Tag Archives: historical fiction

Review: The Enemies of Versailles Sweeps You Away

Today I have a review of Sally Christie’s The Enemies of Versailles, Book Three in her Mistresses of Versailles series. I love historical fiction based on French history. The more drama and intrigue, the better. Throw in the French Revolution and I start humming music from Les Miserables. Keep scrolling for my review and watch later this month for a guest article from Sally in my Women in History Month series.

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Review –

I love the descriptive writing of historical author Sally Christie! I missed out on reading book one in her Mistresses of Versailles series, but once I read book two last year I was hooked. You can see my past review of The Rivals of Versailles (book two) HERE. I really believe you can read each one as a stand alone, but it’s a great series to read together as well.

Yesterday, March 21, 2017, the third book in her lush French fiction series published. The Enemies of Versailles continued on a tradition of “being seeped in reading” for me last weekend, the sentences so smooth and delicate, yet filled with emotion and substance, that I breezed through it in no time. I needed swept away to another place, no matter how unconventional, for a short time and the novel certiainly gave me that escape. This is a hallmark of quality writing, the type of such I aspire to acheiving.

I love how Sally focuses her novel around protagonists that are female and fiesty, hustling in rags to decadent gowns sometimes to forward their life. The Enemies of Versailles sees Jeanne Becu go from back streets to the palace in eighteenth century France – a France not far from a Revolution.

Sally makes her female characters shine. If you didn’t think you could fall any more in love with the next mistress of the King, you do. Another steals your heart in a way that plausibly you don’t even think should happen. Somehow she endears us as readers to these women by giving them strong, vibrant personalities under a surface innocent-like quality. Sally created Jeanne in a manner in which she blazens up the page with her light-heartedness. It’s apparent Jeanne gave Louis XV a new sense of normalcy to readers that is genuinely lost otherwise, and especially after book two in my opinion, and she remains true to herself even as the people surrounding her at court are nothing less than monsters. However, the intrigue that the book displays as we see the drama unfold creates a desire to turn pages quickly.

Madame du Barry is the focus of the book, but this time around, Sally does juxtapose chapters between her and Adelaide, the daughter of King Louise XV. I suppose that Adelaide is the villan in that she persecutes du Barry in her mind as well as outwardly. We see a poor woman’s rise to court paralled with a woman who has known luxury throughout her life. We see the extravagent nature of this time, spiraling in increasing fashion out of control, and why it led to the horrific revolution. We even get to see Marie Antoinette in this book, and I was thrilled, as she’s one of my favorite historical people to read about. The reasons for the uprising, even though we all know them, are made evident in this novel, and we see the desecration of the royal family. However, this happens all the while as we still focus on the emotions and action of the female characters at the heart of the story.

In the spirit of author Juliet Grey/Leslie Carroll, Sally Christie has brought readers an excellent series of historical fiction sprinkled with beautiful sentences and scenes ripe with descriptions so as if you are living right there in the moment. The Enemies of Versailles is the best of the three. I can’t wait to see what else she writes in the future. I’ll be one of the first in line. Highly recommended!

02_The Enemies of VersaillesThe Enemies of Versailles by Sally Christie

Publication Date: March 21, 2017
Atria Books
eBook & Paperback; 416 Pages

Genre: Historical Fiction
Series: The Mistresses of Versailles, Book Three

In the final installment of Sally Christie’s “tantalizing” (New York Daily News) Mistresses of Versailles trilogy, Jeanne Becu, a woman of astounding beauty but humble birth, works her way from the grimy back streets of Paris to the palace of Versailles, where the aging King Louis XV has become a jaded and bitter old philanderer. Jeanne bursts into his life and, as the Comtesse du Barry, quickly becomes his official mistress.

“That beastly bourgeois Pompadour was one thing; a common prostitute is quite another kettle of fish.”

After decades of suffering the King’s endless stream of Royal Favorites, the princesses of the Court have reached a breaking point. Horrified that he would bring the lowborn Comtesse du Barry into the hallowed halls of Versailles, Louis XV’s daughters, led by the indomitable Madame Adelaide, vow eternal enmity and enlist the young dauphiness Marie Antoinette in their fight against the new mistress. But as tensions rise and the French Revolution draws closer, a prostitute in the palace soon becomes the least of the nobility’s concerns.

Told in Christie’s witty and engaging style, the final book in The Mistresses of Versailles trilogy will delight and entrance fans as it once again brings to life the sumptuous and cruel world of eighteenth century Versailles, and France as it approaches irrevocable change.

Amazon | Barnes & Noble | IndieBound | Kobo

Praise for The Sisters of Versailles

“Such an extraordinary tale makes for compelling reading and, as the lead book in a planned trilogy, will draw in readers who are interested in royal lives before the French Revolution….historical fiction fans, unfamiliar with the history of the Nesle sisters, will be intrigued.” (Library Journal)

“Sally Christie’s The Sisters of Versailles is an intriguing romp through Louis XV’s France. Filled with lush backdrops, rich detail, and colorful characters, fans of historical fiction will enjoy this glimpse into the lost golden era of the French monarchy.” (Allison Pataki, author of THE ACCIDENTAL EMPRESS )

“A stunning breadth of period detail, offered in a fresh, contemporary voice.” (Juliet Grey, author of the acclaimed Marie Antoinette trilogy )

“Tantalizing descriptions and cliff-hangers will leave the reader rapidly turning the pages in anticipation… A wickedly delightful read.” (New York Daily News)

03_Sally Christie_AuthorSally Christie, Biography

Sally Christie is the author of The Sisters of VersaillesThe Rivals of Versailles, and The Enemies of Versailles. She was born in England and grew up around the world, attending eight schools in three different languages. She spent most of her career working in international development and currently lives in Toronto.

Visit SallyChristieAuthor.com to find out more about Sally and the Mistresses of Versailles trilogy.

You can also find her on FacebookGoodreads, and Amazon.


Five copies of The Enemies of Versailles are up for grabs during the blog tour! To enter, please see the Gleam form below:

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– Giveaway ends at 11:59pm EST on March 31st. You must be 18 or older to enter.
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– Winner has 48 hours to claim prize or new winner is chosen.

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Daughter of a Thousand Years Gave Me My Thought-Provoking Viking Fix!

Out today (Feb. 21, 2017) is Daughter of a Thousand Years by Amalia Carosella! Check out the synopsis below and then stay to read my release day review! I really enjoyed this book!

