything which belongs to you. Hang the bottle over the fire and keep stirring it. It must be dark in the room, and you can’t speak or make any noise. Then the witch is supposed to come to your door and beg you to open the door and let her in. If you keep silent and ignore her, the witch will burst. Folklore says that the strain on the mind of the person when the witch begs to be allowed in is usually so great that the person breaks down and speaks. Then the witch is set free.

In London, England, seventeenth-century pottery jugs of the kind called ‘greybeards’ .or ‘bellarmines’ were found buried in ditches or streams. They contained bent nails and felt hearts stuck with pins. In Essex and Suffolk, others had been discovered, underneath the hearths or thresholds of houses. Later, cheap glass bottles would be used in the same way.

Also, put into witch bottles were fishing hooks, human teeth, and glass shards–like in the one found in an English pub’s chimney November of 2019. Others have contained things like brimstone (sulfur), and even belly button lint. In some bottles, the pins are inside loose, but in others, they are carefully arranged in felt or cloth hearts. The inclusion of sulfur was thought to be particularly damning to the witch and was reserved for those that the afflicted wanted not just gone, but dead. Other bottles were carried as amulets meant to ward off disease and illness.

A good author friend of mine, Deborah Painter, let me take a picture of the witch bottle she had that her archeologist father had found. Besides hers, when I took a tour of Ferry Plantation in Pungo, Virginia (an area of Virginia Beach), I viewed the witch bottle on display in the house. Both Debbie’s and Ferry Plantation’s were found in Pungo.

Debbie Painters Witch Bottle (1)

Debbie Painter’s witch bottle. Photo used with permission by Pamela K. Kinney.

Other ways that Virginians protected themselves against witches. The first three were a mixture of Celtic and African American lore.

  1. Leave a bowl of salt outside your door, as they claimed that witches love to count the grains. A witch will sit down and count each grain. By the time she/he finishes, it will be morning, and you will be safe. (Ditto with a broom, for the witch, will count the broom straws.) Strangely enough, this is mentioned in myths about vampires too.
  2. Hang a used horseshoe above your door. Before a witch enters the house, she must go down every road the horse traveled when he wore that shoe. By the time she finishes, the dawn will be on its way, and you’ll be safe.
  3. Witches hated blue because it was the color of heaven. African Americans, especially in South Carolina and Georgia, painted the trim of their homes blue for protection.

Witches are as much a part of Virginia’s history and folklore as anywhere else. There are historic homes in Virginia with witch doors—crosses carved on the paneled doors to keep the witches away. There is even a rumor of a witch that lets off a green light as he/she flies through the trees in the Old House Woods in Mathews, Virginia. In Stafford, there is a trail off Telegraph Road that leads to a place called Witches Pond. There is supposed to be a sacrifice table there used in the 1700s with letters in Latin carved on it, with numerous sightings of a woman seen near it. I found online that someone posted that there was a witch’s creek where Aquia Harbor is now. And real people were accused of witchcraft, one of them, Grace Sherwood, was pardoned by Governor Kaine in 2006. Of course, to avoid a debacle like Salem, they passed laws to stop people from accusing someone of witchcraft, by being fined. It appeared to work, as only one witch was proven hung in Virginia and that on a ship off the shore from Jamestown in the 1600s Not just in Hampton Roads area were witch bottles used, but in the Appalachians, which one can count in western and particularly, southwestern section of Virginia.

How to Make Your Own Witch Bottle:

I found on one website how one can make a witch bottle today. You put the pins/sharp objects and personal effects into the bottle. Add urine over the pins and personal effects and close the jar/bottle with the lid. Burn the black candle on top of the jar (be careful! Don’t leave the candle unattended. Allow the wax to spill onto the top of the jar, as this will seal your intentions. Burn the candle all the way down.) Or the Optional Step: you can “heat” the bottle by holding it over an open bonfire (this adds more oomph but isn’t required). Dig a hole on your property a foot or so deep. Its best by the front door OR by your bedroom window. Bury your witch bottle with candle remnants. The whole time you’re visualizing any evil being sucked into the witch bottle and trapped for eternity, leave the witch bottle, and never dig it back up.

Spirit Bottles:

Another reason that blue bottles were used was due to the African traditions brought to the South with the slaves. It is close to what witch bottles were used for—capturing a spirit attacking the person. The belief and use of spirit bottles go back to the 9th and 10th century Congo, where colorful bottles, traditionally cobalt blue, were placed on the ends of tree branches to catch the sunlight. The thought being an evil spirit would see the sunshine dazzling from the beautiful bottles and growing enamored, enter the bottle. Like a fly, the ghost becomes trapped within the bottle, dazzled by the play of light, trapped for all eternity. Well, unless the bottle gets broken. This practice was taken to Europe and North America by African slaves of the 17th and 18th centuries. While Europeans adapted them into hollow glass spheres known as “witch balls,” the practice of hanging bottles in trees became widespread in the Southern states of North America, where they continue to be used today as colorful garden ornaments. For a long time, the use of spirit bottles, even spells due to them, could be found among the African American people. In the New World, the bottle-as-talisman took on different forms.

Like witch bottles traced as far back to the 1600s, these spirit bottles were used in spellwork. All colors, shapes, and sizes filled with herbs and other items of significance, for protection, repelling evil, or attracting luck. Eventually, the bottle spell became a fundamental element of Hoodoo magic.

Today, all sorts of people have these bottle trees in their yard. Usually, in the United States, they could be seen in the country or along the bayous of Louisiana, Mississippi, Tennessee, and Alabama, though nowadays they are all over, not just these four states. And not just blue bottles, either!

Getting spirits into bottles and even jars exist in many places of the world. There are jars and bottles for housing the spirits of dead babies in Thailand and called Guman Thong. There’s the lamp holding the genie in Aladdin. The Djinn have also been captured in rings and bottles, too. There’s even “The Spirit in the Bottle,” a German fairy tale collected by the Brothers Grimm. You can read a horror short story of mine, “Bottled Spirits,” published at Buzzymag.com. I was researching bottle trees, and I thought it would make a great ghost story. It made runner up in the WSFA Small Press Award in 2013 and is considered one of seven best genre stories for that year.

