Tag Archives: women in horror

Cover Reveal and News: The Cipher by Kathe Koja in Print from @MeerkatPress #TheCipher #WomeninHorror

Cover Reveal and Info on The Cipher by Kathe Koja –

Many longtime horror fans, especially those who’ve always loved the mass market horror of the 80s and early 90s, probably know what The Cipher by Kathe Koja is all about or they’ve at least heard of it. The first Dell/Abyss copies from the early 90s are highly sought after and can be expensive online (and a cause for celebration if one is found thrift shopping). Kathe is one of the best-known old-school women in horror in my opinion of that time period, if not of entirety of writers, and she’s still to be admired to this day. Especially in the Midwest, rust belt, great lakes areas, as she’s from Michigan, I know Kathe is held in high regard as an author, director, producer, but I think it’s safe to say it extends farther as her work has been translated multiple times.

And she’s cool as all get out. Few handfuls of women rose to the ranks of being allowed to publish horror back then (yes, back then haha), let alone continued their creative careers. If you never heard of her, I’m sorry and please change that! If anything, if not from me, some of you have heard of her now that you’re listening, reading, and watching Josh Malerman rise in popularity. He will praise Kathe Koja any day.

So now that you’re nodding your head as you already know and like Kathe or her work, or you’ve gathered a touch of why this print release is important to the genre, I’d like to help present the cover reveal from Meerkat Press for the anticipated print release of The Cipher! What it’s all about, I’ll give a snippet of below, but it’s for serious horror fans, and all of them should read and decide for themselves on this book. Please know it’s in the body horror sub-genre (which is a growing genre only getting some traction now – imagine Kathe writing it decades ago!). It may make some of you queasy, some of you will love that, and some of you will be unsettled. It’s not for all my readers who follow me. But if you do read it, you’ll not be able to turn away from Kathe’s beautiful writing style. It will be available for pre-order at the link below and publish later in September 2020.

Take a look at this great cover and then read on below it for a little more information on the book and Kathe. Thanks for learning about books with me. Comments are always welcome.

– Erin Al-Mehairi

THECIPHER.png

Haven’t heard of The Cipher?

The Cipher in print was long sought out and searched for after for years and only available in e-book starting in 2012, after it first made its appearance from Dell’s new Abyss imprint. Now, it finally becomes available again from Meerkat Press!

THE CIPHER by KATHE KOJA

PUBLISH DATE: 9/15/20

COVER ARTIST: KEITH ROSSON

PUBLISHER: MEERKAT PRESS

Kathe Koja’s classic novel of fear, obsession, creation, and destruction, The Cipher, which reopens the door on the Funhole with this brand new and long-awaited print edition. It is the winner of the Bram Stoker Award, Locus Award, and a finalist for the Philip K. Dick Award.

Prior Praise for The Cipher

“An ethereal rollercoaster ride from start to finish.” – The Detroit Free Press

“This powerful first novel is as thought-provoking as it is horrifying.” – Publishers Weekly

“Unforgettable … [THE CIPHER] takes you into the lives of the dark dreamers that crawl on the underbelly of art and culture. Seldom has language been so visceral and so right.” – Locus

“[THE CIPHER] is a book that makes you sit up, pay attention, and jettison your moldy preconceptions about the genre … Utterly original … [An} imaginative debut.” – Fangoria

More info –> https://www.meerkatpress.com/kathe-kojas-thecipher-coverreveal/

Meerkat Press Website

Twitter – @meerkatpress

From Booklist circa around 2012 at e-book release {Portion removed for spoiler} –

“Winner of both a Bram Stoker Award and a Locus Award in 1991, Koja’s debut has yet to lose one iota of impact. It’s a marvel of bleak economy: Nicholas, going nowhere in his video-store-clerk job, discovers a foot-wide black vortex in an old storage room of his apartment building. His caustic sometime-lover, Nakota, christens it “the Funhole” and begins inserting experimental items. Seemingly influenced equally by Clive Barker, David Cronenberg, and a particularly distasteful nightmare, this entry into the body-horror canon carries with it the kind of fatalism horror readers prize—it’s going to end badly, for sure, but just how badly? Currently available in an e-book version from multiple sources, this is well worth rediscovering, if you’ve got the guts.” – Daniel Kraus, Booklist (and we all know who Daniel Kraus is now!)

The portion I took out explained a bit was they insert and what happens. But I’ll let Meerkat Press supply a synopsis when ready or at pre-order, which you may find a link to above!

Kathe Koja, Biography –

Kathe-Koja-credit-Rick-LiederKathe Koja writes novels and short fiction, and creates and produces immersive fiction performances, both solo and with a rotating ensemble of artists.

Her work crosses and combines genres, and her books have won awards, been multiply translated, and optioned for film and performance.

She is based in Detroit and thinks globally. She can be found at kathekoja.com.

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Filed under Cover Reveals, women in horror

Review/Interview: Jennifer Loring on Conduits, Japanese Folklore, and Writing Mental Illness with Empathy #horror #mentalillness #womeninhorror

In mid-November, I read a short book that I had meant to finish as an October read. I’m glad I didn’t give up on getting it read. Conduits by Jennifer Loring wouldn’t stop demanding my time. It’s categorized, so I thought, as a horror novel, but it deals more with the horror inside your own mind. So psychological suspense mostly with some Japanese folklore and it’s a brain trip for sure. I’m glad I checked it out. You’ll be able to read my full review below, then join me for an interview with Jennifer.

As many of you know, since in my life I’ve dealt with some pretty heavy and emotional topics, so do I write stories with these themes as well as read them. Some people who go through trauma and then have triggers so badly they can’t write, read, or watch about them. That’s just not me. But I understand if it’s you. So if suicide or mental illness is a trigger for you even in an otherwise amazing read, then you might consider that before reading the below interview or the book. They deal with some dark subjects. However, I hope you’ll read them both and be moved or maybe heal. It’s categorized as horror, but it’s due to the mental illness component and the horrors of our own minds. It’s really more psychological suspense.

Conduits

Conduits, Review –

The book was touching and heart-wrenching all at the same time. I like books that make me feel to this level. This little novella Conduits was first published by another publisher and then re-published by Lycan Valley in Spring 2019. I was drawn to it as I love Japanese literature and horror and it was in shorter form (love short form horror). I initially was unsure when it started about some of how the words were catching instead of rolling off my tongue (and flowing in my head) but quickly that was put to rest as I learned her cadence and the content (protagonist) sent my mind into circles. A literary dreamscape of a piece not unlike horror you’d watch in a episodic tv  show. It’s its own shard of glass (you’ll know what I mean when you read it) in an otherwise cookie cutter world. It’s so original and free-flowing and truly showcases the art our mind can create when allowed to roam freely. I found this truly beautiful even though some of the content was sad, as we get down on mental illness so many times, and yet, people who struggle with it sometimes have the most amazing ability to see things we cannot otherwise see in this blinded world. The emotional weight this tiny book carries is huge, and I’m relating and scared all at the same time. It was touching my deepest recesses of pain. It will touch all the pain you have too.

I loved how she interwove Japenese folklore into the book and I think she did an extremely good job of showcasing the inside of mental health facilities. By the end, you don’t know who to believe or what is going on, except for in the protagonist’s heart. Which is really all that matters that in terms of people, isn’t it?

It may need a second read to fully grasp every component and nuance but it certainly has the feels if you like your horror emotionally-driven, ambiguous, and thought-provoking. Read this one and enjoy every word. Loring truly does have her own writing voice. I’d be interested to see how others interpret the ending. It’s suspenseful, psychological, dreamy in an Alice down the rabbit hole sort of way. It’s a quick read but I’d read it when you have a little of time on hand to think it through and ponder on it.

Join me for an interview with Jennifer about Japanese folklore, research, mental illness, and the future of horror! Enjoy.

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Hi Jennifer! Welcome to Oh, for the Hook of a Book! I recently read your book, Conduits, and was intrigued by it so I wanted to ask you a few questions. I’m very happy you’ve dropped by. You can head and have a seat at the dining table, those chairs have comfy seats, and I’ll bring in some hot tea. Or if you chose something else, say the word!

Jennifer: Hi, Erin, and thanks! I’m glad to be here.

Erin: There is some cream and sugar on the tray too if you need it. And I’ve brought in some ginger scones. I’ve been trying out new holiday recipes!

Jennifer: Sounds yummy! Thanks for reminding me that I still need to bake ginger cookies!

Erin: Let me ask you a few things about your book – which I suppose readers could get a jest of from my review. How did you become interested in Japanese literature and folklore?

Jennifer: It was because of Japanese horror movies and video games that I started researching Japanese mythology. In the early 2000s, Asian horror was the big trend. I’d also begun playing games like the Fatal Frame series, Kuon, and so forth, which rely heavily on Japanese folklore and myth. The yūrei—the ghosts we all know and love with the long black hair and white clothing—are such striking figures that I knew I had to incorporate them into a story at some point. It was many years before I actually did, but that’s where the seed for Conduits was planted.

Japaneseyokai-yufurei-meijiera

A yūrei / From Wiki

Erin: Did you research or utilize any particular customs or legends for Conduits or was it all fiction?

Jennifer: I used actual Shinto customs as well as the concept of the miko (shrine maiden) in her original form as a shamanistic figure. Shrine maidens used to perform spirit possession and takusen (dream revelation), so this was the ideal figure for me to use as the antagonist in Conduits. I made up the part about the miko carving into herself with glass in her function as an intermediary between the shrine’s god and the villagers, but most of the other stuff was taken from real Shinto rituals.

Erin: Did the legend of the suicide forest in Japan inspire any of your story?