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Daughter of a Thousand Years by Amalia Carosella

Publication Date: February 21, 2017
Lake Union Publishing
eBook & Paperback; 442 Pages

Genre: Historical Fiction/Medieval Romance

Greenland, AD 1000

More than her fiery hair marks Freydís as the daughter of Erik the Red; her hot temper and fierce pride are as formidable as her Viking father’s. And so, too, is her devotion to the great god Thor, which puts her at odds with those in power—including her own brother, the zealous Leif Eriksson. Determined to forge her own path, she defies her family’s fury and clings to her dream of sailing away to live on her own terms, with or without the support of her husband.

New Hampshire, 2016

Like her Icelandic ancestors, history professor Emma Moretti is a passionate defender of Norse mythology. But in a small town steeped in traditional values, her cultural beliefs could jeopardize both her academic career and her congressman father’s reelection. Torn between public expectation and personal identity, family and faith, she must choose which to honor and which to abandon.

In a dramatic, sweeping dual narrative that spans a millennium, two women struggle against communities determined to silence them, but neither Freydís nor Emma intends to give up without a fight.

I loved Amalia’s former Helen of Sparta series and you’ll find reviews for those books and an inteview with Amalia on my site already. However, when I heard Amalia would be publishing a book featuring one of my top favorite topics, and I’m not shy about this one – VIKINGS – I was all in! I have to say that in looking forward to it so much when I actually found time to squeeze in reading it, I was captivated.

Amalia writes Daughter of a Thousand Years in dual time periods and with two female protagonists. Emma is in the modern age of 2016, the daughter of a politician and a Catholic, and Freydis, living a thousand years earlier, is a pagan, a Thor worshipper, and the daughter of the infamous Eric the Red.

I am not the type of editoral reviewer that rehashes plots, but in this book, Amalia explores religions of the different time periods and how the women, and their family structures, dealt with them. Emma has always been interested in Viking history, but as her family expects (in most ways) perfection, Emma finally finds the courage to be true to herself when she wishes to explore the pagan religion of Thor. As Catholics, of course, her parents aren’t pleased, so she’s brave to stand up for herself. Meanwhile, a thousand years earlier, Freydis struggles to stay true to her own pagan religion and family as the wave of Christianity and converstions begins in society. Of course, we’ve read or seen these themes before…well, I have since I seek out books like this out of interest, and of course, we’ve seen this juxtaposition in history between Viking pagans and English Christianity as the Vikings began their exploring (which is viewable even on the show “Vikings,” but for some reason, it’s not getting old yet. There are still stories to be told that speak to the bravery and courage of those who believe in their own spiritual depths, as well as those who choose to align with another. Isn’t this even a common theme in society today, that people need to understand each other, and religions, to make peace with each other? I think the dual storylines really showed the fact that this issue is still strong today.

I also thought that Amalia did a wonderful job of featuring two strong and fiesty women that have many similarities even if they lived so far removed. Of course, the history section was a favorite, as it’s my first love, and she has superb historical writing. There was more background and research, and as times were tougher, I think it only served that Freydis would be a bit more animated and have more to fight through in an actual action sort of way. But I thought she wrote Emma just as well for our time period, and growing up in the now, is quite different than then! She was strong in forging her own way, even if countries and treasures and survival didn’t depend on it. Possibly her family felt their careers depended on it, but really that is nothing to what they endured so long ago. Emma showed great fortitude in becoming her own original person and not fitting the mold, which does still take bravery, especially when it means stading up to one’s parents.

As always, Amalia’s writing is beautiful and captivating. Her dialogue and character development, which her books show she always has worked hard on, continue to improve. We can see the locations, feel the characters emotions, and cheer them on in our own ways. As I mentioned her settings and descriptions are wonderful to read. I do believe the historical lean that Amalia puts on her books, as opposed to strictly historical romance, make books like Daughter of a Thousand Years stand out.

If you like to be swept away in a good historical fiction read, and like memorable reads with strong female characters, this is a good book for you to dive into eyes first. Pick this up as one of your highlights of th first half of 2017. Fans of “Vikings” should like the themes in this book and get a more unique look at women of that time period. Contemporary readers may even find their foray into historical fiction. Highly recommend – I give it 4 stars in hopes that she keeps challenging her prose.

Purchase –


About Amalia Carosella –

03_Amalia Carosella Author (1).jpgAmalia Carosella graduated from the University of North Dakota with a bachelors degree in Classical Studies and English. An avid reader and former bookseller, she writes about old heroes and older gods. She lives with her husband in upstate New York and dreams of the day she will own goats (and maybe even a horse, too). For more information, visit her blog at www.amaliacarosella.com.

She also writes myth-steeped fantasy and paranormal romance under the name Amalia Dillin. Learn more about her other works at www.amaliadillin.com.

You can connect with Amalia Carosella on FacebookTwitterGoodreads, and Google+. Sign up for her newsletter, The Amaliad, for news and updates.

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Interview: Julie K. Rose Talks about Writing, Research, Tunisian Cake, and More!

I’m pleased today to have Julie K. Rose drop by for tea and cookies (and bringing a cake recipe by too that sounds lovely) and to talk about her newest book, Dido’s Crown, as well her life and writing! I hope you enjoy our conversation. If you missed my exciting review of Dido’s Crown earlier this week, you can see it HERE. It’s a wonderful story, set in 1935, of a woman caught up in espionage in Tunisia!


Hi Julie! Welcome back to Oh, for the Hook of a Book! I’m so excited about your newest fictional endeavor, Dido’s Crown. As I prepare our seats and refreshment, tell me, what’s behind that name?

Julie: Hi! I’m so excited to be back. You always have the best refreshments, and conversation! In terms of the name, it’s tied to an important plot point in the book, so I don’t want to say too much. That said, it ties nicely to Tunisia – Dido was the founder and first queen of Carthage, modern-day Tunis. And I like the suggestion of Dido’s complicated and melancholy story.

Erin: Yay!! Yes, it does. 🙂 We will let them all find out by reading the book! How exciting has this been for you to release another book? It’s so hot here in Ohio – I mean it’s not autumn weather at all that we are used this time of year. We will be wearing swimsuits for Halloween. And with a serial killer being arrested here it’s been a bit stressful. So I’m up for relaxing in my comfy library chairs with you while we talk about Dido’s Crown. And I’m thinking mojitos today – they are my favorite. We can do mint and other assorted flavors…..blueberry…cherry…. You’ve packed for a weekend stay right?