Making Your Own Bottle Tree:

Find a sturdy tree or stump with branches, like traditionally used crepe myrtles and cedars trees, but pretty much any kind of tree will work. Trim all of the foliage off and cut the branches down until you have as many bare branches as you have bottles. Then slid your bottles onto the branches.

A variation is to take a fallen branch and prune it the same fashion, making a portable tree. Plant it outside of your home. Like near the entrance, in the garden, or wherever you want it in your yard. Slip the bottles onto the branches. A third way is finding a large branch or stump, tying two bottles at a time with shoelaces over the branches, so they hang from the tree. And here’s a tip: If you put a little oil on the bottlenecks, the spirits will slip easily into the bottles and become trapped that much quicker.

Witch bottles are one interesting facet of witches, showing us how ordinary people used to protect themselves against them. And with the latest one found in a Civil War fort and even places online showing how to make one today, or also put together a bottle tree to capture spirits, the folklore of our ancestors still haunts us, even in this modern technological 21st Century!

Pamela K. Kinney, Info –

Pamela KinneyPamela K. Kinney is an award-winning published author of horror, science fiction, fantasy, poetry, and a ghost wrangler of non-fiction ghost books published by Schiffer Publishing. Among others two of her non-fiction ghost books were nominated for Library of Virginia Awards.

She’s a member of the Horror Writers Association and the local Virginia chapter.

She admits she can always be found at her desk and on her computer, writing. And yes, the house, husband, and even the cat sometimes suffer for it!

Find out about Pamela K. Kinney’s books (horror, fantasy, and science fiction fiction and nonfiction ghost books), short stories, and anthologies she has stories included in at her Website, plus at her AMAZON page.

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Haunted VA

You can find out more about witches of Virginia, witch bottles, and more in a chapter in Haunted Virginia: Legends, Myths, and True Tales, available from Haunted Virginia: Legends, Myths, and True Tales.

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News Hooked: Rosson’s Cover Reveal, New Way to Link to Books, HWA Summer Scares, Women in Horror Month #booknews #hookofabook

New News Reeled In!

I have a variety of book news to share with you all, so I thought that instead of spreading it out over the week, I’d do an all-in-one news post because I have some other exciting things coming up later in the week. I think I might start to do these – as a mini-news newsletter (News Hooked? Should I call it that?). This one seems to be mostly horror news related, besides the third notice, but it will be in the future for news in any genre or in the book publishing field. Let me know if it’s something  you like or you have anything to contribute.

In this edition:

  •  Keith Rosson Cover Reveal and Info from Meerkat Press
  •  Horror Writer’s Association Summer Scares Library Program
  •  New Way to Buy Books and Support Libraries
  •  Women in Horror Month Underway

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Author Keith Rosson Cover Reveal –

Meerkat is revealing this beautiful cover for Keith Rosson’s next book, coming out next year. It’s so amazing. He’s a brilliant artist! I can’t wait to sink into his work. Meerkat keeps repeatedly impressing me.

Title: Folk Songs for Trauma Surgeons: Stories

Author: Keith Rosson, author of The Mercy of the Tide and Smoke City

Pub Date: February 2021

More Info:  Meerkat Press

Twitter: @meerkatpress and @Keith_Rosson

From Meerkat Press –

“We are excited to reveal the cover for Keith Rosson’s new collection: FOLK SONGS FOR TRAUMA SURGEONS. The cover design was done by Keith and we think it fits the collection perfectly! The book will be published in February 2021.”

Description

With the Folk Songs for Trauma Surgeons, award-winning author Keith Rosson delves into notions of family, grief, identity, indebtedness, loss, and hope, with the surefooted merging of literary fiction and magical realism he’s explored in previous novels.

In “Dunsmuir,” a newly sober husband buys a hearse to help his wife spread her sister’s ashes, while “The Lesser Horsemen” illustrates what happens when God instructs the Four Horsemen of the Apocalypse to go on a team-building cruise as a way of boosting their frayed morale. In “Brad Benske and the Hand of Light,” an estranged husband seeks his wife’s whereabouts through a fortuneteller after she absconds with a cult, and in “High Tide,” a grieving man ruminates on his brother’s life as a monster terrorizes their coastal town.

With grace, imagination, and a brazen gallows humor, Folk Songs for Trauma Surgeons merges the fantastic and the everyday, and includes a number of Rosson’s unpublished stories, as well as award-winning favorites.

Now, readers, isn’t this one of the most beautiful covers you’ve seen!!?

9781946154521

 

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HWA Summer Scares Library Announcement – 

In celebration of National Library Lover’s Day, the Horror Writers Association (HWA), in partnership with United for Libraries, Book Riot, and Library Journal/School Library Journal, is delighted to announce the second annual Summer Scares Reading List, which includes titles selected by a panel of authors and librarians and is designed to promote horror as a great reading option for all ages, during any time of the year.

Each year, three titles will be chosen in the Adult, Young Adult, and Middle Grade categories, and for 2020 they are:

ADULT

In the Valley of the Sun by Andy Davidson (Skyhorse, 2017)

The Ballad of Black Tom by Victor LaValle (Tor.Com, 2016)

She Said Destroy: Stories by Nadia Bulkin (Word Horde, 2017)

YOUNG ADULT

The Agony House by Cherie Priest, Illustrated by Tara O’Connor (Scholastic 2018)

Labyrinth Lost by Zoraida Córdova (Sourcebooks Fire, 2017)

Daughters Unto Devils by Amy Lukavics (Harlequin Teen, 2015)

MIDDLE GRADE

Spirit Hunters by Ellen Oh (HaperCollins, 2017)

Case Files 13: Zombie Kid by J. Scott Savage (HarperCollins, 2012)

Hoodoo by Ronald L. Smith (Clarion Books, 2015)

The goal of the Summer Scares program is to introduce horror titles to school and public library workers in order to help them start conversations with readers that will extend beyond the books from each list and promote reading for years to come. Along with the annual list of recommended titles for readers of all ages, the Summer Scares committee will also release themed lists of even more “read-alike” titles for libraries to use when suggesting books to readers this summer and all year long.