Jennifer: Not directly, no. But I’m very familiar with the legend, so it may end up in future work. 😊

Erin: I only asked that question because a part of it reminded me of that. Mmmm…well, I suppose the over theme is there in terms of this. Suicide is a difficult topic and hard for people to read. I’ve had it hit close to home for me and I’ve written about it in some of my work, but for others they shy from it. I’ve been having a debate about that for a few years online in terms of trigger warnings. How do you feel about writing about topics that push people’s sensory boundaries and how do you feel about warnings?

Jennifer: Suicide hits close to home for me too, which is one of the reasons I’ve written about it a few times now. I understand why some people want warnings, but I also think that some use them as an excuse not to have to think critically about or be challenged by things they don’t like. Everyone has triggers, but it’s not realistic to expect that the world can be sanitized so that no one gets offended by or exposed to difficult topics. We learn to deal with them by confronting them, not by pretending they aren’t there. In horror especially, I think there should be a reasonable expectation that characters will encounter a lot of unpleasantness. Besides, a good blurb will generally indicate the type of content you can anticipate.

Erin: I agree. Mental illness and cutting also play a big role in your story. How did you bring this to the page in such a humane way? Did you research them and/or asylums?

Jennifer: Mental illness is a running thread in a lot of my work because of its impact on various family members and myself (having dysthymia as well as generalized and social anxiety disorders). When you’re dealing with it first-hand, it’s easier to approach it in a more humane way, I think. You know how you’ve been treated and how others treat you. I’ve had family members in psych wards too, so I have had the opportunity to see that world in person. A lot of Mara’s time there came from my sister’s experience both as a patient and as a psychiatric nurse.

Erin: How did you intertwine the themes of mental illness with legend and paranormal so that the reader is never quite sure what’s the truth? Was it plotted out and you created each link, or did it simply spill out of you stream of conscious? It certainly felt like we were in her confused mind.

Jennifer: I honestly didn’t make a conscious effort to create an unreliable narrator in Mara, so it was a happy accident that it all turned out the way it did. Once I realized what was happening, I just tried to get out of my own way and not overthink it. I’ve never been much of a plotter, so it was fun to discover ways I could link the paranormal with both mental illness and quantum mechanics as I was writing.

Erin: I am a pantser too, not a plotter. I love to see where the mind takes us as wrtiers. Your imagery was unique and unnerving. Was it your intent to make the reader as uncomfortable and confused as your protagonist? Why?

Jennifer: Yes. (Laughs.) I love the idea that we never truly know the nature of reality, which is unnerving in itself. A lot of the imagery from Shinto can be pretty unsettling to Western audiences, so I used that as much as possible to set the scene. I researched some of Japan’s paranormal hotspots and incorporated imagery from those as well, like the ruins of Nakagusuku Hotel on Okinawa.

Nakagusuku_Kogen_Hotel_ruins

Nakagusuki Hotel Abandoned / Wiki

Erin: You don’t particularly write HEA endings, but do you feel this ending, without spoilers, was full of sadness and gloom or calming in its own way? For some reason I sort of felt the latter. How do you feel overall about writing endings in horror?

Jennifer: I think of it as calming, too. I like to imagine that Mara is existing as happily as she can in that state of being. In general, I feel that “unhappy” endings are more realistic, especially in horror, but as with Conduits, the definition of that is open to interpretation.

Erin: You’ve described yourself as a more literary writer (I’m pretty sure I read that somewhere), what does that mean to you and to readers? What is the difference in literary horror from other labels?

Jennifer: For me, it means that I love playing with language and exploring the human condition. I think the latter is fairly common in horror, but I remember Gary Braunbeck once talking about his dislike of “pedestrian” writing, and it’s the same for me. How you tell a good story is as important as the story itself. Anyone can tell a story, but not everyone can do it with craft.

Erin: Gary has a lot of good thoughts like this! That’s VERY true and something most people just don’t understand. I also read you think that horror lends itself well to shorter works. I love that because I feel the same way. I love to write and read shorter horror works. But can you explain why?

Jennifer: It can be hard to maintain the kind of tension horror requires over the length of a novel, without a lot of it feeling like filler. I’ve read—and you probably have, too—quite a few novels where you can tell the author was padding it to reach a certain word count. And that just saps the tension for me. I think Thomas Hobbes’ concept of life as “nasty, brutish and short” really applies well to horror fiction, too.

Erin: What’s next for you in terms of writing? What are you working on now?

Jennifer: A lot of new short fiction (of course!), and I’ll be starting my PhD work in Creative Writing next September, so I’ll finally be working on a new novel. I’m already contracted to appear in four anthologies next year—hopefully more on the way! And maybe another novella…

Erin: How do you feel about the market and the genre currently?

Jennifer: I think it’s a great time to be a horror writer, and I hope this boom continues. There are so many talented writers finally getting the recognition they deserve (like Nathan Ballingrud, who deserves it more than just about anyone).

Erin: Where can readers find Conduits and you?

Jennifer: You can buy Conduits from Amazon or Barnes and Noble.

I’m on Facebook, Instagram, and occasionally Twitter.

My personal site is http://jennifertloring.com.

Erin: Thanks so very much for stopping by to talk to me! Feel free to come back anytime. I enjoyed my experience reading Conduits.

Jennifer: Thank you for having me! It’s been fun. 😊

About Conduits

ConduitsMara is a Japanese-American girl with a history of personal tragedy. Though she still cuts herself to quell the pain, she thought the worst was behind her. But her boyfriend’s sudden death, and a visit to one of the most haunted places in Washington State, sends her into a spiral of madness, landing her in a psychiatric ward.

Already suffering from dreams of a strange, ghost-infested house in the woods, Mara begins to question the very existence of reality. She is forced to confront the truth about her older sister’s death and the reason the ghosts have chosen her as their conduit.

“An evocative journey into the darkest realms of a troubled psyche. Part ghost story, part psychological suspense…” —Tim Waggoner, author of The Way of all Flesh

Jennifer Loring, Biography –

Jennifer LoringJennifer received her MFA from Seton Hill University’s program in Writing Popular Fiction, with a concentration in horror fiction. In 2013, she won first place in Crystal Lake Publishing’s inaugural Tales from the Lake horror writing competition, which found her published alongside her mentor Tim Waggoner in the anthology of the same name. DarkFuse released her psychological horror/ghost story novella Conduits in September 2014 (which was re-released by Lycan Valley Press in 2019); her debut novel, Those of My Kind, was published by Omnium Gatherum in May 2015. She has since appeared in anthologies alongside some of the biggest names in horror, including Graham Masterton, Joe R. Lansdale, Ramsey Campbell, Steve Rasnic Tem, and Clive Barker. In addition, Jennifer has presented her academic horror research at StokerCon 2018 in Providence, RI, the International Vampire Film and Arts Festival (IVFAF) in Sighisoara, Romania in 2018, and NecronomiCon in Providence in 2019.

Jennifer lives with her husband in Philadelphia, PA, where they are owned by two basset hounds and a turtle. She is currently at work on a number of projects, including more short fiction.

__________________________________

Thanks for joining us today to learn about Jenn!

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Filed under Book Reviews, Q and A with Authors, women in horror

Hooked-Up Friday News: Two Books, a Movie, and a Show for Your Weekend. #Ghostland #DollCrimes #DoctorSleep #horror #books #film

I don’t normally do a lot of these (though I might start), but today is a Friday post of a couple good and bad things happening for folks I consider friends.

It’s been a long week and a half and I didn’t get separate posts made as I had wished. I didn’t even let on really on social media so no one even knew but… I had bronchitis for a week and a half and I’m still recovering (coughing and tired). I worked my full work load through it from bed and managed to get pretty much every thing accomplished (editing  a couple books, assisting two authors in self-pub books in process, etc.) while coughing incessantly, including buying two new front tires and a service from the tow truck for $400 when a tire shredded on my partner as he was driving down the interstate. Found out my mom was taken to the urgent care for her heart and she’s being evaluated by a doctor. She’s 81 and I’m worried about her. Some time I need to catch up on sleep but you know I always say that. Oh and I didn’t get any writing done for awhile now, so as always, please remember to buy my first collection too! It’s on sale in print for just $10 on Amazon currently.

These are horror related titles below, and there will be some more horror and thrillers later, but there’ll also be fantasy and historical fiction this month too. So don’t fret. I know I have a lot of readers here with different tastes. There’ll be more posts to come!

First good news!

Ghostland is open – Get Your Tickets!

Ghostland Duncan Ralston

Duncan Ralston‘s next book, GHOSTLAND, has arrived! I’ve been waiting so long for all of you to get your hands on this book. I can hardly believe the day is here! First, since it’s what you take in first with your eyes, let’s talk about this cover. I am IN LOVE with this cover by Dean Samed! It’s outstanding and one of the best I’ve seen all year. It totally brings to life all the facets of this novel. I totally want this on a mug, a t-shirt, a poster, and everything else I can put it on.

Now of course there is no cover without there being a book, so let me tell you how wonderfully amazing it is. Ghostland is something different for us all in horror and I have to say it’s the best book in the genre I read all year. I’m so thrilled I got to read an early copy. It’s gave me entertainment and fun in a read that I was really desiring. It’s for adults – it’s terrifying in parts – but it features two young protagonists. I love this viewpoint without it being strictly YA. I love that he utilizes the male and female friend relationship as well. Duncan does a great job with characters in his other books and here it’s no different. He writes thrillers, he writes ghost stories, he writes horror stories, he integrates virtual reality in a cool way, and he seems to have easily rolled all that up together in this bundle of entertainment.

You’re going to hear a lot about Ghostland, I’m sure. There will be interactive fun – within the book learn about the ghosts and attractions this way. There’s a park map. You’ll need to get your tickets because the park is open and they can use all hands on deck to keep the ghosts inside.

Get your copy HERE today! It’s available in e-book (and for a short time on Kindle Unlimited) and in paperback (if the print isn’t showing up yet, just wait a bit while it shows up). Enjoy the ride!

Here’s the synopsis –

People are dying to get in. The exhibits will kill to get out.