Julie: Of course I did! Sitting together, chatting about books sounds just like the antidote to the world that I need this week.This world is completely nuts, so art is more important than ever. It helps us remember how to be human, you know? I’d actually love a cup of hot, sweet mint tea if you don’t mind. Puts me in a North Africa kind of mood.

Erin: Okay, mint tea is one of my faves for Fall and Winter and since the air conditioning is on late for this time of year I’ll make some and it won’t make me too hot. My ex-husband was from Egypt and hot tea was a must drink (or Turkish coffee). We can save the mojitos for another day since you’ll be staying awhile. I’ve baked up some spice cookies in the Dutch tradition though! I suppose that is not very North African.. They just sound good today and I think you’ll like them. They smell like Fall or Christmas and I’m anticipating those seasons. I’ll pour the tea and we’ll get started! Oh –I always ask you to share a recipe when you come too! Do you have one you’d like to share on this trip? May I can make that for us for later.

Julie:  Oooh spice cookies are the BEST.

I do have a recipe! This is for Tunisian Orange and Almond cake. Tunisia is a country of real contrast, and the northern climes are home to vineyards and orchards – very similar to the climate here in the Bay Area. Orange cake plays an important role right in the first chapter of Dido’s Crown.

This is adapted from Reza Mahammad’s recipe, found here: http://www.foodnetwork.co.uk/recipes/tunisian-orange-almond-cake.html

tunisian cake.jpg


  • 1 cupsuperfine sugar (not powdered)
  • ¾ cup ground almond
  • ¼ cup panko crumbs, slightly stale breadcrumbs or cake crumb
  • Finely grated zest of 2 unwaxed oranges
  • Finely grated zest of 1 unwaxed lemon
  • 1 ½ tsp baking powder
  • 1 cup sunflower oil
  • 4 eggs
  • For the syrup:
  • Juice of 2 oranges
  • Juice of 1 lemon
  • 90g caster sugar
  • 1 cinnamon stick
  • 2 cloves
  • 2 star anise
  • ½ tbsp orange blossom water
  • Powdered sugar for dusting
  1. Line and grease an 8″ spring-form cake tin.
  2. Mix together the sugar, almonds, panko crumbs, both zests and baking powder.
  3. In a separate bowl whisk together the eggs and the oil.
  4. Pour onto the almond mixture and mix.
  5. Pour the mixture into the prepared cake tin and place into a cold oven. (At this point make the syrup)
  6. Turn on to 355°F and bake for 40-45 minutes until a skewer inserted into the center comes out clean.
  7. Cool in the tin for 5 minutes then turn out onto a plate.
  8. While the cake is warm, pierce it all over with a wooden skewer or toothpick and pour on some of the syrup.
  9. Keep spooning over more syrup every now and then until it’s all been absorbed.

For the syrup:

  1. Make the syrup by adding all the ingredients except the orange blossom water into a saucepan. Bring gently to the boil stirring to dissolve the sugar whilst allowing the liquid to thicken to a syrupy consistency.
  2. Add the orange blossom water and remove the spices which can be used to decorate the cake.
  3. Set aside till cake ready. To serve, dust with icing sugar and serve on a cake stand with Greek yoghurt or crème fraiche and summer berries.

Erin: Yum!! Yes I’ll definitely make that for us for tomorrow! Thanks for sharing that!

Dido’s Crown is a 1930s novel of intrigue that you describe as being inspired by Indiana Jones and John Le Carré. Two of my favorite things! Plus The Thin Man! I was thrilled when I found out your wrote a story about a woman who takes on a mystery during the political international landscape of 1935! Where did you come up with this idea?

Julie: I’m not sure if I can pinpoint how and where I came up with the concept. I knew I wanted to set a book in Tunisia; I’ve always been fascinated by North Africa, and Tunisia has an amazing history. So I knew I would set at least some of the book there. The plot itself definitely took more time and evolved over the years that I wrote it. It was initially going to be focused on Tom and Will and their time just before WWI, and at that point, the British Secret Service angle hadn’t appeared – it was initially about these two scholars at Oxford. I wish I could remember the moment that Mary showed up, because she of course changed everything.

Erin: Your novel travels around the globe with Mary. How did you research the locations during these time periods and bring them with such vivid description to the page?

Julie:Modern travel guidebooks were actually incredibly useful as a starting point, as I’ve not yet had the chance to visit Tunisia. YouTube was also great – lots of videos of modern Tunisia helped me understand the lay of the land. YouTube was also surprisingly helpful in terms of films of Tunisia at the time. And of course, the normal research you’d expect – contemporary and scholarly sources.

Erin: What background research on the history of this time period did you do and how factual is the foundation your fictional story rest upon?

Julie: Ahhhhh research! The 1930s was a really interesting time for Tunisia, politically speaking, so there was a lot of great scholarly research to tap into. As a matter of fact, I’ve posted a bibliography at my website with a small set of the books and articles I consulted. In terms of the 1930s, there were quite a few great resources, including The Thirties by Juliet Gardiner. The research on the British Secret Intelligence Service was a load of fun, and I particularly loved The Secret History of MI6 by Keith Jeffery.

The foundational information is factual – the SIS, the different stations, the influence of the Deuxième Bureau in colonial life, the Tunisian independence movement, etc. The origin story I created for numbers stations, while based on research into espionage techniques and what we know of numbers station history (which is very little), is pure fiction.

Erin: How did you learn to pace your novel in order to keep the action moving but yet also create your characters with dimension and depth?

Julie: Well, I hope I accomplished that…and if I did, I’m not quite sure how! To be very honest, this book was a bear for me to write. I had to devise ways to keep myself on track, not only with chronologies but also with motivations both at a macro (Secret Intelligence Service) level and a micro level (individual characters). Ultimately the action is accomplished by character, so those personalities and desires were the primary focus.

Erin: Talk about your cover a little bit and the thought behind it?

Julie: I was initially interested in using a painting called Olga by David Jagger (1935), because the subject is so very much like the Mary in my mind.


Olga by David Jagger / Submitted by Julie K. Rose

Unfortunately, I couldn’t obtain the rights for the painting, and I think in the end, it worked out better. I did a search at Bridgeman Art for “photograph” and “1935” and found the gorgeous photo I ended up using, which is held by a museum in New Zealand. I love the look of the woman – she feels self-contained, a little wistful, and a little mysterious. My brother had the genius idea of overlaying the map of Tunis, which gives the cover an interesting weathered look from afar, and a second layer of mystery when you see it up close.

Erin: The cover is amazing!! And your brother had a great idea. How long have you been working on the novel? What kind of steps do you put into the process?