And, in order to help libraries forge stronger connections between books and readers, the Summer Scares committee will be working with both the recommended list authors and horror authors from all over the country, to provide free programming to libraries. From author visits (both in person and virtual) to book discussions to horror themed events, Summer Scares is focused on connecting horror creators with libraries and readers all year long.

The Horror Writers Association (HWA) will also be hosting a Library Day special stand alone program May 7, 2020 at the Naperville, IL Public Library. Authors from the Summer Scares reading list, as well as the committee members, will be in attendance. Authors and committee members will also be available throughout the year for on-site and/or remote appearances to libraries and schools to promote the Summer Scares program and discuss the use of horror fiction as a tool to increase readership and nurture a love of reading.

The Summer Scares program committee consists of award-winning author Stephen Graham Jones (Mongrels, The Only Good Indians, Night of the Mannequins), Becky Spratford (library consultant, author of The Readers Advisory Guide to Horror, 2nd Ed.), Carolyn Ciesla (library director, academic dean, book reviewer), Kiera Parrott (reviews director for Library Journal and School Library Journal), Kelly Jensen (editor, Book Riot, author of [Don’t] Call Me Crazy: 33 Voices Start the Conversation about Mental Health), and JG Faherty (HWA Library Program director, author of Sins of the Father, The Cure, and Ghosts of Coronado Bay).

The HWA is a non-profit organization of writers and publishing professionals, and the oldest organization dedicated to the horror/dark fiction genre. One of the HWA’s missions is to foster an appreciation of reading through extensive programming and partnerships with libraries, schools, and literacy-based organizations.

For more information about the Summer Scares reading program, including how to obtain promotional materials and schedule events with the authors/committee members, visit the HWA’s Libraries web page (www.horror.org/libraries), Becky Spratford’s Reader’s Advisory Horror Blog RA for All: Horror (http://raforallhorror.blogspot.com/p/summer-scares.html), or the Book Riot, School Library Journal, Library Journal, or United for Libraries websites and social media sites.

You can also contact JG Faherty, HWA Library Program Director (libraries [at] horror [dot] org) or Becky Spratford, HWA Secretary (bspratford [at] hotmail [dot] com).HWA-Summer-Scares-1-large(1)

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New Alternative to Amazon Buy Links to Help Indie Bookstores –

On Friday I posted a list of ten books of obsession just in time for Valentine’s Day. One of the books is published by Poisoned Pen Press and the Poisoned Pen bookstore pointed out to me that I can use a certain website to help support indie bookstores like theirs. I had never heard of it but meant to look it up. Yesterday, I saw a Forbes.com article go by that had to do with it so I read it. Wow! What a great idea. I think authors and anyone else out there, especially book reviewers and supporters, need to try to use this link for books. Not all indie bookstores carry indie books, but any indie book supported on Ingram can be found on this website and local stores still profit from that! It’s a win-win.

The article states, in short:

Bookshop.org, a website that went live at the end of January and is still in beta mode, is designed to be an alternative to Amazon, and to generate income for independent bookstores. And, perhaps more importantly, it seeks to give book reviewers, bloggers and publications who rely on affiliate income from “Buy now” links to Amazon a different option.

Profit from books sold through Bookshop will be split three ways, with 10% of the sale price going into a pool that will be divided among participating bookstores, 10% going to the publication that triggered the sale by linking to Bookshop.org, and 10% going to Bookshop.org to support its operations.”

Will you join me in this movement to support bricks and mortar stores?

Here is the full article that was on Forbes.com.

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February is Women in Horror Month – 

One of my favorite months of the year being a woman in horror is celebrating February as Women in Horror Month. It’s a grassroots initiative to celebrate and inform about women working in the genre whether writing books, filmmaking, to many of the other roles. I really enjoy not only writing horror, but being an editor, publicist, and so much more in the genre. And I love supporting others, especially my fellow horror sisters. Horror is so many different things from quiet, psychological horror to escapism gore, and the ladies can bring it all.

I’ve been making my rounds online this month with a couple interviews and articles, and I’ll wrap those up for you at the end of the month, but coming up here on my own site I’ll be featuring three or four interviews and a guest article with some exciting women in horror, I’ll offer some reviews of women’s horror books I’ve read, and possibly something else interesting. All within the last couple weeks left so stay tuned.

Don’t forget ladies, free month of SHUDDER with code WIHM2020.

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10 Books of Obsession and Tragic Love for Valentine’s Weekend! #thrillers #horror #valentinesday #bookstoread

Happy Valentine’s and Galentine’s Day! Many people tread on Valentine’s Day but it’s one of my favorite days. I don’t think of it as a Hallmark holiday at all. I think of it as a day to tell those I love what they mean to me, whether my significant other, my kids, my friends. It’s all about showing love. Plus I just really adore the color red, hearts, flowers, and…..CHOCOLATE. So get in the spirit gang, whether you have a lovey dovey for a date or not, make it fun. Spoil yourself if you have to!

As a writer of speculative, horror, thriller, suspense… you name it… I also love digging into the dark side of romance and relationships. I think I’ve loved this ever since I watched the film “Single, White Female” when I was a teen. Ha!

single white

Last year I wrote a post all about various ways I’ve explored bad relationships in my writing and gave some ideas for fantastic love day fiction. There is a flash fiction also to read I wrote last year, a tale of revenge and witches, available free at The Horror Tree site called “Sinking Hearts.” I don’t want to re-hash all that again in a post, but feel free to peruse HERE if you like tales of revenge or love gone wrong.

This year, I’m suggesting some novels of obsession and troubled marriage perfect for a Valentine’s weekend cuddled up with a new, plush heart-shaped pillow and some raspberry truffles. You might not need a box of Kleenexes for most, but maybe a few stiff drinks.

chocolate-candies-1329480

Providence by Caroline Kepnes

ProvidenceProvidence is a supernatural thriller that is the re-telling partly of Lovecraft’s The Dunwich Horror and part Beauty and the Beast, essentially wrapped into a mystery. It’s an over arching love story in which two characters are kept apart no fault of their own but due to his new found “powers.” It’s one of the most heart-wrenching novels I’ve read and I was devastated by the end. So not a novel of obsession in the normal, evil sense, and the love gone wrong is defined differently, but still a love story that’s dark, tender, and thought-provoking. Once you read it, you won’t forget it. This might be the one time over the weekend you need a Kleenex.