Be first in line for the most haunted theme park in the world – GHOSTLAND! Discover and explore hundreds of haunted buildings and cursed objects! Witness spectral beings of all kinds with our patented Augmented Reality glasses! Experience all the terror and thrills the afterlife has to offer, safely protected by our Recurrence Field technology! Visit Ghostland today – it’s the hauntedest place on earth!

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After a near-death experience caused by the park’s star haunted attraction, Ben has come to Ghostland seeking to reconnect with his former best friend Lilian, whose post-traumatic stress won’t let her live life to the fullest. She’s come at the behest of her therapist, Dr. Allison Wexler, who tags along out of professional curiosity, eager to study the new tech’s psychological effect on the user.

But when a computer virus sets the ghosts free and the park goes into lockdown, the trio find themselves trapped in an endless nightmare.

With time running short and the dead quickly outnumbering the living, the survivors must tap into their knowledge of horror and video games to escape… or become Ghostland’s newest exhibits.

Featuring an interactive “Know Your Ghosts” guide and much more, Ghostland is over 400 pages of thrills and terror!

Oh – and also, keep an eye on Ghostland’s Restoration Project website.

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Now some good and bad news!

Doll Crimes

I’ve been so excited for Karen Runge’s next book, Doll Crimes, to publish! Karen is such an emotional and mesmerizing writer, if completely raw and visceral. Unfortunately, Karen went hiking last weekend at a nature preserve in South Africa and was attacked, beaten, and robbed by suspected poachers. Her pack with her belongs and key were stolen and she had to crawl and walk back two miles on her own to find safety and somone to help her. It was inhumane and terrifying, and so of course, the last thing on her mind is being able to promote her book properly. I’m so thankful how some of the horror rallied around to share her pre-order link and cover.

Today, it’s released from Crystal Lake Publishing and hopefully soon my pre-ordered copy will arrive on my Kindle. But it’s had several great pre-publish blurbs so check it out and spread the word.

Doll Crimes is gut-wrenching, heartbreaking, and so smooth it reads like reality.”
– Kaaron Warren, award-winning author of The Grief Hole and Tide of Stone

Here’s the synopsis for Doll Crimes

‘It’s not that there aren’t good people in the world. It’s that the bad ones are so much easier to find.’

A teen mother raises her daughter on a looping road trip, living hand-to-mouth in motel rest stops and backwater towns, stepping occasionally into the heat and chaos of the surrounding cities. A life without permanence, filled with terrors and joys, their stability is dependent on the strangers—and strange men—they meet along the way. But what is the difference between the love of a mother, and the love of a friend? And in a world with such blurred lines, where money is tight and there’s little outside influence, when does the need to survive slide into something more sinister?

Grab it HERE!

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Weekend Watchings

Doctor_Sleep_(Official_Film_Poster)

Did  you hear Doctor Sleep is out today at the theater? I’m so excited. I watched the end of Kubrick’s The Shining last night. Jack Nicholson just makes me laugh with his acting, but in reality, I know Doctor Sleep will scare the crap out of me! It’s going to be really cool how they link Danny’s special gift into this movie. I almost wish Kubrick would have done his film a bit differently and played into that more. But boy, was he good for a child actor wasn’t he? I hear he makes a cameo appearance in this film. Anyway, I’m excited to see Doctor Sleep! But I’m also excited to see Terminator: Dark Fate as well as Maleficent 2 and Midway! As always, too many good movies to choose from all at the same time.

Also, the European show Dublin Murders based on Tana French novels will premiere on Starz this weekend. Have I told you how much I like Starz? They keep bringing me the stuff I want.

If you’re not familiar, here’s a synopsis from the site Deadline: The psychological thriller is adapted by series creator and writer Sarah Phelps. Dublin Murders follows Rob Reilly (Scott) – a smart-suited detective whose English accent marks him as an outsider – who is dispatched to investigate the murder of a young girl on the outskirts of Dublin with his partner, Cassie Maddox (Greene). Against his better judgment and protected by his friendship with Cassie, he is pulled back into another case of missing children and forced to confront his own darkness. As the case intensifies, Rob and Cassie’s relationship is tested to the breaking point and when Cassie is sent undercover for another murder case, she is forced to come face to face with her own brutal reckoning.

Dublin-Murders-poster

Besides hopefully seeing a movie and getting out of the house for a bit, I also should be recording a podcast show with author friend Leo on his Losing the Plot! podcast. I’ve been on before and I’m looking forward to talking to him again on Sunday.

What are your weekend plans?
Whatever you do – reading, watching, writing, or living, enjoy your weekend!

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Review: Little Paranoias by Sonora Taylor #PromoteHorror #HorrorisHealthy

Little Paranoias, Review –

Little-Paranoias-Cover-Front

I enjoy Sonora’s short story, flash, and poetic writing. I’ve read her full-length novel Without Condition but something draws me to her shorter pieces. I was excited to receive her collection Little Paranoias! I think we write somewhat similar: saying much in small spaces, similar themes – musings on death or the afterlife, surprise twists and endings, shocking amid the normal, and involving nature in our writing. I suppose the things I like to think about that end up in my writing is what I like about her short pieces because reading her pieces make me ponder life as well (when they aren’t shocking me).

I especially liked the opening piece “Weary Bones,” which takes us on a journey with skeletons who are, for lack of a better word, alive. It really was ingenious and made me think about how much we do forget our loved ones, in death, even in spirit, that we seem to need voice, warmth, skin. It was well-written and thought-provoking but also gave me a sadness. I only wished this story was longer and had more meat on its bones because it was over too soon and I feel there could have been more. I really felt I knew the character Brandon so well so soon, which is hard to pull off in shorter pieces.

“Crust” spoke deeply to me in a few hundred words and that’s all I’m going to say, but wow did it feature what I struggle with every single day. “Cranberry” scared the shit out of me. That’s some pent up rage and writing that holds nothing back. Many of the other stories dealt with murder of some sort whether a perpetrator, a family member, a spouse, the general populace. I am beginning to wonder if Sonora is a serial murderer in her head. I’m joking (maybe….haha). I can dig it as some of my stories often off men and foe. Many pieces had surprise endings, often they showed clearly life issues which created characters crossing boundaries into raw, primal emotion, and others were creatively done and had such a unique flair.

I actually was completely unnerved and uncomfortable with “Stick Figure Family” – I mean, it actually made me ball up in anger and question a lot, but in a way I suppose that just means it was well-written enough to urge reaction of me as most horror stories should do.

Though I really enjoyed “Hearts are Just Likes” quite a bit – I found it inventive and fun and cool – my favorite story was “Quadrapocalypse,” which has the character starting off on the DC metro, and after, the story splitting off into four ways with four different scenes. I love techniques like this! Also, the nature lover and activist I am really enjoyed the theme of this one. Be good to nature, or it may get you back!!

My least favorite was the last story, “Seed.” I wanted to like it, due to its themes of nature, and I DID like parts of it and the overall plot and thought behind it, but I don’t like too much erotic content in my reads. Also, it was just unexpected because there wasn’t any in the rest of the book but by the end I “got” the animal correlation of it and why. I’d probably not have put it as the last piece, since that should be the blow away read. I’d have chosen “Quadrapocalypse!”

Overall, I really had fun reading a few of these stories a night during this annual spooky reading month! They made me think, made me cringe, made me scream, and even shocked me. Bite-sized morsels of fiction that feel like a meal, maybe your last meal or one that haunts you, but fiction that’ll chill you to your bones no matter the temperature. Highly recommended!

Little-Paranoias-Cover-Front.jpgLittle Paranoias: Stories, Synopsis –

Is it a knock on the door, or a gust of wind?
A trick of the light, or someone who’ll see what you’ve done?

Little Paranoias: Stories features twenty tales of the little things that drive our deepest fears. It tells the stories of terror and sorrow, lust at the end of the world and death as an unwanted second chance. It dives into the darkest corners of the minds of men, women, and children. It wanders into the forest and touches every corner of the capital. Everyone has something to fear — but after all, it’s those little paranoias that drive our day-to-day.

Little Paranoias: Stories is Taylor’s third short story collection and fifth overall release. Featuring cover art by Doug Puller, the collection features twenty short stories, flash pieces, and poems. The collection features an assortment of dark tales, including “Hearts are Just ‘Likes,’” a contemporary reimagining of “The Tell-Tale Heart” originally published in the award-winning anthology Quoth the Raven (ed. Lyn Worthen, Camden Park Press).

Little Paranoias: Stories is available now in e-book and paperback (released: October 22, 2019) and exclusively on Amazon.

Purchase Here

sonora-taylor-2019-headshot.jpgSonora Taylor, Biography –

Sonora Taylor is the author of Without Condition, The Crow’s Gift and Other Tales, Please Give, and Wither and Other Stories. Her short story, “Hearts are Just ‘Likes,’” was published in Camden Park Press’ Quoth the Raven, an anthology of stories and poems that put a contemporary twist on the works of Edgar Allan Poe.

Taylor’s short stories frequently appear in The Sirens Call, a bi-monthly horror eZine. Her work has also appeared in Mercurial Stories, Tales to Terrify, and the Ladies of Horror fiction podcast. She is currently working on her third novel. She lives in Arlington, Virginia, with her husband.

Find Sonora Online

Visit Sonora online at her website!

Facebook

Goodreads

Blog

Twitter: @sonorawrites

Instagram: @sonorataylor

________________________________

Note: I received a copy of this book from the author in exchange for a review/author blurb. This didn’t affect my opinion.