Julie: I started working on the novel in 2011, when I was blocked in the midst of trying to finish my last book, Oleanna. That book was published in 2012 and I picked at Dido’s Crown for a bit, but then went through a period of depression and didn’t come back to the book again until the summer of 2015. The steps are pretty much the same as most writers: a very rough first draft, set it aside and percolate on it for a bit, do another draft, lather, rinse, repeat.

Erin: What did you find out about yourself through the process of writing Dido’s Crown?

Julie: I learned that droughts end, dark times pass, and the creative spark will still be there when you come back to it. It’s a very reassuring thing.

Erin: What did you learn about your writing and your process from the publication of Oleanna in 2012 to the your current release?

Julie:I learned to finally not just embrace the rewriting process, but actually enjoy it. I also learned to respect my creative rhythms more. And I knew this, but it was an important reminder: good critique partners and editors are worth their weight in gold.

Erin: You’ll always an inspiration to me, Julie. I really enjoy your motivational YouTube videos. Can you talk about why you prompted to do those, how they help you, and how you hope they help others? Will you keep doing them?

Julie: Oh my goodness, thank you! There are a couple of motivations behind the videos. The first is that I really wanted to try something that scared me. I had taken a public speaking training at work, in which everything we did was filmed. It was both scary and eye opening, and it gave me confidence. But presenting to a group of your colleagues is one thing; filming a video and posting it where any random stranger could see it was initially terrifying. Who the hell am I to take up space? Who the hell am I to have a voice? But there’s something that feels revolutionary and empowering about being seen, as a middle-aged woman, you know? And once I started doing the videos, I found I enjoyed the hell out of them. I like the whole process – writing the script, setting up the shot, filming, editing, etc.

As to the content: I feel like I just recovered my own creativity last year, and realized what a precious and important thing it is. This year has been absolutely insane, on a cultural and political front, and art and creativity are an important bulwark against the horror. I know it can be hard for people, especially women, to embrace their creativity and give themselves permission to do art and be creative. But it’s more important than ever.

I will definitely continue to do videos; I’m kind of addicted now. I may add to the Courage & Creativity series, and I have ideas for other series that could be a lot of fun.

Erin: I look forward to more videos. They truly help me!

What is the best snack you can eat when working your “second job” of writing, editing, promo, etc.? I want to see what’s in your secret snack drawer….

Julie: Oh gosh. I used to have a terrible bubble gum habit, which I’ve finally broken myself of. I don’t snack when I write, because I’m usually writing first thing in the morning before my day job, so if it’s anything, it’s some oatmeal or toast. But I always need to have something to drink – coffee (with sugar-free peppermint syrup!) or hot tea.

Erin: You must be a morning person! I find so many writers tell me they don’t snack when writing. I feel all I do is type five words – snack – type five words -snack. haha!

What do you think you want to write in the future? Do you have any plans or thoughts for topics?

Julie: I’m working on my next book now. It’s set in my home town of San José in 1906, right at the time of the great earthquake. The history of the Santa Clara Valley (now known as the Silicon Valley) is fascinating, and little known outside California, so I’m hoping to shed some light there.

Erin: If you could write a book about a woman in history, who would it be? If you could have 5 critique partners for the book, who would they be?

Julie:This is so tough. I love stories about regular folks, so I’d love to write something about what it was like to live through the troubles in Northumbria in the 6th and 7th centuries. If pressed to write about a famous woman, my first instinct is Boudicca, though I’d love to write someday about Princess Kristina of Norway. She was married to Philip of Castile in 1258, only to die four years later at the age of 28. She had wished a church honoring St. Olav be built, and her wish was finally granted 750 years later in Covarrubias in 2011.

Erin: Yes, now you must write of Princess Kristina!  Okay – a fun question. Your favorite coffee mug is….?

Julie: Is it sad that I have more than one? The “Please do not annoy the writer” mug is from a friend and is both funny and true. The Sons of Heptarchy Northumbria mug is via the British History Podcast and references the sons of Ida, the king of Bernicia. It makes me laugh every time I look at it. And the Good Mythical Morning mug is from my favorite morning show. 


Erin: So cool! I love to see people’s coffee/tea mugs. Give good insight!

If people dedicated a weekend to your book and wanted to throw in a movie to make the event complete, what would they watch? Feel free to give more than one suggestion.

Julie: Oh gosh! Well, pop some popcorn and settle in. Of course, I’d start with Raiders of the Lost Ark. Did you know the scenes that are set in Cairo were actually filmed in Tunis? Beyond that connection, it’s just a great adventure and I love the action, and of course Harrison Ford. I’d follow it up with The Thin Man (1934) with Myrna Loy and William Powell. The dialog is to die for, and it’s a great Hollywood version of the mid-1930s. Finally, if you’re still awake, definitely watch Design for Living (1933). Though based on Noël Coward’s 1932 play, it diverged quite a bit and I think it’s delightful. Plus: Gary Cooper and Frederic March. Come on.

Erin: It’s always a joy to have you on my site, dear friend. As always, I wish you the best of luck with your newest book. I’m so happy and excited for you! Cheers to another cup of hot tea (and mojitos tomorrow) – stay awhile and chat.

Julie: It is always such a pleasure to sit with you, my dear! Thank you always for your support and friendship, you’re such a delight! And yes, let’s keep chatting. These cookies are delicious!

02_dido%27s-crownDido’s Crown by Julie K. Rose

Publication Date: September 29, 2016
Paperback; 340 Pages
ISBN13: 9781365316333

Genre: Historical Fiction/Literary

Set in Tunisia and France in 1935, Dido’s Crown is a taut literary-historical adventure influenced by Indiana Jones, The Thin Man, and John le Carré.

Mary Wilson MacPherson has always been adept at putting the past behind her: her father’s death, her sister’s disappearance, and her complicated relationship with childhood friends Tom and Will. But that all changes when, traveling to North Africa on business for her husband, Mary meets a handsome French-Tunisian trader who holds a mysterious package her husband has purchased — a package which has drawn the interest not only of Britain’s Secret Intelligence Service, but the Nazis as well.

When Tom and Will arrive in Tunisia, Mary suddenly finds herself on a race across the mesmerizing and ever-changing landscapes of the country, to the shores of southern France, and all across the wide blue Mediterranean. Despite her best efforts at distancing herself from her husband’s world, Mary has become embroiled in a mystery that could threaten not only Tunisian and British security in the dangerous political landscape of 1935, but Mary’s beliefs about her past and the security of her own future.