About the book…

Best friends in small-town New Hampshire, Jon and Chloe share an intense, near-mystical bond. But before Jon can declare his love for his soul mate, he is kidnapped, and his plans for a normal life are permanently dashed. Four years later, Jon reappears. He is different now: bigger, stronger, and with no memory of the time he was gone. Jon wants to pick up where he and Chloe left off—until the horrifying instant he realizes he possesses strange powers that pose a grave threat to everyone he cares for. Afraid of hurting Chloe, Jon runs away, embarking on a journey for answers.

Meanwhile, in Providence, Rhode Island, healthy college students and townies with no connection to one another are inexplicably dropping dead. A troubled detective prone to unexplainable hunches, Charles “Eggs” DeBenedictus suspects there’s a serial killer at work. But when he starts asking questions, Eggs is plunged into a shocking whodunit he never could have predicted.

With an intense, mesmerizing voice, Caroline Kepnes makes keen and powerful observations about human connection and how love and identity can dangerously blur together.

Buy Link 

Or Find on Bookshop.org

Perfume: The Story of  Murderer by Patrick Suskind

PerfumeThis book is one I haven’t read but is on my TBR pile because it was recommended to me by a special friend whose taste I implicitly trust. Also, I’ve always heard that Kurt Cobain, and Nirvana being one of my favorite bands of all time, said this book was the inspiration for the song “Scentless Apprentice.” I found a copy unsuspectingly at a thrift store a few weeks ago and was very excited. I’m also really into perfumery and I’ve always been intrigued by how people can smell various scents and be influenced by them. As well I love 18th century France and I read that Suskind, a German author, writes this time period with such flair and pens with deep character and mood development.

About the book…

An acclaimed bestseller and international sensation, Patrick Suskind’s classic novel provokes a terrifying examination of what happens when one man’s indulgence in his greatest passion—his sense of smell—leads to murder.

In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille’s genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the “ultimate perfume”—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

Translated from the German by John E. Woods.

Buy Link 

Or Find on Bookshop.org

The Poison Artist by Jonathan Moore 

Poison ArtistThe Poison Artist is one of my favorite books of all time. This book is obsession-based but in the smooth style of the best liquor and 1920’s glam. I will never stop thinking of this book so in some ways I guess my obsession is with it! Stephen King said it was the scariest thing he read since Red Dragon, and I think that’s because the darkness is so sinister yet in plain sight. This book held me hostage as Caleb searched for Emmeline… and Emmeline mesmerized me as much as she did the protagonist. You can read the full review I wrote five years or so about it HERE.

About the book…

A gripping tale of obsession and deadly mystery, where the secrets of salvation and the most devastating desires are all written in blood

Dr. Caleb Maddox is a San Francisco toxicologist studying the chemical effects of pain. After a bruising breakup with his girlfriend, he’s out drinking whiskey when a hauntingly seductive woman appears by his side. Emmeline whispers to Caleb over absinthe, gets his blood on her fingers and then brushes his ear with her lips as she says goodbye. He must find her.

As his search begins, Caleb becomes entangled in a serial-murder investigation. The police have been fishing men from the bay, and the postmortems are inconclusive. One of the victims vanished from the bar the night Caleb met Emmeline. When questioned, Caleb can’t offer any information, nor does he tell them he’s been secretly helping the city’s medical examiner, an old friend, study the chemical evidence on the victims’ remains. The search for the killer soon entwines with Caleb’s hunt for Emmeline, and the closer he gets to each, the more dangerous his world becomes.

From the first pages up to the haunting, unforgettable denouement, The Poison Artist is a gripping thriller about obsession and damage, about a man unmoored by an unspeakable past and an irresistible woman who offers the ultimate escape.

Buy Link

Or Find on Bookshop.org

Phantom of the Opera by Gaston Leroux

POO HWAWho doesn’t like Phantom of the Opera? You can find the book in many forms and take your pick, or watch the movie if you prefer, but this is the ultimate story of love and obsession. It’s been my wish for three decades to see this performed professionally on the stage!

I’d like to highlight a particular copy available as of January 2020, and that’s the Haunted Library Horror Classics series presented by the Horror Writers Association and published with Poisoned Pen Press.

It’s an unabridged edition of the novel that inspired the famous Andrew Lloyd Weber musical. I have no idea how it’s formatted or printed or what it looks like in real format, but I hope it’s a nice addition to anyone’s library. The cover here is this edition. At any rate, I collect it in different forms with variant covers whenever I see it!

About the book…

Deep beneath the Paris Opera House, a masked man lives in silence…

Every night at the Palais Garnier, hundreds of guests sit on the edge of velvet-covered seats, waiting for prima donna La Carlotta to take the stage. But when her voice fails her, La Carlotta is replaced with unknown understudy Christine Daaé, a young soprano whose vibrant singing fills every corner of the house and wins her a slew of admirers, including an old childhood friend who soon professes his love for her. But unknown to Christine is another man, who lurks out of sight behind the heavy curtains of the opera, who can move about the building undetected, who will do anything to make sure Christine will keep singing just for him…

This curated edition of The Phantom of the Opera, based on the original 1911 English translation by Alexander Teixeira de Mattos, brings an iconic story of love and obsession to today’s readers and illuminates the timeless appeal of Leroux’s masterpiece.

Buy Link

Or Find on Bookshop.org

The Method by Duncan Ralston

methodThis is another favorite thriller of mine where a couple who is struggling with their marriage goes on a marriage retreat but soon things get crazy. I love when things get suspenseful, and you, along with the characters, wonder if they are being watched. Though not really a tale of one person’s obsession, it does fall under the obsessed to survive mantra.  It’s action-packed, full of relationship struggles, torturous, and a page turner. Definitely for fans of thriller that don’t mind the horror notched up a bit more than usual.

About the book…

How hard will you fight for the one you love?

Frank and Linda’s marriage is falling apart. When old friends tell them about an “unconventional therapy retreat” called The Method, they jump at the chance to attend.