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The Night Crawls In Collection and Info on Ladies of Horror Fiction (LOHF) Writers Grant Inspriation + Free Poetry and a Drabble

Hey all! I’m a little late here as summer was winding down I had a ton on top of the ton I usually have going on because of my kiddos back to school, travels, and then catching up on work – oh and my birthday! I’m behind on blogging but I hope to have some great stuff for you soon again as Fall and Winter approaches us. Today, I still wanted to get this information to all the female writers out there about this grant in partnership with Ladies of Horror Fiction and author Steve Stred. Please check it out and consider applying by September 1 (edit: the recipient has been chosen but keep in mind for next year) and order a copy of Steve’s dark poetry book because the proceeds are what is funding the grant now and in the future! Steve is a wonderfully supportive author to others and especially the women writers out there who need amplification. The LOHF group is doing an astronomical job of helping out women writers in horror too. I also appreciate his shout out to me below. THANKS!

Now let’s get to it…

The Night Crawls In Poetry Collection and the Ladies of Horror Fiction (LOHF) Writer’s Grant Information and Inspriation (+ Free Poetry and a Drabble)

By Steve Stred, author of Dim the Sun

It’s getting close!

September 1, 2019 will see the arrival of my collection The Night Crawls In. Featuring thirty-three drabbles and seventeen poems, the collection was created specifically to help fund the First Annual Ladies of Horror Fiction Writer’s Grant.

The grant is open for applications until September 1, with the winner announced September 15. ((Edit: The recipient has been chosen.)) For full details, click HERE!

lohf_headers_lohfwritersgrant

Now that the official stuff is over – let’s chat about the why and the how.

Why?

Good question. This guest post is kindly being hosted by my friend Erin. There really are two people responsible for this collection happening. Erin and Miranda. As I mentioned in the blog post over on Miranda’s great site, while me and her were chatting, she convinced me that releasing a collection for charity each year was a great thing to do. I spoke with my sister a bit about what charity I should focus on, and through chatting with Jodi, I decided to scrap the charity idea. Instead, I wanted to make sure that the funds raised were directly going to someone rather than an organization. And what better way than to help support fellow authors and creative types?

Erin is probably the biggest reason any of this came about. Last year I read her brilliant collection Breathe. Breathe. Not only were the short stories amazing, but her phenomenal poetry kicked my butt into motion and got me writing poetry again. Without her amazing collection and her constant support and reassurance, I’d never have made the leap to writing poetry again. So thank you Erin and Miranda!

How?

The how was actually super easy on my part. I took a look at the writing community and the horror community and everything led me to want to support a great and fantastic group of writers who frequently deal with the short end of the stick. Truthfully, I don’t think I’m smart enough to accurately describe the frequent marginalization that women horror writers have to deal with. Heck, I might even be using that word incorrectly within my own statement. To be pointed – they have to work way harder than most to have their books read, reviewed, and taken seriously. Shameful.

So I reached out to Toni and the wonderful Ladies of Horror Fiction group and after some secret back room, dark alley Twitter conversations, we got the ball rolling!

So, click the link above and check out how to apply! Good luck!

As I’ve been doing on the other wonderful guest posts sharing/promoting The Night Crawls In, I’ve been giving previews of some drabbles and poems!

The Night Crawls In

Please enjoy these two poems and a drabble from The Night Crawls In:

Summers. (A Poem)

Remember how grass used to feel between your toes?

Long summer nights under the moon’s tender glow.

Evening thunder storms down the valley ahead,

The rattling boom after the lightning had led.

Nitty Gritty Dirt Band leading the way

Taking us to a special place at the end of the day.

We’d hold hands sitting under the stars,

Talking ‘bout love that wouldn’t leave us with scars.

Ours bodies snuggled up, keeping the other warm

A tender touch that would help us transform.

The memories of how life used to be

The days we now chase, while we wish to be free.

END

______________________________________________________

Worms. (A Poem)

They live just below our feet.

Crawling, slithering, trying to latch on.

We go about our normal days,

Oblivious to the horror three feet below.

Our feet create vibrations,

Bringing them ever closer.

The worms, oh the worms

Ascend from below.

In waves they come, they slurp and they gulp,

And in the end

We should have known.

END

 ______________________________________________________

The Safe. (A Drabble)

 It should’ve been simple. Straight forward.

Walk in, tell everyone to get down, demand they put all the money in the bag, then get them to open the safe.

We got our matching president masks, we stole a car and junked the plates, putting fakes ones on in place.

We parked out front, car running, getaway driver waiting patiently for us to return.

Everything went according to plan, until they opened the safe and me and Davey rushed in.

The lights snapped off as we entered and the tentacled monster that lived there, began to feast.

We didn’t last long.

END

 __________________________________________________

So a bit of background on each piece!

“Summers” just might be the single best piece of anything I’ve ever written. In my opinion at least. Each line and each image transports me back to the summer’s growing up in Burton and now, how, I chase the ghosts of how life used to be.

“Worms” is based on my son’s reaction to seeing worms, haha! He’s inspired so many of my stories, just form his innocent reactions or from playing with him and seeing how he processes stuff. As of typing this, he turns three on Monday and I’m hoping he says “ewwwww, worms!” for the rest of his life.

“The Safe” is a cosmic monster story about some bank robbers trying to rob the wrong bank. I’ve always been utterly fascinated by the massive banks of federal reserves, the ones that are locked down to everyone. So I had a thought, what if they secretly are also storing some of the world’s secrets?

Thanks to Erin for hosting this!

Ordering

Pre-order links are now up – every pre-order goes towards funding the grant. Every sale after September 1 goes towards funding future grants!

Amazon USA

Amazon CAN

Amazon UK

Amazon AUS

Steve Stred, Author Biography –

Steve StredSteve Stred writes dark, bleak horror fiction.

Steve is the author of the novels Invisible & The Stranger, the novellas The Girl Who Hid in the Trees, Wagon Buddy, Yuri and Jane: the 816 Chronicles and two collections of short stories Frostbitten: 12 Hymns of Misery and Left Hand Path: 13 More Tales of Black Magick, and the dark poetry collection Dim the Sun.

On September 1, 2019 his second collection of dark poetry and drabbles called The Night Crawls In will arrive. This release was specifically created to help fund the First Annual LOHF Writers Grant.

Steve is also a voracious reader, reviewing everything he reads and submitting the majority of his reviews to be featured on Kendall Reviews.

Steve Stred is based in Edmonton, AB, Canada and lives with his wife, his son and their dog OJ.

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National Poetry Month: “Unforgiven” – A Poem from Miranda Crites #nationalpoetrymonth #poetry

National Poetry Month April

Today for National Poetry Month I welcome Miranda Crites! Miranda is a reader, book reviewer, photographer, writer, and lover of horror from the ghostly woods of rural West Virginia. I met MJ virtually sometime last year in her role as a book reviewer, but I came to be friends with her as well with our mutual interest in writing, photography, nature, and raising our kids. She’s so very creative and a bundle of energy that makes my days online so much better each time I see her beautiful photos or stories or hear from her. She’s also been a great supporter of indie authors as well as my own prose and poetry, so when she told me she’d like to try her hand at sending me a poetry piece, I was thrilled because I love supporting writers who want to come of their shell with their work.

It was a complete joy to work with her on this piece and she took my editing advice and ran with it, quickly turning this work into a refined piece of beauty that captures so much emotion, and for me, made me feel like I was floating. And maybe a little less alone. The photo is also one of her own. Thanks so much, Miranda!

I hope you enjoy it as much as I do.

_________________________________________

raven

Unforgiven
by Miranda Crites

I sink into sludgy, blackness

The iciness of the lake seeps into my bones, slowing my movements

I trudge along the muddy bottom; it pulls at me

I push toward the barely visible light above

 

Only my eyes break into the bleak day

Ancient pines dance in the brisk breeze

Snow-capped mountains beckon to me in the distance

But I can rise no further

 

My lungs plead for a breath of raw, pine-scented air

Blood races through my veins, pounding forcefully in my ears

The darkness below gently tugs

The oxygen I crave is merely an inch away

 

I swim harder, reaching the water’s edge

Vengeful blades of grass slice through my fingers

I rip them out by their roots as I try to save myself

I claw through dirt and rocks

 

I am restrained, a tethered dog

Bubbles tease my cheeks as I scream away my last breath

Deeply in my chest, a torch is lit

A voice within the darkness whispers: “forgive”

 

A rope of fiery vines bites at my ankle

My fingernails rip off as I try to break free

“Forgive,” repeats the inky blackness

I don’t have that ability

 

My world explodes

Shooting stars burst behind my eyes

The torch expands its flame

Fireworks light the dimness above, the blackness below

 

Release

Relief

No more pain, only ephemeral sadness

I float to the surface, finally unconfined

 

Lightning rips open the gray cloth above

The darkness below feeds on my light, my aura

A single crow lands on my chest, pecking at my eyes

Fish and unknown creatures nibble the remaining soggy meat of my fingers

 

Wolves sprint to the water’s edge

They drag my body onto the shore

Their pack devours most of my flesh and bones

Vultures clean up the last remaining pieces of me

____________________________________________

Miranda Crites, Biography –

MirandaMiranda Crites is a reader, book reviewer, photographer, writer, and lover of horror from the ghostly woods of rural West Virginia.

Miranda has always enjoyed reading, photography, and writing. She received her first camera as a gift when she was nine years old.

The writing bug bit her at a very early age too, when she won the young writers’ contest in first grade and never stopped writing.

 

Find Miranda Online –

You can follow Miranda on Twitter and Facebook and Instagram.

Her photography can be found on her dedicated Facebook page at MJ Creations.

She reviews for Kendall Reviews, as well as her own site, Miranda Crites Reads and Writes.

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National Poetry Month: Read Kim Wolkens Poem “For You, My Tether” #nationalpoetrymonth #poetry

Today, I welcome Kim Wolkens to Oh, for the Hook of a Book! We are publishing an original poem by Kim below and I am so excited! Kim has been a great support to my own writing and I am so happy she’s trying her hand at writing poetry, and I believe she’s hiding some other writing away, so I hope we can see her submitting and writing more each day. She does so much for indie authors reading and writing reviews on her own site Down in a Book or on Ginger Nuts of Horror, and it’s time we give back and support her too. Since meeting Kim online I’m very happy to call her a friend.