Amazon | Barnes & Noble | IndieBound

03_julie-k-roseAuthor Julie K. Rose, Biography

A member of the Historical Novel Society and former reviewer for the Historical Novels Review, Julie lives in the Bay Area with her husband and rescue cats, and loves reading, following the San Francisco Giants, and enjoying the amazing natural beauty of Northern California.

Her historical adventure novel, Dido’s Crown, has released in September 2016.

Oleanna, short-listed for finalists in the 2011 Faulkner-Wisdom literary competition, is her second novel. The Pilgrim Glass, a finalist in the 2005 Faulkner-Wisdom competition and semi-finalist in the 2009 Amazon Breakthrough Novel Awards, was published in 2010.

For more information, please visit Julie K. Rose’s website. You can also find her on FacebookTwitterPinterest, and Goodreads.


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Review: Dido’s Crown by Julie K. Rose Whisks Readers on an Exciting Espionage Adventure

I’m excited to introduce you to Dido’s Crown by Julie K. Rose today! Check out my review as well as an excerpt of the book and come back by Wednesday when I have an interview with Julie! Enjoy!


Dido’s Crown by Julie K. Rose

Publication Date: September 29, 2016
Paperback; 340 Pages
ISBN13: 9781365316333

Genre: Historical Fiction/Literary

Set in Tunisia and France in 1935, Dido’s Crown is a taut literary-historical adventure influenced by Indiana Jones, The Thin Man, and John le Carré.

Mary Wilson MacPherson has always been adept at putting the past behind her: her father’s death, her sister’s disappearance, and her complicated relationship with childhood friends Tom and Will. But that all changes when, traveling to North Africa on business for her husband, Mary meets a handsome French-Tunisian trader who holds a mysterious package her husband has purchased — a package which has drawn the interest not only of Britain’s Secret Intelligence Service, but the Nazis as well.

When Tom and Will arrive in Tunisia, Mary suddenly finds herself on a race across the mesmerizing and ever-changing landscapes of the country, to the shores of southern France, and all across the wide blue Mediterranean. Despite her best efforts at distancing herself from her husband’s world, Mary has become embroiled in a mystery that could threaten not only Tunisian and British security in the dangerous political landscape of 1935, but Mary’s beliefs about her past and the security of her own future.


Julie K. Rose is another favorite author of mine, as well as one of my most favorite people. She has unique style about her that is timeless, and in a way, her books have a similar feel to them. Dido’s Crown, her latest book that is set to release Sept. 29, 2016, might represent Julie in her truest form and with her greatest work to date (which as she knows is high praise as I really love her book Oleanna!). I am so excited to have been able to read an advanced copy and start of her promotional tour (no pressure at all!!). No really – it’s an honor and I can sincerely tell you all that if you like historical novels of adventure with touches of espionage and noir-type elements, this book should be on your to-be-read soon list. While Oleanna took my breath away and is a book I’ll never forget, Dido’s Crown tapped in to my love of adventure, mystery, and espionage, making it an exciting and fun read. It was another good book to settle into and I read it from front to back in no time at all because I was so intrigued.

Julie always writes books with a strong female lead and the focus here is Mary, who quickly has things go somewhat awry for her after she travels to North Africa and is given a package that has everyone on the alert – from Britain’s Secret Intelligence to the Nazis. While at first I found all the cast of characters a bit confusing and thrown at the reader all at once, I quickly understood that she had to expediently introduce them all in order to create an action-packed start to keep the reader turning pages. I might not have done it quite this way, but in the end it worked out fine for the novel and as the initial action waned into the mystery, we get time to meet each of the characters and Mary’s complex relationships with them. In this way, it was a little more James Bond-esque than John le Carre (and yes – I LOVE both those authors with a passion) but in the end the le Carre reference was correct as to the way she creates tension and unfolds the story. The plot is much like a slow brewing espionage novel like Tinker Tailor Solider Spy, with extra effort from Julie into the personalities of her characters and introducing more witty banter.

This novel reads like an old noir black and white or colorized film to me. Her dialogue is appropriate for the time of 1935 and she makes us feel as if we have been transported to that time period. It almost reads like an older Agatha Christie novel, which I adore, for instance, one set overseas with Hercule Poirot such as Murder in Mesopotamia, or maybe Murder on the Orient Express. Dido’s Crown isn’t a true detective novel, as in there isn’t a detective on any case, but Mary does wind her way all over the globe due to this mystery with danger around every turn. It’s more the atmosphere created and the style of writing by Julie that reminds me of Agatha Christie. The noir-feel is true as well due to the time period and in reference to it being inspired partly by The Thin Man. I can see how this relates to the book through the dialogue and the personalities of the characters. Then again, it also has the feel of any great BBC offering where espionage is involved in the plot. The way the scenes are set in the book appear as if they are on Masterpiece Theater.

Julie did an amazing amount of research for this book in many different areas and it truly shows. I loved all the different places and settings the book takes us to around the world. I feel her work with the Arabic language and culture in the book was very well-done as well and highly accurate. She captured the sounds and sights of Tunisia so well I could almost sense being there. For not being an ex-spy (not that I know of anyway!), as le Carre was, she also has a good grasp on intelligence work which she must have also gleaned through diligent and dedicated research. She must have had to research from WWI through the start of WWII. As the political scene was a hot bed at the time, with Hitler emerging as well as Mussolini and Fascism issues, there were so many historical connections to research and connect for this novel to build its foundation. Then, of course there were all the languages and the history of Tunisia! Julie did a wonderful job of making the historical climate interesting and accurate, while still letting us hold on to our hats so to speak on this adventure.

There were exhilarating parts to the novel, tension-filled scenes, as well as a few as the story began to wrap up that made me shed tears. And yet, I smiled at the end. I hope there might be more to come? Julie created such an interesting woman in Mary, a woman full of confidence, wit, smarts, and a solid head on her shoulders. I’d love to see her tackle more work around the globe with a certain someone (don’t want to give a spoiler).

I loved Julie’s successful attempt at writing a historical espionage novel so much that I am looking forward to more. Dido’s Crown was like a highly entertaining special episode of the Amazing Race, set in the political turmoil of 1935 and with an added mystery. The old school suspense feel was totally on point. I bet John le Carre will be contacting Julie K. Rose as an asset in the very near future!


If you’d like to read some of the novel for yourself – check this passage out!