Dr. Kaspar’s Lone Loon Lodge is a secluded resort deep in the Montana wilds. The staff is friendly. The other couple joining them is intense. But when a death occurs events quickly spiral out of control, leaving Linda and Frank unable to trust anyone but each other.

Nothing is what it seems, and only one thing is certain: Love Is Pain.

Buy Link

Or Find on Bookshop.org

The Tunnel Ernesto Sabato

the tunnelThis is definitely a novel of obsession and paranoia, and a dark and spiraling one at that about a painter who’s murdered a woman he had become obsessed with in a painting (not a spoiler as in synopsis and beginning of novel). I’m definitely all for eating up any novel in this vein no matter how dark it is and I’m a huge fan of any foreign writer doing them. I’ve always felt that they get the psychological components down so well whether for books or TV and film. It won’t be for everyone’s tastes but it’s definitely one to consider if you like the dark aspects of the obsessive brain.

About the book…

An unforgettable psychological novel of obsessive love, The Tunnel was championed by Albert Camus, Thomas Mann, and Graham Greene upon its publication in 1948 and went on to become an international bestseller. At its center is an artist named Juan Pablo Castel, who recounts from his prison cell his murder of a woman named María Iribarne. Obsessed from the moment he sees her examining one of his paintings, Castel fantasizes for months about how they might meet again. When he happens upon her one day, a relationship develops that convinces him of their mutual love. But Castel’s growing paranoia leads him to destroy the one thing he truly cares about.

One of the great short novels of the twentieth century—this cover and link here is to an edition marking the 100th anniversary of the author’s birth. Ernesto Sabato (June 24, 1911 – April 30, 2011) was an Argentine novelist, essayist, painter and physicist. According to the BBC he “won some of the most prestigious prizes in Hispanic literature” and “became very influential in the literary world throughout Latin America.”

Buy Link

Or Find on Bookshop.org

Wuthering Heights by Emily Brontë 

WHHow much do I really need to say about this novel? If you haven’t read it, DO. And if you have, curl up and be drawn into it again. This gothic novel of passion that’s almost bordering on obsession, will make you want to tear your heart out.

About the book…

Emily Brontë’s only novel, Wuthering Heights remains one of literature’s most disturbing explorations into the dark side of romantic passion. Heathcliff and Cathy believe they’re destined to love each other forever, but when cruelty and snobbery separate them, their untamed emotions literally consume them.

You can take your pick of many different formats and covers. I always see copies when I’m thrift shopping as well and own several versions. Just make sure it isn’t marked up by college students or buy your own new lovely version.

Buy Link

Or find on bookshop.org

Behind Closed Doors by B.A. Paris

Behind Closed DoorsI read this thriller when it came out because I love the sub-genre of thrillers called domestic thrillers. I love to hate characters like Jack and I’m always rooting for redemption at the end for the one on the receiving end of the drama/trauma. This definitely is a tale that qualifies as obsession because any man that is an abuser in this way is to me in some regards obsessed not only with the other person but with control. This was an engrossing read that I devoured. You will too.

About the book…

The perfect marriage? Or the perfect lie?

Everyone knows a couple like Jack and Grace. He has looks and wealth; she has charm and elegance. He’s a dedicated attorney who has never lost a case; she is a flawless homemaker, a masterful gardener and cook, and dotes on her disabled younger sister. Though they are still newlyweds, they seem to have it all. You might not want to like them, but you do. You’re hopelessly charmed by the ease and comfort of their home, by the graciousness of the dinner parties they throw. You’d like to get to know Grace better.

But it’s difficult, because you realize Jack and Grace are inseparable.

Some might call this true love. Others might wonder why Grace never answers the phone. Or why she can never meet for coffee, even though she doesn’t work. How she can cook such elaborate meals but remain so slim. Or why she never seems to take anything with her when she leaves the house, not even a pen. Or why there are such high-security metal shutters on all the downstairs windows.

Some might wonder what’s really going on once the dinner party is over, and the front door has closed.

From bestselling author B. A. Paris comes the gripping thriller and international phenomenon Behind Closed Doors.

Buy Link

Or find on bookshop.org

Thomas’s Want by Latashia Figueroa

ThomassWantFromLHFull disclosure on this one, Latashia is my editing client. But I felt I could override that because it so fits under the umbrella of novel of obsession. It is book two in her series, but it’s a perfect representation of a man going mad, and the lengths he will go to in order to keep control of his obsession. It’s a thriller but with definite horror tones by the end. Told in the second person as with Kepnes’ YOU (which is another great tale of obsession I didn’t include since I chose another by Kepnes instead), this is a tale of love gone wrong that you’ll read in one sitting.

About the book…

Thomas has haunting memories of his childhood: his obsessive, paranoid father and beautiful, loving mother. And he cannot forget the lovely face covered in blood, the lifeless body at the bottom of the stairs. All the love and beauty stolen from his life, forever.

Now, as an adult, Thomas struggles with relationships and is not sure if he is capable of love. Perhaps it is because he has tried hard not to become like his father. Until Thomas meets Deana, and all he can do is think of her, and only her. As their relationship grows, Thomas begins to understand his father and the disease that plagued him. The disease that took away Thomas’ mother, and nearly drove his father to madness. Thomas has inherited the disease of Want. A disease that has deadly side effects.

Buy Link

Or find on bookshop.org

Follow Me by Kathleen Barber

Follow MEFollow Me publishes on February 25, 2020 and I appreciated receiving an advanced reading copy from Gallery Books. It was such a fun read that I breezed through in two nights. Drawing on the modern age of Instagrammers and likes and the letting of everyone in on our every move through this social media platform, this is absolutely a tale of obsession. The book transports us through the story via the protagonist, Instagrammer Audrey, juxtaposed with her friend, Cat, but as well we also have snippets of chapters by “HIM.” We don’t know who he is until the big reveal at the end, but we get a glimpse into just how far, and how scary, his obsession with her goes. Plus trust me there is more twist than that but I’ll let you discover for yourself. I loved it! I highly recommend for your reading list this year.

About the book…

From the author of Truth Be Told (formerly titled Are You Sleeping)—now an Apple TV series of the same name—comes a cautionary tale of oversharing in the social media age for fans of Jessica Knoll and Caroline Kepnes’s You.