Happy Friday. Enjoy!

____________________________________

For You, My Tether

It hurts too much to breathe,

but I do it anyway.

For you…for you.

I want so much to slip away into nothingness,

but I hold onto the rope.

For you…for you.

 

It’s hard to get out of bed sometimes,

but I do it anyway.

For you…for you.

The abstract is much kinder,

but I face concrete facts every day.

For you…for you.

 

I put one foot in front of the other,

but I know not why I do.

For you…for you.

Food has no taste and I’m bored to death with life,

but I try to hope for something new.

For you…for you.

 

Without you, I’d be gone.

_________________________________

Getting to Know Kimberly – 

Kimberly love for writing began at a very young age, around five or six. Her first short story was dictated to her parents, who wrote the words on lined paper, and she did all the illustrations. It was called, “The Girl Who First Saw Snow,” and was about a five-year-old girl who saw snow for the first time.

Kimberly kept writing through elementary school and early middle school. She wrote a few chapter books that involved herself and some best friends. Two other books centered around a girl who found a necklace with a unicorn pendant which housed an evil witch. She dabbled in writing a small bit in high school, but her creative writing pretty much took a hiatus in high school and college.

About a year ago, she rekindled her love for writing. She wrote short stories and poems published by Lonesome October and Rhythm & Bones, and these first acceptances encouraged her to keep writing. She has the first draft of a novel completed and hopes to revisit it soon for re-writing and editing. Short stories are the main result of her writing, but she also writes poetry. Her poems have been published most recently by Nightingale & Sparrow and Marias at Sampaguitas.

A short story was recently published in Blood from a Tombstone anthology, and another story will be published in an upcoming Don’t Open the Door anthology. She has recently started writing what she hopes will become a poetry chapbook with a dark theme, possibly centered around abandonment and loss.

Most of her inspiration comes from fear (what is the scariest thing that could happen to someone?) and also from abandoned buildings which carry a special kind of beauty for her.

Kim Wolkens, Biography –

Kim WolkensKim Wolkens is a marketing coordintor by day and an American author of short stories and poems by night, who is a huge 90s Grunge music fan and loves reading and writing suspense, horror, and sci-fi.

She’s a team reviewer at Ginger Nuts of Horror and also serves as the Social Media Manager for Nightingale & Sparrow. She is a devoted wife, sister, and aunt, enjoys playing around on the piano, rustic camping, and lives with her husband in beautiful rural Michigan.

You can find her on Twitter: @up_north_h1ke.

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Interview: On Writing Dark Obsession, Chatting with Author Latashia Figueroa #HookonWiHM #WIHM #Horror

Today I welcome Latashia Figueroa to the site! This amazing lady is always a breath of fresh air and positivity, so laid back –  until she’s slaying on the page! Maybe you’ve enjoyed her dark tale of obsession, Ivy’s Envy? The second in the Want & Decay series, Thomas’s Want, will be published soon.

In full disclosure, I’m working as Latashia’s editor and I love assisting her in this regard – just recently adding her to my client list as I’m editing Thomas’s Want. I can’t help but want everyone to know about her if they don’t already. She’s a great woman to round out my women in horror month tenth anniversary spots I’ve been featuring for February. I hope you enjoy learning about her as much as I did – if you like suspenseful horror, you’ll surely get along with Latashia!

Latashia

Hi Latashia, and welcome to Oh, for the Hook of a Book! I’m so happy you’ve joined us. I should let everyone in on the fact that I’m your editor, but it doesn’t make me bias at all when I say I enjoy your work! I love how you bring suspense to your dark thrillers and horror – page turners! Come in and we’ll have drinks and a few snacks and settle in for a chat. What’s your drinking pleasure?

Latashia: Hi Erin, thanks so much for inviting me. I’m an IPA girl. Dog Fish Head or Two Hearted Ale would be nice. Thanks!

Erin: Two Hearted Ale it is! Seems legit to wrap-up February, though it has more to do with the river I think — that’s okay, I love the water too! I’m not an IPA girl myself, luckily I can make any drink magically appear! Ha! For me, I’ll go to my stand-by of rum and coke. 

johns-bells-two-hearted-ale

Cheers!

Let’s get started! You used to work in NYC fashion scene, so what drew you back to writing?

Latashia: Yes, I worked in NYC for years and lived there for a few years as well. I’m actually right across the river now, and I am always in the city. I consider NY my second home. But, back to your question. The NYC Fashion scene was exciting, but grueling, and often, unrewarding. When the company I worked for downsized, instead of heading back to find another job in fashion, I decided to follow my passion. I know, very cliche. I’ve been writing since I was a child. My mom reminded me of this. Yes, I knew I would not be making the money I made in fashion, but the dream is more important. My husband, thankfully, encouraged me as well.

Erin: Give me the scoop, did you meet characters in NYC that you secretly place in your books?

Latashia: Haha, no,not at all. My characters are strictly from my imagination. I did have a young muse for one of my stories. A beautiful little girl who I adore. Her eyes, lovely and haunting. She never got upset when she was disciplined, she just stared at you with those eyes. I would wonder, “What is she thinking? What’s behind those eyes?” That’s how my story Wrapped in Small Flesh and Bone, one of the stories in my short collection, This Way Darkness, was born.

Erin: Where do you get the inspiration from for your books and stories?

Latashia: Strictly from my head. A scenario will just pop in my mind and if I can’t get rid of it, that means the story wants to be heard. I simply oblige by writing it down.

Erin: That happens to me too – all the time! Ha! Your books Ivy’s Envy, and the upcoming Thomas’s Want, are derived from the darkness of obsession. Tell us about them in your own words.

Latashia: Sometimes, obsession can be mistaken for love. It is not the same thing, though people have convinced themselves that it is. Obsession is a dangerous thing, and the stories never end well. The Want & Decay stories follow the entangled lives of three people tormented by lust, jealousy, madness, and murder. Ivy’s Envy is the first installment, Thomas’s Want is the second, and Deana’s Decay will be the last.

ThomassWantFromLH

Recently revealed on Instagram – Cover Reveal for Thomas’s Want! Cover work by Lynne Hansen.

Erin: I believe you also have a short story collection, This Way Darkness? What are those stories like?

Latashia: Yes, This Way Darkness is my first debut short horror collection, and I am very proud of it. The stories are much more horror driven.

Erin: Do you feel that horror reaches into the everyday life often these days, tilting more of the thriller and suspense novels to the dark side?

Latashia: You know, horror is a genre that can be crossed with many genres. Romance, suspense, and especially thrillers. I think horror makes stories more exciting. I am not a reader or watcher of
romance (sorry guys). But add horror or thriller element to the story and I’m in.

Erin: Do you enjoy looking at the human psyche and pulling out characters and stories? I know I enjoy reading as much as I enjoy writing psychology into my works.

Latashia: Yes, absolutely. The human mind is interesting and very fragile. It doesn’t take much to push someone over the edge of what we perceive as normal. I think humans are much scarier than any monster that can be thought up. And honestly, when I turn off my light at night, I’m not scared of what creature is lurking under my bed. I’m thinking about the neighbor I got off the elevator with who gives me a smile and a “have a good night,” before he slowly closes his door.

IvysEnvyFinalFromLH

Erin: Yikes! Haha! Yes, I agree. What are some of your favorite horror novels and movies? And why?

Latashia: Oh, wow. That’s quite a list, Erin. Here’s just a few:

Rosemary’s Baby, both the novel and the movie. Ira Irvin’s tale of Manhattan witches, and Roman Polanski’s screen adaptation, are just sensationally creepy. And it’s done without the blood and gore that horror is known for. The story is subtle and steady with a double-edged climax. *Spoiler Alert!!* Not only has Rosemary Woodhouse been right all along in her belief that her neighbors are witches and her husband has helped orchestrate the unholy contract for his own personal gain, but in the end, Rosemary is committed to becoming a mother to what she has brought into this world. *End Spoiler*

Rosemary's Baby

Burnt Offerings, by Robert Marasco. The book and the made for tv movie is a favorite of mine. A slow burn with great atmospheric tension about a house that slowly comes alive at the cost of the summer renters.

Pet Semetary by the King himself.

Halloween, by John Carpenter. This movie will always be a favorite of mine. Michael Myers represents so much. “The shape,” as he was called in the script, is a terror that stalks you and no matter how much you try to run, try to escape, he/it is there. Relentless in his pursuit of you. Terrifying.

Erin: Who are some fellow Women in Horror you admire or like the works of? What books have you enjoyed?

Latashia: I enjoy Linda Addison, Tananarive Due, Anne Rice, Shirley Jackson. I have taken a real interest in women screenwriters and directors as well. Jennifer Kent, screenwriter/director of The Babadook and Karyn Kusama director of The Invitation and Destroyer.

The-Invitation-Karyn-Kusama

Karyn Kusama on set of The Invitation

Erin: I loved The Invitation! How about overall books and movies (not just horror) you have enjoyed? Any gender or genre.

Writers: I like Liane Moriarty, A.J. Finn, Ruth Ware, B.A. Paris, Greer Hendricks & Sarah Pekkanen (they make a good writing team). I also enjoy reading stories from my friend John F.D. Taff.

Movies? There are so many. I really enjoy the classics: All About Eve, What Ever Happened to Baby Jane? ANYTHING Alfred Hitchcock. I really enjoy movies by M. Night Shyamalan; I feel critics give him a hard time. He’s original and imaginative. My new favorite, Jordan Peele, he understands horror. No one can dispute how terrifying and original Get Out is. I’m looking forward to his upcoming movie, Us. Mr. Peele is also rebooting Rod Serling’s classic The Twilight Zone … Yaaaay! I’m also into binge worthy series as well: True Detective, Ozark, and Sneaky Pete. I adored Killing Eve, looking forward to season 2.