Everything in the ancient port town of Bizerte dazzled: the white stuccoed buildings, the shimmering golden sand, the bleached sails of the dhows, the shocking turquoise of the Mediterranean. Shielding their eyes against the brilliance, Tom Harris and Will Simpson, Englishmen edging inexorably and uncomfortably into middle age, fanned their rapidly pinking faces with their hats. Standing together on a sweeping balcony, very close but not quite touching, they watched the dhows glide lazily in the distance.

“This is more the thing, isn’t it?” Tom asked, nodding at the sparkling water and the brilliant North African sky. “Better than that dark mediaeval place back in the bowels of the old medina.”

Will sniffed. “You never could stand squalor for long.”

Tom looked over at him. “I wouldn’t call that squalor, necessarily.”

Will raised his eyebrows in response.

“Fine. I defer to your formidable store of knowledge on the subject of squalor,” Tom said, turning away and looking back out at the water.

Will sighed. “Don’t let’s argue. It’s this devilish heat that’s making us cross.”

They subsided into silence again, checking their watches more often than was strictly necessary. Tom turned his back on the view and looked at their waterfront villa. It was well appointed, well located, and, most importantly, the staff was discreet.

“I suppose my father was good for something after all. Filthy lucre and all that,” Tom said.

“Yes, but blessedly useful filthy lucre. Don’t get sentimental and moral on me now, dear.”

Tom opened his mouth to reply but was interrupted by the adhan of the mouathen, calling the faithful to prayer above the racket of automobile noise.

Will resumed fanning his flushed face. “Do you know, we’ve heard this scores of times these last few days, but I’ve never known exactly what he’s been saying.”

Tom smiled. Language, any language, made his skin tingle, his heart thrill. It always made significantly more sense than the people who spoke it. “Allahu Akbar, God is Greatest,” he translated. They listened silently, glancing occasionally at each other. “Hayyaʿalaṣ-ṣsalāt, come to prayer.”

“It sounds like music,” Will said.

Tom smiled, and he leaned closer as they listened to the ancient song flow through the streets. “Lāilāhaillā-Allāh, There is no God except the One God.”

The last melodic words of the call to prayer echoed away, and the busy streets of Bizerte slowed, like a wind-up toy creaking to a stop. Tom glanced at Will and they stepped back into the cool shade of their villa, closing the doors behind them.

If pressed, one would have to admit that they were neither of them cinema-handsome, yet admittedly there was an appealing sense of dash to them both. Will Simpson’s jaw was entirely too sloping, a great ski jump of a face. The wrinkles of middle age and a hard life scored his forehead under unruly dark hair which never seemed to be tamed by the pomade. His mouth, however, was full and sensuous, youthful and bewitching, often twisting in a wry grin.

Tom Harris was nearly as tall as Will, with individual features which would have been perfect on different people, but together looked strange under his curling dark hair: a weak chin, cupid’s bow lips, narrow icy cat’s eyes with deeply scored crow’s feet. When he laughed, he looked like a caricature; when in serious concentration, he was otherworldly and beautiful.

Tom tossed his fedora onto the desk alongside Will’s, smoothing back his hair and loosening his tie. He checked his watch and looked at Will, who was checking his own, unbuttoning his top button with one hand. At that moment, there was a knock on the front door, and a graceful young Tunisian man glided in with a tray, delivering a sweating bucket of ice, a carafe of water, two tiny steaming cups of strong coffee, and a small, orange-scented cake. He set the tray on the sideboard and paused, his eyes slightly widened.

“Merci,” Tom said.

The young man inclined his head. “Are you dining in this evening?” he asked in heavily accented English.

“No, but we will require breakfast in the morning.”

“Of course.Nine o’clock,” he said, raising his eyebrows, then held out his hand expectantly.

“D’accord, merci.” Tom gave the young man a 10-franc coin, ushered him out, and closed and locked the door behind him.

Will passed a demitasse to Tom. “So Saidini will be here at nine, then.”

Tom chuckled at the sudden flush on Will’s face and neck.

“You have a lot of cheek, Simpson,” he said. “He’s a contact, not a conquest.”

Will flashed Tom a mixed look of annoyance and fondness but didn’t deign to respond. Instead, he gestured Tom to the seat next to him and they sat carefully on the delicately carved but terribly uncomfortable olive wood chairs, sipping their bracing coffee. Tom looked up at the ceiling fan that did nothing but push the warm afternoon air around. “What now?” he asked.

“We wait.”

“I was afraid you’d say that,” he sighed.

After long, lethargic minutes, Tom stood and poured them both new glasses of water. He moved aside the orange cake, searching for a knife with which to cut it; as he did, he found a piece of paper folded neatly under the plate. He glanced at Will, then unfolded the note, which had all the appearance of having been scrawled hastily; an unnerving drop of something now iron-brown obscured the ragged ends of words on the right margin.

He read the note through three times. When the contents finally started making sense, he handed it to Will with a shaking hand. “Why?” he asked.

Will ignored him and read through the note, his jaw tightening almost imperceptibly. Tom knew exactly what that meant: he had 20 years’ experience keeping an eye on the subtle shift of Will’s emotions. Tom ran a hand through his hair again. “Why is she here?” He winced at the note of panic that had worked its way into his voice.

“Why does she do anything?” Will snapped.

Tom ignored the jab and began to pace. “When they realize she doesn’t have it…”

“I know. Now be quiet and make yourself useful.” He handed the note back to Tom, who pulled an elegant silver lighter from his pocket. He clicked the flame into life, and watched the paper curl into dust in the crystal ashtray on the sideboard.

“Damn her,” Will said under his breath, unlocking a drawer on the desk and pulling out a sheaf of papers, a dog-eared map, and a sleeve of ammunition.

The town around them rumbled to life again outside their doors. “Just when we’d escaped your squalor,” Tom said.

“Mmm,” Will said, not attending. “Go charm the manager, won’t you? Hand her some of that filthy lucre of yours.”

“Yes, yes, of course,” Tom said, heading for the door, half in a daze.

“We were so close, damn her. Always has to complicate things, doesn’t she?” Will asked.

Tom’s heart constricted, and he shrugged what could have been assent or a lifetime’s confusion. He stepped out into the bright, hot sunshine.



Purchase this thrilling novel today!

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03_julie-k-roseAuthor Julie K. Rose, Biography

A member of the Historical Novel Society and former reviewer for the Historical Novels Review, Julie lives in the Bay Area with her husband and rescue cats, and loves reading, following the San Francisco Giants, and enjoying the amazing natural beauty of Northern California.