Everyone wants new followers…until they follow you home.

Audrey Miller has an enviable new job at the Smithsonian, a body by reformer Pilates, an apartment door with a broken lock, and hundreds of thousands of Instagram followers to bear witness to it all. Having just moved to Washington, DC, Audrey busies herself impressing her new boss, interacting with her online fan base, and staving off a creepy upstairs neighbor with the help of the only two people she knows in town: an ex-boyfriend she can’t stay away from and a sorority sister with a high-powered job and a mysterious past.

But Audrey’s faulty door may be the least of her security concerns. Unbeknownst to her, her move has brought her within striking distance of someone who’s obsessively followed her social media presence for years—from her first WordPress blog to her most recent Instagram Story. No longer content to simply follow her carefully curated life from a distance, he consults the dark web for advice on how to make Audrey his and his alone. In his quest to win her heart, nothing is off-limits—and nothing is private.

With “compelling, suspenseful” (Liz Nugent) prose, Kathleen Barber’s electrifying new thriller will have you scrambling to cover your webcam and digital footprints.

Pre-Order Now / Available Feb. 25, 2020 

Pick up at local indie store on release day or go to bookshop.org

Red ribbon in heart shape at wooden background

That’s a wrap! As for me, I’ve been stuck inside working for a week and I’m heading OUT for Valentine’s Day weekend, even if I end up staying in Friday night. I’m going to spend the rest of it taking in some live women’s basketball, do some book shopping, go to the movies, eat yummy food, and hopefully get chocolates. If I get a big, fluffy Valentine pillow, I’ll make time to read a book with it soon.

Whatever you do enjoy your weekend. If you have books of obsession you really liked, please leave recommendations in the comments below.

Now, go eat chocolates and tell someone you love them!

– Erin

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Cover Reveal and News: The Cipher by Kathe Koja in Print from @MeerkatPress #TheCipher #WomeninHorror

Cover Reveal and Info on The Cipher by Kathe Koja –

Many longtime horror fans, especially those who’ve always loved the mass market horror of the 80s and early 90s, probably know what The Cipher by Kathe Koja is all about or they’ve at least heard of it. The first Dell/Abyss copies from the early 90s are highly sought after and can be expensive online (and a cause for celebration if one is found thrift shopping). Kathe is one of the best-known old-school women in horror in my opinion of that time period, if not of entirety of writers, and she’s still to be admired to this day. Especially in the Midwest, rust belt, great lakes areas, as she’s from Michigan, I know Kathe is held in high regard as an author, director, producer, but I think it’s safe to say it extends farther as her work has been translated multiple times.

And she’s cool as all get out. Few handfuls of women rose to the ranks of being allowed to publish horror back then (yes, back then haha), let alone continued their creative careers. If you never heard of her, I’m sorry and please change that! If anything, if not from me, some of you have heard of her now that you’re listening, reading, and watching Josh Malerman rise in popularity. He will praise Kathe Koja any day.

So now that you’re nodding your head as you already know and like Kathe or her work, or you’ve gathered a touch of why this print release is important to the genre, I’d like to help present the cover reveal from Meerkat Press for the anticipated print release of The Cipher! What it’s all about, I’ll give a snippet of below, but it’s for serious horror fans, and all of them should read and decide for themselves on this book. Please know it’s in the body horror sub-genre (which is a growing genre only getting some traction now – imagine Kathe writing it decades ago!). It may make some of you queasy, some of you will love that, and some of you will be unsettled. It’s not for all my readers who follow me. But if you do read it, you’ll not be able to turn away from Kathe’s beautiful writing style. It will be available for pre-order at the link below and publish later in September 2020.

Take a look at this great cover and then read on below it for a little more information on the book and Kathe. Thanks for learning about books with me. Comments are always welcome.

– Erin Al-Mehairi

THECIPHER.png

Haven’t heard of The Cipher?

The Cipher in print was long sought out and searched for after for years and only available in e-book starting in 2012, after it first made its appearance from Dell’s new Abyss imprint. Now, it finally becomes available again from Meerkat Press!

THE CIPHER by KATHE KOJA

PUBLISH DATE: 9/15/20

COVER ARTIST: KEITH ROSSON

PUBLISHER: MEERKAT PRESS

Kathe Koja’s classic novel of fear, obsession, creation, and destruction, The Cipher, which reopens the door on the Funhole with this brand new and long-awaited print edition. It is the winner of the Bram Stoker Award, Locus Award, and a finalist for the Philip K. Dick Award.

Prior Praise for The Cipher

“An ethereal rollercoaster ride from start to finish.” – The Detroit Free Press

“This powerful first novel is as thought-provoking as it is horrifying.” – Publishers Weekly

“Unforgettable … [THE CIPHER] takes you into the lives of the dark dreamers that crawl on the underbelly of art and culture. Seldom has language been so visceral and so right.” – Locus

“[THE CIPHER] is a book that makes you sit up, pay attention, and jettison your moldy preconceptions about the genre … Utterly original … [An} imaginative debut.” – Fangoria

More info –> https://www.meerkatpress.com/kathe-kojas-thecipher-coverreveal/

Meerkat Press Website

Twitter – @meerkatpress

From Booklist circa around 2012 at e-book release {Portion removed for spoiler} –

“Winner of both a Bram Stoker Award and a Locus Award in 1991, Koja’s debut has yet to lose one iota of impact. It’s a marvel of bleak economy: Nicholas, going nowhere in his video-store-clerk job, discovers a foot-wide black vortex in an old storage room of his apartment building. His caustic sometime-lover, Nakota, christens it “the Funhole” and begins inserting experimental items. Seemingly influenced equally by Clive Barker, David Cronenberg, and a particularly distasteful nightmare, this entry into the body-horror canon carries with it the kind of fatalism horror readers prize—it’s going to end badly, for sure, but just how badly? Currently available in an e-book version from multiple sources, this is well worth rediscovering, if you’ve got the guts.” – Daniel Kraus, Booklist (and we all know who Daniel Kraus is now!)

The portion I took out explained a bit was they insert and what happens. But I’ll let Meerkat Press supply a synopsis when ready or at pre-order, which you may find a link to above!