Erin: Wow, we have a lot of things we like to read and watch in common! This could have easily been a good portion of my own list. I am really excited to see what Peele does with The Twilight Zone re-make on CBS.

With all women out there have to do, how do you fit writing into your life? Do you have a plan or structure?

Latashia: I freelance occasionally, my schedule is unpredictable. But, I try to just get up and write. If I’m not in front of my laptop, I carry a notebook around. I could be having lunch with a friend or dinner with my husband and I’ll just stop and write a sentence or a paragraph. It has to get written down or else, it’s gone and I’m cursing myself for not capturing it.

No, I do not plan or structure, I just write.

Erin: Me either. So many I talk to do outlines and have writing times and plans. I write when it strikes me, just as you said, whether it’s at dinner or in the car. It’s really the only way to fit it in. You know, exactly how you said with our jobs, unpredictable. But I am trying hard to make progress at my age with some planning. Haha!

This Way Darkness

Have you had any challenges as far as being a female writer? What and how did you overcome them? Or do you feel that women have challenges overall – what is your advice?

Latashia: I feel like I had more challenges in the corporate world than I do in the writing community. There will always be challenges. All you can do is put your best work forward, your best voice.

Erin: I feel some of that too, especially in the small town I’m living in. What’s next for you in the next year or two? What are your goals for 5-10 years down the line?

Latashia: I don’t plan that far ahead, life is so unpredictable. I go step by step and try to enjoy as I go. I am working on a story right now that I plan to submit to an agent. We’ll see what happens.

Erin: Living in the moment can be a good thing! What do you like to do when you’re not writing or working?

Latashia: I practice Yoga every day, the stretching and the flowing movements helps me to think more clearly. I also take a hip-hop class once a month on Saturdays. I love cooking and eating. So if I’m not in the kitchen whipping up something healthy and hearty, hubby and I are out discovering a new restaurant.

Erin: Sounds amazing! Thank you so much for hanging out with me and chatting today! It’s was fun to introduce readers to you and your thoughts. Talk soon! 😊

Latashia: Thanks, Erin. You’re awesome.

Erin: Back at you!

Latashia Figueroa, Biography –

LatashiaLatashia Figueroa began telling tales at an early age, writing short stories for her mother to read and review. She worked in NYC’s Fashion Industry for over ten years before returning to her love of writing.

She is the author of the short stories collection, This Way Darkness: Three Tales of Terror, the adult thriller Ivy’s Envy (Want & Decay Trilogy, #1) and the upcoming Thomas’s Want (Want & Decay Trilogy, #3).

Latashia is a nature and animal lover. She practices yoga daily and dreams of owning a farm someday …and skydiving over it.

Visit Latashia Figueroa on Instagram (@frayedpages), Twitter (@latashfigueroa), or her website.

IvysEnvyFinalFromLH

About Ivy’s Envy (Want & Decay, #1) –

Latashia Figueroa’s riveting Want & Decay Trilogy follows the entangled lives of three people tormented by lust, jealousy, madness and murder. In this first book, Ivy’s Envy, Ivy James has had a history of violence with the men she falls for. Her grandmother and parents know what Ivy is capable of when things don’t go her way.

Now Ivy has become obsessed with Thomas Miles, a man who works at her office. She is certain that Thomas loves her too. But there are people who stand in the way of Ivy and Thomas finally being together, like his wife, Deana. Determined to have the love that is their destiny, Ivy will go down a very dark and twisted road to make Thomas hers, and hers alone. But Ivy is not the only one who has dark secrets, and everyone involved will soon learn that pursuing love and passion to the extreme can lead to terrifying consequences.

“I loved this tale of familial obligations, misplaced love and failed seduction. It’s twisted and effed up and that’s how I like my horror to be. Bravo to you, Latashia, bring on the next book!”  – Char at Char’s Horror Corner

“The story was simply all-consuming the entire way through. While I’m usually “too good” at guessing the final outcome well in advance, I have to applaud the author for coming up with something so unique–yet at the same time, perfectly fitting–that I never had even a clue about what was to come. The second book in this trilogy can not come soon enough for me! I’ll be picking up everything I can from this author.” – Kim, Horror After Dark

Add to GoodReads
Purchase on Amazon (currently on sale as s 2/28/19 for $1.99)

Thanks so much to Latashia for rounding out our Women in Horror Month series for February (though there is more to come in March)! I hope you’ve all enjoyed learning about so many women in horror this month along with me!

WiHMX-horizontal-Black

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Interview: Debut Author and Anthology Editor Sarah Read! #WIHMX #HookonWiHM #Horror

Today I welcome Sarah Read, author of the recently released The Bone Weaver’s Orchard and editor-in-chief of Pantheon Magazine, to Oh, for the Hook of a Book! I’m so happy she’s joined me and we find out we have quite a bit in common! You’ll find Sarah to be outgoing, kind, and one smart cookie. I hope you enjoy learning about her debut novel (a Gothic horror mystery for adult and YA readers), what she learned writing her first novel, and tips and advice from an editor on submission processes.

Hi Sarah, and welcome to Oh, for the Hook of a Book! I’m so happy you’ve joined us. Come in and we’ll make some coffee, grab some cupcakes from the counter, and settle in for a chat. How do you take your coffee?

Sarah: Hello, Erin! Thank you so much for having me! I’ll take my coffee with milk, no sugar, please. But yeah, I’ll have a whole bunch of these cupcakes!

cherry chocolate

Erin: Aren’t cupcakes the best?! I made them this morning. I hope you like cherry chocolate! It’s a new favorite of mine.. And milk in your coffee it is, I’ll pour it in. Let’s get started! Your newest release is The Bone Weaver’s Orchard. Tell us about it in your own words.

Sarah: My book is a Gothic horror mystery. There’s an old abbey, which is now the Old Cross School for Boys. There is young Charley and his collection of insects and arachnids—and the other students who don’t care for Charley’s pets. There are secret passages and missing persons and abandoned structures and unnecessary surgeries. There are some old legends come to life, and new legends come to death, and, I hope, some dread.

Erin: This sounds like the perfect read for me. I LOVE Gothic more than just about anything and this sounds like a lot of fun. I read somewhere that this can be read by both YA and adult readers. Can you tell us about that?

Sarah: I hope that it can! I wrote this for the teen me who was bored with the teen horror, which wasn’t very scary, but annoyed by the adult horror, which was full of adults doing adult things. I keep the point of view YA, but I don’t pull any punches on the horror. So far, I’ve heard positive things from both age groups, so I hope I’ve succeeded. Teens don’t need their books softened. They are better equipped to handle horror than adults are. They still believe it can’t happen to them. Adults don’t just know it can—we’re half expecting it.

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Erin: I am in love with cover (I think Miko?)!!! I have to admit I agreed to reading this book BEFORE I found out it had spiders. I’ll still read it, but color me creeped out since I have arachnophobia! Does this have anything to do with your own enjoyment of knitting? Spinning webs of your own through your writing? Why spiders?

Sarah: Oooh, yeah. Oops. Yeah, Erin, there are some spiders. Sorry about that. I mean, I’m not, but… Heh. And yes! Spinning, weaving, knitting—these are words that have been borrowed from textiles and applied to story since as far back as we have written records and fabric on our bodies. It’s why, I think, so many spider deities are storytellers, as well. It all…weaves together.

I do love spiders. I used to be afraid of them, but I was forced through some immersion therapy just by virtue of the fact that spiders love me. I find one touching me more days than not. I find them in my clothes and hair. They’ll be chilling out on the light switch I’m about to reach for. They’ll be suspended in the air in the space where my face will soon be. My car is always full of spiders. They scamper across the wheel as I drive. Basically, my options were to get over being afraid, or go entirely mad. I suppose I chose both.

Erin: Haha!!! I live in Ohio in the woods, so I know what you mean! I love the weaving element. What other themes and elements are in your books for both teens and adults? As the mother of daughters 15 and 11, this seems like a book they’d enjoy with me?

Sarah: I hope that they would! There are some overall themes that I think teens will identify with. Adapting to a new school, a new home. On the adult side of that—wondering if there ever is any such thing as home—is it something that can be made, if you can’t find it? There are conflicts with bullies and cruel teachers, homework that must take a back seat to life’s bigger problems, like a missing friend. There are a lot of references to the parent-child bond, but most of the examples here are not pleasant. Of course, they’re all just pretend. Reality can be much worse.

Erin: I think they would love it, not only the themes, but the adventure/mystery element. This is your debut novel, I believe? What else have you written? How did writing short fiction help or hinder the process for writing a novel?

Sarah: It is my debut novel! It’s the first novel I wrote, though there have been others since. Most of my work up till now has been short fiction. I still love to write short stories, though I’m finding more and more of my ideas accordion-ing out into longer structures and becoming novel outlines instead. I’m not sure having written short fiction helped or hindered at all. I like the freedom that short fiction gives me to experiment, and I love being able to languish in the room given by a novel’s structure. I do find sometimes, though, that my brain is stuck in one mode, and it becomes difficult to execute the other. For example, I’m very much in novel mode right now, but I just had to write a short story on a deadline and it was much more difficult than it’s been in the past. For the most part, though, I love doing both.

Erin: I LOVE to write short stories too!! Where do you get the inspiration from for your books and stories?

Sarah: Well, everywhere, I think! It’s a matter of staying observant and engaged with the world when you’re out in it, then hiding away so you can regurgitate everything onto the page. I find a lot of inspiration in the gothic classics my grandmother gave me as a child. I have shelves full of books we’ve shared.

Erin: Yes, I love the classic Gothic books too. It’s so nice you had her to share that with. What other tips and tricks can you say you learned for yourself (or that can help others) while writing a much longer work like this novel?