Her historical adventure novel, Dido’s Crown, has released in September 2016.

Oleanna, short-listed for finalists in the 2011 Faulkner-Wisdom literary competition, is her second novel. The Pilgrim Glass, a finalist in the 2005 Faulkner-Wisdom competition and semi-finalist in the 2009 Amazon Breakthrough Novel Awards, was published in 2010.

For more information, please visit Julie K. Rose’s website. You can also find her on FacebookTwitterPinterest, and Goodreads.

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Talking with Susan Spann: Mystery Writing and Visiting Japan Over Sake

Today I have a marvelous interview with one of my favorite people and historical mystery writers, Susan Spann! I reviewed her fourth Shinobi mystery of feudal Japan last week, The Ninja’s Daughter. You can check that out here. Then, join us for jelly and sake as we talk about her work, her travels to Japan, and what’s upcoming in this marvelous series.


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Hi Susan!! Welcome back to Oh, for the Hook of a Book! I always love when you have a new book and drop by to see me (or when you don’t have a book out and drop by to see me – haha!). You are always interesting in so many ways. I was very excited for your fourth book, THE NINJA’S DAUGHTER and you didn’t disappoint. Of course, this summer you aren’t just returning from Japan like last summer, but you’re just as busy. What has your book release and summertime had you up to?

Susan: Hi Erin! Thank you so much for inviting me back – I love your blog and appreciate the chance to chat with you! This summer, I’m putting the finishing touches on next year’s Hiro Hattori novel, Betrayal at Iga, preparing the outlines for the next few in the series, and planning a research trip to Japan this autumn—when I’ll also be teaching two workshops at the 9th annual Japan Writers’ Conference.

Erin: You have a busy summer! It’s all gone so quickly and now I love seeing all four Spann titles on my bookshelf. I eagerly await more to come…and I love road trips. Come in and have seat. I’ve tried to prepare your favorite sake, I’m still a novice, so I hope you like it. And Hakuto peach jelly…I thought it was worth a try because I love peaches in the summer! I’ll serve it up and we’ll chat!



Caption: Hakuto Peach Jelly (Wiki)

Susan:  Japanese jellies are fantastic, and sake is always welcome! Such wonderful treats!

Erin: Though all your mysteries can be read as stand alone novels, how does it feel to see the progression of Father Mateo and Hiro as well as the fourth of the mysteries publishes?

Susan: I love spending time with Hiro and Father Mateo, and I enjoy it even more with each new novel. I try to write each mystery as a stand-alone book, so readers can enter the series at any point without feeling lost, but I definitely consider the ongoing story of Hiro and Father Mateo’s friendship an important part of the series, and I try to deepen that relationship with every new installment. I believe that some of the richest relationships we form are those we develop with people who are different from ourselves, and Hiro and Father Mateo give me the chance to explore that concept in my fiction.

Erin: What do you think each has learned over this time that has changed them for the better?

Susan: Medieval Japanese culture was surprisingly tolerant when it comes to religion and personal views—as long as people showed equal respect for the views of others. However, Hiro has had to learn a deeper level of tolerance when it comes to Father Mateo, and the priest has been good for smoothing some of Hiro’s rougher edges. In return, Father Mateo has learned to appreciate the Japanese sense of honor (which often conflicts with his Western sensibilities) and to balance his usually blunt approach with a greater sense of cultural politeness.

Erin: I know you do a lot of research into feudal Japan for your books, through reading, studying, and travel. In this newest book you had much surrounding the political atmosphere of the time. What did you learn or study for The Ninja’s Daughter? Why is it important?

Susan: I typically read 3-5 new research books for every novel, and consult a lot of historical sources and experts to ensure I have the details right. I set my novels during the 1560s precisely because of the turbulent political climate (Japan was on the brink of a war that ultimately led to its unification by Shogun Tokugawa Ieyasu at the start of the 17th century). War and political tension form an excellent backdrop for mystery, because of the increased dangers my protagonists have to face.

The main research for The Ninja’s Daughter actually involved Nōtheater, the traditional form of Japanese drama that features so heavily in the book. As usual, 99% of the research doesn’t make it onto the page—pacing and plot come first, as always—but I wanted the reader to feel immersed in the beautiful and often mysterious world of traditional Japanese theater.

For me, accurate details transform a novel from an interesting story into a living, breathing world for the reader to enjoy. I love novels that transport me to another time and place, and I try to do the same in my own books!

Erin: I always like how you showcase a different part of Japanese culture and history in each book as well, such as in this one you focus on the Kyoto theater guilds. I know socially, it was looked upon as shameful. Can you talk more about this? Why you chose it as backdrop for your mystery, the history of it, and how someone might find more information on it if they are interested?

Susan: Medieval Japanese society rested on a four-tiered system of social classes, with samurai (nobles) at the top, followed by farmers (this surprises many people, but samurai considered the farmers more important because they grew the rice that formed the foundation of Japan’s monetary system), artisans, and merchants. Merchants sat at the bottom, despite their wealth, because they did not produce anything on their own, but merely traded in the fruits of others’ labors.

Beneath and outside these social classes were several other groups of people—most of whom were outcastes and all of whom were considered less valuable than those who lived within the standard structure. While not entirely untouchable, actors (and other entertainers) were considered “outsiders” and often referred to by names I don’t actually use in my novels because of their negative social charge. That made this mystery fun to write, because the issues of class and society added another layer of meaning to the story.

Noh Theatre is a fascinating topic. You can find a number of performances on YouTube, and readers who want to learn even more may want to check out Zeami’s original medieval treatise, The Spirit of Noh (https://www.amazon.com/Spirit-Noh-Translation-Treatise-Fushikaden/dp/1590309944) which is one of the founding documents on which the discipline rests, even today.

Erin: Japan has rich and deep history. What are some of the favorite things you’ve come across in your visits to Japan? Favorite places and things? 

Susan: How much time do I have? I can go on, and on, and on…

One of my favorite places in Japan is Fushimi Inari Taisha (Shrine), in Fushimi, just south of Kyoto. I used it as a setting in The Ninja’s Daughter because Nō plays were often performed there during the 16th century. The stage in the photo below did not exist at that time (they used a temporary stage) but the setup of the stage itself would have been similar even in that era.