Kathe Koja, Biography –

Kathe-Koja-credit-Rick-LiederKathe Koja writes novels and short fiction, and creates and produces immersive fiction performances, both solo and with a rotating ensemble of artists.

Her work crosses and combines genres, and her books have won awards, been multiply translated, and optioned for film and performance.

She is based in Detroit and thinks globally. She can be found at kathekoja.com.

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Review/Interview: Jennifer Loring on Conduits, Japanese Folklore, and Writing Mental Illness with Empathy #horror #mentalillness #womeninhorror

In mid-November, I read a short book that I had meant to finish as an October read. I’m glad I didn’t give up on getting it read. Conduits by Jennifer Loring wouldn’t stop demanding my time. It’s categorized, so I thought, as a horror novel, but it deals more with the horror inside your own mind. So psychological suspense mostly with some Japanese folklore and it’s a brain trip for sure. I’m glad I checked it out. You’ll be able to read my full review below, then join me for an interview with Jennifer.

As many of you know, since in my life I’ve dealt with some pretty heavy and emotional topics, so do I write stories with these themes as well as read them. Some people who go through trauma and then have triggers so badly they can’t write, read, or watch about them. That’s just not me. But I understand if it’s you. So if suicide or mental illness is a trigger for you even in an otherwise amazing read, then you might consider that before reading the below interview or the book. They deal with some dark subjects. However, I hope you’ll read them both and be moved or maybe heal. It’s categorized as horror, but it’s due to the mental illness component and the horrors of our own minds. It’s really more psychological suspense.

Conduits

Conduits, Review –

The book was touching and heart-wrenching all at the same time. I like books that make me feel to this level. This little novella Conduits was first published by another publisher and then re-published by Lycan Valley in Spring 2019. I was drawn to it as I love Japanese literature and horror and it was in shorter form (love short form horror). I initially was unsure when it started about some of how the words were catching instead of rolling off my tongue (and flowing in my head) but quickly that was put to rest as I learned her cadence and the content (protagonist) sent my mind into circles. A literary dreamscape of a piece not unlike horror you’d watch in a episodic tv  show. It’s its own shard of glass (you’ll know what I mean when you read it) in an otherwise cookie cutter world. It’s so original and free-flowing and truly showcases the art our mind can create when allowed to roam freely. I found this truly beautiful even though some of the content was sad, as we get down on mental illness so many times, and yet, people who struggle with it sometimes have the most amazing ability to see things we cannot otherwise see in this blinded world. The emotional weight this tiny book carries is huge, and I’m relating and scared all at the same time. It was touching my deepest recesses of pain. It will touch all the pain you have too.

I loved how she interwove Japenese folklore into the book and I think she did an extremely good job of showcasing the inside of mental health facilities. By the end, you don’t know who to believe or what is going on, except for in the protagonist’s heart. Which is really all that matters that in terms of people, isn’t it?

It may need a second read to fully grasp every component and nuance but it certainly has the feels if you like your horror emotionally-driven, ambiguous, and thought-provoking. Read this one and enjoy every word. Loring truly does have her own writing voice. I’d be interested to see how others interpret the ending. It’s suspenseful, psychological, dreamy in an Alice down the rabbit hole sort of way. It’s a quick read but I’d read it when you have a little of time on hand to think it through and ponder on it.

Join me for an interview with Jennifer about Japanese folklore, research, mental illness, and the future of horror! Enjoy.

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Hi Jennifer! Welcome to Oh, for the Hook of a Book! I recently read your book, Conduits, and was intrigued by it so I wanted to ask you a few questions. I’m very happy you’ve dropped by. You can head and have a seat at the dining table, those chairs have comfy seats, and I’ll bring in some hot tea. Or if you chose something else, say the word!

Jennifer: Hi, Erin, and thanks! I’m glad to be here.

Erin: There is some cream and sugar on the tray too if you need it. And I’ve brought in some ginger scones. I’ve been trying out new holiday recipes!

Jennifer: Sounds yummy! Thanks for reminding me that I still need to bake ginger cookies!

Erin: Let me ask you a few things about your book – which I suppose readers could get a jest of from my review. How did you become interested in Japanese literature and folklore?

Jennifer: It was because of Japanese horror movies and video games that I started researching Japanese mythology. In the early 2000s, Asian horror was the big trend. I’d also begun playing games like the Fatal Frame series, Kuon, and so forth, which rely heavily on Japanese folklore and myth. The yūrei—the ghosts we all know and love with the long black hair and white clothing—are such striking figures that I knew I had to incorporate them into a story at some point. It was many years before I actually did, but that’s where the seed for Conduits was planted.

Japaneseyokai-yufurei-meijiera

A yūrei / From Wiki

Erin: Did you research or utilize any particular customs or legends for Conduits or was it all fiction?

Jennifer: I used actual Shinto customs as well as the concept of the miko (shrine maiden) in her original form as a shamanistic figure. Shrine maidens used to perform spirit possession and takusen (dream revelation), so this was the ideal figure for me to use as the antagonist in Conduits. I made up the part about the miko carving into herself with glass in her function as an intermediary between the shrine’s god and the villagers, but most of the other stuff was taken from real Shinto rituals.

Erin: Did the legend of the suicide forest in Japan inspire any of your story?

Jennifer: Not directly, no. But I’m very familiar with the legend, so it may end up in future work. 😊

Erin: I only asked that question because a part of it reminded me of that. Mmmm…well, I suppose the over theme is there in terms of this. Suicide is a difficult topic and hard for people to read. I’ve had it hit close to home for me and I’ve written about it in some of my work, but for others they shy from it. I’ve been having a debate about that for a few years online in terms of trigger warnings. How do you feel about writing about topics that push people’s sensory boundaries and how do you feel about warnings?

Jennifer: Suicide hits close to home for me too, which is one of the reasons I’ve written about it a few times now. I understand why some people want warnings, but I also think that some use them as an excuse not to have to think critically about or be challenged by things they don’t like. Everyone has triggers, but it’s not realistic to expect that the world can be sanitized so that no one gets offended by or exposed to difficult topics. We learn to deal with them by confronting them, not by pretending they aren’t there. In horror especially, I think there should be a reasonable expectation that characters will encounter a lot of unpleasantness. Besides, a good blurb will generally indicate the type of content you can anticipate.