Sarah: I’m not sure, having written only a few books, that I’ve really figured anything out, haha. One thing I did notice, though, was that with a novel, writing it is only about 1/5 the work. When I write a short story, the first draft is probably half the work, and then revision is half. But novels are beasts to revise. The work is exponential. And when you fix one thing, it sets off a chain reaction of other things you then need to fix. When I was revising Bone Weaver’s Orchard, there was a continuity error with the time of day/amount of light/chiming of a bell. By fixing it in the scene at the beginning, it introduced a new error in the next scene. Fixing that made another. Till I had to add an entire new scene to bump the events to the next day to make the timing work. Then the details in those scenes had to have their cause/effect…. I hated myself there for a few weeks. Oh, and another tip: don’t set your first book in a labyrinth of secret passages! I had to draw a lot of blueprints to make sure I wasn’t breaking the laws of physics.

Erin: That’s so cool though! I love secret passages in books but I can see how that all could get confusing! Who or what is your favorite character? How did you create? Struggles or successes?

Sarah: I’m not sure I can pick! Of course I love Charley. And his bugs. Sam was a lot of fun to write. I found that the characters emerged as I wrote. While I did try to plan things for them, they developed in ways that often changed my plans. It made it fun to write—the story surprised me as it progressed. But it did make for heavier revisions later, as I had to go back and correct inconsistencies and make sure their voices didn’t change too much. For example, Sam started out much older. As things unfolded, I realized I needed him to be a younger man. So there were a few things I needed to rewrite to make that work earlier in the story. These days I plan a lot more ahead of time. The characters still change my plans, though.

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I pulled this photo from the Pantheon Magazine Facebook Page

Erin: You’re a fellow editor (you edit Pantheon Magazine and anthologies, correct?) and writer as well. I enjoy meshing the two together in my life, even if they are distinctive of each other. How do you feel each one lends to the other?

Sarah: Yes, I’ve been editing professionally for ten years, now. I started off with a large publishing house as an intern, then became an associate editor. While I did that I also began editing Pantheon Magazine on my own time. I left the big publishing company when my youngest was born. I still work for Pantheon, though we’re going on a short hiatus after the release of our Gorgon anthology.

Editing and writing really are two separate creatures. Reading thousands of submissions does help me see what does or doesn’t work in a story, and being a writer helps me understand and empathize with the writers I edit. And when I submit my own work, I have a clearer understanding of the behind-the-desk process, so I’m able to ease some of my writerly anxiety that way. Rejections don’t sting as much, because I never take them personally—because they’re never sent that way. I think I’m also able to edit my own work with more detachment, now. Nothing is precious! Red pen it all!

Erin: What advice as a magazine and anthology editor do you want to give to newer authors as far as submitting stories? How do you get your stories the best look? What do you want to tell veteran authors?

Sarah: Every editor is so different that it’s hard to give general submission advice. The old basic rules still ring true: follow the guidelines, stick to the theme, don’t be a jerk. Don’t get antsy and submit your work before it’s truly finished. I’ve rejected a lot of stories because they just needed one more draft, and we didn’t have time in the publication schedule to allow for a revise-and-resubmit. It’s not only new authors doing this, either. In fact, I think new authors are more likely to take extra care with getting things perfect.

I always like to remind authors that I really, truly want to love their story. I’m not looking for a reason to reject it. I open each story (and I do read every submission that comes in) with the hope that it’ll be exactly what I want. And I’d say easily 75% of the rejections I send are because of a mismatch of theme or tone.

Erin: Having edited an anthology myself, I agree completely with the last statement. I had so many stories that I knew had been written for other anthologies already released that I had read – and must have been rejected – so were submitting to any open call. They didn’t fit the theme I had at all – Gothic by the way!

I believe you have just recently also had an anthology published that you curated and edited? What is it called, who published it, and what can readers find in its pages?

Sarah: Yes! Pantheon Magazine just put out a new anthology called GORGON: STORIES OF EMERGENCE. It contains 42 pieces of flash fiction on the theme of transformation. They’re new myths—some horror, some fantasy, some dark, some hopeful. Change takes many forms. We were lucky enough to get an amazing lineup for this book. We had around 700 submissions and so many were wonderful. My shortlist wasn’t at all short. I think there were over 150 pieces in my maybe pile. Writers really knocked it out of the park—it was agony narrowing the list down. I’m so, so proud of the final result. It just released on February 15 and I can’t wait for people to dig in!

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Erin: I’m looking forward to reading it. Another eye-catching cover by Daniele Serra! Flash is something I love to write and read. What was your biggest challenge and your biggest success with it?

Sarah: We did not anticipate the high volume of submissions that we would get for this book, haha. We had to completely overhaul the publication schedule several times so that we could give each submission its due. In the end, it took me six months just to get through it all. Much longer than I liked making people wait for responses—but the submissions were just so good that I didn’t want to rush through. I definitely think it was worth the wait! The final lineup is amazing. So many talented authors sent us their work. The TOC is packed with a diverse lineup of incredibly skilled storytellers.

Erin: I was thrilled to find out that like me you also handwrite your work! People think I am CRAZY. Mostly now I’ve adapted to be writing mostly short stories, poetry, interviews, etc. by hand – or plot ideas or segments in books – on paper with pencil and save the big stuff for the computer to save re-typing time. But I hear you handwrite everything! Tell us about that and your use of ink pens. I adore writing utensils and I want to hear all about it. Any favorite pens you like or would suggest?

Sarah: People think I’m crazy, too! Well. They’re not wrong. I do handwrite everything, even novels and this interview! I usually write with fountain pens, yes. I first started using one in high school, but I really got hooked in college, when I had a professor who wrote with a dip pen and inkwell. He was the coolest human ever, to my nerdy eyes. We bonded over Chaucer and writing instruments.

I’m writing this with a Faber-Castell Neo Slim pen with blue ink in it. Just a standard blue, as this is my work pen right now. Often I use bright orange or sepia tones. Or Turquoise and neon pink. One of my jobs as a stationery enthusiast is writing reviews for Penaddict.com. I’m currently forming opinions on this pen for review. My favorite fountain pens are Sailor Pro Gear Slims, in the bright, fun colors. My favorite notebooks are Midori MD books, especially in the B6 size. I do love pencils, too! So you have to tell me what your favorite pencils are. I’ve developed a love for the Palomino Blackwing ones!

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Palomino Blackwing Pencils!

Erin: I like Faber-Castell anything – pens, pencils, markers. I like Ticonderoga pencils – I think the black are cool. But I love to find any pencil with cool décor or style, even if cheap (or stolen from my daughters!). I love orange and turquoise too and writing for a pen site sounds amazing!! I also love any single notebook I can find. I probably should start being more selective. I just love the feel of hand-writing my work. It’s just something that makes my brain think more creatively.

Moving on to talking about Women in Horror Month: Who are some fellow Women in Horror you admire or like the works of? What books have you enjoyed?

Sarah: Oh, there are so many. SO MANY. I’ll list a few authors I’ve enjoyed recently, because the comprehensive list is miles long. Gwendolyn Kiste is amazing. Her collection and new novel are both reading essentials. Jordan Kurella is a genderqueer author whose work is constantly knocking me over with its depth of feeling. Zoje Stage’s Baby Teeth is one of the best horror novels I’ve read, hands down. And if you haven’t yet ventured into Sara Tantlinger’s poetry, that needs to be fixed asap. Gemma Files is one of my perennial favorites and she has two new collections out in the past year! And Carmen Maria Machado is writing some of the world’s best contemporary dark fairy tales that will twist your heart in knots.

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Erin: With all women out there must do, especially those of us keeping track of kids and a job too, how do you fit writing into your life? Do you have a plan or structure or is it as lightning strikes?

Sarah: It very much depends on the day! This week isn’t looking good, haha. Now that my youngest has started some preschool, I did manage to find a few hours a week where he is at school and I’m not at my day job. Sometimes I get to use those to write! Otherwise, it’s often after everyone else is asleep, or in the five minutes between this and that. I always have a notebook and pen (or five) on me in case I get a few quiet minutes to scribble.

Erin: Have you had any challenges as far as being a female writer in the horror genre? What and how did you overcome them? Advice for others?

Sarah: Sometimes, yes, though on the whole, I find the genre very welcoming and supportive. At least, the nice people are—and who would want to work with the others anyway? There have been a few times when I’ve received “this isn’t the tone we’re looking for” rejections for anthologies that then came out to be all cis white men on the TOC. I once got asked out while trying to discuss business with a male editor. I do feel at times as though men in the industry get recognized for their accomplishments immediately and remain visible while women must prove themselves over and over with each new publication, then disappear from the radar until the next thing comes out. I think things are getting better, but we still have a long way to go. For the last few years, I’ve had the rule that I would not buy any anthology that was more than 50% straight white guys. I’ve saved a lot of money! Too much.

Erin: That’s a great rule!

How about overall books and movies you have enjoyed? Any gender or genre.

Sarah: Guillermo del Toro movies are my favorite movies, with The Orphanage at the top of that list. Probably after that comes a long list of historical dramas like Poldark and Downton Abbey! Any PBS or BBC adaptation of classic lit, especially Dickens. I love a lot of non-horror. And true crime documentaries. 😀

My favorite dude writers are Steven Graham Jones, Steve Toase, Josh Malerman, Paul Tremblay, Bracken MacLeod, Richard Thomas, and a bunch of others. And they’re all wonderful humans, too. Much love for them!

Erin: We have so much in common. I loved Shape of Water. I also LOVE historical dramas, PBS and BBC adaptations, Dickens, mysteries, and true crime. I am well-rounded and always felt like I didn’t belong because of that. It’s awesome to know that more women out there like a wide range of things like I do! Oh – also SGJ and Malerman are two of my very favorite male authors.

What do you like to do when you’re not writing or working?