Fushimi Inari is located on Mt. Inari, and is sacred to Inari Ōkami, patron of agriculture, rice, swordsmiths, merchants, fertility, foxes and many other things (Inari gets around); the shrine is famous for its thousands of bright red torii, Shintō gates that mark the entrance to a sacred space. The gates line the mountain’s slopes all the way to the top:

15K09 Inari 3.jpg


Another of my favorite locations in Japan is Itsukushima Shrine, which sits on the island of Miyajima, across the strait from Hiroshima. The Great Torii at the entrance to Itsukushima is one of Japan’s best-known iconic symbols, and it even survived the bombing of Hiroshima during World War II:

15L28 Great Torii.jpg


Miyajima is also home to thousands of sacred deer (sika) which have no fear of humans, as this photograph of my son demonstrates:



Itsukushima Shrine is unusual, because the shrine is built below the high tide line, on stilts, and when the tide comes in the shrine’s buildings appear to float on the water:

15K09 Isonokami 1.jpg


It’s one of the most serene and beautiful places in Japan, and I can’t wait to return.

Erin: At this point, I am sure that Mateo and Hiro are very real to you as they are to those of us who have followed the series. What other characters speak to you now as the series progresses? What new characters might we look forward to in future books?

Susan: Next year’s Betrayal at Iga takes Hiro and Father Mateo back to Hiro’s ancestral home in the mountainous village of Iga, home of his ninja clan, the Igaryu. In 1565, the Igaryu was led by the infamous Hattori Hanzo (later, known as “Devil Hanzo”), one of Japan’s most famous historical ninja. I’ve been looking forward to bringing him into the series, and hopefully my portrayal does him justice.

Betrayal at Iga also gives readers the chance to meet the women who played an important role in Hiro’s life: his mother, his grandmother, and the woman who left the scars on Hiro’s shoulder and inner thigh.

Erin: Speaking of future books, and without giving too much away, what are your plans for the series? I’m excited to find out what we might be looking forward to…

Susan: At the end of The Ninja’s Daughter, Hiro and Father Mateo head into the mountains east of Kyoto to visit Hiro’s ninja clan. As expected, things don’t go entirely smoothly in Iga, and the end of book 5 will find them once again on the road, with a mission to complete. Each of the next five books in the series will take them to a new location, giving me (and readers) a chance to explore some fun new settings before the series returns to Kyoto.

Erin: You’re busy being active, practicing law, and raising your seahorses and marine life, not to mention you have a family you must assist. Plus you teach writers at various retreats and seminars around the country. You’re a woman I highly admire. How do you become so disciplined to do it all?

Susan: I’m a big believer in lists and schedules. Normally, I practice law in the mornings and write in the afternoons, except on Tuesdays, when I mentor a local high school student in the morning (and, as usual, write in the afternoon). Weekend days are writing days, too.

It helps that I have a wonderful husband who became a stay-home dad when our son was eight. Now that our son is a senior in college, my husband works mostly as “mission control,” taking care of the house and the seahorses when I’m out of town. He’s trained as an artist, and used to work in the video game industry, so he understands and supports my writing completely. I’m very blessed to have him in my life.

Erin: I think I ask you something similar every time, but will you have any settings in an aquarium or featuring marine life? I can only picture you taking them there at some point after viewing your daily home aquarium updates. Considering? (hint hint)

Susan: The closest I’ve been able to get so far is fugu (pufferfish) poisoning, which will play a role in a future book. Sadly, the fish doesn’t make it. (Is that a spoiler?) I do love my seahorses and my reef, and would love to find some way to include that passion in my writing. Don’t give up hope—I might find a way to make it happen!

Erin: Do you have plans to write additional books beyond the Shinobi mystery series? If you could, what or who would you write about?

Susan: I actually do have a new project in the works, which my agent and I are extremely excited about. I can’t say anything more than that quite yet, but I can tell you that this autumn’s research trip to Japan is not only for the next few books in the Shinobi series. I’m researching another project there as well.

Erin: What else do you have planned for this year that excites you? I know you will be heading to Japan once again, and this time, to teach!

Susan: Yes! I’m thrilled to be presenting two workshops at the 9th annual Japan Writers’ Conference (http://www.japanwritersconference.org) in Tokushima on October 28 & 29. After that, I’m staying in Japan for another two weeks’ worth of research—at the height of foliage season!

Before I head to Japan, I’m teaching at the Rocky Mountain Fiction Writers’ Colorado Gold Conference September 9-11, and also attending and speaking on the Historical Mystery panel at Bouchercon (the World Mystery Convention) in New Orleans, September 15-18. It’s going to be an exciting autumn!

Erin: Thank you so much, Susan, for stopping by for sake, jello, and book talk! I look forward more books from your in the future and our continued friendship. I can’t wait to hear all about your fall trip!

Susan:  Thank you so, so much for inviting me, Erin! It’s always wonderful to talk with you, and I look forward to sharing photos from my trip online, both while I’m there and after I return!

The Ninja’s Daughter: A Hiro Hattori Novel by Susan Spann

Publication Date: August 2, 2016
Seventh Street Books
eBook & Paperback; 230 Pages

Series: Hiro Hattori Novels/Shinobi Mysteries
Genre: Historical Mystery

Autumn, 1565: When an actor’s daughter is murdered on the banks of Kyoto’s Kamo River, master ninja Hiro Hattori and Portuguese Jesuit Father Mateo are the victim’s only hope for justice.

As political tensions rise in the wake of the shogun’s recent death, and rival warlords threaten war, the Kyoto police forbid an investigation of the killing, to keep the peace–but Hiro has a personal connection to the girl, and must avenge her. The secret investigation leads Hiro and Father Mateo deep into the exclusive world of Kyoto’s theater guilds, where they quickly learn that nothing, and no one, is as it seems. With only a mysterious golden coin to guide them, the investigators uncover a forbidden love affair, a missing mask, and a dangerous link to corruption within the Kyoto police department that leaves Hiro and Father Mateo running for their lives.

In The Ninja’s Daughter, Susan Spann’s poetic voice brilliantly captures the societal disparities, political intrigues, and martial conflicts of sixteenth-century Japan through the persevering efforts of ninja detective Hiro Hattori to solve a murder authorities consider of no consequence.” -JEFFREY SIGER, International Bestselling Author

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About the Author

For more information please visit Susan Spann’s website. You can also follow her on FacebookTwitter, and Goodreads.

Susan Spann is the author of three previous novels in the Shinobi Mystery series: Claws of the Cat, Blade of the Samurai, and Flask of the Drunken Master.

She has a degree in Asian Studies and a lifelong love of Japanese history and culture. When not writing, she works as a transactional attorney focusing on publishing and business law, and raises seahorses and rare corals in her marine aquarium.

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