Erin: I agree. Mental illness and cutting also play a big role in your story. How did you bring this to the page in such a humane way? Did you research them and/or asylums?

Jennifer: Mental illness is a running thread in a lot of my work because of its impact on various family members and myself (having dysthymia as well as generalized and social anxiety disorders). When you’re dealing with it first-hand, it’s easier to approach it in a more humane way, I think. You know how you’ve been treated and how others treat you. I’ve had family members in psych wards too, so I have had the opportunity to see that world in person. A lot of Mara’s time there came from my sister’s experience both as a patient and as a psychiatric nurse.

Erin: How did you intertwine the themes of mental illness with legend and paranormal so that the reader is never quite sure what’s the truth? Was it plotted out and you created each link, or did it simply spill out of you stream of conscious? It certainly felt like we were in her confused mind.

Jennifer: I honestly didn’t make a conscious effort to create an unreliable narrator in Mara, so it was a happy accident that it all turned out the way it did. Once I realized what was happening, I just tried to get out of my own way and not overthink it. I’ve never been much of a plotter, so it was fun to discover ways I could link the paranormal with both mental illness and quantum mechanics as I was writing.

Erin: I am a pantser too, not a plotter. I love to see where the mind takes us as wrtiers. Your imagery was unique and unnerving. Was it your intent to make the reader as uncomfortable and confused as your protagonist? Why?

Jennifer: Yes. (Laughs.) I love the idea that we never truly know the nature of reality, which is unnerving in itself. A lot of the imagery from Shinto can be pretty unsettling to Western audiences, so I used that as much as possible to set the scene. I researched some of Japan’s paranormal hotspots and incorporated imagery from those as well, like the ruins of Nakagusuku Hotel on Okinawa.

Nakagusuku_Kogen_Hotel_ruins

Nakagusuki Hotel Abandoned / Wiki

Erin: You don’t particularly write HEA endings, but do you feel this ending, without spoilers, was full of sadness and gloom or calming in its own way? For some reason I sort of felt the latter. How do you feel overall about writing endings in horror?

Jennifer: I think of it as calming, too. I like to imagine that Mara is existing as happily as she can in that state of being. In general, I feel that “unhappy” endings are more realistic, especially in horror, but as with Conduits, the definition of that is open to interpretation.

Erin: You’ve described yourself as a more literary writer (I’m pretty sure I read that somewhere), what does that mean to you and to readers? What is the difference in literary horror from other labels?

Jennifer: For me, it means that I love playing with language and exploring the human condition. I think the latter is fairly common in horror, but I remember Gary Braunbeck once talking about his dislike of “pedestrian” writing, and it’s the same for me. How you tell a good story is as important as the story itself. Anyone can tell a story, but not everyone can do it with craft.

Erin: Gary has a lot of good thoughts like this! That’s VERY true and something most people just don’t understand. I also read you think that horror lends itself well to shorter works. I love that because I feel the same way. I love to write and read shorter horror works. But can you explain why?

Jennifer: It can be hard to maintain the kind of tension horror requires over the length of a novel, without a lot of it feeling like filler. I’ve read—and you probably have, too—quite a few novels where you can tell the author was padding it to reach a certain word count. And that just saps the tension for me. I think Thomas Hobbes’ concept of life as “nasty, brutish and short” really applies well to horror fiction, too.

Erin: What’s next for you in terms of writing? What are you working on now?

Jennifer: A lot of new short fiction (of course!), and I’ll be starting my PhD work in Creative Writing next September, so I’ll finally be working on a new novel. I’m already contracted to appear in four anthologies next year—hopefully more on the way! And maybe another novella…

Erin: How do you feel about the market and the genre currently?

Jennifer: I think it’s a great time to be a horror writer, and I hope this boom continues. There are so many talented writers finally getting the recognition they deserve (like Nathan Ballingrud, who deserves it more than just about anyone).

Erin: Where can readers find Conduits and you?

Jennifer: You can buy Conduits from Amazon or Barnes and Noble.

I’m on Facebook, Instagram, and occasionally Twitter.

My personal site is http://jennifertloring.com.

Erin: Thanks so very much for stopping by to talk to me! Feel free to come back anytime. I enjoyed my experience reading Conduits.

Jennifer: Thank you for having me! It’s been fun. 😊

About Conduits

ConduitsMara is a Japanese-American girl with a history of personal tragedy. Though she still cuts herself to quell the pain, she thought the worst was behind her. But her boyfriend’s sudden death, and a visit to one of the most haunted places in Washington State, sends her into a spiral of madness, landing her in a psychiatric ward.

Already suffering from dreams of a strange, ghost-infested house in the woods, Mara begins to question the very existence of reality. She is forced to confront the truth about her older sister’s death and the reason the ghosts have chosen her as their conduit.

“An evocative journey into the darkest realms of a troubled psyche. Part ghost story, part psychological suspense…” —Tim Waggoner, author of The Way of all Flesh

Jennifer Loring, Biography –

Jennifer LoringJennifer received her MFA from Seton Hill University’s program in Writing Popular Fiction, with a concentration in horror fiction. In 2013, she won first place in Crystal Lake Publishing’s inaugural Tales from the Lake horror writing competition, which found her published alongside her mentor Tim Waggoner in the anthology of the same name. DarkFuse released her psychological horror/ghost story novella Conduits in September 2014 (which was re-released by Lycan Valley Press in 2019); her debut novel, Those of My Kind, was published by Omnium Gatherum in May 2015. She has since appeared in anthologies alongside some of the biggest names in horror, including Graham Masterton, Joe R. Lansdale, Ramsey Campbell, Steve Rasnic Tem, and Clive Barker. In addition, Jennifer has presented her academic horror research at StokerCon 2018 in Providence, RI, the International Vampire Film and Arts Festival (IVFAF) in Sighisoara, Romania in 2018, and NecronomiCon in Providence in 2019.

Jennifer lives with her husband in Philadelphia, PA, where they are owned by two basset hounds and a turtle. She is currently at work on a number of projects, including more short fiction.

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Thanks for joining us today to learn about Jenn!

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