Sarah: If I’m not writing, reading, working, doing chores, playing with my kids, or playing with pens, I’m likely listening to podcasts while working with yarn. I knit, crochet, spin, and weave—anything to do with string, really! I also design my own crochet patterns. I have almost as many published crochet patterns as I do fiction pieces, haha. But, as the above might imply, I rarely have time for that hobby anymore.

Erin: That’s amazing, but yes, I can gather for sure that time for all things is on short supply.

What’s next for you in the next year or two? What are your goals for 5-10 years down the line?

Sarah: Well, I’ll be traveling a bit—visiting StokerCon in Grand Rapids and WisCon in Madison in May. I’ll also be at the Chicago Pen Show in May. May is going to be awesome! I’m also hoping to make it to StokerCon 2020 in Scarborough next year. It’s happening just a few miles from where my book takes place—I think I need to be there!

I have a few short stories that should be out this year, and my debut collection will be out from Trepidatio toward the end of the year. It has a few dozen of my favorite previously published pieces and a handful of new ones, including a new novelette. I’m also hoping to finish up edits and start pitching a new novel soon! And I’m planning to finish my current novel WIP this year, as well.

As for the next 5-10 years, my goals are to get an agent and write a ton more books. I have an idea for a series that I’m itching to get started on, and I’ve also outlined a prequel to The Bone Weaver’s Orchard that I’d love to write. Whatever the case, I know I’ll stay busy! I don’t know how not to!

Erin: That all sounds like a solid plan. I am anxious to see what you do! Thank you so much for hanging out with me and chatting today! I have really enjoyed getting to know you better. Let’s sit back and relax and have a few more cupcakes!

Sarah: Thank you so much, Erin! It’s been lovely chatting with you! I will happily take care of the rest of these cupcakes. 😀

The Bone Weaver’s Orchard, Synopsis –

theboneweaversorchard_coverHe’s run away home. That’s what they say every time one of Charley Winslow’s friends vanishes from The Old Cross School for Boys.

It’s just a tall tale. That’s what they tell Charley when he sees the ragged grey figure stalking the abbey halls at night.

When Charley follows his pet insects to a pool of blood behind a false wall, he could run and let those stones bury their secrets. He could assimilate, focus on his studies, and wait for his father to send for him. Or he could walk the dark tunnels of the school’s heart, scour its abandoned passages, and pick at the scab of a family’s legacy of madness and murder.

With the help of Sam Forster, the school’s gardener, and Matron Grace, the staff nurse, Charley unravels Old Cross’ history and exposes a scandal stretching back to when the school was a home with a noble family and a dark secret—a secret that still haunts its halls with scraping steps, twisting its bones into a new generation of nightmares.

“There’s a secret in this book. It’s stunning. It’s dark. And it’s as satisfying as any unknown a horror fan could could ever hope to unearth. So well written, so well paced, Sarah Read’s The Bone Weaver’s Orchard is a thriller with class.” —Josh Malerman, author of Bird Box

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Trepidatio Publishing

Sarah Read, Biography –

SRauthorpicSarah Read is a dark fiction writer in the frozen north of Wisconsin. Her short stories can be found in Gamut, Black Static, and other places, and in various anthologies including Suspended in Dusk, BEHOLD! Oddities Curiosities and Undefinable Wonders, and The Best Horror of the Year vol 10.

Her debut novel The Bone Weaver’s Orchard is now out from Trepidatio Publishing, and her debut collection will follow in late 2019. She is the Editor-in-Chief of Pantheon Magazine and of their associated anthologies, including Gorgon: Stories of Emergence.

She is an active member of the Horror Writers Association. When she’s not staring into the abyss, she knits. Follow her on Twitter or Instagram @Inkwellmonster or keep up with her on her website.

Thank you to Sarah for joining us and to you, readers, for stopping by as well. I appreciate your support of #HookonWiHM and #WomeninHorrorMonth!

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Interview: Producer, Actress, Screenwriter Comika Hartford #HookonWiHM #WIHMX #POC #Horror

Today, I welcome Comika Hartford to Oh, for the Hook of a Book! Comika is a writer, actor, producer, and phenomenal lady and I am so happy to have been able to interview her as part of my women in horror series for February, which fittingly is also Black History Month. This award-winning woman is certainly making history for women in her field! I usually stick to books here, but we all like film as well, so I felt it would interest readers. Professionally her work in the genres of horror and psychological thrillers interest me and we’ll talk some about that below.

Comika has been working in her career for some time now and has numerous credits to her name. Besides being a TV and short film producer and screenwriter, she’s also an actress. She had a reoccurring role on Saints and Sinners and has been a guest star/co-star on shows such as CSI: Miami, Nash Bridges and in short films such as First Impressions, Hoax, and Unlucky Stars.

As you’ll see during the interview, she’s not only intelligent, but very outgoing and extremely funny!

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Hi Comika, and welcome to Oh, for the Hook of a Book! I’m so glad you’ve joined me from Los Angeless in cold, snowy Ohio today – I hope you brought some of your warmth along with you! Come in for some hot coffee and we’ll settle in to talk. How do you take your coffee?

Hey Erin! I’ll have a Vodka and cannabis latte with almond milk. It’s cool if you don’t have almond milk.

Erin: The only milk I drink IS almond milk! Ha! It might be the cannabis I’m short on. Tell us a little more about you and your work so anyone doesn’t know you can become acquainted!

Comika: Well I started writing and performing with Rhodessa Jones’ Medea Project: Theater for Incarcerated Women at the Lorraine Hansberry Theater in San Francisco before attending Emerson college. I specialize in horror/thriller screenplays with a social commentary edge.

Erin: That’s so amazing! I love the poster for Bango as well as the film. But for others, tell us what’s Bango about? Where can one watch?

Comika: Thank you! Bango is actually the first episode of a horror anthology I wrote set in a creepy California suburb called HINTERLAND ZOO where every house is the nightmare next door. It’s about a quiet couple taking a walk on the wild side that goes sideways real quick! You can watch it on Amazon Prime & our website www.bangofilm.com takes you right to it.

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We’re pitching the rest of the anthology later this year so please leave a review on Amazon if you end up watching. Every review helps. And please feel free to be completely honest, if you dont like it just say why… My favorite review so far is “What psycho wrote this?” Mmm… Delicious.

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Erin: You’ve also written and acted in a horror web-series turned film The Grey Area and it’s won so many awards! Congratulations! Can you tell us about it?

Comika: Yes, The Grey Area has been upgraded to a feature film; It was a lot of work to push that through but it’s on! We just shot the second chapter last November with Zorina Juan directing and my partner in crime Eric Shapiro, who directed Bango, producing and keeping blood off the furniture.

Erin: The Grey Area sounds fun. I know you’ve described it as “the female version of Supernatural that meets the West Coast version of Law & Order on the streets of San Francisco.” With it being a psychological thriller, it’s sounds totally like something I want to check out!

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What’s it like writing and/or producing films or shorts compared to acting in them?

 Comika: Hmm… Sorta like the difference between running a restaurant or dropping in for a meal!

 Erin: Do you ever direct? Or aspire to? Why or why not?

Comika: Nah. I love my director allies, but I don’t envy their job. Directing is like trying to organize changing Baby Godzilla’s diaper. No really! Think about it: There are a lot of people around. Lots of destruction. Lotsa crap to deal with. At least one crying monster. And if it doesn’t come off well… it’s all your fault!

Erin: Haha!! I don’t think I want that job either. And which of all the above do you like better in general and which do you prefer in horror?

Comika: I love writing. I prefer that over everything in any genre!

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Winning an Award for The Grey Area. Photo supplied by Comika Hartford.

Erin: What do you feel women bring to the horror genre that is more distinctive than men? How do you feel women shine in the genre?

Comika: Mmm… well being a woman involves a lot of blood and dealing with rape culture so… Yeah. Horror is kinda our genre. We own it.

Erin: What do you think most people of either gender can do better to support women in horror?

Comika: Watch our movies! There’s a lot of great work happening. The Soska sisters are doing a remake of Cronenberg’s Rabid, Aislinn Clark’s The Devil’s Doorway is on Hulu, and Karyn Kusama’s Destroyer looks creepy af!

Erin: What types of themes do you explore or want to explore in your screenwriting?

Comika: I like to explore religious themes and mythology; I am very intrigued by the idea of vengeance- based deities.

Erin: What is a piece of writing or book or film or all by a woman in horror truly touched you, was memorable to you, or inspired you?

Comika: Kasi Lemmons’ Eves Bayou! It still messes me up.

Erin: Who are some women in horror you admire and who would you recommend to others to get to know?

Comika: Nikyatu Jusu came out strong at Sundance with Suicide by Sunlight. She is definitely someone to watch.

Erin: Have you ever thought of writing short stories or a book in the horror genre (or any other genre)?

Comika: I think I’d like to write a kid’s show… Seriously!

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Comika acting! Photo supplied by Comika Hartford.

Erin: What are some of your current or upcoming releases?

Comika: Well I’m working on a screenplay about Black vampires that travel to the Americas during slavery to rescue their kidnapped relatives. It’s called Legacy and much like American history it’s filled with blood, torture, and genocide… Yeah. Good times!

Erin: Oh, wow! And though true, the film sounds like fun! I can’t wait to hear updates on that.

Where can everyone find you to connect?

Comika: You can find me at comikahartford.com which connects to Facebook, I’m @blamethewriter on Instagram, and you can follow our progress with The Grey Area at:

www.enterthegreyarea.com

Erin: Thank you so much for joining us today, Comika! It was such a pleasure and please feel free to stop back by anytime! 😊

Comika: Thanks Erin… Um, can I have the rest of this Vodka to go?

Erin: Of course you can, how else would you juggle all the horrifying stuff you have on your plate? Please stop back by for me when Legacy is set to air.

Thanks to Comika for joining us!

Comika

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